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themoleman342
Joined: 21 Oct 2007 Posts: 2190 Location: East Coast (CT), U.S.A.
Expire: 2013-01-24
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Posted: Sat Nov 08, 2008 3:06 am Post subject: Why takumar f1.8 and f2? |
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themoleman342 wrote:
I was wondering if anyone knows why Takumars were produced both in f2 and f1.8 in both 55mm and 50mm. Just a marketing ploy? Are there any considerable quality differences? I apologize if this question has been raised before. Thanks
~Marc |
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Sat Nov 08, 2008 5:04 am Post subject: |
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luisalegria wrote:
Thats a good question.
It looks like the 55/2 was meant to be a little cheaper, as it was standard on the lower-end Spotmatics like the SP500 and SP1000.
One has to wonder about the utility of this distinction though. Its not obviously a cheaper lens to make. _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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Prometheus
Joined: 27 Feb 2008 Posts: 878 Location: Garphyttan, Sweden
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Posted: Sat Nov 08, 2008 10:04 am Post subject: Re: Why takumar f1.8 and f2? |
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Prometheus wrote:
themoleman342 wrote: |
Just a marketing ploy? |
Yes, from what I've heard, this is the case. There's not supposed to be much difference. _________________ Retrocamera.net |
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Nesster
Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
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Posted: Sat Nov 08, 2008 11:02 am Post subject: |
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Nesster wrote:
There's a theory that the lenses a bit further out of tolerance were set to f/2 - ie. the ones that didn't pass muster at 1.8. That however sounds like bunk as it would be more costly to do the test and adjustment... so I'm with the marketing theory... Pentax did that with the cameras too, selling a cheaper but near identical body but with the 1000 speed missing - yet the setting's there and the shutter's able to do 1000. _________________ -Jussi
Camera photos
Print Photographica
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peterqd
Joined: 28 Feb 2007 Posts: 7448 Location: near High Wycombe, UK
Expire: 2014-01-04
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Posted: Sat Nov 08, 2008 1:46 pm Post subject: |
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peterqd wrote:
I looked at the dates on the AOHC site to see if they give a clue. Except for 1960-61 when the 55/2 had a break, both versions were in continuous production through various versions from 1958-1975. The details of the optical design are indentical. I think this backs up the marketing argument too.
But in those days it was much more difficult to control the consistency of quality we are used to today. I can well imagine the QC department dividing the glass into good and not-so-good, and labelling the lenses 1.8 and 2.0 respectively. _________________ Peter - Moderator |
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peterm1
Joined: 06 Dec 2007 Posts: 224
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Posted: Mon Nov 10, 2008 1:14 am Post subject: |
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peterm1 wrote:
I had previously read that it was due to marketing, with the lenses being essentially the same. They are good performers incidentally.
I think there was a time when it made marketing sense to have a lens that was marked f1.8 rather than f2. And if my memory is also correct, Nikon did exactly the same - their early 50mm f2 and their later 50mm f1.8 are said to be identical or nearly so. Perhaps this is what triggered Pentax to respond in the smae way.
Asahi Optical Co did this kind of thing on at least on other occasion - The instance that comes to mind relates to their cameras. They marketed one (was it the S1? I cannot recall without getting out my books and or the cameras themselves) which had a 1/1000 top speed. They decided to market a lower specc'ed cheaper one with a top speed of 1/500 - the S1a if memory serves my correct.
All they changed was the top plate of the camera which no longer had the 1/1000 position marked on it. You could in fact still use the camera at this speed, with the shutter set at the blank position for 1/1000.
Purely marketing! I guess it was cheaper to do this and to sell the camera for less (hence appealing to a new market demographic) than it was to re-engineer the camera and do it properly.) _________________ PeterM |
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themoleman342
Joined: 21 Oct 2007 Posts: 2190 Location: East Coast (CT), U.S.A.
Expire: 2013-01-24
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Posted: Mon Nov 10, 2008 1:23 am Post subject: |
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themoleman342 wrote:
Very interesting! For some reason my search for an all-round standard always comes back to Takumar. I have so many 50ish lenses already it's hard to imagine getting another one though.
I heard about the speeds on the camera before. I find that just hilarious.
Thanks everyone! |
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peterm1
Joined: 06 Dec 2007 Posts: 224
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Posted: Mon Nov 10, 2008 3:38 am Post subject: |
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peterm1 wrote:
Yes I understand that - I went thru a phase where I just could not get enough Takumars. As a result I probably have 80% of the ones made in the Takumar / auto Takumar / Super Takumar / SuperMultiCoated Takumar series plus some SMC Takumars. I then stopped buying but there are a couple I still would not mind owning. (like the auto takumar 105mm which I have never seen in Australia and have only ever found on eBay.) The reason is the build quality and optical quality. While there may be some European lenses that better some of these in optical performance, the European lenses tend to quirky in design and there is no other brand of M42 mount lenses that are so consistently good across the board. _________________ PeterM |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Mon Nov 10, 2008 3:08 pm Post subject: |
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A G Photography wrote:
I'd just wish to have an old Tak 58/2 _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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themoleman342
Joined: 21 Oct 2007 Posts: 2190 Location: East Coast (CT), U.S.A.
Expire: 2013-01-24
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Posted: Mon Nov 10, 2008 3:52 pm Post subject: |
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themoleman342 wrote:
Quote: |
I'd just wish to have an old Tak 58/2 |
I've heard of this one...a atypical kind of optical design for SLRs no? |
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A G Photography
Joined: 11 May 2008 Posts: 1480 Location: Bologna - Italy
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Posted: Tue Nov 11, 2008 9:06 pm Post subject: |
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A G Photography wrote:
themoleman342 wrote: |
Quote: |
I'd just wish to have an old Tak 58/2 |
I've heard of this one...a atypical kind of optical design for SLRs no? |
I guess it's one of the few SLR lens with a Heliar design.
Unfortunately the only one I saw on sale was at Adorama and wasn't cheap. _________________ Alessandro
My Photography Website
My Blog about Photography and Italian Cuisine
My Photostream on Flickr
--------------------------------------------------------
DSLR: Nikon d80, Olympus e410
SLR: Chinon CX, Fujica ST605n, Nikon f601, Pentacon FM, Pentax Spotmatic SPII, Praktica FX, Praktica FX2, Voigtlander VST1, Yashica FX-3, Zeiss Contaflex
RF: Altissa Altix, Zorki Ie, Kiev 4b
Medium Format: Pentacon Six TL, Zeiss Ikonta 520/2, Mockba 4, Voigtlander Bessa I, Agfa Isolette II, Agfa Isola
Large Format: Cambo SC 4x5, Rodenstock Sinaron 150/5.6, Rodenstock Rodagon 150/5.6, Schneider Kreuznach Symmar 180/5.6
Lenses
Nikkors: 28/3.5 AIS, 35/2, 50/1.8, 50/2 H, Micro 55/3.5, Micro 60/2.8, 85/1.8, 135/3.5 AI, 200/4 NAI, 18-55/3.5-5.6, 28-80/3.5-5.6, 55-200/4-5.6
CY: Distagon 28/2.8, Planar 50/1.4, Yashika 50/1.7, Sonnar 135/2.8
CZJ m42-Exakta: Flektogon 20/4, Flektogon 35/2.8, Tessar 40/4.5, Tessar 50/2.8, Pancolar 50/1.8, Pancolar 50/2, Biotar 58/2, Biotar 75/1.5, Tessar 80/2.8, Sonnar 135/3.5, Sonnar 135/4, Triotar 135/4
CZJ P6: Flektogon 50/4, Flektogon 65/2.8, Biometar 80/2.8, Biometar 120/2.8, Sonnar 180/2.8
Meyer-Pentacon: Orestegon 29/2.8, Pentacon 29/2.8, Lydith 30/3.5, Primagon 35/4.5, Helioplan 40/4.5, Domiplan 50/2.8, Primotar 50/3.5, Oreston 50/1.8, Primoplan 58/1.9, Orestor 100/2.8, Trioplan 100/2.8, Helioplan 135/4.5, Orestor 135/2.8, Pentacon 135/2.8, Primotar 135/3.5, Primotar 180/3.5, Telemegor 180/5.5, Orestegor 200/4, Pentacon 200/4, Orestegor 300/4, Telemegor 300/4.5, Telemegor 400/5.5
Schneider-Kreuznach: Curtagon 28/4, Curtagon 35/2.8, Xenon 50/1.9, Xenar 50/2.8, Tele Xenar 135/3.5, Tele Xenar 200/4
Russians: Arsat Zodiak 30/3.5, Mir-I 37/2.8, Volna-9 50/2.8, Industar-50 50/3.5, Industar-61 50/2.8, Helios 44 58/2, Helios 44-2 58/2, Helios 44-M-4 58/2, Volna-3 80/2.8, Helios 40 85/1.5, Jupiter 9 85/2, Jupiter 11 135/4
Others: Chinon-Tomioka 55/1.4, Helios 28/2.8, Isco Iscotar 50/2.8, Konica Hexanon 40/1.8, Ludwig Meritar 50/2.9, Schacht Travegon 35/3.5, Schacht Travenon 135/4.5, Sekor 55/1.8, Sigma MF 28/2.8, S-Takumar, 28/3.5, S-Takumar 50/1.4, S-Takumar 55/1.8, S-Takumar 55/2, Steinheil Quinar 135/2.8, Steinheil Culminar 135/4.5, Vivitar 135/2.8, Voigtlander Ultron 50/1.8, Yashica Yashinon DX 50/1.4, Zuiko MC Auto-W 28/2.8
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voytek
Joined: 24 Nov 2009 Posts: 891
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Posted: Tue Nov 11, 2008 10:02 pm Post subject: |
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voytek wrote:
Rare offered takumar Click here to see on Ebay _________________ Cheers, Voytek |
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peterqd
Joined: 28 Feb 2007 Posts: 7448 Location: near High Wycombe, UK
Expire: 2014-01-04
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Posted: Tue Nov 11, 2008 10:16 pm Post subject: |
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peterqd wrote:
@voytek: When you post a link to Ebay, you only need to copy and paste the item number between the Ebay tags, not the full URL. I've corrected it for you! _________________ Peter - Moderator |
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Abbazz
Joined: 23 Jun 2007 Posts: 1098 Location: Jakarta
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Posted: Wed Nov 12, 2008 1:54 am Post subject: |
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Abbazz wrote:
A G Photography wrote: |
themoleman342 wrote: |
Quote: |
I'd just wish to have an old Tak 58/2 |
I've heard of this one...a atypical kind of optical design for SLRs no? |
I guess it's one of the few SLR lens with a Heliar design.
Unfortunately the only one I saw on sale was at Adorama and wasn't cheap. |
Are you talking about the Takumar 58/2.4 or the 58/2.0 lens? Both lenses are a tribute from Asahi Optical Co. to the classic (read: German) optical designs.
The 58/2.4 is a rare example of a lens designed for 35mm format using the 5 element 3 group Heliar formula. All the classical Heliar lenses made by Voigtländer were designed to be fitted on medium or large format cameras, because the Heliar design was thought not to have enough sharpness for small format applications. With the progress made in the field of optical glass manufacturing, Asahi was able to design a Heliar suitable for 35mm cameras. This lens was a bit soft wide open but sharpness greatly improved from F/4. The bokeh, as expected, was to die for.
The Takumar 58/2.4 first appeared in 1955 in M37 mount as an alternative standard lens for the Asahiflex IIa -- the normal lens being the Takumar 50/3.5, another classical design, a Tessar formula. Then in 1957, the lens was adapted to the new M42 mount to be sold with the original Asahi Pentax. It was only manufactured for a few months, before being supplanted by the Takumar 55/1.8.
The Takumar 58/2.4 is rather uncommon but not rare, at least in M37 mount. I have three samples of this lens, two in M37 and one in M42. The best way to get this lens for free is to look for an Asahiflex IIa or Asahi Pentax camera sold with its original lens, and then to resell the camera body for the same price you bought the whole set.
As for the 58/2, it is a rare Sonnar design also dating back from 1957 -- I think there is no other normal lens for 35mm SLRs using the Sonnar design. I don't have this lens but, according to what I know of other Sonnar lenses, it is certainly a great performer.
Cheers!
Abbazz _________________ Il n'y a rien dans le monde qui n'ait son moment decisif, et le chef-d'oeuvre de la bonne conduite est de connaitre et de prendre ce moment. - Cardinal de Retz
The 6x9 Photography Online Resource:
http://artbig.com/
Last edited by Abbazz on Wed Nov 12, 2008 2:47 am; edited 2 times in total |
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Abbazz
Joined: 23 Jun 2007 Posts: 1098 Location: Jakarta
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Posted: Wed Nov 12, 2008 2:16 am Post subject: Re: Why takumar f1.8 and f2? |
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Abbazz wrote:
themoleman342 wrote: |
I was wondering if anyone knows why Takumars were produced both in f2 and f1.8 in both 55mm and 50mm. Just a marketing ploy? Are there any considerable quality differences? I apologize if this question has been raised before. Thanks
~Marc |
Hi Mole (is this a reference to Atlantis?),
There is no optical difference whatsoever between these two lenses. As stated by others, this is pure marketing: Pentax needed a "cheaper" lens to sell in entry level kits, so a limiter ring was inserted inside the light path of the 55/1.8 lens to reduce the maximum aperture to F/2.0.
According to G. van Oosten, it is quite easy to remove the limiter ring inside the first version of the 55/2.0 lens, turning it into a fully functional 1.8 lens.
Cheers!
Abbazz _________________ Il n'y a rien dans le monde qui n'ait son moment decisif, et le chef-d'oeuvre de la bonne conduite est de connaitre et de prendre ce moment. - Cardinal de Retz
The 6x9 Photography Online Resource:
http://artbig.com/ |
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voytek
Joined: 24 Nov 2009 Posts: 891
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Posted: Wed Nov 12, 2008 8:24 am Post subject: |
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voytek wrote:
peterqd wrote: |
@voytek: When you post a link to Ebay, you only need to copy and paste the item number between the Ebay tags, not the full URL. I've corrected it for you! |
Thank you _________________ Cheers, Voytek |
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