patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
|
Posted: Sun Sep 30, 2007 11:20 pm Post subject: |
|
|
patrickh wrote:
It's like choosing between best and bester. I think the OOF rendition of the Contax (to my absolute amazement) is the better of the two. Colour is typically a) subjective and b) treatable and both lenses here give the impression of faithful rendering (ie I could accept either as being what was photographed).
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Mon Oct 01, 2007 5:25 pm Post subject: |
|
|
Orio wrote:
LucisPictor wrote: |
It seems that either lens is great, but actually, I think I would prefer the Leica lens for digital shots and the Planar for film shots.
The "cooler" impression of the Leica is IMHO a better basis for digital post-production, there's a higher flexibility. Whereas the Planar gives you already those results on film, I would look for. |
With the exception of Summicron-R 50, all my Leicas give a more detailed rendition than my Contax lenses.
I, however, I am not much into post-processing with computer. I think that there are 2-3 things that are very useful in RAW processing, that is:
- tune white balance
- use extra dynamic range to fill shadows and/or lower highlights (as opposed to raising-lowering curves in Photoshop from a TIF, which is always noisy)
- apply necessary sharpening.
I stop there basically. I think that any other operation, such as saturating colours, or changing curves, etc. degrades the quality of the image.
I am much in favour of staying faithful to what comes out of the camera.
With these premises, I find myself liking better Contax lenses, and Russian lenses as well, because they give me that "film feel" also in digital images.
While on the contrary, the surgical sharpness of Leica lenses and of some Nikon, Tamron and Takumar lenses feels "too much" for digital, which is already a "cold" medium.
So to recap I think I am of the opposite feeling compared to yours I prefer Contax and Russian on digital because they give me the "filminess", while on film, I think Leicas and some of the sharpest Japanese can make up, with their sharpness and analytical rendition, for the less detailed medium. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|