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Orio

Joined: 24 Feb 2007 Posts: 26838 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 02, 2008 12:53 am Post subject: 100% crop details from a Distagon 2.8/28 image |
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Please refer to this thread for reference:
http://forum.mflenses.com/a-walk-with-distagon-2-8-28-mm-t11152.html
This is the whole photo resized (hand held, f/5.6):
And these are 100% unsharpened crop details from it:
 _________________ Orio, Administrator
I AM CURRENTLY SELLING A LOT OF GREAT LENSES, PLEASE HAVE A LOOK: - Leitz Wetzlar (Leica) Hektor 4.5/135 L39 Steinheil Muenchen 4.5/135 Culminar M42
MC Macro-Revuenon 2.8/35 M42 Kenko Teleplus MC4 2x CY Yashica 2/55 DSB CY Contax 167MT camera Nikon F70 camera various Praktica M42 cameras Polar Automatic 2.8/35 M42 -
Meyer-Optik Goerlitz Primagon 4.5/35 M42 Canonet QL17 G-III camera - Carl Zeiss Vario-Sonnar T* 3.3-4.5/35-135 Contax CY
Leitz Elmarit-R 2.8/35 third (best) edition Leica-R - Carl Zeiss Jena Sonnar 2.8/180 MC Carl Zeiss Jena Sonnar 4/300 MC
Super-Multi-Coated Takumar 3.5/135 M42 Voigtlaender Septon 2/50 for Bessamatic with EOS adapter Pentacon Electric 2.8/100 M42 (Orestor's latest version)
Carl Zeiss Jena Pancolar 1.8/80 MC M42 Carl Zeiss Jena Flektogon 4/50 (zebra) Carl Zeiss Jena Tessar 2.8/50 aluminium *12 blades* M42 Carl Zeiss Jena Tessar 4.5/40 aluminium red T *10 blades* M42
LINK TO MY SHOP - currently for sale 18 lenses and 7 cameras. |
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Attila

Joined: 24 Feb 2007 Posts: 44750 Location: Budapest,Hungary
Expire: 2012-11-18
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Posted: Thu Oct 02, 2008 12:55 am Post subject: |
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Yeah, CARL ZEISS! _________________ Attila - admin
Items on sale on Ebay
35mm: Konica A4, Konica IIIA, Konica FC-1
MF: Konica Pearl I,II,III 6x4,5 Konica Semi Pearl
Film: Foma,Kodak, Fuji DIY development C41, FOMA LQR
Scan: Epson V500, scanassist (http://www.scanassist.org)
Shutter tester: LCD tester from member vfmoto
Digital: Panasonic G1, Sony Nex-3, Samsung NX100
Lenses: Konica Hexanons,Carl Zeiss,Carl Zeiss Jena,Meyer-Optik,Minolta MD,Yashica ML,Nikon,Olympus OM
DIY E-6,C41 and B&W
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Katastrofo

Joined: 26 Feb 2007 Posts: 9067 Location: USA
Expire: 2012-11-18
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Posted: Thu Oct 02, 2008 12:55 am Post subject: |
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I love that lens! I hate you, Orio!  |
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Orio

Joined: 24 Feb 2007 Posts: 26838 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 02, 2008 12:57 am Post subject: |
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| Katastrofo wrote: | I love that lens! I hate you, Orio!  |
 _________________ Orio, Administrator
I AM CURRENTLY SELLING A LOT OF GREAT LENSES, PLEASE HAVE A LOOK: - Leitz Wetzlar (Leica) Hektor 4.5/135 L39 Steinheil Muenchen 4.5/135 Culminar M42
MC Macro-Revuenon 2.8/35 M42 Kenko Teleplus MC4 2x CY Yashica 2/55 DSB CY Contax 167MT camera Nikon F70 camera various Praktica M42 cameras Polar Automatic 2.8/35 M42 -
Meyer-Optik Goerlitz Primagon 4.5/35 M42 Canonet QL17 G-III camera - Carl Zeiss Vario-Sonnar T* 3.3-4.5/35-135 Contax CY
Leitz Elmarit-R 2.8/35 third (best) edition Leica-R - Carl Zeiss Jena Sonnar 2.8/180 MC Carl Zeiss Jena Sonnar 4/300 MC
Super-Multi-Coated Takumar 3.5/135 M42 Voigtlaender Septon 2/50 for Bessamatic with EOS adapter Pentacon Electric 2.8/100 M42 (Orestor's latest version)
Carl Zeiss Jena Pancolar 1.8/80 MC M42 Carl Zeiss Jena Flektogon 4/50 (zebra) Carl Zeiss Jena Tessar 2.8/50 aluminium *12 blades* M42 Carl Zeiss Jena Tessar 4.5/40 aluminium red T *10 blades* M42
LINK TO MY SHOP - currently for sale 18 lenses and 7 cameras. |
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F16SUNSHINE


Joined: 20 Aug 2007 Posts: 5479 Location: Left Coast
Expire: 2011-11-18
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Posted: Thu Oct 02, 2008 12:58 am Post subject: |
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That is quite a lens.
One of the true "bargains" as well.
The big 3 can not compete with this FL for 3 times the price.  _________________ Moderator |
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Orio

Joined: 24 Feb 2007 Posts: 26838 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 02, 2008 1:04 am Post subject: |
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The thing that amazes me the most, is how "3D" it looks in the second and third enlargement. I feel like if I can hold the marble! _________________ Orio, Administrator
I AM CURRENTLY SELLING A LOT OF GREAT LENSES, PLEASE HAVE A LOOK: - Leitz Wetzlar (Leica) Hektor 4.5/135 L39 Steinheil Muenchen 4.5/135 Culminar M42
MC Macro-Revuenon 2.8/35 M42 Kenko Teleplus MC4 2x CY Yashica 2/55 DSB CY Contax 167MT camera Nikon F70 camera various Praktica M42 cameras Polar Automatic 2.8/35 M42 -
Meyer-Optik Goerlitz Primagon 4.5/35 M42 Canonet QL17 G-III camera - Carl Zeiss Vario-Sonnar T* 3.3-4.5/35-135 Contax CY
Leitz Elmarit-R 2.8/35 third (best) edition Leica-R - Carl Zeiss Jena Sonnar 2.8/180 MC Carl Zeiss Jena Sonnar 4/300 MC
Super-Multi-Coated Takumar 3.5/135 M42 Voigtlaender Septon 2/50 for Bessamatic with EOS adapter Pentacon Electric 2.8/100 M42 (Orestor's latest version)
Carl Zeiss Jena Pancolar 1.8/80 MC M42 Carl Zeiss Jena Flektogon 4/50 (zebra) Carl Zeiss Jena Tessar 2.8/50 aluminium *12 blades* M42 Carl Zeiss Jena Tessar 4.5/40 aluminium red T *10 blades* M42
LINK TO MY SHOP - currently for sale 18 lenses and 7 cameras. |
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LucisPictor


Joined: 26 Feb 2007 Posts: 15563 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2012-12-03
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Posted: Thu Oct 02, 2008 8:57 am Post subject: |
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This is simply amazing!!!  _________________ Carsten, Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://tinyurl.com/6czngr4
Sets:
Sony NEX-7 / NEX-3 - Tamron 2.5/24, Pentax-110 2.8 (18/24/50/70), Fujian CCTV 1.7/35, PEN Zuiko 1.8/38, Hexanon 1.8/40 & 1.4/57, Rokkor 3.5/28 & 2/45, Jupiter3 1.5/50, Schneider-Kreuznach Tele-Xenar 3.8/75, Leica Hektor 4.5/135, Sony SEL 2.8/16 & 18-55 OSS & 55-210 OSS, Sigma EX 2.8/30
Canon EOS 5D - Zenitar 2.8/16, Rokkor 2/28, Summicron-R 2.0/50, Nikkor-SC 1.2/55, Nikkor 1.8/85, Tamron 2.5/135, Elmar 4/180, Tamron 8/500, Tamron 2.8-3.8/35-80, Sigma EX 15-30, Tokina AT-X Pro 28-70
Canon EOS 40D - Sigma 1.8/24, Canon EF 1.8/50, Tokina AT-X Pro 24-200 (EOS)
Canon EOS 300D - Steinheil 2.8/35, Zuiko 1.4/50, Helios-44 2/58, Jupiter-9 2/85, Vivitar S1 2.3/135, Tokina 4/28-85
Nikon D1 - Tamron 2.5/28, MIR 2/35, Jupiter-37 3.5/135, Soligor 4-5.6/60-300, Soligor 3.5/70-220, Tokina AT-X Pro 24-200
Pentax K100D - Pentax 2.8/28, Pentax-M 1.7/50, Rikenon 3.4-4.5/35-70
Sigma SD9 - CZJ Flek 4/20, Vivitar 2.8/28, Tamron 3.5/35-70, Industar 3.5/5cm
Nikon F - Nikkor 2.8/24, Nikkor-SC 1.4/50
Asahi Spotmatic SPII, Mamiya 1.8/55
EXA Varex - CZJ Biogon 2/58
Zorki-4 - Jupiter 2.8/35, Jupiter8 2/50
Leica IIIa syn - Leica Summitar 2/5cm, Leica Elmar 4/90
Leica C2, Minox 35 GL,Yashica Electro 35 GS, Kodak Retina Ia, Agfa Super Silette, Vivitar Ultra Wide & Slim, Adox Golf 66 and some others...
Sigma DP1s, Leica Digilux 2, Lumix LC-5 & FX37, Lumix FZ20, Canon G2, Sony Mavica 300, Fuji 4800Z + 4900Z, Oly C3030, Pentax Optio S, Nikon CP950, Sony V1 & F505 a.s.m.
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://lucispictor.weebly.com | http://www.alensaweek.wordpress.com
On sale: Vivitar 2.8-3.8/35-70 |
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BobDodds


Joined: 13 Nov 2007 Posts: 87
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Posted: Thu Oct 09, 2008 7:19 am Post subject: |
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CZ Distagon 28/2.8 must be top three in value for mf lenses.
If it is soft at corners or edges, that would be cut off on crop sensors.
I have seen the sharpness, and subtle gradations of tone, adding up to Zeiss super 3D realism with this lens.
You can see it here, though a Zuiko might be dull on contrast and keep your highlights on the light tone masonry.
Or, stay with the CZ 28/2.8, and I would use Sigma ISO 50, under-expose slightly or until I bring in the highlights,
then ISO 50 should keep the shadow noise-free, and then we can keep the Zeiss on there.
I may just get rid of everything but Zeiss. I would not feel egalitarian or open-minded if I started at that point, but maybe it is going there.
Zeiss Zeiss Zeiss. If you were closer to that bus, maybe Hollywood 28/2 instead? |
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Orio

Joined: 24 Feb 2007 Posts: 26838 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 09, 2008 8:49 am Post subject: |
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Although I love the excellent sharpness of the 2.8/28, I must say that the Hollywood is a step above,
because it is one of those lenses that not only do the job, but also put their fingerprint on it, if you know what I mean.
Of course, one must like the Zeiss look, which is not of everyone's taste. There is people that prefer lenses that render
with less contrast and smoother tones. It is really a matter of personal taste ultimately.
Then as you rightly point out, it is also a matter of camera/lens interaction (or film/lens interaction, for those who use film).
For instance, I think that the EOS-Zeiss match is excellent, because the CMOS in EOS cameras deliver very smooth tones and subtle gradations,
that can become (in my opinion) dull and boring when used with bland lenses like some of the EF lenses are.
The Contax lenses with their acutance counter-balance the characteristics of the EOS cameras and deliver -for my own taste- a perfect balance.
It would be nice to see the interaction of these Contax lenses with other digital cameras, but so far, I could not see many samples on the net. _________________ Orio, Administrator
I AM CURRENTLY SELLING A LOT OF GREAT LENSES, PLEASE HAVE A LOOK: - Leitz Wetzlar (Leica) Hektor 4.5/135 L39 Steinheil Muenchen 4.5/135 Culminar M42
MC Macro-Revuenon 2.8/35 M42 Kenko Teleplus MC4 2x CY Yashica 2/55 DSB CY Contax 167MT camera Nikon F70 camera various Praktica M42 cameras Polar Automatic 2.8/35 M42 -
Meyer-Optik Goerlitz Primagon 4.5/35 M42 Canonet QL17 G-III camera - Carl Zeiss Vario-Sonnar T* 3.3-4.5/35-135 Contax CY
Leitz Elmarit-R 2.8/35 third (best) edition Leica-R - Carl Zeiss Jena Sonnar 2.8/180 MC Carl Zeiss Jena Sonnar 4/300 MC
Super-Multi-Coated Takumar 3.5/135 M42 Voigtlaender Septon 2/50 for Bessamatic with EOS adapter Pentacon Electric 2.8/100 M42 (Orestor's latest version)
Carl Zeiss Jena Pancolar 1.8/80 MC M42 Carl Zeiss Jena Flektogon 4/50 (zebra) Carl Zeiss Jena Tessar 2.8/50 aluminium *12 blades* M42 Carl Zeiss Jena Tessar 4.5/40 aluminium red T *10 blades* M42
LINK TO MY SHOP - currently for sale 18 lenses and 7 cameras. |
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poilu

Joined: 26 Aug 2007 Posts: 9258 Location: Greece
Expire: 2012-12-02
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Posted: Thu Oct 09, 2008 10:27 am Post subject: |
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| BobDodds wrote: | | If it is soft at corners or edges, that would be cut off on crop sensors |
the 28:2.8 have perfect border on film, even better than on cropped dslr
almost all wide lens get bad on FF digital and users have to close to F11 & F16 to get decent border
if a lens was good for 30 years and suddenly get bad with digital, maybe you should open your eyes and blame digital sensor, not the lens
apart for the problem of angle of incidence of light that sensor cannot deal with, digital bokeh is so bad that everything out of focus get awful
closing to f16 help bring everything in focus and naturally lens with less curvature have advantage here
we forget all characteristics of a lens, keeping lens that perhaps give better corner but have weak all the others parameters
isn't strange that lens that have harsh bokeh on digital get smooth on film
isn't strange that lens that get sensor bloom have no problem on film
sensor are new technologies and have a lot to improve
digital image don't have grain and can be sharpened and enlarged more
but with all the IR filter and electronic limitations, they still cannot match natural sharpness of film _________________ T* |
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patrickh


Joined: 23 Aug 2007 Posts: 7542 Location: Oregon
Expire: 2011-11-18
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Posted: Thu Oct 09, 2008 5:18 pm Post subject: |
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Orio
Has to be one of the best lenses available
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 135/2.8
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 40/1.8, 50/1.7, 52/1.8, 135/3.2
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S |
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BobDodds


Joined: 13 Nov 2007 Posts: 87
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Posted: Tue Apr 14, 2009 2:09 am Post subject: |
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I have just found a site with adapters for Contax to K and to M42.
http://www.leitax.com/zeiss-contax-lens-for-pentax-cameras.html
I adapted this lens to Sigma SA, but it might be possible to use those K adapters and just put a 1.5mm spacer under them. In other cases, the M42 adapter would work, such as with Planar T* 85/1.4. 35/1.4?
Leica R, too.
reduser.net shows hd video RED cam can take EOS and Nikon F lenses, which they do to get some oof and bokeh like film cams. They could then use Contax to EOS adapters and M42 to PL or M42 to EOS adapters with "our" manual focus lenses. Otherwise, video cam lenses focus on everything from near to infinity--pity them! In the opposite direction, we could sometimes wish for their dof for macro on dslr. |
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rawhead


Joined: 09 Feb 2009 Posts: 1331 Location: Boston, MA
Expire: 2011-11-18
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Posted: Tue Apr 14, 2009 2:52 am Post subject: |
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Ah, I'd heard about these mount mods for Zeiss/Contax->Pentax. This would be great, since, I guess I could mod the lens, make it K mount, then use a K->EF adapter to share the lens with my 5D?
Ooooooh, Planar and Distagon, here I come! :-DDD _________________ EOS 5D Mk II, Panasonic Lumix DMC-GF1, Pentax 67II, Kiev-60, Hasselblad 203FE, SWC/M, Graflex Norita 66, Mamiya M645 1000s, Mamiya Universal, Graflex Pacemaker Speed Graphic, Rolleiflex SL66E, Rolleiflex 2.8C Xenotar, many M42, six P6, three OM, five Hasselblad, two Pentax 67, two Mamiya 645, two Mamiya Press, one Noritar, and a sprinkle of EF. Oh, and an Aero Ektar. |
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DSG


Joined: 04 Mar 2007 Posts: 509 Location: London, UK.
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Posted: Mon Apr 20, 2009 11:13 am Post subject: |
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| poilu wrote: |
The 28:2.8 have perfect border on film, even better than on cropped dslr
almost all wide lens get bad on FF digital and users have to close to F11 & F16 to get decent border
if a lens was good for 30 years and suddenly get bad with digital, maybe you should open your eyes and blame digital sensor, not the lens
apart for the problem of angle of incidence of light that sensor cannot deal with, digital bokeh is so bad that everything out of focus get awful
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The 28/2.8 has never been reknowned for its bokeh...Its reknowned for its sharpness which is something film has never been reknowned for BTW.
So it actually works better in front of a decent digital sensor than it does with film.
| poilu wrote: |
closing to f16 help bring everything in focus and naturally lens with less curvature have advantage here
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Sounds like your not familiar with the diffraction characteristics of digital sensors...No crop format digital camera users in their right mind would ever consider using f16, unless it was when using close up corrected lenses specifically for macro use, and nor would they ever have to.
Firstly this is because crop format sensors have an inherrantly deeper DOF per f-stop than FF sensors or 35mm film.
This can be both a negative and a positive...The negative aspect is that the crop format user has to use wider apertures to get the same shallowness of DOF as those using FF or 35mm film, but its a positive because most lenses are a lot sharper at wider apertures than they are stopped down past f11.
Then there is diffraction to take into account, with most digital cameras suffering very noticably from diffraction at at apertures of f11+.
But again, the greater DOF per f-stop charactersistic of crop format digital cameras becomes another advantage as you dont need to stop so much to get everything in focus as you would with FF or 35 film.
In practice, this means crop format digital users can take adavantage of never needing to stop the lens down to more than f8 say, where all lenses are far sharper than at f16, to get everything in focus.
| poilu wrote: |
we forget all characteristics of a lens, keeping lens that perhaps give better corner but have weak all the others parameters
isn't strange that lens that have harsh bokeh on digital get smooth on film
isn't strange that lens that get sensor bloom have no problem on film
sensor are new technologies and have a lot to improve
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They have already been improved...Never heard of Foveon X3 sensors?
| poilu wrote: |
digital image don't have grain and can be sharpened and enlarged more
but with all the IR filter and electronic limitations, they still cannot match natural sharpness of film
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That may be true with Bayer/CFA digital sensors but not with Foveon X3 sensors. |
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BobDodds


Joined: 13 Nov 2007 Posts: 87
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Posted: Sun Jun 28, 2009 9:18 am Post subject: |
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DSG, I think 28/2.8 is, according to reviewers, alleged to have edge to edge sharpness and 35/1.4 is supposed to be a bit soft at edges in comparison, but of course we know that f16 is to be avoided. SD14 format would crop off any soft corners of 35 and several other lenses notorious for soft corners.
I have been using my CZ Distagon 28/2.8 on Sigma SD14 lately.
http://www.pbase.com/recbo/cz28_28&page=all
I think it has smooth bokeh. One thing I wonder about is whether it has as nice color on people's faces as 35/1.4 which is undeniably great for color. I'll have to shoot them in the same lighting some time. |
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