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Kram
Joined: 06 Feb 2010 Posts: 1344 Location: Portland, OR
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Posted: Thu Oct 27, 2011 4:06 am Post subject: New Wide Open Macro Work |
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Kram wrote:
More work from today. I think that I'm finding some interesting compositions with my Schneider-Kreuznach 50/2.8 Xenar lens.
EDIT: a couple of these are at f/4.[/img] |
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yinyangbt
Joined: 08 Oct 2010 Posts: 1973 Location: Romania
Expire: 2012-12-27
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Posted: Thu Oct 27, 2011 5:08 am Post subject: |
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yinyangbt wrote:
Great work,Mark ! _________________ Cheers , Teo
http://photo.net/photodb/member-photos?user_id=5778915 |
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poilu
Joined: 26 Aug 2007 Posts: 10471 Location: Greece
Expire: 2019-08-29
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Posted: Thu Oct 27, 2011 6:17 am Post subject: |
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poilu wrote:
wow! so beautiful work, my favs #5#6#7#10#11#12 _________________ T* |
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Minolfan
Joined: 30 Dec 2008 Posts: 3437 Location: Netherlands
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Posted: Thu Oct 27, 2011 7:08 am Post subject: |
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Minolfan wrote:
The Schneider lens is inspiring you with great effect! Nice pictures. |
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kds315*
Joined: 12 Mar 2008 Posts: 16544 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Thu Oct 27, 2011 7:43 am Post subject: |
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kds315* wrote:
Good ones Mark! Personally I prefer to work with large apertures for macro, so I like these a lot! _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
Last edited by kds315* on Wed Nov 02, 2011 7:41 pm; edited 1 time in total |
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hemmo
Joined: 30 Mar 2010 Posts: 504 Location: Helsinki, Finland
Expire: 2016-12-17
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Posted: Thu Oct 27, 2011 11:13 am Post subject: |
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hemmo wrote:
Wow!
1, 8 , 10 and 11 my favorites. _________________ 500px l ¿ .. ? l Jalbum |
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danikatia
Joined: 13 Nov 2009 Posts: 653 Location: Cernobbio Italy
Expire: 2013-10-26
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Posted: Thu Oct 27, 2011 11:54 am Post subject: |
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danikatia wrote:
Great work!
My compliments..... _________________ Daniele |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Thu Oct 27, 2011 12:32 pm Post subject: |
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revers wrote:
#2 grabs me the most. _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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adrifaisal
Joined: 22 May 2011 Posts: 25 Location: Indonesia
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Posted: Thu Oct 27, 2011 12:52 pm Post subject: |
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adrifaisal wrote:
Nice shot, unique bokeh, great color _________________ Canon 500D, Minolta X-370, Minolta X-700, MC Rokkor SG 28mm/3.5, MD Rokkor 28mm/3.5, MD Rokkor 50mm/1.7, MC Rokkor PG 50mm/1.4, MC Rokkor QD 135mm/3.5, MD Rokkor-X 135mm/3.5, Yashica ML 28mm/2.8, Yashica ML 35mm/2.8, Yashinon DX 35mm/2.8, Yashica ML 50mm/1.9, Helios 44M 58mm/2.0, Helios 44M-4 58mm/2.0, Nikon E 100mm/2.8, Nikon AI 105/4 Micro Carl Zeiss DDR 135mm/3.5, Sigma 400mm/5.6 |
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IAZA
Joined: 16 Apr 2010 Posts: 2587 Location: Indonesia
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Posted: Thu Oct 27, 2011 12:56 pm Post subject: |
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IAZA wrote:
kds315* wrote: |
Good ones Mark! Personally I prefer to work with large apertures for macro, so I like these a lot! |
I join the club. Glad to know I'm not the only one. my friends don't like macro in thin dof
Your shots are great as always Mark. _________________ nex5, Olympus EPM1, yashica half 14, Canon eos 650 want to see samples of mine? please click My lenses
and My gallery
~Suat~ |
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David
Joined: 13 Apr 2011 Posts: 1869 Location: Denver, Colorado
Expire: 2013-01-25
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Posted: Thu Oct 27, 2011 5:13 pm Post subject: |
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David wrote:
These are some of my favorites of your shots. I'm incredibly impressed. Did you do much PP on the colors ? There's one shot, the blue flower and the white center, was the backlit? It's a great effect. _________________ http://www.youtube.com/user/hancockDavidM |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Oct 27, 2011 5:29 pm Post subject: |
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Orio wrote:
Great work Mark. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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agent_cooper
Joined: 06 Oct 2010 Posts: 139 Location: Germany
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Posted: Thu Oct 27, 2011 11:39 pm Post subject: |
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agent_cooper wrote:
Impressive. Period. _________________
MF: Samyang 3.5/8mm Fisheye, Komine Vivitar 1.9/35mm, Komine Vivitar 2.8/90mm 1:1 macro
CCCP: Helios 44-4, Helios 40-2.
ZUIKO: 2.8/35mm, 1.8/50mm
ZEISS C/Y: 2.8/25 MM, 1.4/50 MM, 1.4/85 MM, 2.8/135 MM.
TILT&SHIFT:Canon 3.5/24mm TS, Arax 2.8/80mm TS.
AF: Canon 1.8/85mm, Tokina zoom 2.8/11-16mm, Tokina zoom 2.8/28-70mm Canon zoom 70-300mm.
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Nikon75-150E
Joined: 14 Aug 2011 Posts: 148 Location: Houston TX
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Posted: Fri Oct 28, 2011 3:02 am Post subject: |
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Nikon75-150E wrote:
Cool. My favs are 3 and 6. _________________ Bill |
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Kram
Joined: 06 Feb 2010 Posts: 1344 Location: Portland, OR
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Posted: Fri Oct 28, 2011 3:14 am Post subject: |
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Kram wrote:
Thanks very much guys. Yes, the lens has inspired me plus the fact that winter is coming!
David, minimal PP. The lens records color very well. Yes, the morning glory was backlit.
Still learning the lens and trying to go some places I haven't been, creatively speaking. |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Nov 02, 2011 1:57 am Post subject: |
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Laurence wrote:
So...here I was, looking for inspiration, especially in the macro genre. I knew that Kram (Mark) was darn good with
macro work, so I searched by Author and here he is!
My first need was met - I am inspired! My second need was also met, which was to see some really fine work that could
give me ideas for different and new approaches to macro shooting.
Mark, you have a "style" that seems to always make me linger. I am a big fan of wide-open macro shots, and you've
certainly filled that bill. I have to say that these are among the best macro shots I've EVER seen. The colors are
phenomenal, and I have to credit that lens! Is it a macro lens, or did you use tubes? Either way, the results are
dynamite.
Your selection of focus points seems to be a result of great intuition, and great visualization of the final image. The "candy
cane" bud is just extraordinary; however, all of these can be put into my "extraordinary bucket".
If I was to try to define what a macro shot should look like, I would simply steer any questions to your posts. I can't tell
you enough how good these are, in my opinion. I tend to enlarge images in my head, and macro is always the toughest
to effectively enlarge and retain beauty and form. But in this case, I think that most all of these would be purely wonderful
as big prints. The color combinations, the focus points, and the framing are first-class.
That's one of the nice things about this forum - if I am sort of having the doldrums in my shooting, I just look to the forum
to get excited again. Well, these are BEYOND exciting. You have a gift, Mark, and you use it well.
Larry _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Kram
Joined: 06 Feb 2010 Posts: 1344 Location: Portland, OR
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Posted: Wed Nov 02, 2011 3:59 am Post subject: |
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Kram wrote:
Larry, my sincere thanks.
I've devoted my life to photography. To make a long (30 year!) story short, I started in fashion and advertising, grew frustrated with the inevitable commercial compromises, went into more fine art, grew tired of the endless pursuit of shows and notoriety, decided to simplify and just do simple images and to immerse myself in the effort to make something unique (which I've always done).
Hearing your kind comments means a lot to me because I spend a lot of time honing my skills and trying to get better, critiquing myself, starting again and not much time promoting this work, so I don't hear much feedback. Your comments make me feel like I am on the right track and that means everything.
I have no idea where I'm going as to an end result with this work. I'd like to do a book one day, but for now, the experience of creating and sharing the work is what inspires me to continue. Your comments make me inspired to keep going. So it's a mutual inspiration society!
Looking forward to sharing more work here and I'd like to thank everyone who infected me with this crazy LBS! It's helped to express myself in ways I'd never have done otherwise. Group hug!
Edit: Larry, forgot to answer your question! I did use extension tubes some as it's not a macro lens. |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Nov 02, 2011 6:07 pm Post subject: |
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Laurence wrote:
Mark, I've checked out from the library a very nice small book of macro "ideas and techniques" by Tony Sweet - Fine Art
Flower Photography - Creative Techniques and the Art of Observation. It is basically a series of images with background
information on how the image was created. Tony is a good photographer with what I think is very good vision; however, his
work is not as compelling as yours - just my opinion.
I particularly was intrigued by his image of two Rugosa flowers. He used a Micro-Nikkor 105/2.8 and an 81B warming filter.
He used a "sandwich technique" in which two separate images are made at different exposures and placed together in a single
slide mount (or in the case of digital, stacked upon each other in a photo program).
The result is a glowing effect that is indicative of that particular technique.
His instructions were as follows:
1. Make the first image at f/22 and overexpose by two stops.
2. Make the second image at your widest aperture (2.8 in this case), overexpose by one stop, and defocus just until the image
blurs.
3. The defocusing, in combination with the sharp +2 overexposure in Step 1, is what creates the appearance of a glow.
You possibly already knew of this technique. But, I just shot a roll up yesterday using the Tamron SP 80-200/2.8 with the Contax
AX on Velvia 50. Since I have a supply of Gepe' 35mm slide mounts, I can pretty easily sandwich the transparencies and then
scan them. Tony uses a Nikon 80-200 extensively, sometimes with extension tubes, as well as the standard Micro-Nikkor lens
types.
My driveway has a lot of color this year, with the Japanese Maples and other dwarf Maples showing nice oranges and red. The
sun was actually out yesterday (!), so I concentrated on backlit leaves. I also have a potted plant with Begonias that is still
going strong, so I applied various techniques to the flowers. It was a nice 90 minute break in routine, well-spent with the camera.
I'm also going to break out the old Bronica SQ-A 6x6 since I have a 110/4 macro lens with it, and try the technique with the larger
transparency. My scanner is really better suited for medium format than with 35mm. I'll also be trying it with the Pentax 645.
Tony also has other rather unique techniques involving camera movement and other off-the-wall maneuvers, that showed some
nice final results.
Anyway - it's ALL fun! _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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kds315*
Joined: 12 Mar 2008 Posts: 16544 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Wed Nov 02, 2011 7:46 pm Post subject: |
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kds315* wrote:
That's a wonderful life story Mark and I'm sure you're on a very good way, if I may say so, by seeing your results!
@Larry: that an interesting technique, yet I try to reach similar without using such "artificial" techniques. A glow can also be achieved using a lens having (some uncorrected) spherical aberrations and I prefer that. But well, there are many ways always... _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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NikonD
Joined: 29 Jul 2008 Posts: 1922 Location: Slovenija
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Posted: Wed Nov 02, 2011 7:54 pm Post subject: |
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NikonD wrote:
excellent photos! |
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Sven
Joined: 02 Aug 2008 Posts: 818 Location: Linköping Sweden
Expire: 2011-12-29
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Posted: Wed Nov 02, 2011 8:22 pm Post subject: |
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Sven wrote:
Impressive work!
The are all great captures in my opininon. _________________ DSLR: Nikon D200, Pentax *istDL, Nikon D100 IR converted
SLR: Pentax Spotmatic, Pentax ME,
Nikkor:N 2.8/24 H 3.5/28, 2/35, 2/50, 1.4/50 1.8/85, 3.5/50-135, E 2.8/100, P C 2.5/105, 2.8/135, 2.8/180 ED, 4/200,
M42: Pentacon 4/200, S Takumar 1.8/55, Meyer Orestor 2.8/135, CZJ Flektogon 2.4/35, CZJ Pancolar 1.8/50, CZJ Sonnar 3.5/135
AF Lenses: Nikkor 1.8/50, Pentax 18-55
Flickr http://www.flickr.com/photos/29261959@N08/
Website http://www.hundbilder.nu/ |
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Laurence
Joined: 26 Mar 2007 Posts: 4809 Location: Western Washington State
Expire: 2016-06-19
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Posted: Wed Nov 02, 2011 10:37 pm Post subject: |
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Laurence wrote:
kds315* wrote: |
That's a wonderful life story Mark and I'm sure you're on a very good way, if I may say so, by seeing your results!
@Larry: that an interesting technique, yet I try to reach similar without using such "artificial" techniques. A glow can also be achieved using a lens having (some uncorrected) spherical aberrations and I prefer that. But well, there are many ways always... |
Yes, I have seen some of your work (last year or so) with the "glow" applied (I assume) through your usage of the lens
with uncorrected properties. And, of course there are the filters in Photoshop, but most of those are "too much", at least to me.
One thing I am SURE of, is that YOUR images are spectacular. In fact, I have an image of yours as my desktop background
presently.
I have also noticed a "glow" in your IR and UV images, but perhaps that is a characteristic of the IR wavelengths, or how we perceive
the image colors created with IR and UV wavelengths?
One lens that is GREAT for the type of "macro" I like to do myself - which involves not getting super-close to the subject - is the
Voigtlaender 90/3.5 SP. The close focus capability of this lens is phenomenal, and the sharpness wide open ALWAYS blows my
socks away. I'll NEVER quit marveling at the results from that beautiful, beautiful lens. It is useful in an off-hand way too, in that
it makes me want to strive to somehow "meet" the capabilities of the lens. I don't know the line-pair resolution, but it MUST be
way up there.
I hope the roll of Velvia gives me some keepers. But, like I said, it's all fun anyway! _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Olivier
Joined: 18 Feb 2009 Posts: 5077 Location: France
Expire: 2015-08-06
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Posted: Wed Nov 02, 2011 11:27 pm Post subject: |
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Olivier wrote:
Wow, Mark, they're beautiful !
Thanks a lot for the sharing and your life story.
I tried to use the Xenar 2.8/50 on bellows It works quite well but I had to close the diaph a bit and the 5 blades diaph is noticeable...
_________________ Olivier - Moderator
Dslr : Olympus Pen E-P2 - Fujifilm X-Pro2 - Canon 5D MkII.
SLr and MF lenses : for feedback and helping people, cameras and lenses I own : full list here http://forum.mflenses.com/viewtopic,p,1442740.html#1442740 |
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Kram
Joined: 06 Feb 2010 Posts: 1344 Location: Portland, OR
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Posted: Thu Nov 03, 2011 3:46 am Post subject: |
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Kram wrote:
Olivier , thanks! We certainly have different lenses, mine has 10 blades.
Sven, NikonD, thanks guys!
Klaus, thanks! I'm enjoying the ride and that's very important!
Larry, I've been doing a lot of experimenting with layering of film but more in this line of work (NSFW): http://markcolman.com
His technique sounds very workable. I'd rather do it straight and in-camera. Besides, I'd have to get on a a tripod!
I look forward to seeing your experiments Larry. Is the Voigtlander 90/3.5 SP a Leica mount? I know they make a similar lens for Canon and Nikon DSLR's. Been contemplating that one and the Voightlander 40/2. Christmas is coming! Also the Voigtlander 58/1.4 looks good... so many lenses- so little money! |
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Olivier
Joined: 18 Feb 2009 Posts: 5077 Location: France
Expire: 2015-08-06
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Posted: Thu Nov 03, 2011 8:23 am Post subject: |
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Olivier wrote:
Kram wrote: |
Olivier , thanks! We certainly have different lenses, mine has 10 blades.
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10 blades ?
Could you post a picture of your lens ?
Thanks in advance. _________________ Olivier - Moderator
Dslr : Olympus Pen E-P2 - Fujifilm X-Pro2 - Canon 5D MkII.
SLr and MF lenses : for feedback and helping people, cameras and lenses I own : full list here http://forum.mflenses.com/viewtopic,p,1442740.html#1442740 |
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