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Comparing Cyclop 85mm 1.5 (Helios 40) with Canon 85mm 1.2 II
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MoonPix




Joined: 26 May 2011
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PostPosted: Fri Jul 08, 2011 11:13 pm    Post subject: Comparing Cyclop 85mm 1.5 (Helios 40) with Canon 85mm 1.2 II Reply with quote

Hello. Recently I have found myself really getting into MF lenses. I started with the Meyer Trioplan and recently bought the Cyclop 85mm 1.5 (very similar to the Helios 40 85mm 1.5). The Cyclop 85mm 1.5 is said to be the same glass as the Helios 85mm 1.5, but without the ability to change the aperture. The Helios and the Cyclop are know for their "swirly" bokeh.

Perhaps my favorite lens is the Canon 85mm 1.2 II. It is highly regarded as a portrait lens and I could not agree more. It produces absolutely beautiful images with buttery bokeh. It is also very, very sharp wide open as you will see.

This comparison is not clinical or scientific. Except for the first image, both lenses were shot wide open. All shots were hand-held. I wasn't really comparing sharpness since I am still learning how to use the Cyclop 85mm 1.5. With the adapter, it throws the focus off and it can be challenging - especially with the razor thin depth of field. My main intention was to compare the bokeh, however, when I seem to have nailed the focus, I did provide some cropped images for you to see detail.

One major flaw with this "test" was I did not set the shutter speeds to the same setting. This is why you will see the Canon appear to be darker in some images. The only one where the shutter speed was the same, was the very first image. This is a good representation, since I set the Canon to 1.4 to closely match the Cyclop's native 1.5 aperture. It also represents my findings that the Canon definitely is sharper, with higher contrast and better color. It also is a good representation of the "swirly" bokeh produced by the Cyclop.

I made no color, brightness, contrast, or any other adjustments to the images. They were shot in RAW and converted to Jpeg.

For more comparison images, go to;

http://johncarnessali.com/uncategorized/2439







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Last edited by MoonPix on Sat Jul 09, 2011 5:20 am; edited 1 time in total
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Orio




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PostPosted: Fri Jul 08, 2011 11:34 pm    Post subject: Reply with quote

I have to laugh whenever I see all that horrible green/purple fringing in today's top L line lenses and zero AF digital lens users out of 100 actually noticing that.
I mean we are talking of a top-of-the-line L(uxury) Canon AF lens here.
Has the cheap standard of quality of AF lenses in the digital era really lowered the expectations of pro/dedicated amateur photographer that much?
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MoonPix




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PostPosted: Fri Jul 08, 2011 11:41 pm    Post subject: Reply with quote

Orio wrote:
I have to laugh whenever I see all that horrible green/purple fringing in today's top L line lenses and zero AF digital lens users out of 100 actually noticing that.
I mean we are talking of a top-of-the-line L(uxury) Canon AF lens here.
Has the cheap standard of quality of AF lenses in the digital era really lowered the expectations of pro/dedicated amateur photographer that much?


Are you talking about the keyboard pictures?

Yes, I agree. It is interesting to note that for a $2000 price difference, how well the Cyclop performs! I imagine that the Helios might perform even better... especially stopped down.

The color, saturation, contrast and sharpness are all much better with the Canon. Aberrations are generally well controlled with the Canon, but you are right, in the keyboard pictures, they are much more pronounced.

AF (particularly with this narrow DOF) is definitely something I appreciate and when it comes to weddings, I would not want to live without.
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Orio




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PostPosted: Fri Jul 08, 2011 11:50 pm    Post subject: Reply with quote

MoonPix wrote:

Are you talking about the keyboard pictures?


yes, it jumps at your eyes. And it isn't even a high contrast situation.
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MoonPix




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PostPosted: Sat Jul 09, 2011 5:54 am    Post subject: Reply with quote

Orio wrote:
MoonPix wrote:

Are you talking about the keyboard pictures?


yes, it jumps at your eyes. And it isn't even a high contrast situation.


I do think that if you increased the contrast and saturation in order to match the Canon's, you might see similar fringing.
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nixland



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PostPosted: Sat Jul 09, 2011 9:54 am    Post subject: Reply with quote

Well done! Smile

I too have them both, and love them both. Well, not Cyclop but Helios 40-2 Smile




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nixland



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PostPosted: Sat Jul 09, 2011 10:04 am    Post subject: Reply with quote

This one is for Orio ... hahaha Very Happy


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Orio




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PostPosted: Sat Jul 09, 2011 10:13 am    Post subject: Reply with quote

nixland wrote:
This one is for Orio ... hahaha Very Happy


A picture speaks better than a thousand words! Laughing

It really means something that a lens made in the 60s can beat the ass out of the super luxury Canon L lens in CA department.
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BRunner



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PostPosted: Sat Jul 09, 2011 1:42 pm    Post subject: Reply with quote

Yes, it means, that newer Canon L lens is better corrected for spherical aberration and other low order aberrations. These hide higher order aberrations (CAs), but the price you pay is field sharpness.
Good example are Leica pre-APO lenses vs. Zeiss CY lenses. Zeiss lenses usually show better sharpness in the field (lower spherical aberration) and more CAs. Contrariwise Leica lenses usually has lower CA, but needs to be stopped down more to get comparable field sharpness (curvature of focal plane is hidden by depth of field). Before special glass with high refraction index and low dispersion was developed, this was one of main tasks for designer to balance all these aberrations well.
Only way from this are apochromatically corrected lens, where the designer suppress not only basic third order aberrations, but fifth and even higher order aberrations too.
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Geoff C. Bassett



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PostPosted: Sat Jul 09, 2011 5:24 pm    Post subject: Reply with quote

Personally, I would rather have a lens be less sharp than having to deal with high CA. Nothing is more annoying to me in editing than heavy CA.
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MoonPix




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PostPosted: Wed Jul 13, 2011 3:51 am    Post subject: Reply with quote

CA have never bothered me with the Canon... though I think they may be comparatively high compared to other lenses...

In fact, I have never had a client or person complain or even notice any kind of CA in their images. In all but the most extreme case, one would have to print a really large image to even come close to seeing any kind of CA.

I think sometimes as photographers, we can be guilty of pixel peeping and over analyzing.... myself included.

I LOVE the Canon... it is my favorite lens along with the Canon 35mm 1.4
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pat donnelly



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PostPosted: Fri Jul 15, 2011 10:36 am    Post subject: Reply with quote

Just remember the Cyclops can be stopped down with waterhouse stops?


I haven't taken mine apart to do so, but it should be possible as the original of the design, the Helios has an iris?

Excellent demonstration pics of these lenses faults and properties!
Laughing
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MoonPix




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PostPosted: Sat Apr 06, 2013 5:21 pm    Post subject: Reply with quote

Thanks. Yes, I have heard that you can modify the lens to make an aperture ring. I personally don't know how this is done.
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Attila



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PostPosted: Sat Apr 06, 2013 5:45 pm    Post subject: Reply with quote

MoonPix wrote:
Thanks. Yes, I have heard that you can modify the lens to make an aperture ring. I personally don't know how this is done.


Thank you for compare different lenses! Cyclop 85mm has at least three different version, only one of them exact copy of Helios-40.
One of them has terrible CA another versions have not.
Easiest way to make aperture make a whole on card board and put into adapter , with different rings like F4 size whole, F8 size whole you are set well Smile
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filmish




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PostPosted: Wed May 01, 2013 8:00 pm    Post subject: Reply with quote

how do you know you will have the good version?
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