SearchSearch MemberlistMemberlist RegisterRegister ProfileProfile Log in to check your private messagesLog in to check your private messages Log inLog in

Technical Camera: Mamiya Auto Bellows 645
View previous topic :: View next topic  

PostPosted: Sat Feb 01, 2020 8:40 am    Post subject: Technical Camera: Mamiya Auto Bellows 645 Reply with quote


I bought a Mamiya Auto Bellows 645 which allows to perform movements such as swing and tilt as seen here:


I want to take it apart. Has anyone experience with that?

I also want to adapt it to Sony E-mount, with the camera being as close as possible at the bellows to allow for infinity. Has somebody already an existing solution? My basic idea would be to basically use a reverse ring.

Best regards


PostPosted: Tue Mar 17, 2020 6:25 pm    Post subject: Reply with quote


Having been enspired by Mr. Pentacon Six usage of the Mamiya Bellows on Pentacon Six I thought it might be a good idea to adapt these bellows to the Sony Alpha 7 in order to obtain a low cost technical camera. Having seen and learnt a lot in the internet I thought it might make sense that I share it, even if now the interest isn't very high.

The first figure shows the adapter parts as stacked from the bellows to the camera side.
It consists of a Cokin filter holder adapter (67mm), a female female 67mm adapter, a 67mm-49mm step down and a 49mm to nex reverse ring. Of course any other camera mount reverse ring could be used as well.

The second picture shows the parts stacked the other way round.

The third picture shows the adapter from camera side.

The fourth picture shows the adapter from bellows side.

The fifth and sixth picture shows the adapter when mounted to the Mamiya bellows.

The seventh picture shows the Bellows with camera and Biometar 80/2.8. Of course Mamiya lenses can be mounted as well. The P6 lens is mounted by means of a standard Mamiya to P6 adapter available at ebay.com from Chinese sources.

The eight picture shows the picture shot with the camera tilt setting shown before.

The nineth picture is done by swing. In front of the tea pot there is a green glass with the biometars lens cap on its top. It just adds some greenish and a shadow to the pot.

Last edited by pandreas68 on Tue Mar 17, 2020 7:14 pm; edited 3 times in total

PostPosted: Tue Mar 17, 2020 6:34 pm    Post subject: Reply with quote

Next I want to write some words about making the adapter. The adapter consists only of these four stacked parts (bought from Chinese sources at ebay) and the screw. I filed down the female-female adapter as much as possible to obtain as much free bellows for movements as possible. This I did by a simple file and by sand paper (120, 240) and a sliding caliper. I also filed a little chamfer into the Cokin adapter which is visible at the second picture as a bright stripe around the Cokin adapter ring. Idea was to glue the Cokin adapter with the female-female adapter and the step down, while not glueing the reverse ring in order to be open for different camera mounts. Do to a mistake the parts are currently so strong together that I did'nt need to glue most of them. The only special tool I needed to borrow from my neighbor was a M3 screw tap. Last but not least the end of the screw is slightly rounded by a file in order to not demage the bellows.

Last edited by pandreas68 on Tue Mar 17, 2020 6:59 pm; edited 1 time in total

PostPosted: Tue Mar 17, 2020 6:54 pm    Post subject: Reply with quote

This section is about features, limitations and costs. Camera can be mounted to the bellows in landscape and portrait. For mounting the adapter to the camera the screw needs to be removed due to the hand grip. Maybe it would have been better to place the screw some 90 degree further to come to the left side of the camera instead of using the place of the original Mamiya adapter. There are some 6mm or even a little more of bellows extension for infinity. With those 6mm it is feasible to do tilt and swing. Fall, rise and shift however is not possible with these 6mm. Therefor a kind of wide angle bellows would be needed. I am not sure whether there exists one directly made for this bellows, but I am quite confident that it is not too hard to create one with low effort.

For the bellows I payed some 100 Euro. With respect to the camera to bellows adapter the female-female ring was the most expensive part with some 8 Euro. The other rings were around 3 Euros each. So the camera to bellows adapter was below 20 Euro. The lens adapter P6 to Mamiya 645 was another 20Euro. Still money but for those having Mamiya or P6 lenses and a full format or a APS-C camera it might be a affordable entrance to a digital technical camera.

Low cost adapters for other lenses should be possible using a Mamiya camera cap and an intermediate ring of a certain lens mount type glued together. For APS-C full format lenses should be also fine. Maybe even for full format for longer bellows extensions.

PostPosted: Tue Mar 17, 2020 10:10 pm    Post subject: Reply with quote

Kongrats, nice work!
I made such an adaptation with a Bronica tilt-shift bellows adapted to Pentax 645 cameras. With a Pentax 645-Sony E-mount adapter it could be used on FF Sony cameras, too.

A very good lens to use with tilt/shift on FF is Mamyia 67 65mm - very sharp and permitting vast movement. The Pentax 645 35mm lens is very good in this regard, too, and it's wider. I also made a general m58 mm screw front adapter for older LF lenses.

PostPosted: Thu Mar 19, 2020 8:51 pm    Post subject: Reply with quote

Hi Dan,
that looks also very good; the construction of the bellows looks simple but robust. Did you describe your adaptations somewhere? Would it also be possible to obtain infinity on ff system camera when using Mamiya or P6 lenses? Which movements are possible at infinity?
Best regards

PostPosted: Sun Mar 22, 2020 1:47 pm    Post subject: Reply with quote

Learning how to use swing and tilt...

I found a kind of tilt manual from Mr. Schoen.

Additionally I've learnt that if I want to set a certain plane of sharpness and I have preset an tilt respectively swing angle and focussed on a close point, and next I focus on a distant point in the plane, that if I need to reduce the bellows extension then the angle is too small, if I need to prolong the bellows extension then it is too large.

Example for finding the plane of a radiator

and the camera setting.

Example of finding a plane from the foreground (firepit) up to approx. middle of the childrens swing

with the detail camera setting

and a distant camera setting. Tilt was approx 2 degree.

Example of a buxus sempervirens

with camera settings of approx 4 degree tilt.

The tilt needed in many examples is really very small. Do to the weight of the Flektogon it is not that easy to set the tilt precisely. Nevertheless for me it is quite a fun to use and to learn that stuff without the complicated large format groundglass stuff.

PostPosted: Sun Mar 22, 2020 2:58 pm    Post subject: Reply with quote

pandreas68 wrote:
Hi Dan,
that looks also very good; the construction of the bellows looks simple but robust. Did you describe your adaptations somewhere? Would it also be possible to obtain infinity on ff system camera when using Mamiya or P6 lenses? Which movements are possible at infinity?
Best regards

No, I haven't described this adaptation and now it's too late as it is sold out. I obtained infinity with it with both Mamiya and Pentax 645 lenses (with a shortened Pentax 645/Sony E-mount adapter). Both allowed ample movements on FF.
The reason I sold it is that I came to the conclusion that tilts on a FF camera are of little utility for me. When using a wider lens I usually close the diaphragm at ~ f/8 and, in landscape and architecture photography, this brings enough DOF while still allowing the camera to be handheld, in most cases. I invested in HQ wide lenses instead.

However, shifts with wider lenses are really useful for me. I made a shift adapter myself and bought some shift bellows and adapters, as well.

Making these adaptations led me to the conclusion that the best tilt/shift device for a digital FF camera would need to have tilts on the back(camera) and shifts on the front(lens). This way tilts won't need lenses with larger covering circle - one can use even normal FF lenses for tilts-only images.

Making and using this tilt/shift adaptations it's a lot of fun and yours looks really well made and beautiful. I wish it to be very useful for you, too.

PostPosted: Tue Mar 24, 2020 6:53 pm    Post subject: Reply with quote

Yes these Mamiya bellows do look good and are somehow good engineered allowing for dedicated setting of swing and shifts as well as tilt and rise/fall. A problem of them however is that they are not too rigid. I did not yet try the Sonnar 2,8/180 on it, but I expect it to be too heavy for it. Even with the Flektogon it is already a problem to do the settings in a precise way. So for me it is only an "entrance" to a technical camera which makes sense, if approprate lenses and digital camera are available yet and the bellows is seen at a reasonable price.

With the tilt in the back I totally agree. I would dream of the possibilities of e.g. a Linhof Technikardan with adapting a Sony Alpha II. But I guess even beside the price there is a problem: the handgrip of the Sony Alpha II is in the way; one would need a saw to modify the back standard or the Sony or it would be useable only for 150mm and onwards lenses. These kind of Linhof Technikardan style full format bellows, found as Spiratone Bellows, have some very bad comments. I found a lot of pictures from the bellows, but not those made by them. Best regards!

PostPosted: Wed Mar 25, 2020 8:52 am    Post subject: Reply with quote

I have a 6x9 Technikardan and a Sony RII and I've considered an adaptation but it's, indeed, hard to do it it because of the handgrip of the Sony. I won't risk to damage the Technikardan - I love this camera as it is.
What I'd really like would be to have geared movements for both tilts and shifts.
I think that a Plaubel Peco Junior 6X9 could be a better choice - it has geared movements and it's a lot cheaper. It should be adapted reversed, with camera on the front (Peco has only tilts on front and only shifts on back).
I have a Linhof Technika 70 with a faulty rangefinder, too, and I've considered transforming it in a tilt/shift adapter but, as I've mentioned before, I gave up. However, I made a shift adapter from the front standarde of an older 6x9 Voigtlander. It came out quite nice and it has geared shifts.
Another interesting option I've considered at some point was the old Kopil tilt/shift bellows - they are so small that, folded, you can keep them in your pocket. They have geared shifts both on front and back and tilts on front.