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Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.

Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.
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Steinheil Muenchen Cassar S 50mm f2.8
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Received this lovely lens from Mo.
You can see it here:
http://forum.mflenses.com/steinheil-munchen-cassar-s-2-8-50-m42-mount-t48804,highlight,%2Bsteinheil.html

Beautiful little lens.
Very sharp.
Some crazy bokeh though.
Some samples from wide open through to fully closed, f2.8 through to f16
Apart from exposure adjustment in LR5 - no other PP.
I am assuming that this is a triplet and not a Tessar type - am I correct in this?
Thank you Mo.
OH







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A well known triplet, quite good.


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Great to see you have it and enjoy it,for some reason I never got on with it.


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Oldhand wrote:
I am assuming that this is a triplet and not a Tessar type - am I correct in this?


It is a complex triplet derivative with 5 elements:

(from Photographic Optics by Arthur Cox)

All Cassars 36-105mm F2.8-6.3 use the same optical structure. The number of elements suggests the optical correction could be better than the Tessar.


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No, the Cassar is 'just' a triplet, as Klaus says. I have two, in 50 and 105mm lengths and have had both of them apart for cleaning, a classic 3/3 triplet.


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Here it is next to a Tessar for a size comparison.
Interestingly, the glass elements are about the same size in each lens.
And the Steinheil fits even more aperture blades into its tiny frame.




And here on my K-10D




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iangreenhalgh1 wrote:
No, the Cassar is 'just' a triplet, as Klaus says. I have two, in 50 and 105mm lengths and have had both of them apart for cleaning, a classic 3/3 triplet.


I just copied the lens diagram from the book of Arthur Cox, who was an authority in photographic lenses. He should know what he was talking about, but he could have made a mistake. In his book he only cites the Cassaron as a triplet.

How do you know the Cassar is a triplet? Did you count the reflections?


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It looks good on the K10D,.A little OT what do you think of the Listar?


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mo wrote:
It looks good on the K10D,.A little OT what do you think of the Listar?


Very "artistic" Mo.
I'll post some images later on the other thread.
It is an interesting lens with interesting results.
OH


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Just saw the other thread after I posted this Embarassed


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Edited

Last edited by bernhardas on Tue May 10, 2016 7:15 am; edited 1 time in total


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bernhardas wrote:
Really wild bokeh wide open Very Happy


Yes, very similar to the Domiplan bokeh - mind you the background was close, it might get a little less apoplectic with some distance.
OH


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Edited

Last edited by bernhardas on Tue May 10, 2016 7:15 am; edited 2 times in total


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It is not hard to tell if we count the reflection of the glass. Each glass surface will give one bright reflection. Triplets have six bright reflections and Tessar have one extra dim reflection from the cemented surface.


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Oldhand wrote:
And here on my K-10D


Any light leaks around the adapter like you get with an Industar 50-2 on a K mount?


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elliott wrote:
Oldhand wrote:
And here on my K-10D


Any light leaks around the adapter like you get with an Industar 50-2 on a K mount?


Hasn't shown up in any of the images.
It seems to cover the adapter completely
OH


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Gerald wrote:
iangreenhalgh1 wrote:
No, the Cassar is 'just' a triplet, as Klaus says. I have two, in 50 and 105mm lengths and have had both of them apart for cleaning, a classic 3/3 triplet.


I just copied the lens diagram from the book of Arthur Cox, who was an authority in photographic lenses. He should know what he was talking about, but he could have made a mistake. In his book he only cites the Cassaron as a triplet.

How do you know the Cassar is a triplet? Did you count the reflections?


I have a 4.5/105 Cassar which I have taken apart and cleaned, three bits of glass, two in front of the diaphragm one, behind, classical triplet.

There is the Cassaron and Cassarit too, my understanding was that the Cassaron is a 4/3 tessar and the Cassarit a 3/3 triplet.

There is also the Quinon and Quinar, I would be tempted to suggest the diagram you showed is of the Quinon as it has five elements.


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iangreenhalgh1 wrote:
Gerald wrote:
iangreenhalgh1 wrote:
No, the Cassar is 'just' a triplet, as Klaus says. I have two, in 50 and 105mm lengths and have had both of them apart for cleaning, a classic 3/3 triplet.


I just copied the lens diagram from the book of Arthur Cox, who was an authority in photographic lenses. He should know what he was talking about, but he could have made a mistake. In his book he only cites the Cassaron as a triplet.

How do you know the Cassar is a triplet? Did you count the reflections?


I have a 4.5/105 Cassar which I have taken apart and cleaned, three bits of glass, two in front of the diaphragm one, behind, classical triplet.

There is the Cassaron and Cassarit too, my understanding was that the Cassaron is a 4/3 tessar and the Cassarit a 3/3 triplet.

There is also the Quinon and Quinar, I would be tempted to suggest the diagram you showed is of the Quinon as it has five elements.

The Primoplan is a bit similar to diagram showed above. I never heard of a consumer grade non-macro 2.8/50 in 1950-1960s for 35mm film camera made of more than four elements.

Edit:
Some 2.8/50s are made of five elements in 2/1/2. For example, Topcor 5cm f2.8 LTM.


Last edited by calvin83 on Thu Apr 03, 2014 6:37 pm; edited 2 times in total


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It is certainly a sharp enough lens.
Here is a crop from a different shot that shows a high level of detail.
OH



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I picked up one of these a few weeks back for 6UKP. Couldnt believe my luck. Only thing wrong with it was dried up grease making the focus sloppy.

The big slotted ring at the back holds it together, spin that off and regrease and now its just great.

I like the wacky painterly bokeh


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Gerald wrote:
iangreenhalgh1 wrote:
No, the Cassar is 'just' a triplet, as Klaus says. I have two, in 50 and 105mm lengths and have had both of them apart for cleaning, a classic 3/3 triplet.


I just copied the lens diagram from the book of Arthur Cox, who was an authority in photographic lenses. He should know what he was talking about, but he could have made a mistake. In his book he only cites the Cassaron as a triplet.


Some of the attributions to illustrations in Cox's book do seem to be inaccurate. I've noticed that in the past. I've always known the Cassar as a triplet, but have never been sure what the 'S' suffix to Cassar signified. Back in the 50s and 60s the Cassar was one of those 'cheap and cheerful' lenses that was poorly regarded by those who 'knew' about such things - it rated down with the Ludwig Meritar as one of those optics that you replaced with a Tessar or Xenar just as soon as you could. But from these pictures, it seems quite a characterful little lens.


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Gerald wrote:
Oldhand wrote:
I am assuming that this is a triplet and not a Tessar type - am I correct in this?


It is a complex triplet derivative with 5 elements:

(from Photographic Optics by Arthur Cox)

All Cassars 36-105mm F2.8-6.3 use the same optical structure. The number of elements suggests the optical correction could be better than the Tessar.


I have just come back to this post and noticed these comments about construction.
I have counted the reflections and can't really decide if there are five, three doubles or two doubles and a single.
Here is a picture for what it is worth.
OH



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The Steinheil Cassar is a triplett design, three simple lenses, but very well computed. I have several of them.


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Many thanks Klaus for clearing this up.
OH


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Oldhand wrote:
Many thanks Klaus for clearing this up.
OH


Most welcome!

http://camera-wiki.org/wiki/Steinheil#Lenses