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Snowcat
Joined: 20 Feb 2015 Posts: 110
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Posted: Thu Apr 30, 2015 10:17 pm Post subject: |
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Snowcat wrote:
memetph wrote: |
Distance marking ? Ok watch IR focusing mark . This makes sense.
But feet under/over meters ? |
I said that I am not sure about this. I've read this more then 2 times on different sites and it is true for Cosinon and Tominon lenses, which are, for sure, come from Cosina and Tomioka. So it looks like truth. But still... |
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Mir
Joined: 07 Feb 2011 Posts: 982 Location: Montreal, Canada
Expire: 2017-09-30
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Posted: Fri May 01, 2015 3:17 am Post subject: |
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Mir wrote:
We may never get to the bottom of this..... nor is it really of any importance....
But lets listen to what the man has to say.... he said he did put some time and effort into research ...
1968 - M42 - A/M switch - 8 blades - MDF 50cm - ∅55
Sold it a while ago...
M42 - A/M switch - 6 blades - MDF 35cm - ∅55
Love it, kept it...
_________________ "Obsta principiis, finem respice"
"There is a fine line between hobby and mental illness"
MISC: Tamron SP 35-80 (01A), Auto Chinon Tomioka 1.4/55, Tokina AT-X 2.5/90, Tamron SP 5,6/300 (54B)
ZEISS: WG Distagon 2.8/25, WG Distagon 2.8/35 HFT, WG Planar HFT 1.4/50, Ultron 1.8/50, WG Sonnar 2.8/85, WG Sonnar HFT 2.8/135
VOIGTLÄNDER : Ultron Aspherical 1.8/21, Ultron 2/28, Nokton Aspherical 1.2/35, Nokton Classic 1.4/40, Nokton 1.2/50, Nokton Aspherical 1.5/50, Color-Heliar 2.5/75
MINOLTA: MD 3.5/35-70 Macro, MD 1.2/50, MC Rokkor-X 1.2/58, MD Macro 3.5/50
LEITZ: SUMMICRON-R 2/35 (II), SUMMICRON-R 2/50 (II), TELE ELMARIT-M 2,8/90 (Thin)
CANON RF: 2.8/28, 2/35, 1.2/50, 1.4/50, Serenar 1.8/50, 2/85, 2/100, 3.5/100
LTM : YASHICA YASHINON 1.8/5cm, FUJINON L 2/5cm, CHIYODA KOGAKU SUPER ROKKOR 1.8/5cm, CHIYOKO SUPER ROKKOR C 2/5cm, TOKYO KOGAKU Topcor-S 2/5cm, Nippon Kogaku NIKKOR-H.C 2/5cm, KMZ Jupiter-8 2/5cm
DKL : VOIGTLÄNDER SKOPAREX 3,4/35, SEPTON 2/50, DYNAREX 3,4/90, SUPER-DYNAREX 4/135, Scheiner-Kreuznach Retina-Xenon 1,9/50
And a small Minolta AF set: 2.8/20, 1.4/35, 1.4/50, 2/100, 4.5/100-200
@we3fotography
@7plus_pictures
@_whats.that.car_ |
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dimitrygo
Joined: 01 Apr 2009 Posts: 561
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Posted: Fri May 01, 2015 11:34 am Post subject: |
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dimitrygo wrote:
Well, if f1.2 lens was mentioned already, what would you say about this:
I think we can conclude that at that point Tomioka made glass and Cosina made barrel for this lens. Or there was other third party maker that produced barrels for all these lenses sold under different names. This would explain all the similarities between these lenses.
I think at some point either Tomioka sold the rights for these designs to Cosina (and may be other makers as well) or Cosina really invented its own formulas.
Different mechanics could be explained by evolution of the design, different makers of the barrels or different requirements from the "end" brands.
Different optics also can be explained by the evolution of the design: the very early Mamiya has a convex rear element, there are some Sears and Rikenons with very slightly convex rear element and I am sure there are a lot more internal differences. |
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Oldhand
Joined: 01 Apr 2013 Posts: 6005 Location: Mid North Coast NSW - Australia
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Posted: Fri May 01, 2015 12:24 pm Post subject: |
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Oldhand wrote:
dimitrygo wrote: |
Well, if f1.2 lens was mentioned already, what would you say about this:
I think we can conclude that at that point Tomioka made glass and Cosina made barrel for this lens. Or there was other third party maker that produced barrels for all these lenses sold under different names. This would explain all the similarities between these lenses.
I think at some point either Tomioka sold the rights for these designs to Cosina (and may be other makers as well) or Cosina really invented its own formulas.
Different mechanics could be explained by evolution of the design, different makers of the barrels or different requirements from the "end" brands.
Different optics also can be explained by the evolution of the design: the very early Mamiya has a convex rear element, there are some Sears and Rikenons with very slightly convex rear element and I am sure there are a lot more internal differences. |
That really does throw the cat amongst the pigeons doesn't it.
OH |
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Mir
Joined: 07 Feb 2011 Posts: 982 Location: Montreal, Canada
Expire: 2017-09-30
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Posted: Fri May 01, 2015 12:47 pm Post subject: |
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Mir wrote:
Oldhand wrote: |
That really does throw the cat amongst the pigeons doesn't it.
OH |
_________________ "Obsta principiis, finem respice"
"There is a fine line between hobby and mental illness"
MISC: Tamron SP 35-80 (01A), Auto Chinon Tomioka 1.4/55, Tokina AT-X 2.5/90, Tamron SP 5,6/300 (54B)
ZEISS: WG Distagon 2.8/25, WG Distagon 2.8/35 HFT, WG Planar HFT 1.4/50, Ultron 1.8/50, WG Sonnar 2.8/85, WG Sonnar HFT 2.8/135
VOIGTLÄNDER : Ultron Aspherical 1.8/21, Ultron 2/28, Nokton Aspherical 1.2/35, Nokton Classic 1.4/40, Nokton 1.2/50, Nokton Aspherical 1.5/50, Color-Heliar 2.5/75
MINOLTA: MD 3.5/35-70 Macro, MD 1.2/50, MC Rokkor-X 1.2/58, MD Macro 3.5/50
LEITZ: SUMMICRON-R 2/35 (II), SUMMICRON-R 2/50 (II), TELE ELMARIT-M 2,8/90 (Thin)
CANON RF: 2.8/28, 2/35, 1.2/50, 1.4/50, Serenar 1.8/50, 2/85, 2/100, 3.5/100
LTM : YASHICA YASHINON 1.8/5cm, FUJINON L 2/5cm, CHIYODA KOGAKU SUPER ROKKOR 1.8/5cm, CHIYOKO SUPER ROKKOR C 2/5cm, TOKYO KOGAKU Topcor-S 2/5cm, Nippon Kogaku NIKKOR-H.C 2/5cm, KMZ Jupiter-8 2/5cm
DKL : VOIGTLÄNDER SKOPAREX 3,4/35, SEPTON 2/50, DYNAREX 3,4/90, SUPER-DYNAREX 4/135, Scheiner-Kreuznach Retina-Xenon 1,9/50
And a small Minolta AF set: 2.8/20, 1.4/35, 1.4/50, 2/100, 4.5/100-200
@we3fotography
@7plus_pictures
@_whats.that.car_ |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Fri May 01, 2015 2:05 pm Post subject: |
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Pancolart wrote:
There is a simple explanation for it that saves the story coherence: Cosina did not make the body above. Cosina did not make any 1.2/55 M42 lens. It was an early order of one company from another.
See serial of those lenses. COSINON Tomioka only 1000 pieces. Cosina demanded slight adaptation of Tomioka lens outer body look to fit COSINA line of that period.
COSINA of course later developed its own Pentax bayonet 1.2/55mm lens.
Do not forget we just switched from 1.4/55 to 1.2/55. If we add 1.7/55mm we might have to find another supplement explanation. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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dimitrygo
Joined: 01 Apr 2009 Posts: 561
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Posted: Fri May 01, 2015 4:55 pm Post subject: |
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dimitrygo wrote:
Pancolart wrote: |
There is a simple explanation for it that saves the story coherence: Cosina did not make the body above. Cosina did not make any 1.2/55 M42 lens. It was an early order of one company from another.
See serial of those lenses. COSINON Tomioka only 1000 pieces. Cosina demanded slight adaptation of Tomioka lens outer body look to fit COSINA line of that period.
COSINA of course later developed its own Pentax bayonet 1.2/55mm lens.
Do not forget we just switched from 1.4/55 to 1.2/55. If we add 1.7/55mm we might have to find another supplement explanation. |
This explanation can be valid for f1.4 lenses as well, at least for the early all-metal variations.
As for f1.7 lenses - I think we have zero evidences of their relation to Tomioka. |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Sat May 02, 2015 8:04 am Post subject: |
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Pancolart wrote:
dimitrygo wrote: |
Pancolart wrote: |
There is a simple explanation for it that saves the story coherence: Cosina did not make the body above. Cosina did not make any 1.2/55 M42 lens. It was an early order of one company from another.
See serial of those lenses. COSINON Tomioka only 1000 pieces. Cosina demanded slight adaptation of Tomioka lens outer body look to fit COSINA line of that period.
COSINA of course later developed its own Pentax bayonet 1.2/55mm lens.
Do not forget we just switched from 1.4/55 to 1.2/55. If we add 1.7/55mm we might have to find another supplement explanation. |
This explanation can be valid for f1.4 lenses as well, at least for the early all-metal variations.
As for f1.7 lenses - I think we have zero evidences of their relation to Tomioka. |
Indeed, solid evidence would only be Tomioka-Chinon signed contract / license of cooperation or Tomioka - Chinon branded 1.7/55mm lens. Funny is, meters / feet principle can also be applied on 1.7/55 M42 lenses. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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