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Minolta MD Tele Rokkor 300mm 1:4.5 IF
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PostPosted: Wed Jun 03, 2015 12:11 pm    Post subject: Minolta MD Tele Rokkor 300mm 1:4.5 IF Reply with quote

As before with my MD Tele Rokkor 200mm I've done some test shots.
The more detailed circumstances could be read in the other thread:
http://forum.mflenses.com/minolta-md-tele-rokkor-200mm-14-t71449.html
I don't want to repeat everything here.

Details about the lens:
http://www.geocities.ws/mikkonis/reviewed/md300mm.html
and of course in the other links of the 200mm thread.

Same method as before but another bush at greater distance.

Well, the lens isn't bad at all but I think that my Minolta AF 300mm 1:4 APO G HS lens is superior. However, the AF one is at least 3 times as expensive on the used market, so it should be better. The Rokkor lens is relatively handy compared to the AF lens and my Super Takumar 300/4 and due to its internal focusing mechanism it doesn't change in length like the Pentax or the older Rokkors.
It equals to 450mm FOV on FF on the shown pictures shot with the Ricoh GXR-M. It's already usable fully open. The picture quality doesn't really change if stopped down.





PostPosted: Fri Jun 05, 2015 1:59 pm    Post subject: Reply with quote

I have a very good luck, could sell my MD 4,5/300 IF.

Very strong CA, but very, very strong.

Some minolta lenses suffer from CA:

24/2,8 MC (the MD version lost in colors and contrast, but win in CA).

50/1,4 MC 1,4, 2, 2,8 and 3,5 ugly CA

But none of them so strong like the MD 300/4,5 IF


PostPosted: Fri Jun 05, 2015 4:00 pm    Post subject: Reply with quote

papasito wrote:
I have a very good luck, could sell my MD 4,5/300 IF.
Very strong CA, but very, very strong.
Some minolta lenses suffer from CA:
24/2,8 MC (the MD version lost in colors and contrast, but win in CA).
50/1,4 MC 1,4, 2, 2,8 and 3,5 ugly CA
But none of them so strong like the MD 300/4,5 IF


That's very interesting. May I ask you on what camera (one or more) you encountered this problems?


PostPosted: Sat Jun 06, 2015 2:17 am    Post subject: Reply with quote

That's a good question, Thomas. I had bad CA From a number of lenses until I got the NEX-5N, then hardly any.


PostPosted: Sat Jun 06, 2015 6:07 am    Post subject: Reply with quote

woodrim wrote:
That's a good question, Thomas. I had bad CA From a number of lenses until I got the NEX-5N, then hardly any.


Well, the final picture is always a result of the lens AND the sensor AND the operating system of the camera.
In many cases additionally the Photoshop skills of the man behind the combination, but I am not even talking about this criteria because my sample pictures for testing a lens/camera combination are never manipulated afterwards.
A very good example is the use of the same Sony sensor in a Nikon camera or in a Sony camera. The result is not the same.
Another good example is the use of the CV 15mm M39 lens on different cameras.

Obviously there are better and not so good combinations in that respect.

I cannot confirm that the MD 300/4.5 is badly suffering from CA on my Ricoh, therefore the question. Wink


PostPosted: Mon Jun 08, 2015 3:39 pm    Post subject: Reply with quote

tb_a wrote:
papasito wrote:
I have a very good luck, could sell my MD 4,5/300 IF.
Very strong CA, but very, very strong.
Some minolta lenses suffer from CA:
24/2,8 MC (the MD version lost in colors and contrast, but win in CA).
50/1,4 MC 1,4, 2, 2,8 and 3,5 ugly CA
But none of them so strong like the MD 300/4,5 IF


That's very interesting. May I ask you on what camera (one or more) you encountered this problems?


Yes, of course.

Nex 3, 5N and 7r.


300/4,5 IF

A lot of lateral CA.

More closed is the aperture, more strong the CA

MC-X 24/2,8

Longitudinal (gone at F/11) and laterla CA.

Very soft corners at F/8 and not sharp corners at all at F/11.

Nice central colors, sharpness and contrast, especially at close focus, internal focus effect, sure.

MC-X 50/1,4

At wide apertures, strong CA.

My MC-PG 58/1,2 is better than the three MC 50/1,4 I had and the one I have now.

Possibiliities:

a) my 58/1,2 copy is wanderfull

b) All my copies of the 50/1,4 were something bad ones.

c) Both together.

Reality: My 58/1,2 is

sharper especially at F/1,4, 2, 5,6 and 8.

More contrast in overall.

Much less CA


PostPosted: Mon Jun 08, 2015 9:19 pm    Post subject: Reply with quote

Thanks for reply, papasito.

Besides the MC 24mm (I only have the MD version) I have all of your mentioned lenses, but none of your cameras.
I mainly use the old MF lenses on my Ricoh GXR-M which is known to react somehow differently on some MF lenses than some of the NEX's.
I must admit, that I didn't test those lenses more detailed in respect to CA but I didn't realize anything special up to now. However, there are special situations where almost all lenses produce such artifacts more or less; even new ones which are specially designed for the use on digital cameras.
Furthermore it is also known that there are different sub-versions around over the time Minolta produced such lenses, i.e. there are different MC and MD sub-versions around. Some of them are known to be better and some of them are not so good.
So it may be always a good advice to check for known issues related to certain specific combinations of versions and camera combinations. That's all what I can say for the moment. I also didn't use the MD 300mm on smaller apertures than F8 so far, but mainly wide open to reduce the risk of camera shake.
However, if it would happen to a annoying extent I would most probably remove such artifacts in Photoshop. That is not really difficult as there is a ready made functionality for such picture improvements available as part of the program.


PostPosted: Tue Jun 09, 2015 1:44 am    Post subject: Reply with quote

Odd. I've never considered my MC Rokkor PG 1.4/50 to have problem CA. In certain circumstances, all of my lenses will display some amount. I find the Rokkors pretty well corrected. Here's a picture I never did anything with post camera. It was (mistakenly) taken at f/1.4 and obviously overexposed. Look hard and you'll find something, but very manageable in my mind.


PostPosted: Fri Feb 10, 2017 11:52 am    Post subject: Reply with quote

One more example at infinity landscape with Ricoh GXR-M (APS-C; i.e. 450mm FF FOV equivalent):

Shot RAW at F11 with minor adjustments in LR6. Focus point was the blue/white sign.



100 % crop for pixel peeping purposes:



IMHO not bad at all. At wider apertures the lens appears to be a little bit softer but still usable.

Example WO at F4.5:



PostPosted: Fri Feb 10, 2017 2:00 pm    Post subject: Reply with quote

For the record and for better understanding of optical design:

Aberrations including CA (chromatic Aberration) are defined only in the image plane.
Because of this, a short distance picture like this is not a proof for CA.



It is merely a proof that one can make a good lens looking very bad.


PostPosted: Fri Feb 10, 2017 2:43 pm    Post subject: Reply with quote

AE Conrady wrote:
It is merely a proof that one can make a good lens looking very bad.


I usually do this on purpose; i.e. select a scenery which don't show a lens at it's best. It's more interesting to see how a lens is reacting in difficult situations. If I want to show nice pictures I would rather do that in the gallery section. IMHO the lens section is the place to show the weakness and the strength of a lens. However, I know that some folks here have a different approach. Wink


PostPosted: Fri Feb 10, 2017 3:55 pm    Post subject: Reply with quote

Here is a comparison shot from my reference lens in 300m, the Minolta AF 300mm/F4 HS APO used MF on Ricoh GXR-M fully open at F4.

100% crop of the center:



This lens is better WO at F4 than the MD 300 at F11.


PostPosted: Tue May 29, 2018 3:31 pm    Post subject: Reply with quote

http://forum.mflenses.com/userpix/20185/9498_DSC05925_1.jpg

Taken handheld in Norfolk.
Nice lens, light and handy to take on a walk
No cropping, no correction just jpeg from the camera. Does not seem to have too much CA...
Fully open
MD 300 mm f4.5


PostPosted: Wed May 30, 2018 2:19 am    Post subject: Reply with quote

Antoine wrote:
Taken handheld in Norfolk.
Nice lens, light and handy to take on a walk
No cropping, no correction just jpeg from the camera. Does not seem to have too much CA...
Fully open
MD 300 mm f4.5


Very nice BIF. Thanks for sharing.


PostPosted: Wed May 30, 2018 9:35 pm    Post subject: Reply with quote

Antoine wrote:

...
Nice lens, light and handy to take on a walk
... Does not seem to have too much CA...
Fully open
MD 300 mm f4.5


Oh yes, the MD 4.5/300mm does have a lot of lateral CAs - of course they do appear mostly towards the full frame (!) corners, and when you look at a sharp (!) image at full resolution ... Wink All these conditions are missing in your image, and therefore there aren't many CAs ...

Here's acomparison of different 300mm lenses, including the 4/300mm CZJ Sonnar from the 1950s:



Stephan


PostPosted: Thu May 31, 2018 7:00 am    Post subject: Reply with quote

Despite it's behaviour in tests,real life pictures taken with MD Tele Rokkor 300/4.5 on the FF camera are pretty nice without much tweaking in the PP.

Sony A72+MD Tele Rokkor 300/4.5 at f11
https://www.zeissimages.com/gallery/951/U951I1523211449.SEQ.0.jpg


PostPosted: Thu May 31, 2018 6:41 pm    Post subject: Reply with quote

Steve,

I did not find the lens in your comparison... but on the artaphot website, I found this

"At f4.5 the detail resolution in the image center is very good, and purple fringing (LoCAs) is well controlled. However, the corners there are strong CAs."... somebody agrees with me... Wink and yes I have an APS... so it may help

... still I was surprised I could not find CA on this "limited" quality picture

Of course, I am an amateur and enjoyed taking this 700 g lens on a light APS camera on a walk while Temperature was 25+C in Norfolk (probably only twice a decade... but it happened in May 2018...) .

... and I would probably need an electric caddie Rolling Eyes to take a full frame body with a 450mm lens...


PostPosted: Fri Jun 01, 2018 8:22 pm    Post subject: Reply with quote

Antoine wrote:
Steve,

I did not find the lens in your comparison...


It's the eight's lens from the top ... "Minolta MD 300mm 1:4.5 IF" !


Antoine wrote:

but on the artaphot website, I found this

"At f4.5 the detail resolution in the image center is very good, and purple fringing (LoCAs) is well controlled. However, the corners there are strong CAs."... somebody agrees with me... Wink


artaphot: that's me, actually Wink

Stephan


PostPosted: Fri Jun 01, 2018 8:42 pm    Post subject: Reply with quote

tb_a wrote:
AE Conrady wrote:
It is merely a proof that one can make a good lens looking very bad.


I usually do this on purpose; i.e. select a scenery which don't show a lens at it's best. It's more interesting to see how a lens is reacting in difficult situations. If I want to show nice pictures I would rather do that in the gallery section. IMHO the lens section is the place to show the weakness and the strength of a lens. However, I know that some folks here have a different approach. Wink


+1


PostPosted: Wed Mar 10, 2021 8:58 am    Post subject: Reply with quote

I've acquired a Lumix GX80 MFT camera for travel purposes and also because I don't want to carry my awful expensive, heavy and large equipment on the motorbike (e.g. constant vibrations may ruin the antishake mechanism).
However, as my original Panasonic Lumix AF lenses only cover focal lengths from 12 to 200 mm I started to test some possible variants for the long end; i.e. above 200mm.

This is the first test with my MD 300/4.5 uncropped fully open and shot handheld (clickable for best quality viewing), antishake on:



The big advantage of MFT is the usage of only the sweet spot of any FF lens; additionally the GX80 skipped the anti-aliasing filtering for better sharpness and the angle of view is equivalent to 600mm on my Sony A7R II.

To make a long story short: I'm quite impressed. The combination GX80 (named GX85 in some markets) with the Minolta MD 300/4.5 I.F. makes a lot of sense; i.e. seems to be a strong combination, particularly because the MD 300/4.5 is rather small and light, compared to many other lenses in this focal length.


PostPosted: Wed Mar 10, 2021 12:02 pm    Post subject: Reply with quote

Looks like a good result to me, particularly given the distinctly dull lighting.
i still have my old G1, 12Mpx, rather noisy as soon as the ASA is upped - it was very cheap s/h even 5yrs ago. Mainly used for ebay pics, occasionally for playing with other mount lenses (I have pretty much the range of cheap adapters for this). Its evf I have to say still measures up as a very decent one. How do you like the 2.76MPx off centre one on the GX80?


PostPosted: Wed Mar 10, 2021 12:04 pm    Post subject: Reply with quote

The image shown above is 2048 x 1367 px (=2.8 MP). I'm not impressed (yet). If the image is sharp and without LoCAs at 16 MP, then I'll be impressed!

Gr Wink S


PostPosted: Wed Mar 10, 2021 1:30 pm    Post subject: Reply with quote

marcusBMG wrote:
Looks like a good result to me, particularly given the distinctly dull lighting.
i still have my old G1, 12Mpx, rather noisy as soon as the ASA is upped - it was very cheap s/h even 5yrs ago. Mainly used for ebay pics, occasionally for playing with other mount lenses (I have pretty much the range of cheap adapters for this). Its evf I have to say still measures up as a very decent one. How do you like the 2.76MPx off centre one on the GX80?


Well, I still have the old GF1 and a set of original Lumix lenses. Considering the price (I've paid EUR 400,- brand new incl. the pancake 12-32mm zoom) it's a fantastic camera and far advanced in comparison to my ancient GF1.
I'm still playing around but haven't found anything problematic yet; i.e. no final thoughts about the EVF. The usage of MF lenses is still a little bit combersome compared to some of my other cameras. Most probably I'll use it primarily with the original AF lenses.

However, the question is whether I should go for the Lumix 100-300 or use any of my existing lenses. That's more or less the story behind this testing.
For the time being the MD 300/4.5 should be good enough.
Just made a comparison with my SMC Pentax-DA 55-300mm/F4-5.8 APSC lens at 300mm and can't really dedect major differences when used with the Lumix.

Most probably the best result is only possible with the original lenses as Panasonic is doing a lot in camera to optimize the results and there is no way to achieve that with other lenses.


PostPosted: Wed Mar 10, 2021 1:41 pm    Post subject: Reply with quote

stevemark wrote:
The image shown above is 2048 x 1367 px (=2.8 MP). I'm not impressed (yet). If the image is sharp and without LoCAs at 16 MP, then I'll be impressed!

Gr Wink S


It was never my intention to impress anybody else. I'm on your side that the MD 300/4.5 is a rather mediocre lens, rather in the league like the Minolta AF APO Tele 100-300/4.5-5.6 D in the long end.

It doesn't look much different at full resolution and for my needs that's more than I have expected. Most of these pictures end up in the internet with max. 2048px on the long side anyway (typical FB limitation).

You have to understand that the Lumix GX80 is for me to be seen as an upgrade to my smartphone (Mi 9) when I'm on tour with my motorbike.
It's not my plan to replace my Minolta AF 300/4 H.S. APO G / Monster Adapter LA-EA4r / Sony A7R II combination with the Lumix one. Wink
This Minolta/Sony combo is hardly to beat.


PostPosted: Wed Mar 10, 2021 7:54 pm    Post subject: Reply with quote

tb_a wrote:

... I'm on your side that the MD 300/4.5 is a rather mediocre lens ...

Most 4.5/300mm and 4/300mm lenses from that time perform ... well ... not stellar. The Nikkor 4.5/300mm IF-ED (another small and lightweight lens) doesn't perform much better than the Minolta 4.5/300mm IF. The only exception I know is the Nikkor K / Ai 4,5/300mm ED (non-IF!). It's corrected from 400nm to 1000nm, and it's color aberrations have been reduced to 10% (compared to the non-ED Nikkors).

tb_a wrote:

You have to understand that the Lumix GX80 is for me to be seen as an upgrade to my smartphone (Mi 9) when I'm on tour with my motorbike.

Sorry - I had overlooked that Wink

tb_a wrote:
It's not my plan to replace my Minolta AF 300/4 H.S. APO G / Monster Adapter LA-EA4r / Sony A7R II combination with the Lumix one. Wink
This Minolta/Sony combo is hardly to beat.
My experience with the MinAF 4/300 APO G is limited - I've been testing it quickly back in 2010, however I didn't have the opportunity to really compare it side by side with other 4/300mm or 2.8/300mm lenses.

S