View previous topic :: View next topic |
Author |
Message |
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Wed Jun 03, 2015 12:11 pm Post subject: Minolta MD Tele Rokkor 300mm 1:4.5 IF |
|
|
tb_a wrote:
As before with my MD Tele Rokkor 200mm I've done some test shots.
The more detailed circumstances could be read in the other thread:
http://forum.mflenses.com/minolta-md-tele-rokkor-200mm-14-t71449.html
I don't want to repeat everything here.
Details about the lens:
http://www.geocities.ws/mikkonis/reviewed/md300mm.html
and of course in the other links of the 200mm thread.
Same method as before but another bush at greater distance.
Well, the lens isn't bad at all but I think that my Minolta AF 300mm 1:4 APO G HS lens is superior. However, the AF one is at least 3 times as expensive on the used market, so it should be better. The Rokkor lens is relatively handy compared to the AF lens and my Super Takumar 300/4 and due to its internal focusing mechanism it doesn't change in length like the Pentax or the older Rokkors.
It equals to 450mm FOV on FF on the shown pictures shot with the Ricoh GXR-M. It's already usable fully open. The picture quality doesn't really change if stopped down.
_________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
papasito
Joined: 09 Jan 2015 Posts: 1662
|
Posted: Fri Jun 05, 2015 1:59 pm Post subject: |
|
|
papasito wrote:
I have a very good luck, could sell my MD 4,5/300 IF.
Very strong CA, but very, very strong.
Some minolta lenses suffer from CA:
24/2,8 MC (the MD version lost in colors and contrast, but win in CA).
50/1,4 MC 1,4, 2, 2,8 and 3,5 ugly CA
But none of them so strong like the MD 300/4,5 IF |
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Fri Jun 05, 2015 4:00 pm Post subject: |
|
|
tb_a wrote:
papasito wrote: |
I have a very good luck, could sell my MD 4,5/300 IF.
Very strong CA, but very, very strong.
Some minolta lenses suffer from CA:
24/2,8 MC (the MD version lost in colors and contrast, but win in CA).
50/1,4 MC 1,4, 2, 2,8 and 3,5 ugly CA
But none of them so strong like the MD 300/4,5 IF |
That's very interesting. May I ask you on what camera (one or more) you encountered this problems? _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
woodrim
Joined: 14 Jan 2010 Posts: 4060 Location: Charleston
|
Posted: Sat Jun 06, 2015 2:17 am Post subject: |
|
|
woodrim wrote:
That's a good question, Thomas. I had bad CA From a number of lenses until I got the NEX-5N, then hardly any. _________________ Regards,
Woodrim |
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Sat Jun 06, 2015 6:07 am Post subject: |
|
|
tb_a wrote:
woodrim wrote: |
That's a good question, Thomas. I had bad CA From a number of lenses until I got the NEX-5N, then hardly any. |
Well, the final picture is always a result of the lens AND the sensor AND the operating system of the camera.
In many cases additionally the Photoshop skills of the man behind the combination, but I am not even talking about this criteria because my sample pictures for testing a lens/camera combination are never manipulated afterwards.
A very good example is the use of the same Sony sensor in a Nikon camera or in a Sony camera. The result is not the same.
Another good example is the use of the CV 15mm M39 lens on different cameras.
Obviously there are better and not so good combinations in that respect.
I cannot confirm that the MD 300/4.5 is badly suffering from CA on my Ricoh, therefore the question. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
papasito
Joined: 09 Jan 2015 Posts: 1662
|
Posted: Mon Jun 08, 2015 3:39 pm Post subject: |
|
|
papasito wrote:
tb_a wrote: |
papasito wrote: |
I have a very good luck, could sell my MD 4,5/300 IF.
Very strong CA, but very, very strong.
Some minolta lenses suffer from CA:
24/2,8 MC (the MD version lost in colors and contrast, but win in CA).
50/1,4 MC 1,4, 2, 2,8 and 3,5 ugly CA
But none of them so strong like the MD 300/4,5 IF |
That's very interesting. May I ask you on what camera (one or more) you encountered this problems? |
Yes, of course.
Nex 3, 5N and 7r.
300/4,5 IF
A lot of lateral CA.
More closed is the aperture, more strong the CA
MC-X 24/2,8
Longitudinal (gone at F/11) and laterla CA.
Very soft corners at F/8 and not sharp corners at all at F/11.
Nice central colors, sharpness and contrast, especially at close focus, internal focus effect, sure.
MC-X 50/1,4
At wide apertures, strong CA.
My MC-PG 58/1,2 is better than the three MC 50/1,4 I had and the one I have now.
Possibiliities:
a) my 58/1,2 copy is wanderfull
b) All my copies of the 50/1,4 were something bad ones.
c) Both together.
Reality: My 58/1,2 is
sharper especially at F/1,4, 2, 5,6 and 8.
More contrast in overall.
Much less CA |
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Mon Jun 08, 2015 9:19 pm Post subject: |
|
|
tb_a wrote:
Thanks for reply, papasito.
Besides the MC 24mm (I only have the MD version) I have all of your mentioned lenses, but none of your cameras.
I mainly use the old MF lenses on my Ricoh GXR-M which is known to react somehow differently on some MF lenses than some of the NEX's.
I must admit, that I didn't test those lenses more detailed in respect to CA but I didn't realize anything special up to now. However, there are special situations where almost all lenses produce such artifacts more or less; even new ones which are specially designed for the use on digital cameras.
Furthermore it is also known that there are different sub-versions around over the time Minolta produced such lenses, i.e. there are different MC and MD sub-versions around. Some of them are known to be better and some of them are not so good.
So it may be always a good advice to check for known issues related to certain specific combinations of versions and camera combinations. That's all what I can say for the moment. I also didn't use the MD 300mm on smaller apertures than F8 so far, but mainly wide open to reduce the risk of camera shake.
However, if it would happen to a annoying extent I would most probably remove such artifacts in Photoshop. That is not really difficult as there is a ready made functionality for such picture improvements available as part of the program. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
woodrim
Joined: 14 Jan 2010 Posts: 4060 Location: Charleston
|
Posted: Tue Jun 09, 2015 1:44 am Post subject: |
|
|
woodrim wrote:
Odd. I've never considered my MC Rokkor PG 1.4/50 to have problem CA. In certain circumstances, all of my lenses will display some amount. I find the Rokkors pretty well corrected. Here's a picture I never did anything with post camera. It was (mistakenly) taken at f/1.4 and obviously overexposed. Look hard and you'll find something, but very manageable in my mind.
_________________ Regards,
Woodrim |
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Fri Feb 10, 2017 11:52 am Post subject: |
|
|
tb_a wrote:
One more example at infinity landscape with Ricoh GXR-M (APS-C; i.e. 450mm FF FOV equivalent):
Shot RAW at F11 with minor adjustments in LR6. Focus point was the blue/white sign.
100 % crop for pixel peeping purposes:
IMHO not bad at all. At wider apertures the lens appears to be a little bit softer but still usable.
Example WO at F4.5:
_________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
AE Conrady
Joined: 16 Jan 2016 Posts: 16 Location: Hamburg Germany
|
Posted: Fri Feb 10, 2017 2:00 pm Post subject: |
|
|
AE Conrady wrote:
For the record and for better understanding of optical design:
Aberrations including CA (chromatic Aberration) are defined only in the image plane.
Because of this, a short distance picture like this is not a proof for CA.
It is merely a proof that one can make a good lens looking very bad. |
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Fri Feb 10, 2017 2:43 pm Post subject: |
|
|
tb_a wrote:
AE Conrady wrote: |
It is merely a proof that one can make a good lens looking very bad. |
I usually do this on purpose; i.e. select a scenery which don't show a lens at it's best. It's more interesting to see how a lens is reacting in difficult situations. If I want to show nice pictures I would rather do that in the gallery section. IMHO the lens section is the place to show the weakness and the strength of a lens. However, I know that some folks here have a different approach. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Fri Feb 10, 2017 3:55 pm Post subject: |
|
|
tb_a wrote:
Here is a comparison shot from my reference lens in 300m, the Minolta AF 300mm/F4 HS APO used MF on Ricoh GXR-M fully open at F4.
100% crop of the center:
This lens is better WO at F4 than the MD 300 at F11. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
Antoine
Joined: 08 Jan 2016 Posts: 298 Location: London
|
Posted: Tue May 29, 2018 3:31 pm Post subject: |
|
|
Antoine wrote:
http://forum.mflenses.com/userpix/20185/9498_DSC05925_1.jpg
Taken handheld in Norfolk.
Nice lens, light and handy to take on a walk
No cropping, no correction just jpeg from the camera. Does not seem to have too much CA...
Fully open
MD 300 mm f4.5 _________________ Antoine
Sony A6000 APS-C and Sony A7 Rii
Minolta Fisheye MD Rokkor 7.5 mm f4, Fisheye MD 16 f2.8 MD R 17mm f4, MD R 20mm f2.8, MC VFC & MDIII 24mm f2.8, MD 28mm f2.0 &3.5, MD II 35mm 1.8, MD 45mm f2.0, MD 50mm f 1.2 & MD I f1.4, MC PG 58mm 1.2, MD 85mm f2.0, MD R 85mm f2.8 Varisoft, MC 85mm f1.7 MD R 100mm f2.5, MD R 100mm f4.0 macro, MD III 135mm f2.8, MD R 200mm f2.8 & 4.0, RF 250mm f5.6, MD 300mm f4.5, MD APO 400 mm f5.6, RF 500mm f8.0, RF 800mm f8.0 *2 300-s and 300-l
100 mm f4 macro bellows (5/4)
Vivitar 17mm f3.5, Elicar 300mm mirror f5.6, Zhongi turbo ii
Sigma 16mm f 2.8 fish eye
Zooms:24-50 mm f4, 35-70 mm f3.5 macro, 28-85mm f3.5-4.5, 50-135 f 3.5, 70-210 f4 and MD APO 100-500 mm f8 |
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Wed May 30, 2018 2:19 am Post subject: |
|
|
tb_a wrote:
Antoine wrote: |
Taken handheld in Norfolk.
Nice lens, light and handy to take on a walk
No cropping, no correction just jpeg from the camera. Does not seem to have too much CA...
Fully open
MD 300 mm f4.5 |
Very nice BIF. Thanks for sharing. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
stevemark
Joined: 29 Apr 2011 Posts: 4068 Location: Switzerland
|
Posted: Wed May 30, 2018 9:35 pm Post subject: |
|
|
stevemark wrote:
Antoine wrote: |
...
Nice lens, light and handy to take on a walk
... Does not seem to have too much CA...
Fully open
MD 300 mm f4.5 |
Oh yes, the MD 4.5/300mm does have a lot of lateral CAs - of course they do appear mostly towards the full frame (!) corners, and when you look at a sharp (!) image at full resolution ... All these conditions are missing in your image, and therefore there aren't many CAs ...
Here's acomparison of different 300mm lenses, including the 4/300mm CZJ Sonnar from the 1950s:
Stephan _________________ www.artaphot.ch |
|
Back to top |
|
|
shapencolour
Joined: 03 Oct 2013 Posts: 270
|
Posted: Thu May 31, 2018 7:00 am Post subject: |
|
|
shapencolour wrote:
Despite it's behaviour in tests,real life pictures taken with MD Tele Rokkor 300/4.5 on the FF camera are pretty nice without much tweaking in the PP.
Sony A72+MD Tele Rokkor 300/4.5 at f11
https://www.zeissimages.com/gallery/951/U951I1523211449.SEQ.0.jpg _________________ shapencolour |
|
Back to top |
|
|
Antoine
Joined: 08 Jan 2016 Posts: 298 Location: London
|
Posted: Thu May 31, 2018 6:41 pm Post subject: |
|
|
Antoine wrote:
Steve,
I did not find the lens in your comparison... but on the artaphot website, I found this
"At f4.5 the detail resolution in the image center is very good, and purple fringing (LoCAs) is well controlled. However, the corners there are strong CAs."... somebody agrees with me... and yes I have an APS... so it may help
... still I was surprised I could not find CA on this "limited" quality picture
Of course, I am an amateur and enjoyed taking this 700 g lens on a light APS camera on a walk while Temperature was 25+C in Norfolk (probably only twice a decade... but it happened in May 2018...) .
... and I would probably need an electric caddie to take a full frame body with a 450mm lens... _________________ Antoine
Sony A6000 APS-C and Sony A7 Rii
Minolta Fisheye MD Rokkor 7.5 mm f4, Fisheye MD 16 f2.8 MD R 17mm f4, MD R 20mm f2.8, MC VFC & MDIII 24mm f2.8, MD 28mm f2.0 &3.5, MD II 35mm 1.8, MD 45mm f2.0, MD 50mm f 1.2 & MD I f1.4, MC PG 58mm 1.2, MD 85mm f2.0, MD R 85mm f2.8 Varisoft, MC 85mm f1.7 MD R 100mm f2.5, MD R 100mm f4.0 macro, MD III 135mm f2.8, MD R 200mm f2.8 & 4.0, RF 250mm f5.6, MD 300mm f4.5, MD APO 400 mm f5.6, RF 500mm f8.0, RF 800mm f8.0 *2 300-s and 300-l
100 mm f4 macro bellows (5/4)
Vivitar 17mm f3.5, Elicar 300mm mirror f5.6, Zhongi turbo ii
Sigma 16mm f 2.8 fish eye
Zooms:24-50 mm f4, 35-70 mm f3.5 macro, 28-85mm f3.5-4.5, 50-135 f 3.5, 70-210 f4 and MD APO 100-500 mm f8 |
|
Back to top |
|
|
stevemark
Joined: 29 Apr 2011 Posts: 4068 Location: Switzerland
|
Posted: Fri Jun 01, 2018 8:22 pm Post subject: |
|
|
stevemark wrote:
Antoine wrote: |
Steve,
I did not find the lens in your comparison... |
It's the eight's lens from the top ... "Minolta MD 300mm 1:4.5 IF" !
Antoine wrote: |
but on the artaphot website, I found this
"At f4.5 the detail resolution in the image center is very good, and purple fringing (LoCAs) is well controlled. However, the corners there are strong CAs."... somebody agrees with me... |
artaphot: that's me, actually
Stephan _________________ www.artaphot.ch |
|
Back to top |
|
|
visualopsins
Joined: 05 Mar 2009 Posts: 11053 Location: California
Expire: 2025-04-11
|
Posted: Fri Jun 01, 2018 8:42 pm Post subject: |
|
|
visualopsins wrote:
tb_a wrote: |
AE Conrady wrote: |
It is merely a proof that one can make a good lens looking very bad. |
I usually do this on purpose; i.e. select a scenery which don't show a lens at it's best. It's more interesting to see how a lens is reacting in difficult situations. If I want to show nice pictures I would rather do that in the gallery section. IMHO the lens section is the place to show the weakness and the strength of a lens. However, I know that some folks here have a different approach. |
+1 _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
|
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Wed Mar 10, 2021 8:58 am Post subject: |
|
|
tb_a wrote:
I've acquired a Lumix GX80 MFT camera for travel purposes and also because I don't want to carry my awful expensive, heavy and large equipment on the motorbike (e.g. constant vibrations may ruin the antishake mechanism).
However, as my original Panasonic Lumix AF lenses only cover focal lengths from 12 to 200 mm I started to test some possible variants for the long end; i.e. above 200mm.
This is the first test with my MD 300/4.5 uncropped fully open and shot handheld (clickable for best quality viewing), antishake on:
The big advantage of MFT is the usage of only the sweet spot of any FF lens; additionally the GX80 skipped the anti-aliasing filtering for better sharpness and the angle of view is equivalent to 600mm on my Sony A7R II.
To make a long story short: I'm quite impressed. The combination GX80 (named GX85 in some markets) with the Minolta MD 300/4.5 I.F. makes a lot of sense; i.e. seems to be a strong combination, particularly because the MD 300/4.5 is rather small and light, compared to many other lenses in this focal length. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
marcusBMG
Joined: 07 Dec 2012 Posts: 1318 Location: Conwy N Wales
|
Posted: Wed Mar 10, 2021 12:02 pm Post subject: |
|
|
marcusBMG wrote:
Looks like a good result to me, particularly given the distinctly dull lighting.
i still have my old G1, 12Mpx, rather noisy as soon as the ASA is upped - it was very cheap s/h even 5yrs ago. Mainly used for ebay pics, occasionally for playing with other mount lenses (I have pretty much the range of cheap adapters for this). Its evf I have to say still measures up as a very decent one. How do you like the 2.76MPx off centre one on the GX80? _________________ pentax ME super (retired)
Pentax K3-ii; pentax K-S2; Samsung NX 20; Lumix G1 + adapters;
Adaptall collection (proliferating!) inc 200-500mm 31A, 300mm f2.8, 400mm f4.
Primes: takumar 55mm; smc 28mm, 50mm; kino/komine 28mm f2's, helios 58mm, Tamron Nestar 400mm, novoflex 400mm, Vivitar 135mm close focus, 105mm macro; Jupiter 11A; CZJ 135mm.
A classic zoom or two: VS1 (komine), Kiron Zoomlock... |
|
Back to top |
|
|
stevemark
Joined: 29 Apr 2011 Posts: 4068 Location: Switzerland
|
Posted: Wed Mar 10, 2021 12:04 pm Post subject: |
|
|
stevemark wrote:
The image shown above is 2048 x 1367 px (=2.8 MP). I'm not impressed (yet). If the image is sharp and without LoCAs at 16 MP, then I'll be impressed!
Gr S _________________ www.artaphot.ch |
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Wed Mar 10, 2021 1:30 pm Post subject: |
|
|
tb_a wrote:
marcusBMG wrote: |
Looks like a good result to me, particularly given the distinctly dull lighting.
i still have my old G1, 12Mpx, rather noisy as soon as the ASA is upped - it was very cheap s/h even 5yrs ago. Mainly used for ebay pics, occasionally for playing with other mount lenses (I have pretty much the range of cheap adapters for this). Its evf I have to say still measures up as a very decent one. How do you like the 2.76MPx off centre one on the GX80? |
Well, I still have the old GF1 and a set of original Lumix lenses. Considering the price (I've paid EUR 400,- brand new incl. the pancake 12-32mm zoom) it's a fantastic camera and far advanced in comparison to my ancient GF1.
I'm still playing around but haven't found anything problematic yet; i.e. no final thoughts about the EVF. The usage of MF lenses is still a little bit combersome compared to some of my other cameras. Most probably I'll use it primarily with the original AF lenses.
However, the question is whether I should go for the Lumix 100-300 or use any of my existing lenses. That's more or less the story behind this testing.
For the time being the MD 300/4.5 should be good enough.
Just made a comparison with my SMC Pentax-DA 55-300mm/F4-5.8 APSC lens at 300mm and can't really dedect major differences when used with the Lumix.
Most probably the best result is only possible with the original lenses as Panasonic is doing a lot in camera to optimize the results and there is no way to achieve that with other lenses. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
|
Posted: Wed Mar 10, 2021 1:41 pm Post subject: |
|
|
tb_a wrote:
stevemark wrote: |
The image shown above is 2048 x 1367 px (=2.8 MP). I'm not impressed (yet). If the image is sharp and without LoCAs at 16 MP, then I'll be impressed!
Gr S |
It was never my intention to impress anybody else. I'm on your side that the MD 300/4.5 is a rather mediocre lens, rather in the league like the Minolta AF APO Tele 100-300/4.5-5.6 D in the long end.
It doesn't look much different at full resolution and for my needs that's more than I have expected. Most of these pictures end up in the internet with max. 2048px on the long side anyway (typical FB limitation).
You have to understand that the Lumix GX80 is for me to be seen as an upgrade to my smartphone (Mi 9) when I'm on tour with my motorbike.
It's not my plan to replace my Minolta AF 300/4 H.S. APO G / Monster Adapter LA-EA4r / Sony A7R II combination with the Lumix one.
This Minolta/Sony combo is hardly to beat. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
|
Back to top |
|
|
stevemark
Joined: 29 Apr 2011 Posts: 4068 Location: Switzerland
|
Posted: Wed Mar 10, 2021 7:54 pm Post subject: |
|
|
stevemark wrote:
tb_a wrote: |
... I'm on your side that the MD 300/4.5 is a rather mediocre lens ... |
Most 4.5/300mm and 4/300mm lenses from that time perform ... well ... not stellar. The Nikkor 4.5/300mm IF-ED (another small and lightweight lens) doesn't perform much better than the Minolta 4.5/300mm IF. The only exception I know is the Nikkor K / Ai 4,5/300mm ED (non-IF!). It's corrected from 400nm to 1000nm, and it's color aberrations have been reduced to 10% (compared to the non-ED Nikkors).
tb_a wrote: |
You have to understand that the Lumix GX80 is for me to be seen as an upgrade to my smartphone (Mi 9) when I'm on tour with my motorbike. |
Sorry - I had overlooked that
tb_a wrote: |
It's not my plan to replace my Minolta AF 300/4 H.S. APO G / Monster Adapter LA-EA4r / Sony A7R II combination with the Lumix one.
This Minolta/Sony combo is hardly to beat. |
My experience with the MinAF 4/300 APO G is limited - I've been testing it quickly back in 2010, however I didn't have the opportunity to really compare it side by side with other 4/300mm or 2.8/300mm lenses.
S _________________ www.artaphot.ch |
|
Back to top |
|
|
|