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kathala
 Joined: 13 May 2022 Posts: 61
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Posted: Sat May 21, 2022 6:47 am Post subject: List of MF lenses on Fuji GFX |
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kathala wrote:
Hi all,
I just mentioned it in another thread, but thought I'd start a new one for easier search-find-ability:
my reference list of all lenses I could find (SLR, RF, projection, military, X-ray and even weirder) and how they behave on larger than full frame sensors (GFX, IQ, FF with focal reducers):
https://docs.google.com/spreadsheets/d/1uxvvpxJ9QVFFyh0pW2rs9KBmUW9vlh-d-VnbcLDCTn8/edit#gid=0
If you use any larger-than-FF contraption with lenses not listed there, I always appreciate any input!
(My own approach is currently a full frame evil + a speed booster, emulating a sensor even larger than GFX. Cheap, compact, easy, and very satisfying in my preferred 1:3 format)
[url=http://forum.mflenses.com/userpix/20225/big_12143__CS_4535_1.jpg][img]http://forum.mflenses.com/userpix/20225/12143__CS_4535_1.jpg[/img][/url] _________________ Photography Reference Tables:
drive.google.com/drive/folders/1aJ5F8XM6t5AK4bydthcDoiwhsh5CUx3N
My Art and Books: ChristianSchnalzger.de
My Exploration of Panoramic Photographic Storytelling:
flickr.com/photos/hach_und_ueberhaupt/
The better you look, the more you see (B. E. Ellis) |
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Gatorengineer64
 Joined: 26 Oct 2017 Posts: 213
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Posted: Sat May 21, 2022 7:32 pm Post subject: |
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Gatorengineer64 wrote:
Thanks much for the list. Would like to get your take on two things
1) two of my favorite lenses Canon 50 1.2 ltm and Canon 35 f2 aren't on the list what are your thoughts or speculation on how they would perform at 6k square?
2) what are your thoughts on fuji medium format IQ versus FF? I know what the specs say but what I seem to see in people's images is a different story... Your experience? _________________ A7R2 and a small bucket of mflenses |
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kathala
 Joined: 13 May 2022 Posts: 61
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Posted: Sun May 22, 2022 4:18 am Post subject: |
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kathala wrote:
Going by all other fast Canon 5os, both R/FL/FD and M39, the 1.2 won't cover much more than FF
The 35/2 is there and won't cover either. The FD version easily covers at least 1:1 and 1:3.
Any camera image quality discussion reminds me of FF adapters to camcorders 2o years ago: Avid discussions were held which adapter would resolve a line or two more. What a waste of time, when the camcorder could only resolve 576 lines, i.e. o.8 MPix.
DPreview has a comparison tool showing the GFX 50 to be roughly on par with the 60 MP FF cameras. This was to be expected academically, since GFX is only marginally larger than FF.
Sony has just disappointed again with the 7r5 having the same old 60 MP sensor, so for highest MPix resolution, you'd currently need the GFX 100. But I'll also say that despite my liking for Canon lenses, the 5o/1.2 won't resolve 1oo nor 5o MPix  _________________ Photography Reference Tables:
drive.google.com/drive/folders/1aJ5F8XM6t5AK4bydthcDoiwhsh5CUx3N
My Art and Books: ChristianSchnalzger.de
My Exploration of Panoramic Photographic Storytelling:
flickr.com/photos/hach_und_ueberhaupt/
The better you look, the more you see (B. E. Ellis) |
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Pancolart
 Joined: 04 Feb 2008 Posts: 3605 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Sun May 22, 2022 11:54 am Post subject: |
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Pancolart wrote:
Great work, valuable info, i've been wondering this from the beginning of GFX series. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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KEO
 Joined: 27 Sep 2018 Posts: 692 Location: USA
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Posted: Tue Aug 16, 2022 6:43 pm Post subject: Re: List of MF lenses on Fuji GFX |
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KEO wrote:
kathala wrote: |
If you use any larger-than-FF contraption with lenses not listed there, I always appreciate any input! |
I just got a GFX 50SII, and I've been testing a few lenses. I'm discovering that vignetting with FF lenses adapted to the GFX is actually a rather more complicated issue than simply saying yes or no.
I would classify the 35mm Nikon Series E 2.5 as having soft vignetting. It seems to be fairly consistent at all apertures and focus distances.
The AI version of the Nikkor 50 f2 seems to work very well. Maybe some very slight vignetting in certain situations, but nothing serious.
I agree with what your list says about the Voigtlander 58 Nokton 1.4 SLii.
The Voigtlander 75 Heliar Classic 1.8 works great, although it has some soft vignetting.
The 105mm DC Nikkor f/2 has very inconsistent vignetting - more at smaller apertures and longer focus ranges (landscapes, for instance), but none at all at wider apertures and closer focus distances (general portrait usage). Fantastic for it's intended purpose.
You've already covered some of these, and the others I've tested so far. The 180mm 2.8 AFD Nikkor is superb on the GFX, for example, as is the ZhongYi 85 1.2 Speedmaster.
I have quite a few lenses you haven't listed yet, so I'll try to report my experiences as I get to them. |
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KEO
 Joined: 27 Sep 2018 Posts: 692 Location: USA
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Posted: Thu Aug 18, 2022 7:08 pm Post subject: |
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KEO wrote:
I got some more testing in this morning.
The Nikkor 85mm f2 AiS version is perfect on my GFX - no vignetting whatsoever. I'd give that one a top rating for GFX owners.
The same goes for my Nikkor 105mm f2.5 K version, which seems to be at odds with your poor rating for the Ai version.
The Nikkor 200mm f4 AiS version works great, but (like a lot of lenses) it has some vignetting at longer focus distances and smaller apertures. It's much better at closer focus distances and open apertures.
The early silver Leica Elmarit 90mm f2.8 has vignetting ranging from soft and not bad at close focus distances and open apertures (such as for portraits), to rather hard and unpleasant at small apertures and long focus distances (such as for landscapes).
Surprisingly, my Zeiss Jena 120mm Biometar 2.8 has some minor vignetting. I wasn't expecting that in a lens designed for Pentacon-6, however mine is Exakta-mount. It's possible the design of the mount is responsible for the vignetting. I'd like to see results from the Pentacon-6 version.
The Meyer 50mm Primotar E f3.5 in Exakta works very well, with only minor vignetting at small apertures and focus distances near infinity. Happily this lens is very usable on the GFX.
Finally, the 120mm Super-Multi-Coated Takumar f2.8 works very well with only minor vignetting at long focus distances and small apertures. At closer focus distances and open apertures the vignetting is very minor or non-existent This lens works very well. |
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KEO
 Joined: 27 Sep 2018 Posts: 692 Location: USA
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Posted: Sat Aug 20, 2022 6:23 pm Post subject: |
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KEO wrote:
I should take notes; I feel like I'm forgetting something. Let's see...
Pentacon 200mm f/4 - some vignetting, worse at or near infinity with smaller aperture settings. Still usable, and the images look nice.
58mm Biotar - another top pick for GFX use, no vignetting at all.
105mm Nikkor f/1.8 AiS - excellent, with only slight soft vignetting at longer distances and smaller apertures.
And some of my beloved Contax RF lenses...
Zeiss-Opton 85mm Sonnar f/2 - quite usable, but some vignetting at all apertures and distances.
Zeiss 50mm Sonnar f/1.5 - some vignetting at all apertures, but very usable.
KMZ 8.5cm Jupiter-9 f/2 w/ 1957 serial number - usable, but slightly worse vignetting than the Sonnar. The high levels of distortion near the edge of the projection circle are interesting.
KMZ 5cm Jupiter-8 f/2 w/ 1954 serial number - another top pick for the GFX - no vignetting at all. I wonder whether the f/2 Sonnar is the same?
Zeiss-Opton 85mm Triotar f/4 - this is the worst lens I've used so far on the GFX - horrible vignetting. I'd be surprised if this lens didn't have vignetting even on FF cameras. It has vignetting even with the image ratio set to 1:1. I still have to try out the early pre-war version of this lens, which has a slightly different design.
Arsenal 53mm Helios-103 f/1.8 - Very good with only slight vignetting. This (or the 5cm Jupiter) would be a great choice to try out for street photography. They're tiny and the images are full of character. |
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jamaeolus
 Joined: 19 Mar 2014 Posts: 2676 Location: Eugene
Expire: 2015-08-20
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Posted: Sat Aug 20, 2022 6:53 pm Post subject: |
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jamaeolus wrote:
Very useful info. I have been considering the GFX cameras. The IQ of images I see si quite compelling. But the very limited list of mostly quite expensive glass was a big checkmark in the "con" portion of the evaluation. More options and lower prices keep adding to the urge. On the other hand the a7riv's have been coming down at a decent rate so I'm torn. Plus I can't justify either in my current financial situation. Maybe when I retire in January I can get my act together and sell a whole bunch of lenses and cameras to make one of the other happen. _________________ photos are moments frozen in time |
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KEO
 Joined: 27 Sep 2018 Posts: 692 Location: USA
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Posted: Sat Aug 20, 2022 8:29 pm Post subject: |
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KEO wrote:
jamaeolus wrote: |
Very useful info. I have been considering the GFX cameras. The IQ of images I see si quite compelling. But the very limited list of mostly quite expensive glass was a big checkmark in the "con" portion of the evaluation. More options and lower prices keep adding to the urge. On the other hand the a7riv's have been coming down at a decent rate so I'm torn. Plus I can't justify either in my current financial situation. Maybe when I retire in January I can get my act together and sell a whole bunch of lenses and cameras to make one of the other happen. |
FWIW, I picked up my barely used, like new, GFX50SII from a reliable seller at what I consider a very reasonable price. I don't regret it at all.
The native lenses are expensive though - no way around that.
On the other hand, I loved the images I was getting from Jupiter-8 and Helios-103 this morning. I paid about $25 a piece for those.  |
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kathala
 Joined: 13 May 2022 Posts: 61
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Posted: Mon Aug 22, 2022 7:21 pm Post subject: |
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kathala wrote:
[quote="jamaeolus"]sell a whole bunch of lenses and cameras to make one of the other happen.[/quote]
Don't . Either camera will last you 2, 5, maybe 1o years. Any lens will last you a lifetime, even if, like me, you're still far from retirement... _________________ Photography Reference Tables:
drive.google.com/drive/folders/1aJ5F8XM6t5AK4bydthcDoiwhsh5CUx3N
My Art and Books: ChristianSchnalzger.de
My Exploration of Panoramic Photographic Storytelling:
flickr.com/photos/hach_und_ueberhaupt/
The better you look, the more you see (B. E. Ellis) |
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kathala
 Joined: 13 May 2022 Posts: 61
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Posted: Mon Aug 22, 2022 7:23 pm Post subject: |
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kathala wrote:
[quote="KEO"]Let's see...
[/quote]
Thank you for your input!
Vignette tolerance is definitely a broader topic, depending on format (I only use 1:3, for example), focus distance, subject and personal tolerance. My intention with the list was to create a starting point to evaluate whether a closer look into a specific lens is worth the while. I personally had high hopes for one of the very fast 5os, but no... _________________ Photography Reference Tables:
drive.google.com/drive/folders/1aJ5F8XM6t5AK4bydthcDoiwhsh5CUx3N
My Art and Books: ChristianSchnalzger.de
My Exploration of Panoramic Photographic Storytelling:
flickr.com/photos/hach_und_ueberhaupt/
The better you look, the more you see (B. E. Ellis) |
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KEO
 Joined: 27 Sep 2018 Posts: 692 Location: USA
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Posted: Mon Aug 22, 2022 8:03 pm Post subject: |
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KEO wrote:
kathala wrote: |
Vignette tolerance is definitely a broader topic, depending on format (I only use 1:3, for example), focus distance, subject and personal tolerance. |
Yes, it's definitely a more complicated subject than it appears on the surface. I think finding a good manual lens for landscape shooting could be especially tricky because on the GFX you get all the distortion at the edges of the projection circle, and that's assuming you find a wide-angle lens with no vignetting at small apertures and long focus distances.
I was busy with family events over the weekend, but I'll have more testing information soon. I have a lot more lenses to try out.
I'll keep a special eye out for fast 50s - I have one or two of them that aren't on your list yet - some fast 55s too.
The only lens that gave me a very different result from your excellent table is the 105mm f/2.5 Nikkor. It was one of the best lenses I tried with no vignetting at all. I plan to use it a lot on my GFX.
Thanks for the work you did compiling your table - it is very useful! |
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jamaeolus
 Joined: 19 Mar 2014 Posts: 2676 Location: Eugene
Expire: 2015-08-20
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Posted: Mon Aug 22, 2022 10:05 pm Post subject: |
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jamaeolus wrote:
Kathala, A man after my own heart! Unfortunately I don't have the spare $ to make it happen without selling some stuff. Fortunately I have way too many lenses and a few too many cameras. I probably have something like 1500 lenses, SLR lenses, enlarger lenses, macro lenses, projector lenses. Probably close to a hundred cameras. Folders, rangefinders, SLR's view cameras. Its crazy. It becomes a storage issue. And a "too many options to make a good choice" issue. But as you say they last pretty well if you take good care of them. Which I do! I clean them, evaluate them. Rating for optics, function and cosmetic. Good ones I try to fit in a hard case. Lesser ones may go in bubble wrap in a zip lock. All of them will have the little dehumidifier packets. I figure they are unlikely (in general) to plummet in price and some will gain notoriety and be "jewels" on the collector or amateur cine market. _________________ photos are moments frozen in time |
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Arutemu
 Joined: 16 Oct 2014 Posts: 61 Location: US/Japan
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jamaeolus
 Joined: 19 Mar 2014 Posts: 2676 Location: Eugene
Expire: 2015-08-20
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Posted: Tue Aug 23, 2022 2:01 am Post subject: |
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jamaeolus wrote:
Impressive lists of trials. Those Pentax 67 shots kinda make me regret selling most of my Pentax 67 lenses. _________________ photos are moments frozen in time |
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kathala
 Joined: 13 May 2022 Posts: 61
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Posted: Tue Aug 23, 2022 12:29 pm Post subject: Re: Vintage lenses on GFX |
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kathala wrote:
[quote="Arutemu"]Some of my own tests of vintage 35mm & Medium Format lenses on GFX[/quote]
What a lovely cat!
Thanks for all the input, I added it to the list.
Can I just clarify, the Nikkors are all manual AiS, especially the 5o 1.4 and 85 1.4?
If you'd like to, feel free over on fujix-forum to point to my little table, or even ask people for possible results with lenses not on it yet  _________________ Photography Reference Tables:
drive.google.com/drive/folders/1aJ5F8XM6t5AK4bydthcDoiwhsh5CUx3N
My Art and Books: ChristianSchnalzger.de
My Exploration of Panoramic Photographic Storytelling:
flickr.com/photos/hach_und_ueberhaupt/
The better you look, the more you see (B. E. Ellis) |
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kathala
 Joined: 13 May 2022 Posts: 61
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Posted: Tue Aug 23, 2022 12:41 pm Post subject: |
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kathala wrote:
[quote="jamaeolus"] Kathala, A man after my own heart! [/quote]
Haha
Very good
Just use or at least move them from time to time I once inadvertently melted the back of an iconic Canon T90 when trying to get its clumped-up lubricant flowing again. The camera had been pristine, and would have worked, had the previous owner not left it to sit for years without actuating the shutter.
Now there's a perfectly functional T90, but with molten back buttons and lettering... _________________ Photography Reference Tables:
drive.google.com/drive/folders/1aJ5F8XM6t5AK4bydthcDoiwhsh5CUx3N
My Art and Books: ChristianSchnalzger.de
My Exploration of Panoramic Photographic Storytelling:
flickr.com/photos/hach_und_ueberhaupt/
The better you look, the more you see (B. E. Ellis) |
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KEO
 Joined: 27 Sep 2018 Posts: 692 Location: USA
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Posted: Tue Aug 23, 2022 6:38 pm Post subject: |
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KEO wrote:
I tested a few more this morning...
Industar-50-2
This one is surprisingly good, with only faint vignetting at landscape distances and almost none at closer distances. It's was also reminded how sharp it is, which is to say it's very sharp.
MOG 50mm Oreston f/1.8 zebra
Very nice. Only faint vignetting - very usable. I won't have any problem using this one. The least-vignetting lens tested this morning.
CZJ 50mm Pancolar f/1.8 (radioactive version w/8 aperture blades)
Very slightly worse vignetting that the Oreston, but only slightly. Another very usable lens.
MOG 50mm Domiplan f/2.8 zebra
Definite vignetting, worse at longer focus distances. Still perfectly usable, of course.
ISCO 50mm Westagon f/2
Definite vignetting, worse at longer focus distances, but very faint at closer distances. Nice.
55mm Auto Sears f/1.4
Definite vignetting in the corners. Not too bad, and perfectly usable especially at closer distances, but not great for landscape-type shooting.
MOG Orestegor 200mm f4
Interestingly, this one is slightly better than the Pentacon 200. Soft vignetting, but nice.
MOG 30mm Lydith f/3.5 zebra
Definite vignetting in the corners at long focus distances; a bit better up close. Usable.
150mm Super-Multi-Coated Takumar f/4
Very good. Interestingly, the vignetting gets worse as you focus closer with this one. It must be because the rear element is so far up inside the tubular body, and the vignetting is caused by the edges of the camera-side opening. Still, it works very well.
MOG 58mm Primoplan f/1.9
Only very faint, very soft vignetting at longer focus distances. I don't have any problem using this one. |
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KEO
 Joined: 27 Sep 2018 Posts: 692 Location: USA
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Posted: Thu Aug 25, 2022 5:56 pm Post subject: |
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KEO wrote:
I had a chance to try a few more this morning, with some good results. FWIW, it's easier to test for vignetting with an overcast sky.
52mm f/2.8 Industar-61 Panda
Pretty good. Some vignetting, with small, dark corners at landscape settings. Better wide open and close up.
Auto Chinon 55mm f/1.7
Very, very good. I found no visible vignetting except at infinity and f/8; even then it was only a slight darkening in the corners. You wouldn't even notice unless you were looking for it. Makes me wonder how the faster Auto Chinons perform. I liked this lens a lot on my X-T2; I love it on the GFX.
Carl Zeiss 135mm Super Dynarex f/4
Some vignetting, but quite a bit better than I expected, maybe because it's a Deckel-mount lens with a re-designed body so the rear element is way at the end near the sensor instead of far up inside the tube.
Fuji Photo Film Co. 50mm EBC Fujinon f/1.4
I crossed my fingers and hoped this one would have no vignetting, but of course it does. Much darker corners at landscape settings. Wide open and close-up it's pretty good though, and the rendering is really nice. No perfect, but usable.
MOG 100mm Orestor f/2.8 zebra
SCORE! This one is awesome on the GFX. I see no vignetting at all, even at f/8 and infinity focus. I wonder how big the projection circle actually is? Anyway, this lens is super small, super light, and super cool-looking to boot. I'm going to have to try it out against the 105mm f/2.5 Nikkor. |
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Arutemu
 Joined: 16 Oct 2014 Posts: 61 Location: US/Japan
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Posted: Thu Aug 25, 2022 8:24 pm Post subject: Re: Vintage lenses on GFX |
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Arutemu wrote:
kathala wrote: |
Can I just clarify, the Nikkors are all manual AiS, especially the 5o 1.4 and 85 1.4? |
Yes, all manual AiS lenses. _________________ 住めば都 |
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Pancolart
 Joined: 04 Feb 2008 Posts: 3605 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Fri Aug 26, 2022 8:38 am Post subject: |
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Pancolart wrote:
KEO wrote: |
MOG 100mm Orestor f/2.8 zebra
SCORE! This one is awesome on the GFX. I see no vignetting at all, even at f/8 and infinity focus. I wonder how big the projection circle actually is? Anyway, this lens is super small, super light, and super cool-looking to boot. I'm going to have to try it out against the 105mm f/2.5 Nikkor. |
Great news i am quite a fan of Orestor. Can't wait to see the comparison. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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KEO
 Joined: 27 Sep 2018 Posts: 692 Location: USA
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Posted: Sat Aug 27, 2022 6:46 pm Post subject: |
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KEO wrote:
I tried out a few more yesterday. Unfortunately it's supposed to rain all weekend, so I probably won't get a chance to do any more until next week.
200mm Takumar f/3.5, the early preset aperture version.
A little vignetting unfortunately. Usable of course, but I was hoping it would be perfect.
135mm Super-Multi-Coated Takumar f/2.5, version 2 (the one with 8 aperture blades).
Spectacular. This is the best old 135 I've tried on the GFX so far. No vignetting at all.
MOG 135mm Orestor f/2.8 zebra version.
Pretty good. Soft vignetting in the corners at long focus distances. Works well on the GFX, although not quite perfect.
135mm EBC Fujinon-T f/2.5
For vignetting, a bit better than the Orestor but not as good as the Takumar. Faint, soft vignetting at infinity focus, but none at short and medium distances. Still extremely good.
100mm Fujinon-T f/2.8, old silver aperture ring version.
No significant vignetting. The images look really good. 100-105mm seems to be a sweet spot for adapting lenses on the GFX.
CZJ 50mm Tessar f/2.8, Altix mount version.
Another winner - no vignetting at all. I was a bit surprised because this lens is so tiny - smaller than the M42 and Exakta versions. Looks great though, and it seems to have less distortion than my M42 version. I'll have try that one and see if it performs as well as the Altix does.
Pancolart wrote: |
Great news i am quite a fan of Orestor. Can't wait to see the comparison. |
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visualopsins
 Joined: 05 Mar 2009 Posts: 9854 Location: California
Expire: 2021-06-22
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Posted: Sat Aug 27, 2022 8:40 pm Post subject: |
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visualopsins wrote:
KEO wrote: |
135mm Super-Multi-Coated Takumar f/2.5, version 2 (the one with 8 aperture blades).
Spectacular. This is the best old 135 I've tried on the GFX so far. No vignetting at all. |
(also the one with 6/6 optics, model 43812) _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony A7Rii, Spotmatics II, F, and ESII, Nikon P4
M42 Asahi Optical Co., Lenses:
Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200
Tele-Takumar 1:5.6/200, 1:6.3/300
Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm
Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element),
Super-Multi-Coated Fisheye-TAKUMAR 1:4/17
Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4.5/500
Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100
Super-Multi-Coated Bellows-TAKUMAR 1:4/100
SMC TAKUMAR 1:1.4/50, 1:1.8/55
Other lenses:
Carl Zeiss Jena Flektogon 2.4/35
SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH) |
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KEO
 Joined: 27 Sep 2018 Posts: 692 Location: USA
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Posted: Mon Aug 29, 2022 5:58 pm Post subject: |
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KEO wrote:
I tried out a few more this morning...
Leica 9cm Elmar f/4, and old pre-war black version.
Really bad vignetting at all apertures and focus distances, still present even at 1:1 aspect ratio. If you can live with that, the images look very nice (this lens is surprisingly sharp wide open for an ancient triplet).
1957 KMZ Jupiter-9, Zorky
Small vignetting at infinity focus, much less at close ranges. Better than the Contax/Kiev RF version I tried, presumably because there's less mechanical stuff at the mount to get in the way.
Steinheil 135mm Culminar f/4.5
Some hard vignetting, softer at closer focus distances. Not too surprising considering this is one of the old 135s with all the elements way up in the front. The diameter of the tube restricts the size of the image circle.
ISCO 100mm Isconar f/4.5
Very faint, soft vignetting at infinity focus, hardly noticeable really. Otherwise this one works very well. I wonder whether the f/4 does performs as well.
105mm Super-Takumar f/2.8
No noticeable vigetting. Works great with excellent image output, continuing the roll of 100s and 105s being good choices for GFX use.
55mm Fujinon f/1.8, early silver aperture ring version
This one was a nice surprise: no vignetting. If I stare at the corners I might see the faintest hint of a shadow, but it's so soft I can't decide whether or not it's real. I wasn't expecting such a good result. This might be a good option for street shooting or something like that. Landscapes look nice too. |
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calvin83
 Joined: 12 Apr 2009 Posts: 7104 Location: Hong Kong
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Posted: Tue Aug 30, 2022 1:39 am Post subject: |
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calvin83 wrote:
KEO wrote: |
I tried out a few more this morning...
Leica 9cm Elmar f/4, and old pre-war black version.
Really bad vignetting at all apertures and focus distances, still present even at 1:1 aspect ratio. If you can live with that, the images look very nice (this lens is surprisingly sharp wide open for an ancient triplet).
Steinheil 135mm Culminar f/4.5
Some hard vignetting, softer at closer focus distances. Not too surprising considering this is one of the old 135s with all the elements way up in the front. The diameter of the tube restricts the size of the image circle.
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Just like what you said, the Elmar and Culminar should cover GFX if you remove the lens head from the focusing tube. _________________ https://lensfever.com/
https://www.instagram.com/_lens_fever/
The best lens is the one you have with you. |
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