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Manual Focus Lenses Forum

Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.

Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.
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Focus with only front element moving
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Hello,

I came across a soviet triplet lens on which the focus is done by moving the front element only (not the full optical block like all the other soviet lenses I met).

I was wondering if it was common thing in the west, especialy in Germany at this time, and if you know other lenses that are operating this way (war or pre-war time).

Note the diaphragme located behind the front lens also, like Leitz tessar 50/3.5 if I remember right.

#1


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BurstMox wrote:
Hello,

I came across a soviet triplet lens on which the focus is done by moving the front element only (not the full optical block like all the other soviet lenses I met).

I was wondering if it was common thing in the west, especialy in Germany at this time, and if you know other lenses that are operating this way (war or pre-war time).

Note the diaphragme located behind the front lens also, like Leitz tessar 50/3.5 if I remember right.



Front element focusing is common as dirt among relatively inexpensive cameras with triplets. Kodak Tourist, for example, IIRC.

Also present in more expensive cameras with tessar type lenses. My Ensign Selfix 820 with 105/3.8 Xpres, for example. Also my pretty little Perkeo II with 80/35 Color-Skopar.


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BurstMox wrote:

I was wondering if it was common thing in the west,


Yes, very common for cheap cameras, since front-focusing is very easy (and therefore cheap) to manufactur. I have a few such cameras, but since I'm not into pre-1960s stuff I don't recall the details at the moment.

S


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Thanks a lot for your quick answers!

I checked the Kodak Tourist, it's a medium format folding, right? Do you know compact cheap 35mm camera using this at this period?


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I guess, almost any Zeiss Ikon folder, with triplets and tessars.


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alex ph wrote:
I guess, almost any Zeiss Ikon folder, with triplets and tessars.

AGFAs, Voigtlanders, and even most TLRs,


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Consider a folding camera. If you mount the shutter in a fixed spot and ony screw in/out the front element (which will be screwed in place to begin with) your camera is dramatically less complex. A screw in lug to provide minimum and maximum and you are done. By contrast moving the front apparatus, shutter, shutter bracket and lenses as a single unit while keeping everything parallel to the film plane is a much more daunting task. Optically it will generally be inferior though, as you are changing the spacing of the elements as you focus. With a solid frame, focal plane camera it is less of a challenge, since you can easily add a helicoid between the optical section and the camera frame.


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Front focusing is much more common than rear focusing in the old days...


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Fairly common; it cuts down on machining cost for the focus helicoid, and for (post-war) auto-aperture cameras it also (very marginally) reduces the complexity of the aperture actuator mechanism.

Where this focus arrangement is employed the first element is usually of relatively high power compared to the overall power of the optics, which means only a small amount of movement is required to cover a usable focus range. This in turn means a less expensive single-start simple screw thread can be machined for the focus instead of a more expensive conventional long multi-start helicoid thread.

The compromise is that the maker needs to decide at which focus distance the aberrations are best corrected; for other focus distances the aberrations will become progressively more noticeable compared to unit-focus designs.


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sirs,

the Voigtländer color skopar was front element focussing on some cameras. I seem to recall that someone investigated how that changed results and concluded that setting at 20meters gave the best results. Not certain whether it was at taunusreiter.de who nevertheless described that tessar clone as very laudable.

p.


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Certainly most if not all German folders and turret cameras without rangefinders used front element focusing. I have a number of the faster f2.9 lenses from these cameras (Balda Baltar, Isco Westar and Isco Westar C, Enna Correlar). If one takes these lenses off and mounts them on a focusing helicoid for mirrorless, such that focusing can be done by moving the whole lens after changing the front focus, some interesting things result. Focusing with the front element changes the spherical aberration correction. It appears that most manufacturers set optimum correction at middle focusing distances, and let close focusing and infinity do what they might. Many of these lenses do not exhibit a great difference, but the Enna Correlar is an exception to the rule. At infinity the bokeh is reminiscent of the Trioplan, however with heavier and less bright outlining of the bokeh circles. At minimum focal distance it turns into a soft lens, with severe undercorrection of spherical aberration. The Westars exhibit some slight change, but nothing like the Correlar.


#1 - infinity


#2 - infinity


#3 - closest


#4 - mid


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paulhofseth wrote:
sirs,

the Voigtländer color skopar was front element focussing on some cameras. I seem to recall that someone investigated how that changed results and concluded that setting at 20meters gave the best results. Not certain whether it was at taunusreiter.de who nevertheless described that tessar clone as very laudable.

p.


A question I raised two decades ago and the replies were:
https://www.photo.net/forums/topic/55825-front-cell-focusing-optimal-distance-setting/
Most trustworthy reply indicated that the rule in designing was to aim at 40x the focal length for the best result, which is 2 meters for a 50mm front cell focusing lens.

While the action is called front cell focusing two things happen when the front cell is moved forward for nearby focusing: the focal length of the total lens gets shorter and the nodal point shifts a bit. Spherical aberration changes accordingly. Which can be interesting: https://www.dpreview.com/forums/thread/4505782

Front cell focusing has been mainly used on Triplet and Tessar designs but could have been used on more enhanced versions of both designs I guess, like the Heliar, Hektor types, etc. Which would be counter active on the goal of improving the IQ with more expensive lens designs, so unlikely done in practice. Any examples of that known here? The Leitz Thambar uses undercorrected spherical aberration of a Hektor design for soft focus portraits but without front cell focusing.

Correct, the Color Skopar 50mm lenses can be unit focusing or front cell focusing on compact cameras. Sometimes you can hardly see that, the helicoid of a unit focusing Color Skopar can be very small and the grip also at the front like with front cell focusing ones. At least I was surprised when I salvaged a unit focusing Color Skopar 50mm 2.8 from a dead Vito BL.

The Kodak Tourist mentioned in this thread uses 620 film which can be a pit* in practice. Enough cameras with front cell focusing that use better available film types.


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RokkorDoctor wrote:
Fairly common; it cuts down on machining cost for the focus helicoid, and for (post-war) auto-aperture cameras it also (very marginally) reduces the complexity of the aperture actuator mechanism.

Where this focus arrangement is employed the first element is usually of relatively high power compared to the overall power of the optics, which means only a small amount of movement is required to cover a usable focus range. This in turn means a less expensive single-start simple screw thread can be machined for the focus instead of a more expensive conventional long multi-start helicoid thread.

The compromise is that the maker needs to decide at which focus distance the aberrations are best corrected; for other focus distances the aberrations will become progressively more noticeable compared to unit-focus designs.

I think most of them are well-corrected at 3 to 6 meter which is the distance we use them for portraits. It is high chance the lens is designed with a large amount of spherical overcorrection as front focusing has a effect undercorrecting the spherical aberration.


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RokkorDoctor wrote:
Fairly common; it cuts down on machining cost for the focus helicoid, and for (post-war) auto-aperture cameras it also (very marginally) reduces the complexity of the aperture actuator mechanism.

Where this focus arrangement is employed the first element is usually of relatively high power compared to the overall power of the optics, which means only a small amount of movement is required to cover a usable focus range. This in turn means a less expensive single-start simple screw thread can be machined for the focus instead of a more expensive conventional long multi-start helicoid thread.

The compromise is that the maker needs to decide at which focus distance the aberrations are best corrected; for other focus distances the aberrations will become progressively more noticeable compared to unit-focus designs.


+1


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kymarto wrote:
... the Enna Correlar is an exception to the rule. At infinity the bokeh is reminiscent of the Trioplan, however with heavier and less bright outlining of the bokeh circles. At minimum focal distance it turns into a soft lens, with severe undercorrection of spherical aberration. The Westars exhibit some slight change, but nothing like the Correlar.
...
#2 - infinity


#3 - closest



Pretty impressive variation indeed - thanks for sharing these images! Really interesting and very informative!

S


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Interesting thread.
I have a 35mm film lens that also uses front element for focusing and the results are similar.
Its a triplet, Steinheil Auto-cassaron 50mm f2.8.

When at infinity, with only focusing helicoid used for getting closer, it does nice bubbles like trioplan, domiplan etc...
If you use the lens focusing mechanism to get you to MFD 0,8m +helicoid for a bit of extra reach, bokeh is way smoother, bubbles are nearly gone.
Not that I am in need of 50mm/f2.8 bokeh, especially if it can do bubbles, but its nice to have the option, 2 in 1.

Also not all lenses on medium format folders had focusing done by front element, the older ones relied on extending the bellows, getting the lens further away from film.
For example D.Rodenstock Trinar 10,5cm f4.5.
But even there I found out that if you unscrew the front element by 1 turn the results are actually sharper than in its original "correct" state.