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3D stereo experiments with adapted MF lenses
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PostPosted: Sun Apr 07, 2024 9:00 pm    Post subject: Reply with quote
BrianSVP wrote:










Very nice shots! Unfortunately 2, 5 and 6 (as quoted) are reversed... I've quickly checked it to make sure and indeed, they would work very well for me, if reversed. I get what you mean by your vision being able to get the effect with parallel view arrangements as well. My eyes/brain is able of doing some of that as well, but in my case it's nowhere as effective this way and there's always something that feels off (like some things from far in the back trying to trick your eyes into thinking that they're in the foreground etc.). It's all kinda hard to explain, because our vision is so different with these kind of things. But you can assume that most people who're able to do the cross eye vision will prefer to have them arranged the same way.

Once again - my suggestion is to try and think like that: If I'm standing further to the right more of this graffity/branch/petal/whatever must be visible... if I'm standing further to the left more of it must be hidden. Go from there. It's usually right.

Anyway - great work with those shots. It's apparent that you've tried to find interesting arrangements and they do provide great depth and are fun to look at! 👍


PostPosted: Sun Apr 07, 2024 10:02 pm    Post subject: Reply with quote


I know this kind of effect is way overused for stereoimages, but who cares... 😉 It's fun as hell from time to time:



PostPosted: Mon Apr 08, 2024 4:15 am    Post subject: Reply with quote
That floating white frame is an interesting effect.


PostPosted: Mon Apr 08, 2024 9:51 am    Post subject: Reply with quote
Speckled Bush Crickets via Kiron 105mm in 2015.

The first, the female was via Stereo Photo Maker using the auto alignment.

The second, the male had some problem of differing views of the image, maybe camera rotation. SPM wanted to cut its knee off at the upper edge of the frame. I did some cropping of the images and used SPM but without the alignment, causing the dark vertical divider.






PostPosted: Mon Apr 08, 2024 3:03 pm    Post subject: Reply with quote
simple.joy wrote:

I know this kind of effect is way overused for stereoimages, but who cares... 😉 It's fun as hell from time to time:



It's like an enhancement Very Happy


PostPosted: Mon Apr 08, 2024 3:05 pm    Post subject: Reply with quote
This one ended up quite well. Taken with a c/y Planar 50mm 1.4



PostPosted: Mon Apr 08, 2024 3:32 pm    Post subject: Reply with quote
blotafton wrote:
This one ended up quite well. Taken with a c/y Planar 50mm 1.4



That's really great - well done!


PostPosted: Mon Apr 08, 2024 4:17 pm    Post subject: Reply with quote
Classic Cars 8 May 2022 A7r3 with Nikkor 24mm f8.

Capturing people who don't move between stereo pairs is a nightmare! I got lucky twice.

Cadillac Coupe De Ville




Pontiac Firebird Trans Am



PostPosted: Mon Apr 08, 2024 10:21 pm    Post subject: Reply with quote
e6filmuser wrote:
Classic Cars 8 May 2022 A7r3 with Nikkor 24mm f8.

Capturing people who don't move between stereo pairs is a nightmare! I got lucky twice.

Cadillac Coupe De Ville




Pontiac Firebird Trans Am



A somewhat popular movie once stated:
"It's not how you stand by your car, it's how you race your car"

In this case the opposite is true! 😉

Really wonderful shots, they do look great!


PostPosted: Tue Apr 09, 2024 4:22 am    Post subject: Reply with quote
simple.joy wrote:


A somewhat popular movie once stated:
"It's not how you stand by your car, it's how you race your car"

In this case the opposite is true! 😉

Really wonderful shots, they do look great!


Thanks. The first meet of the season is this Sunday. No bookings are required so anything can turn up.

My problem is that my car is so old that I get strange looks when I drive into the spectators' car park. Sad


PostPosted: Tue Apr 09, 2024 4:43 am    Post subject: Reply with quote
Leitz Elmarit 60mm 2.8 Macro on EP-2 (I can't be absolutely sure it was this lens but it probably was)

Bearded iris May 2011



PostPosted: Tue Apr 09, 2024 11:27 am    Post subject: Reply with quote
nice, but why is the right image sharper? Which method do you use to make your sets? Cha-Cha?


PostPosted: Tue Apr 09, 2024 11:28 am    Post subject: Reply with quote
blotafton wrote:
This one ended up quite well. Taken with a c/y Planar 50mm 1.4



Very nice set indeed! Like 1 small Like 1 small


PostPosted: Tue Apr 09, 2024 1:30 pm    Post subject: Reply with quote
kds315* wrote:
nice, but why is the right image sharper? Which method do you use to make your sets? Cha-Cha?


Yes, I was aware but I find a slight difference in focus helps the effect. I could have sharpened it further. but chose not to. They are presented as a stereo pair, not as individual images. Yes, cha cha.


PostPosted: Tue Apr 09, 2024 6:43 pm    Post subject: Reply with quote
e6filmuser wrote:
Classic Cars 8 May 2022 A7r3 with Nikkor 24mm f8.

Capturing people who don't move between stereo pairs is a nightmare! I got lucky twice.

Cadillac Coupe De Ville



Pontiac Firebird Trans Am


Nice ones!


PostPosted: Wed Apr 10, 2024 4:29 am    Post subject: Reply with quote
Foxgloves. Taken in the same month as the iris but not on the same day. EP-2, probably Leitz Elmarit 60mm Macro.

NB Watch out for foraging insects moving around on flowers when shootyng pairs.



PostPosted: Wed Apr 10, 2024 5:44 am    Post subject: Reply with quote
Like 1 small Like 1 small nice!


PostPosted: Wed Apr 10, 2024 2:21 pm    Post subject: Reply with quote
Dry ferns and mossy rocks. Kiron Vivitar 35mm f2.8

A chaotic nature scene in 2d can be interesting in 3d.





PostPosted: Wed Apr 10, 2024 2:38 pm    Post subject: Reply with quote
blotafton wrote:
Dry ferns and mossy rocks. Kiron Vivitar 35mm f2.8

A chaotic nature scene in 2d can be interesting in 3d.


Works well. A principle I use quite often.

Last edited by e6filmuser on Wed Apr 10, 2024 7:33 pm; edited 1 time in total


PostPosted: Wed Apr 10, 2024 7:10 pm    Post subject: Reply with quote
e6filmuser wrote:
visualopsins wrote:
I'm just wondering how all this 3-D viewing has affected your day-to-day vision, if at all.


It can be quite interesting at traffic lights! Very Happy

On a different issue: Neither my wife not my son have stereo vision in day to day life so I have to show my stereos pairs on photo websites to share them.


@e6filmuser -- Have you exhibited prints at a local gallery yet? (hint...hint) IMHO you'd be rich afterwards!


PostPosted: Wed Apr 10, 2024 7:32 pm    Post subject: Reply with quote
visualopsins wrote:


@e6filmuser -- Have you exhibited prints at a local gallery yet? (hint...hint) IMHO you'd be rich afterwards!


I don't do prints. I'm not interested in making money from photography. Too much hassle!


PostPosted: Thu Apr 11, 2024 4:51 am    Post subject: Reply with quote
Large Red Damselfly Kiron 105 on EM-1.



There is a small issue with a leg in the above image so here is another one but with not so good 3D:



PostPosted: Fri Apr 12, 2024 2:22 pm    Post subject: Reply with quote
Tamron Adaptall-2 SP 35-80mm Classic Bike event and enthusiasts.

The brownish smudge near the bottom of the high viz waistcoat is a reflexion of bricks in a mirror.



Same event, same lens and camera, cars and beer barrels.



PostPosted: Fri Apr 12, 2024 2:47 pm    Post subject: Reply with quote
Like 1 small Like 1 small


PostPosted: Sat Apr 13, 2024 7:24 am    Post subject: Reply with quote
One of the most beautiful slime moulds Ceratiomyxa porioides via Kiron 105mm Macro at f16, twin flash. FOV 17mm wide.

When we found this in a local wood in 2016 this was only the eleventh recorded British find of the species, which had been thought to be a Mediterranean species. We have found it a couple of times since.



This also occurs as a yellow form. This image is notwith an adapted lens but I though it might be of interest.

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