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Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.

Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.
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Vivitar Series 1 Macro 105mm f2.5
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Pictures taken with the Vivitar Series 1 Macro 105mm f2.5 lens and Nikon D600 camera. Flowers aperture setting were f4, or 5.6. The landscape one was f8.







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Few more from the Vivitar Series 1 Macro 105mm f2.5 lens and Nikon D600 camera. #5 had been trimmed, #6 slightly enhanced contrast, all others remain un-PPed.







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If I'm not mistaken this is the same lens with Kiron 105/2.8 and can be found under different brands: Lester Dine, Rollei, Vivitar, Soligor ... I have a Kiron version and I find it sharp at 2.8 and very sharp an f/8. My copy shows some green/purple CA at large apertures getting better when closing down. I like it a lot, but I don't have constant results using it yet.


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Wonderful, I have the Kiron version of it....


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kds315* wrote:
Wonderful, I have the Kiron version of it....


Klaus I remember that you have an interest in specialized lenses and wanted to ask you how do you find the Kiron as a macro lens eventually vs the tamron 90/2.5 or other in the same league - leaving apart the voigtlanter 125/2.5 Smile ? Do you have a favorite one ?
Tnx


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With this lens i got strange behavior in camera when at F8 all white balance was working fine, when i switched to F2.5 WB become way off, wonder why.

F8


F2.5


Its not obvious when looking in the thread, but if you open image in tabs and switch between them you can see different color cast on F2.5 and overall it looks so vintage guess due to vignetting...


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Auto White Balance. Likely due to more sky in frame...


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https://www.dpreview.com/forums/threads/can-someone-explain-lens-cast-by-aperture-to-me.4534001/

Stopping down reduces the contribution of rays that go through the outer edges of the lens elements. They are usually less "APO" so an unwanted color shift will happen at wide open compared to stopped down.


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Ernst Dinkla wrote:
stopped down.
I cant step down since i use aperture wide open for creative purposes.


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NiceDays wrote:
Ernst Dinkla wrote:
stopped down.
I cant step down since i use aperture wide open for creative purposes.


Color cast is easily correctable in post processing, so shouldn't be a real problem.


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If it is more wavelength-dependent vignetting then the remedy becomes more complicated, a radial color correction could solve it though. In general the stopped down image will be more color correct, the wide open one less and more scene info will be lost. The quality of a picture is a different thing that has less to do with all this technical analysing.


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Beautiful samples from a great lens!