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Nikkor-P (Sonnar) 105mm f/2.5 vs other lenses
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PostPosted: Sun Aug 04, 2024 3:17 pm    Post subject: Nikkor-P (Sonnar) 105mm f/2.5 vs other lenses Reply with quote

Have to say I quite like this lens. It holds up nicely against the other lenses in the test:

First a few comparisons:
InfinityComparison by devoscasper, on Flickr

The later formula Minolta does best in the corners wide open and @ f/4, but from f/5.6 the difference with the Nikkor is negligible. The Topcor slightly behind, but still pretty good. Contrast of the Minolta centrally is not so great wide open, compared to the other 2 lenses.

MidDistanceComparison by devoscasper, on Flickr
I have a slight preference for the Nikkor in this test. It's nice and contrasty wide open.

BokehComparison by devoscasper, on Flickr
I think the Nikkor has best (softest) bokeh. Of course it has also a slightly longer focal length, which may explain this. The Topcor has a slightly longer MFD, so I had to back up a little bit.

A close focus sharpness test is still missing. Hope to do this later.

Then a few images from the Nikkor, clickable for full size. First three wide open, last one @ f/4:
AutoNikkorP10525_16 by devoscasper, on Flickr

I think the bokeh transition is great of this lens.

AutoNikkorP10525_4 by devoscasper, on Flickr
AutoNikkorP10525_2 by devoscasper, on Flickr
AutoNikkorP10525_15 by devoscasper, on Flickr


PostPosted: Sun Aug 04, 2024 4:01 pm    Post subject: Reply with quote

Thanks for posting this.

The nikkor is certainly sharp. Trade-off seems to be a bit of glow, and slightly weak contrast. It holds up surprisingly well against the Minolta's newer coatings. Nice wide open performance- it appears you have gotten yourself a fairly optically clean copy. Congratulations!

-D.S.


PostPosted: Sun Aug 04, 2024 8:29 pm    Post subject: Reply with quote

Thanks, I’m curious how it will do with close focus objects. The Topcor is very good at it I noticed.


PostPosted: Mon Aug 05, 2024 2:03 am    Post subject: Reply with quote

The Nikkor lens seems to have a fair amount of purple fringing where the tree is in front of the white van that doesn't get any better with stopping down. The other two don't seem to suffer as badly, although the screen shot is not of the exact same part.


PostPosted: Mon Aug 05, 2024 6:49 am    Post subject: Reply with quote

Alun Thomas wrote:
The Nikkor lens seems to have a fair amount of purple fringing where the tree is in front of the white van that doesn't get any better with stopping down. The other two don't seem to suffer as badly, although the screen shot is not of the exact same part.


It seems a bit better in the Topcor at least, although I still think it's quite minimal in the Nikkor to be fair, especially considering this is a 100% extreme corner crop of a 42+ sensor image. When looking at the full image, it is invisible. On some other screens than mine the fringing it may appear more prominent.


PostPosted: Mon Aug 05, 2024 10:45 pm    Post subject: Reply with quote

Here's a complementary test including the following lenses - 100% corner crops from the 43 MP FF Sony A7RII:

* Canon new FD 2.8/100mm
* Konica AR 2.8/100mm (first version with metal focusing grip)
* Minolta MD-I 2.5/100mm
* Nikkor-P 2.5/10.5cm (Sonnar type)
* Nikkor-P.C. 2.5/105mm (Xenotar type)
* Nikkor AiS 2.8/105mm Micro
* Topcor RE 2.8/10.5cm

CLICK TWICE ON THE IMAGE TO GET THE FULL RESOLTION !!



I have two Sonnar type and two Xenotar type Nikkors; the two Sonnars look fairly similar, the two Xenotars (from the same generation) are pretty different => results of the better copy shown here.

I was a bit disappointed by the results of the Minolta when looking at Caspers results, but I can confirm them here. I was used to use the MD 2.5/100mm on 24 MP FF, and there results "wide open" look better. Otherwise - af f5.6 - the Minolta is very good and has - together with the Micro Nikkor - the least lateral CAs.

S


Last edited by stevemark on Tue Aug 06, 2024 7:50 pm; edited 1 time in total


PostPosted: Tue Aug 06, 2024 3:02 am    Post subject: Reply with quote

Interesting results. Is this wide open, f4, and f5.6?

I've found in most instances this focal length should be used with a hood.
The Ai-s Micro nikkor seems to do fairly well on general scenics. How short is the focus throw on it?

Thanks for posting this here.

-D.S.


PostPosted: Tue Aug 06, 2024 9:59 am    Post subject: Reply with quote

The old Sonnar type Nikkor would't be my first choice for landscapes, although it does better (in terms of sharpness) than I anticipated.
It has very likeable features as a portrait lens though IMO.

For landscapes I would probably grab my Pentax-M 100/2.8, which performs very good accross the frame from wide open and weight near to nothing. The Minolta AF 100/2.8 is another one I like a lot, although much heavier.

Judging from Stephan's test, the Canon FD 100/2.8 does a pretty good job as well. It seems to be the sharpest wide open of the bunch.


PostPosted: Tue Aug 06, 2024 7:40 pm    Post subject: Reply with quote

Alun Thomas wrote:
The Nikkor lens seems to have a fair amount of purple fringing where the tree is in front of the white van that doesn't get any better with stopping down. The other two don't seem to suffer as badly, although the screen shot is not of the exact same part.

That was probably my biggest surprise and disappointment with this lens, compared with all my 100/105s.
I think 100/105mm is probably easy to design at old times, similar to 135mm.
So I usually look for the downside of these lenses if there is any.


PostPosted: Tue Aug 06, 2024 8:08 pm    Post subject: Reply with quote

Doc Sharptail wrote:
Interesting results. Is this wide open, f4, and f5.6?

No,wide open (f2.5 or f2.Cool, f5.6 and f11. [/quote]

Doc Sharptail wrote:
I've found in most instances this focal length should be used with a hood.
The Ai-s Micro nikkor seems to do fairly well on general scenics. How short is the focus throw on it?


Roughly 330° from "infinity" to "1:2". So yeah, correct focusing using a 43 MP camera isn't that easy even with static subjects and camera on tripod ... For subjects like persons or portraits I prefer pre-focusing roughly to the correct distance, and the moving myself back and forth (instead of turning the focusing ring). Works pretty well also with lenses such as the Nikkor AiS 1.8/105m or the Nikkor Ai 2/135mm!

S


PostPosted: Thu Aug 08, 2024 8:25 am    Post subject: Reply with quote

Close focusing test:
bokehclosecomparison by devoscasper, on Flickr

Had to shift the last 2 100% crops to another part (sharpest part) of the flower, because some focus shift seemed to have taken place. Not sure if this was due to the lens, tripod or whatever. The Nikkor seems to have the softest bokeh, possibly because of its slightly longer focal length. Subject distance is about 1.2 meters.


PostPosted: Thu Aug 08, 2024 9:06 am    Post subject: Reply with quote

All really really close. Topcor looks into my eyes like the best colours even though on the warmer side. Nikkor seems to favour the reds and from these samples to have the best microcontrast IMO. Topcor's bokeh looks like the more distinctive with it's own character. Guess that would be a matter of personal preference.


PostPosted: Mon Aug 12, 2024 3:57 pm    Post subject: Reply with quote

pabeu wrote:
All really really close. Topcor looks into my eyes like the best colours even though on the warmer side. Nikkor seems to favour the reds and from these samples to have the best microcontrast IMO. Topcor's bokeh looks like the more distinctive with it's own character. Guess that would be a matter of personal preference.


I generally just grab the Topcor and the reason is size/weight or a Nikon E series 100 f/2.8.


PostPosted: Mon Aug 12, 2024 6:34 pm    Post subject: Reply with quote

cbass wrote:
pabeu wrote:
All really really close. Topcor looks into my eyes like the best colours even though on the warmer side. Nikkor seems to favour the reds and from these samples to have the best microcontrast IMO. Topcor's bokeh looks like the more distinctive with it's own character. Guess that would be a matter of personal preference.


I generally just grab the Topcor and the reason is size/weight or a Nikon E series 100 f/2.8.


For travel purposes I like my Pentax-M 100/2.8. And also when I don’t travel Smile


PostPosted: Mon Aug 12, 2024 11:35 pm    Post subject: Reply with quote

caspert79 wrote:
cbass wrote:
pabeu wrote:
All really really close. Topcor looks into my eyes like the best colours even though on the warmer side. Nikkor seems to favour the reds and from these samples to have the best microcontrast IMO. Topcor's bokeh looks like the more distinctive with it's own character. Guess that would be a matter of personal preference.


I generally just grab the Topcor and the reason is size/weight or a Nikon E series 100 f/2.8.


For travel purposes I like my Pentax-M 100/2.8. And also when I don’t travel Smile


Due to what? Size? Performance? Close focus ability? Auto focus?


PostPosted: Mon Aug 19, 2024 6:57 pm    Post subject: Reply with quote

cbass wrote:
caspert79 wrote:
cbass wrote:
pabeu wrote:
All really really close. Topcor looks into my eyes like the best colours even though on the warmer side. Nikkor seems to favour the reds and from these samples to have the best microcontrast IMO. Topcor's bokeh looks like the more distinctive with it's own character. Guess that would be a matter of personal preference.


I generally just grab the Topcor and the reason is size/weight or a Nikon E series 100 f/2.8.


For travel purposes I like my Pentax-M 100/2.8. And also when I don’t travel Smile


Due to what? Size? Performance? Close focus ability? Auto focus?


Size, weight, sharp from corner to corner from wide open, good bokeh, mechanical quality.


PostPosted: Wed Aug 21, 2024 7:08 am    Post subject: Reply with quote

Another Nikkor victory IMO. The purple fringing would be fairly easy to fix.