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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Sat Feb 24, 2024 2:40 pm Post subject: Rodenstock-Kinemar 1.7/5cm, a smooth bokeh projection lens |
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alex ph wrote:
Got this one for cheap, especially as compared to some current or recent BIN options which seem to me frankly exagerated. The "5cm" marking makes an implicit reference to pre-war lens designations, but it does not seem to be that old. Besides, 16mm consumer projectors did not come to market before the IIWW ended, right?
The image rendering is nice. Rodenstock colours are there. Sharpness is on the rather mild but very detailed and pleasant side. And bokeh is really smooth. The image circle is smaller than APS-C which differs the lens from its other 50mm projection brothers ans sisters designed for 16mm film. I tried some, such as Elmo, Som Berthiot, Benoist Berthiot and some others which have heavy swirl on the edges, and not corners clipped to black.
I find the image converted in BW especially attractive.
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One of them in colour
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The shots were taken with Sony Nex and contrast is slightly pushed. |
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calvin83
Joined: 12 Apr 2009 Posts: 7581 Location: Hong Kong
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Posted: Sat Feb 24, 2024 2:59 pm Post subject: |
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calvin83 wrote:
If you lens has SN near 2.000.000, it is made in ~1945. _________________ The best lens is the one you have with you.
https://lensfever.com/
https://www.instagram.com/_lens_fever/ |
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Sat Feb 24, 2024 3:52 pm Post subject: |
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alex ph wrote:
Thank you, Calvin! You guess well, the serial number is 2 060 XXX. |
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Fri Mar 01, 2024 8:25 pm Post subject: |
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alex ph wrote:
I took some outdoors close-ups in a perfectly grey day, as if it was done to produce grey cards for calibrating white balance. The lens gives at times less contrasty image than I'd like to, and in a grey day it feels even stronger. So, I pushed contrasts a bit more sometimes.
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#5 A 100% crop from the previous
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Sat Mar 02, 2024 11:49 am Post subject: |
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alex ph wrote:
The lens has a pretty weird field curvature. A complete defocus off the centre leaves decent corners. Here comes a result of gradual refocusing.
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Sun Mar 03, 2024 10:14 pm Post subject: |
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alex ph wrote:
Some more shots with this lens, now converted to BW via simple desaturation and then tinted to sepia.
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lumens pixel
Joined: 27 Feb 2019 Posts: 885
Expire: 2021-06-25
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Posted: Mon Mar 04, 2024 9:12 am Post subject: |
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lumens pixel wrote:
Maybe lack of contrast is due to overexposure. Hard vignetting leads the camera to overexpose the center. _________________ Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Wed Mar 06, 2024 11:02 am Post subject: |
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alex ph wrote:
You must be right! When I negatively compensate exposure, like in #5 of the last series, shots look more dramatic, even though corners are even more clipped. I will try it with in-camera exposure compensation. |
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alex ph
Joined: 16 Mar 2013 Posts: 1674
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Posted: Wed Mar 06, 2024 11:05 am Post subject: |
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alex ph wrote:
Just some more arbitrary shots
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