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caspert79
Joined: 31 Oct 2010 Posts: 3221 Location: The Netherlands
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Posted: Wed Feb 02, 2022 3:46 pm Post subject: Zuiko 90mm f/2 macro vs Tokina AT-X 90mm f/2.5 macro |
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caspert79 wrote:
To avoid human error, I took each image 5 times while focusing in between. I used only the best images for this test.
Magnification factor is 1:10.
First, the Zuiko wide open (center)
Zuikocenterf2 by devoscasper, on Flickr
Very sharp.
Center comparison @ f/2.8 (& f/2.5)
Center28 by devoscasper, on Flickr
Detail is very good from both lenses. The Olympus shows a bit more detail and contrast. Look at the letters in the left star.
Center comparison stopped down to f/5.6:
Center56 by devoscasper, on Flickr
Almost no difference. I would say the Olympus shows a tiny bit more detail, but nothing significant.
Then the corners. First the Zuiko wide open:
ZuikoCornerf2 by devoscasper, on Flickr
Not quite as good as the center of course, but lots of detail already.
Comparison corners @ f/2.8 (& f/2.5):
Cornerf28 by devoscasper, on Flickr
At this aperture, the Zuiko is clearly superior. Also, the Zuiko has better corners at f/2 then the Tokina @f/2.5.
But what if we stop down to f/5.6?
Corner56 by devoscasper, on Flickr
Almost no difference here, but the Zuiko is slightly superior.
Quick bokeh comparison:
BokehComparison by devoscasper, on Flickr
Bokeh of both lenses is pleasant. With the Zuiko you're able to isolate your subject slightly more from the background. Unfortunately this image doesn't clearly show bokeh balls. The Tokina has 8 blades, the Oly 9 blades. I don't think one is necessarily better than the other. The Tokina CAN show a bit of jigsaw pattern in bokeh balls at f/4, but usually they don't show up or it is very hard to see.
Purple fringing:
FringingA by devoscasper, on Flickr
Both lenses suffer from purple fringing wide open. @ f/2.8, the Zuiko's fringing is as good as gone. The Tokina displays fringing at f/2.5, but at f/4 this is gone.
Infinity test follow later.
Conclusion for now: both lenses are very sharp. In the center the differences are minimal, but the Zuiko is slightly better. In the corners the Zuiko is a significanlty better at wider apertures. When stopped down, these differences become very small though. _________________ For Sale:
Steinheil Auto D Tele Quinar 135mm f/2.8 (Exa)
ISCO Isconar 100mm f/4 (Exa)
Steinheil Cassarit 50mm f/2.8 M39 (Paxette)
I'm always interested in trading lenses! |
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jamaeolus
Joined: 19 Mar 2014 Posts: 2971 Location: Eugene
Expire: 2015-08-20
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Posted: Wed Feb 02, 2022 4:15 pm Post subject: |
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jamaeolus wrote:
Thanks! I think the zuiko has just a little bit more contrast. The zuiko is probably more expensive but will probably retain most of that value. Is it worth the price difference? The Tokina might retain its value, but who knows? Full disclosure: I just bought a very nice copy of the zuiko. _________________ photos are moments frozen in time |
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lumens pixel
Joined: 27 Feb 2019 Posts: 887
Expire: 2021-06-25
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Posted: Wed Feb 02, 2022 4:46 pm Post subject: |
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lumens pixel wrote:
Interesting test. _________________ Lumens Pixel
-------------
Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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caspert79
Joined: 31 Oct 2010 Posts: 3221 Location: The Netherlands
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Posted: Wed Feb 02, 2022 5:08 pm Post subject: |
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caspert79 wrote:
jamaeolus wrote: |
Thanks! I think the zuiko has just a little bit more contrast. The zuiko is probably more expensive but will probably retain most of that value. Is it worth the price difference? The Tokina might retain its value, but who knows? Full disclosure: I just bought a very nice copy of the zuiko. |
You often pay a high price for a relatively small improvement. The Tokina is definitely more bang for your buck, but the Zuiko is closer to perfection. The f/2 aperture makes it perfect for portraits. Weight and build quality are more or less the same. _________________ For Sale:
Steinheil Auto D Tele Quinar 135mm f/2.8 (Exa)
ISCO Isconar 100mm f/4 (Exa)
Steinheil Cassarit 50mm f/2.8 M39 (Paxette)
I'm always interested in trading lenses! |
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cbass
Joined: 27 Jul 2019 Posts: 450
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Posted: Thu Feb 03, 2022 6:10 pm Post subject: |
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cbass wrote:
And a new king is crowned. |
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visualopsins
Joined: 05 Mar 2009 Posts: 11058 Location: California
Expire: 2025-04-11
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Posted: Thu Feb 03, 2022 8:34 pm Post subject: |
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visualopsins wrote:
for test and sharing results! (I'd like to see where Tamron SP 1:2.5 / 90mm fits, though) _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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cbass
Joined: 27 Jul 2019 Posts: 450
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Posted: Thu Feb 03, 2022 9:35 pm Post subject: |
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cbass wrote:
I can't tell you if the Tamron is better than the Tokina, but I have a Tamron 90 f/2.5 52BB and it's optical excellence but mechanical crap.
I have gone through several copies and all of them were the same. They wouldn't stop down all the way to f/32. They would get at far as f/4 or f/5.6 and stop working. I found out that putting a piece of copper tape on the adapter around the cam allowed me to stop down to f/11 or f/16 and that was good enough. It seems that over time that cam sags a bit and you can't stop down completely. I tried a few different adapters so it wasn't the adapter. |
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hasenbein
Joined: 15 May 2020 Posts: 93
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Posted: Fri Feb 04, 2022 4:57 am Post subject: |
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hasenbein wrote:
In a macro corners wide open are totally irrelevant.
You don't shoot macro wide open anyway. Macro is a (at least) f8-f11 business. |
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Paragon19
Joined: 26 Dec 2021 Posts: 45
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Posted: Fri Feb 04, 2022 5:38 am Post subject: |
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Paragon19 wrote:
hasenbein wrote: |
In a macro corners wide open are totally irrelevant.
You don't shoot macro wide open anyway. Macro is a (at least) f8-f11 business. |
Well the results kind of speak for themselves, plus this is at 1:10, not 1:1.
caspert79, why are all the trees behind that fence post diagonal? |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Fri Feb 04, 2022 7:09 am Post subject: |
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martinsmith99 wrote:
Tokina may be more bang for the buck, but I'd buy the Zuiko as it looks a clear winner to me. _________________ Casual attendance these days |
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caspert79
Joined: 31 Oct 2010 Posts: 3221 Location: The Netherlands
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Posted: Fri Feb 04, 2022 9:04 am Post subject: |
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caspert79 wrote:
Paragon19 wrote: |
hasenbein wrote: |
In a macro corners wide open are totally irrelevant.
You don't shoot macro wide open anyway. Macro is a (at least) f8-f11 business. |
Well the results kind of speak for themselves, plus this is at 1:10, not 1:1.
caspert79, why are all the trees behind that fence post diagonal? |
I was planning to do an infinity test so I needed a subject in the far corner, but it happened not to be quite infinity. I will post a corrected infinity test now. _________________ For Sale:
Steinheil Auto D Tele Quinar 135mm f/2.8 (Exa)
ISCO Isconar 100mm f/4 (Exa)
Steinheil Cassarit 50mm f/2.8 M39 (Paxette)
I'm always interested in trading lenses! |
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caspert79
Joined: 31 Oct 2010 Posts: 3221 Location: The Netherlands
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Posted: Fri Feb 04, 2022 9:10 am Post subject: |
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caspert79 wrote:
OK here's the infinity test. For privacy reasons, I masked the building in front. Left center crops, right far corner crops.
First the Zuiko wide open:
ZuikoInfinityF2 by devoscasper, on Flickr
Then the comparisons:
Infinityf28 by devoscasper, on Flickr
Infinityf4 by devoscasper, on Flickr
Infinityf56 by devoscasper, on Flickr
I would conclude that the Tokina does a good job, but is outperformed by the Zuiko. _________________ For Sale:
Steinheil Auto D Tele Quinar 135mm f/2.8 (Exa)
ISCO Isconar 100mm f/4 (Exa)
Steinheil Cassarit 50mm f/2.8 M39 (Paxette)
I'm always interested in trading lenses! |
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stevemark
Joined: 29 Apr 2011 Posts: 4080 Location: Switzerland
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Posted: Fri Feb 04, 2022 6:05 pm Post subject: |
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stevemark wrote:
hasenbein wrote: |
In a macro corners wide open are totally irrelevant.
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... unless you need really high resolution, of course.
S _________________ www.artaphot.ch |
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visualopsins
Joined: 05 Mar 2009 Posts: 11058 Location: California
Expire: 2025-04-11
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Posted: Fri Feb 04, 2022 6:11 pm Post subject: |
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visualopsins wrote:
hasenbein wrote: |
In a macro corners wide open are totally irrelevant.
You don't shoot macro wide open anyway. Macro is a (at least) f8-f11 business. |
Maybe not totally. How else to show flatness of field (lens curvature)? _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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D1N0
Joined: 07 Aug 2012 Posts: 2536
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Posted: Fri Feb 04, 2022 6:57 pm Post subject: |
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D1N0 wrote:
stevemark wrote: |
hasenbein wrote: |
In a macro corners wide open are totally irrelevant.
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... unless you need really high resolution, of course.
S |
Well then you stop down. _________________ pentaxian |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Sat Feb 05, 2022 4:03 am Post subject: |
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Ray Parkhurst wrote:
D1N0 wrote: |
stevemark wrote: |
hasenbein wrote: |
In a macro corners wide open are totally irrelevant.
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... unless you need really high resolution, of course.
S |
Well then you stop down. |
Macro corners at large aperture are certainly relevant for studio or copy work. For the field I agree that you will generally stop down but in the studio you have the luxury of shooting at wider apertures and especially for copy work the corners are critical. _________________ ...See my Numismatic Photography website at: http://www.macrocoins.com
...Primary Studio Cameras: Sony A7Rm4 and Canon HRT2i
...Go-To studio lenses: Nikon 95mm and 105mm Printing-Nikkors; Schneider 85mm Macro-Varon; Nikon 5x, 10x, and 20x Measuring Microscope Objectives; Mitutoyo BD Plan Apo 50x Microscope Objective
...My Go-To Walkaround Lenses: Laowa 60mm Super Macro; Nikon 28-105D (in manual mode for macro); |
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visualopsins
Joined: 05 Mar 2009 Posts: 11058 Location: California
Expire: 2025-04-11
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Posted: Sat Feb 05, 2022 5:11 am Post subject: |
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visualopsins wrote:
Ray Parkhurst wrote: |
D1N0 wrote: |
stevemark wrote: |
hasenbein wrote: |
In a macro corners wide open are totally irrelevant.
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... unless you need really high resolution, of course.
S |
Well then you stop down. |
Macro corners at large aperture are certainly relevant for studio or copy work. For the field I agree that you will generally stop down but in the studio you have the luxury of shooting at wider apertures and especially for copy work the corners are critical. |
There is also the luxury of stopping down and long exposures in the studio. For the field wider apertures provide faster shutter speeds necessary for some subjects. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Paragon19
Joined: 26 Dec 2021 Posts: 45
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Posted: Sat Feb 05, 2022 5:47 am Post subject: |
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Paragon19 wrote:
visualopsins wrote: |
There is also the luxury of stopping down and long exposures in the studio. For the field wider apertures provide faster shutter speeds necessary for some subjects. |
Also a good point! I once used a Tamron 90mm f2.8 macro to photograph an owl branching out from the nest for the first time under some dense tree cover while a storm was moving in. I definitely needed the extra speed in those conditions. |
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caspert79
Joined: 31 Oct 2010 Posts: 3221 Location: The Netherlands
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Posted: Sat Feb 05, 2022 7:31 am Post subject: |
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caspert79 wrote:
Good close focus corner performance can increase creative possibilities. For instance super thin DOF where the subject of interest is in a corner. For classical macro shots (insects for instance) this may be not important. But as this lens is quite fast, it is IMO not made for classical macro only. _________________ For Sale:
Steinheil Auto D Tele Quinar 135mm f/2.8 (Exa)
ISCO Isconar 100mm f/4 (Exa)
Steinheil Cassarit 50mm f/2.8 M39 (Paxette)
I'm always interested in trading lenses! |
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RokkorDoctor
Joined: 27 Nov 2021 Posts: 1432 Location: Kent, UK
Expire: 2025-05-01
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Posted: Sat Feb 05, 2022 12:17 pm Post subject: |
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RokkorDoctor wrote:
caspert79 wrote: |
Good close focus corner performance can increase creative possibilities. For instance super thin DOF where the subject of interest is in a corner. For classical macro shots (insects for instance) this may be not important. But as this lens is quite fast, it is IMO not made for classical macro only. |
The fact that this lens (which is designated as a macro lens and therefore presumably optimised for macro work) performs so well at long focus distances, suggests that it has a floating focus mechanism.
The below data extracted from mir.com.my seems to confirm that:
"Focusing: Straight Helicoid; provided for aberration correction at close working range"
https://www.mir.com.my/rb/photography/hardwares/classics/olympusom1n2/shared/zuiko/htmls/macrozuikoE.htm
Judging from the OP's images, this really seems like a remarkable performer, and it may explain the high value on the used market (other than a relatively low number produced perhaps, I'm not a Zuiko expert). _________________ Mark
SONY A7S, A7RII + dust-sealed modded Novoflex/Fotodiox/Rayqual MD-NEX adapters
Minolta SR-1, SRT-101/303, XD7/XD11, XGM, X700
Bronica SQAi
Ricoh GX100
Minolta majority of all Rokkor SR/AR/MC/MD models made
Sigma 14mm/3.5 for SR mount
Tamron SP 60B 300mm/2.8 (Adaptall)
Samyang T-S 24mm/3.5 (Nikon mount, DIY converted to SR mount)
Schneider-Kreuznach PC-Super-Angulon 28mm/2.8 (SR mount)
Bronica PS 35/40/50/65/80/110/135/150/180/200/250mm |
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caspert79
Joined: 31 Oct 2010 Posts: 3221 Location: The Netherlands
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Posted: Sat Feb 05, 2022 3:49 pm Post subject: |
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caspert79 wrote:
Some more images of today with the Zuiko 90mm:
Zuiko902macroDSC09413 by devoscasper, on Flickr
Zuiko902macroDSC09396 by devoscasper, on Flickr
Zuiko902macroDSC09385 by devoscasper, on Flickr
Zuiko902macroDSC09394 by devoscasper, on Flickr
Zuiko902macroDSC09397 by devoscasper, on Flickr
Zuiko902macroDSC09391 by devoscasper, on Flickr _________________ For Sale:
Steinheil Auto D Tele Quinar 135mm f/2.8 (Exa)
ISCO Isconar 100mm f/4 (Exa)
Steinheil Cassarit 50mm f/2.8 M39 (Paxette)
I'm always interested in trading lenses! |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Sat Feb 05, 2022 4:35 pm Post subject: |
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Ray Parkhurst wrote:
The data at PhotonsToPhotos shows the lens moves the 3 rear-most lenses in a group for focusing. It also shows that the lens is optimized for 1:2 "macro" operation, not for infinity. It appears that the max aperture available at the corners is ~f4 at infinity, and around ~f2.5 at 1:2 (EA3.7).
https://www.photonstophotos.net//GeneralTopics/Lenses/OpticalBench/OpticalBench.htm
Unfortunately PTP does not have data (that I can find) on the Bokina to compare. Maybe someone else can find it. _________________ ...See my Numismatic Photography website at: http://www.macrocoins.com
...Primary Studio Cameras: Sony A7Rm4 and Canon HRT2i
...Go-To studio lenses: Nikon 95mm and 105mm Printing-Nikkors; Schneider 85mm Macro-Varon; Nikon 5x, 10x, and 20x Measuring Microscope Objectives; Mitutoyo BD Plan Apo 50x Microscope Objective
...My Go-To Walkaround Lenses: Laowa 60mm Super Macro; Nikon 28-105D (in manual mode for macro); |
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KEO
Joined: 27 Sep 2018 Posts: 775 Location: USA
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Posted: Sat Feb 05, 2022 7:45 pm Post subject: |
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KEO wrote:
caspert79 wrote: |
Some more images of today with the Zuiko 90mm: |
Those look really nice.
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