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cellotone
 Joined: 13 Apr 2014 Posts: 317 Location: US
Expire: 2020-09-24
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cellotone
 Joined: 13 Apr 2014 Posts: 317 Location: US
Expire: 2020-09-24
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lucca1x
 Joined: 09 Feb 2014 Posts: 93 Location: Romania
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 Posted: Tue Oct 27, 2015 8:28 am Post subject: |
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 Posted: Tue Oct 27, 2015 8:28 am Post subject: |
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lucca1x wrote:
If I'm not mistaken this is the same lens with Kiron 105/2.8 and can be found under different brands: Lester Dine, Rollei, Vivitar, Soligor ... I have a Kiron version and I find it sharp at 2.8 and very sharp an f/8. My copy shows some green/purple CA at large apertures getting better when closing down. I like it a lot, but I don't have constant results using it yet. |
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kds315*
 Joined: 12 Mar 2008 Posts: 16902 Location: Kehl, Germany
Expire: 2021-03-09
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 Posted: Tue Oct 27, 2015 8:43 am Post subject: |
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 Posted: Tue Oct 27, 2015 8:43 am Post subject: |
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kds315* wrote:
Wonderful, I have the Kiron version of it.... _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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lucca1x
 Joined: 09 Feb 2014 Posts: 93 Location: Romania
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 Posted: Tue Oct 27, 2015 9:27 am Post subject: |
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 Posted: Tue Oct 27, 2015 9:27 am Post subject: |
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lucca1x wrote:
| kds315* wrote: |
| Wonderful, I have the Kiron version of it.... |
Klaus I remember that you have an interest in specialized lenses and wanted to ask you how do you find the Kiron as a macro lens eventually vs the tamron 90/2.5 or other in the same league - leaving apart the voigtlanter 125/2.5 ? Do you have a favorite one ?
Tnx |
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NiceDays
 Joined: 25 Jun 2021 Posts: 100
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 Posted: Sat May 23, 2026 8:21 pm Post subject: |
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 Posted: Sat May 23, 2026 8:21 pm Post subject: |
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NiceDays wrote:
With this lens i got strange behavior in camera when at F8 all white balance was working fine, when i switched to F2.5 WB become way off, wonder why.
F8
F2.5
Its not obvious when looking in the thread, but if you open image in tabs and switch between them you can see different color cast on F2.5 and overall it looks so vintage guess due to vignetting... |
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visualopsins
 Joined: 05 Mar 2009 Posts: 11638 Location: California
Expire: 2027-07-11
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 Posted: Sun May 24, 2026 3:19 am Post subject: |
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 Posted: Sun May 24, 2026 3:19 am Post subject: |
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visualopsins wrote:
Auto White Balance. Likely due to more sky in frame... _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Solinon 1:5.6/18 ASPH.
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Ernst Dinkla
 Joined: 30 Nov 2016 Posts: 487
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 Posted: Mon May 25, 2026 7:45 am Post subject: |
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 Posted: Mon May 25, 2026 7:45 am Post subject: |
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Ernst Dinkla wrote:
https://www.dpreview.com/forums/threads/can-someone-explain-lens-cast-by-aperture-to-me.4534001/
Stopping down reduces the contribution of rays that go through the outer edges of the lens elements. They are usually less "APO" so an unwanted color shift will happen at wide open compared to stopped down. _________________ Met vriendelijke groet, Ernst
No photographer's gear list is complete without the printer mentioned ! |
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NiceDays
 Joined: 25 Jun 2021 Posts: 100
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 Posted: Sun Jun 07, 2026 9:28 pm Post subject: |
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 Posted: Sun Jun 07, 2026 9:28 pm Post subject: |
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NiceDays wrote:
| Ernst Dinkla wrote: |
| stopped down. |
I cant step down since i use aperture wide open for creative purposes. |
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caspert79
 Joined: 31 Oct 2010 Posts: 3787 Location: The Netherlands
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 Posted: Mon Jun 08, 2026 6:49 am Post subject: |
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 Posted: Mon Jun 08, 2026 6:49 am Post subject: |
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caspert79 wrote:
| NiceDays wrote: |
| Ernst Dinkla wrote: |
| stopped down. |
I cant step down since i use aperture wide open for creative purposes. |
Color cast is easily correctable in post processing, so shouldn't be a real problem. |
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Ernst Dinkla
 Joined: 30 Nov 2016 Posts: 487
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 Posted: Mon Jun 08, 2026 9:29 am Post subject: |
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 Posted: Mon Jun 08, 2026 9:29 am Post subject: |
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Ernst Dinkla wrote:
If it is more wavelength-dependent vignetting then the remedy becomes more complicated, a radial color correction could solve it though. In general the stopped down image will be more color correct, the wide open one less and more scene info will be lost. The quality of a picture is a different thing that has less to do with all this technical analysing. _________________ Met vriendelijke groet, Ernst
No photographer's gear list is complete without the printer mentioned ! |
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Attila
 Joined: 24 Feb 2007 Posts: 57978
Expire: 2025-11-18
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 Posted: Mon Jun 08, 2026 12:56 pm Post subject: |
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 Posted: Mon Jun 08, 2026 12:56 pm Post subject: |
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Attila wrote:
Beautiful samples from a great lens! |
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