Posted: Mon Jan 02, 2017 11:00 pm Post subject: |
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iangreenhalgh1 wrote:
I have the Hexanon, a late MC one, the third copy I've had - both earlier ones went to a collector as they were mint, like new. The Nexanon is big and heavy for a 200 but it's a superb lens, the best 200 for 35mm format I've tried, and imho slightly better than the Zeiss Jena 2.8/180.
That said, the best 200mm I own is the Bronica Zenzanon-S 4.5/200, another big heavy beast but stunning on my Sony a850.
If you want a critically sharp, CA free 200-ish lens for not much cash, look for a process lens, they are a bit slow, 9/210mm is made by a few makers, but one of those on some bellows is sharper than your sensor can resolve and they are fully apochromatic. I have a few, Schneider G-Claron 9/210, Rodenstock APO-Gerogon 9/210, plus some older ones like a Wray APO Lustrar. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |