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PostPosted: Fri Feb 19, 2016 4:16 pm    Post subject: mmm Reply with quote

mmm

Last edited by francotirador on Mon Feb 29, 2016 2:24 am; edited 3 times in total


PostPosted: Fri Feb 19, 2016 5:08 pm    Post subject: Reply with quote

Nice shots! Good color. Pretty model. Like 1


PostPosted: Fri Feb 19, 2016 5:29 pm    Post subject: Reply with quote

One of my most used lenses!


PostPosted: Fri Feb 19, 2016 6:08 pm    Post subject: Reply with quote

Why do you call it a Leica lens?


PostPosted: Fri Feb 19, 2016 6:52 pm    Post subject: Reply with quote

iangreenhalgh1 wrote:
Why do you call it a Leica lens?


Because leica bought the design for the elmarit R 24mm from minolta. Minolta also provided glass for the first part of the production, IIRC.


PostPosted: Fri Feb 19, 2016 7:00 pm    Post subject: Reply with quote

I wouldn't call it a Leica..... in fact the Leica folks should call theirs a Minolta !

According to Red Baily's chronology
http://thesybersite.com/minolta/historical/Minolta_Lens_Chronology.htm


May, 1973
- MC W.Rokkor-X SI 24/2,8 [9/7] (ø55mm) 0,3m f/16 62,2x50mm 410g
A brand new lens in the extra-wide class, the design incorporates floating-element focusing for near-range correction and it is a marvelous lens. Leitz took this one for their own, too, and it’s probably the best one they got.

July, 1977
- MD W.Rokkor-X 24/2,8 [9/7] (ø55mm) 0,3m f/22 65x50mm 275g
MD up-date of the 24mm lens.

November, 1978
- MD W.Rokkor-X 24/2,8 [9/7] (ø55mm) 0,3m f/22 64x49mm 215g
A slightly lighter version of the 24mm lens, distinguishable by its barrel which tapers slightly from the mount.

June, 1981
- MD 24/2,8 [8/8] (ø49mm) 0,25m f/22 64x39mm 200g
A new optical design for the 24mm, it has been shrunk again by removing an element from the formula. Slightly closer focusing distance. Besides cost-cutting, it’s hard to see why they abandoned the classic design which was successful for Leitz as well.


I own the 1977 version...


PostPosted: Fri Feb 19, 2016 7:04 pm    Post subject: Reply with quote

Mir wrote:
I wouldn't call it a Leica..... in fact the Leica folks should call theirs a Minolta !


True!
I have the second MD Rokkor-X version, and I think it's a lovely lens: my favorite 24 together with the Ais Nikkor 2.8/24


PostPosted: Fri Feb 19, 2016 7:09 pm    Post subject: Reply with quote

Thanks for the explanation. I knew Leica took some Minolta zooms but didn't know they took the 24 too.


PostPosted: Sat Feb 20, 2016 12:49 am    Post subject: Reply with quote

Happy Dog


PostPosted: Sat Feb 20, 2016 12:51 am    Post subject: Reply with quote

Aaaaw maan,

same old arguments...Leica did not "buy" the lens design, they bought the lenses, complete.

Minolta built
the 24/f2.8 for Leica, they also built MD 35/70mm - f3.5, 16mm/ f2.8, 80-200mm/ f4...all rebranded for Leica, most if not all these re-branded lenses have "made in japan" on them(IIRC)... only difference is the lens mount...

Sigma built a 28-70mm/f3.5-4.5 zoom as well for Leica. Naturally, Leica owners will tell ye this is all spurious nonsense and all these lenses had tae be rebuilt completely and sprinkled with genuine, German, fairy dust before they could grace such cameras.
Thank You Dog


PostPosted: Sat Feb 20, 2016 1:21 am    Post subject: Reply with quote

Aanything wrote:
Mir wrote:
I wouldn't call it a Leica..... in fact the Leica folks should call theirs a Minolta !


True!
I have the second MD Rokkor-X version, and I think it's a lovely lens: my favorite 24 together with the Ais Nikkor 2.8/24


24 2.8 MD is another lens, different construction and optical scheme. The 24 mm 2.8 Minolta manufactured for Leica is MC.


PostPosted: Sat Feb 20, 2016 1:39 am    Post subject: Reply with quote

TAo2 wrote:
Aaaaw maan,

same old arguments...Leica did not "buy" the lens design, they bought the lenses, complete.

Minolta built
the 24/f2.8 for Leica, they also built MD 35/70mm - f3.5, 16mm/ f2.8, 80-200mm/ f4...all rebranded for Leica, most if not all these re-branded lenses have "made in japan" on them(IIRC)... only difference is the lens mount...

Sigma built a 28-70mm/f3.5-4.5 zoom as well for Leica. Naturally, Leica owners will tell ye this is all spurious nonsense and all these lenses had tae be rebuilt completely and sprinkled with genuine, German, fairy dust before they could grace such cameras.
Thank You Dog


Yes, in Leica repair manuals clearly states that the supplier of certain parts and lenses is Minolta. The design and construction was made by Minolta.


PostPosted: Sat Feb 20, 2016 4:19 am    Post subject: Reply with quote

Mir wrote:
I wouldn't call it a Leica..... in fact the Leica folks should call theirs a Minolta !

According to Red Baily's chronology
http://thesybersite.com/minolta/historical/Minolta_Lens_Chronology.htm


May, 1973
- MC W.Rokkor-X SI 24/2,8 [9/7] (ø55mm) 0,3m f/16 62,2x50mm 410g
A brand new lens in the extra-wide class, the design incorporates floating-element focusing for near-range correction and it is a marvelous lens. Leitz took this one for their own, too, and it’s probably the best one they got.

I wouldn't call it Leica's best, but it is a good lens.
Quote:
July, 1977
- MD W.Rokkor-X 24/2,8 [9/7] (ø55mm) 0,3m f/22 65x50mm 275g
MD up-date of the 24mm lens.

November, 1978
- MD W.Rokkor-X 24/2,8 [9/7] (ø55mm) 0,3m f/22 64x49mm 215g
A slightly lighter version of the 24mm lens, distinguishable by its barrel which tapers slightly from the mount.

June, 1981
- MD 24/2,8 [8/8] (ø49mm) 0,25m f/22 64x39mm 200g
A new optical design for the 24mm, it has been shrunk again by removing an element from the formula. Slightly closer focusing distance. Besides cost-cutting, it’s hard to see why they abandoned the classic design which was successful for Leitz as well.


I own the 1977 version...


PostPosted: Sat Feb 20, 2016 8:47 am    Post subject: Reply with quote

francotirador wrote:
Aanything wrote:
Mir wrote:
I wouldn't call it a Leica..... in fact the Leica folks should call theirs a Minolta !


True!
I have the second MD Rokkor-X version, and I think it's a lovely lens: my favorite 24 together with the Ais Nikkor 2.8/24


24 2.8 MD is another lens, different construction and optical scheme. The 24 mm 2.8 Minolta manufactured for Leica is MC.


is there a consensus which one is better? I would think that the MD might have better coating, possibly be the 'better' lens?

iangreenhalgh1 wrote:
Thanks for the explanation. I knew Leica took some Minolta zooms but didn't know they took the 24 too.


don't forget the M-Rokkors. Btw. the later M-Rokkors with multi coating are reported to be better lenses than the otherwise optically identical Leitz Summicron-C and Leitz Elmar-C, besides the M-Rokkors having the more useable 40,5mm as compared to the odd Leica Series 5.5 filter thread


PostPosted: Sat Feb 20, 2016 1:53 pm    Post subject: Reply with quote

The optical scheme stayed the same throughout the updates, until the 1981 "plain" MD designs....

Again according to Red Baily's chronology :

June, 1981

- MD 24/2,8 [8/8] (ø49mm) 0,25m f/22 64x39mm 200g

A new optical design for the 24mm, it has been shrunk again by removing an element from the formula. Slightly closer focusing distance. Besides cost-cutting, it’s hard to see why they abandoned the classic design which was successful for Leitz as well.

And according to Stephan from http://artaphot.ch/minolta-sr/objektive/143-minolta-24mm-f28

That last MD version is an improvement....


PostPosted: Sat Feb 20, 2016 2:05 pm    Post subject: Reply with quote

thank you Mir

Mir wrote:
..

And according to Stephan from http://artaphot.ch/minolta-sr/objektive/143-minolta-24mm-f28

That last MD version is an improvement....


oh, in the linked page it actually says that the late 8 element MD 2.8/24, though being not bad at all, is regarded to be the weakest 24mm Rokkor, and that the also 8 element AF 2,8/24 is about equal to the 'classic' and very good 9 element which come as MC and early MD = MD W.Rokkor and MD VFC


PostPosted: Sat Feb 20, 2016 2:07 pm    Post subject: Reply with quote

My German is.... well .... nil......

And i could say that google.translate's German is ....not much better !

Thanks


PostPosted: Sat Feb 20, 2016 2:09 pm    Post subject: Reply with quote

oh, ok, German is my mother tongue

in that site quotes from various sources are collected. One person said that he regards the AF version to be 'equal' to the 9 element, another said that they have different characteristic, the old 9 element offering better center sharpness but the AF has better sharpness towards the edges, more even sharpness

btw. it also says that Minolta continued to make the 9 element lens for Leica while they already 'only' made the 8 element Rokkor, later again discontinued to manufacture a 'special' glass that was required for it's production which forced Leica to look for another glass manufacturer which also forced them to adjust optical construction


PostPosted: Sat Feb 20, 2016 2:59 pm    Post subject: Reply with quote

francotirador wrote:
Aanything wrote:
Mir wrote:
I wouldn't call it a Leica..... in fact the Leica folks should call theirs a Minolta !


True!
I have the second MD Rokkor-X version, and I think it's a lovely lens: my favorite 24 together with the Ais Nikkor 2.8/24


24 2.8 MD is another lens, different construction and optical scheme. The 24 mm 2.8 Minolta manufactured for Leica is MC.


Yes,the "plain" MD3 24/2.8-49mm is a 8/8 lenser,not 9/7,like the MC/MC SI,but the 9/7 scheme have been shared by all 24/2.8 Rokkor incarnations - namely the MC.SI-55mm,MC -55mm,MD1- 55mm and MD2-55mm.I have all of them save the 24/2.8 MD2.(which I call "slim barrel"") and they are really nice,though my copy of the AIS Nikkor 24/2.8 has better corner performance at any f stop on the A7/R.


PostPosted: Sat Feb 20, 2016 3:26 pm    Post subject: Reply with quote

kuuan wrote:
thank you Mir

Mir wrote:
..

And according to Stephan from http://artaphot.ch/minolta-sr/objektive/143-minolta-24mm-f28

That last MD version is an improvement....


oh, in the linked page it actually says that the late 8 element MD 2.8/24, though being not bad at all, is regarded to be the weakest 24mm Rokkor, and that the also 8 element AF 2,8/24 is about equal to the 'classic' and very good 9 element which come as MC and early MD = MD W.Rokkor and MD VFC


According to my experience with various 24/2.8 Minolta lenses on the A7/R,I would say that the "plain" MD is not the weakest but just different.While all 9/7,24/2.8 are sharper in the center with significant fall off towards sides/corners,the "plain" 8/8 MD presents more even performance across the (full) frame,at the cost of center sharpness,which is slightly lower.

I found similar behaviour in some other Minolta MD lenses that I have,namely the MC PG Rokkor 50/1.4-55mm and MD1 Rokkor 50/1.4-55mm,(both 7/5),versus the MD2 Rokkor 50/1.4-49mm and "Plain"MD" 50/1.4-49mm.(both 7/6).Another example - All 85/1.7 MC/MD-55mm Rokkors against 85/2.0 Rokkor/Plain MD-49mm.

More - The edge performance of the 85/1.7 Rokkors improves gradually from a MC PF through MC up to MD with the center beimg still very good/unchanged.


PostPosted: Sat Feb 20, 2016 3:52 pm    Post subject: Reply with quote

TAo2 wrote:
Aaaaw maan,

same old arguments...Leica did not "buy" the lens design, they bought the lenses, complete.

Minolta built
the 24/f2.8 for Leica, they also built MD 35/70mm - f3.5, 16mm/ f2.8, 80-200mm/ f4...all rebranded for Leica, most if not all these re-branded lenses have "made in japan" on them(IIRC)... only difference is the lens mount...

Sigma built a 28-70mm/f3.5-4.5 zoom as well for Leica. Naturally, Leica owners will tell ye this is all spurious nonsense and all these lenses had tae be rebuilt completely and sprinkled with genuine, German, fairy dust before they could grace such cameras.
Thank You Dog


Yes.They cooperated with Leica at earlier stages of the R system AFAIK,delivering many lenses for the R system.The vast majority IMO are not as good as the genuine Leica design,but still at least OK/good/very good,by contemporary standards,especially after some PP.My findings on the A7/R are as follows:

24/2.8 Elmarit R - good/very good
35-70/3.5 Vario Elmar - OK/good - Minolta MD/MD Macro 35-70/3.5 is better
28-70/3.5-4.5 Vario Elmar Olympische Spiele 1972 (Sigma) - good
80-200/4.5 Vario Elmar R - OK
70-210/4 Vario Elmar R - OK/good
Telyt R 500/8 - I'm just about to buy one!

From the "outsourced" lenses of the later generation (designed in Wetzlar,produced in Japan),the one I like most is the Vario Elmar R 35-70/R.The best slower 35-70 zoom I have/had so far.It is very good/excellent and often behaves like a Leica R prime (sharpness and deep,rich colours).


PostPosted: Sat Feb 20, 2016 7:58 pm    Post subject: Reply with quote

I had the 1981 design wasn't impressed and ended up using the 28mm f2.8 more, I ended up selling it. Now I understand why, +/- a bad copy?!
I wonder how it compares to the Sigma super mini II as this could be found really cheap.


PostPosted: Sat Feb 20, 2016 10:38 pm    Post subject: Reply with quote

A few remarks from my side about the different 2.8/24mm from Minolta. I do own (and use) the following samples:

1) MC-X Rokkor-SI 24mm 1:2.8 (heavy "brass" version, 390g, 9 lenses / 7 elements, #26 on http://minolta.eazypix.de/lenses/, 1973)
2) MD-I Rokkor 24mm 1:2.8 (light alu version, 275g, 9 lenses / 7 elements, #28, 1977)
3) MD-III 24mm 1:2.8 (275g, 8 lenses / 8 elements, #31, 1981)

I do own various other vintage 2.8/24mm lenses, such as the Minolta AF 2.8/24mm, the Nikkor AiS 2.8/24mm, the Canon nFD 2.8/24mm and the Zeiss C/Y Distagon 2.8/25mm.

The early, heavy MC 2.8/24mm ("MC-X") and the early MD 2.8/24mm (MD-I and MD-II) seem to have the same lens section. The early MC 2.8/24mm, however, has a yellowish color cast, indicating some special glasses not found in later versions. The later MD-III 2.8/24mm [8/8] has a much better performance than the earlier MC/MD 2.8/24mm [9/7], and i have written this clearly in my website ( see http://artaphot.ch/minolta-sr/objektive/143-minolta-24mm-f28). In this very page i have published an image from the MD-III on my Sony A7II (24MP Full Frame): Just scroll down and right-click the winter image from Luzern, then choose "save link as" and look at the 6000x2000 px file which shows the upper part of the original image including its extreme corners.

I have also published a small test with Canon, Nikon, and Minolta 24mm lenses: http://artaphot.ch/systemuebergreifend/objektive/450-24mm. The Minolta MD-III may be slightly superior to the Canon nFD and Nikkor AiS from the same time (around 1980), but the differences are minimal. The ealier MC/MD 2.8/24mm (1973) is inferior, and so are the Minolta MD 4-50 and 24-35mm zooms. The Zeiss C/Y 2.8/25mm is similar in performance to the early MC 2.8/24mm and thus inferior to the later MD-III, nFD, and AiS 2.8/24mm lenses.

Stephan


Last edited by stevemark on Tue Feb 23, 2016 11:18 pm; edited 1 time in total


PostPosted: Sat Feb 20, 2016 11:28 pm    Post subject: Reply with quote

stevemark wrote:
A few remarks from my side about the different 2.8/24mm from Minolta. I do own (and use) the following samples:

Great info thanks Stephan
Badr


PostPosted: Sun Feb 21, 2016 1:23 am    Post subject: Reply with quote

thank you very much Stephan!
haha Mir, so your google translation was better than my German, I am very sorry for that!
well, I'd think not really, my error was that I only read the quoted articles below the photos of the two lenses, there various people do say that the late MD is weaker, and I had overlooked Stephans assessment that comes on top of the photos where he says that the late MD is better, which I readily believe. My bad, sorry again!
Thank you again Stephan to come here and put that right! also for pointing to the comparison with the Nikkor Ais and Canon nFD, also Zeiss. ( I'd be curious how the Zuiko MC 2.8/24 would fare in this mix )