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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Mon Apr 28, 2014 6:58 pm Post subject: Mounting linear PCM recorder as mic on camera? |
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ForenSeil wrote:
Hi!
I've got an Tascam Dr-07 MkII
I has awesome sound quality (at least compared to what I'm used to), especially for music, much better than what build-in mics of DSLRs and mirrorless cams I know can do.
Luckily it has an 3,5mm line out and can be connected directly to my Sony A7 (3,5mm line in) and used as a mic, it produces awesome sound quality on videos.
Though I havent found a way to fix it on the camera, which isn't overly expensive.
The PCM recorder has a 1/4" tripod screwmount on the middle of it's backside, just like the Sony A7 on it's downside.
An idea would be to use a male-male 1/4" screw directly to mount them on each other. But if I would connect both with an male-male 1/4" screw, I would have the problem that left- and right are mixed when using stereo sound, as the PCM recorder would be flipped. _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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BurstMox
Joined: 04 Dec 2011 Posts: 2018 Location: France
Expire: 2016-08-02
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Posted: Mon Apr 28, 2014 8:48 pm Post subject: |
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BurstMox wrote:
You can reverse stereo with sound file editor like Audacity, with plugin (see here ). Does A7 can create separate file with sound? Or only video with sound? Then you should extract it. _________________ Pierre
sovietlenses.fr
Soviet lenses Facebook group |
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philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
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Posted: Mon Apr 28, 2014 9:44 pm Post subject: |
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philslizzy wrote:
this widget fits on hot shoe of the camera and screws into the bottom of the mic/recorder. a pound including postage to UK
Click here to see on Ebay
I use my Zoom H2 in the same way on my Nikon.
_________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
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Fabian
Joined: 04 Dec 2011 Posts: 254
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Posted: Tue Apr 29, 2014 12:13 pm Post subject: |
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Fabian wrote:
Why would you want to link it to your camera, you can record without linking while syncing the audio output during postprocessing? |
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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Tue Apr 29, 2014 1:36 pm Post subject: |
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ForenSeil wrote:
Fabian wrote: |
Why would you want to link it to your camera, you can record without linking while syncing the audio output during postprocessing? |
First because PP like syncing by hand every 30s long clip does take much time, and I would still have to keep that recorder in the other hand, so very unhandy, especially with MF lenses. When linked to the camera it's synced automatically.
Better question would be why I should not link them?
BurstMox wrote: |
You can reverse stereo with sound file editor like Audacity, with plugin (see here ). Does A7 can create separate file with sound? Or only video with sound? Then you should extract it. |
Thx!
It does create single files unfortunately with and weird codec and file format (*.MTS files with AVCHD codec).
Do you know if there's a way to do this lossless without recoding (batch would be best)?
If yes that would be a good solution.
philslizzy wrote: |
this widget fits on hot shoe of the camera and screws into the bottom of the mic/recorder. a pound including postage to UK
Click here to see on Ebay
I use my Zoom H2 in the same way on my Nikon.
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Thx, only problem would be that it would block the EVF, right? _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
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Posted: Tue Apr 29, 2014 5:51 pm Post subject: |
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philslizzy wrote:
Maybe, mine is used on top of My Nikon D3200. If course you could buy a flash bracket and hold it off camera...
_________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
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Fabian
Joined: 04 Dec 2011 Posts: 254
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Posted: Wed Apr 30, 2014 12:40 am Post subject: |
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Fabian wrote:
ForenSeil wrote: |
Better question would be why I should not link them?
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Because if you don't have a video-rig you generally don't want added bulk, it tends to get in the way. When not linked you can put it somewhere static, having less situational influence on sound quality meaning a more even recording. |
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kawasakiguy37
Joined: 13 Jul 2010 Posts: 132
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Posted: Wed May 21, 2014 2:59 am Post subject: |
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kawasakiguy37 wrote:
I would suggest getting a bracket or two from home depot and mounting it to one side - or get some type of setup utilizing old 80's flash brackets. You dont really need the sound recorder to be directly inline with the camera - either side is fine. Mounting up top will probably be too shaky and youll get a good amount of noise
If you want ease of use have it go straight into the camera, but your going to sacrifice fidelity going through an unbalanced 3.5mm connection
I would suggest recording directly to the card in your Tascam and then sync everything in post with a plugin called Plural Eyes - as long as you are also recording sound on your camera it will have no problem auto syncing everything - saves a TON of time. _________________ Nikkor
75-150 series E
105 2.0 DC
28 2.0 AIS
T-mount bellows + Spiratone 75mm Flat Field macro
300 4.0 CZJ F |
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kuuan
Joined: 14 Jan 2008 Posts: 4569 Location: right now: Austria
Expire: 2014-12-26
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Posted: Thu May 22, 2014 1:06 pm Post subject: |
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kuuan wrote:
Fabian wrote: |
ForenSeil wrote: |
Better question would be why I should not link them?
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Because if you don't have a video-rig you generally don't want added bulk, it tends to get in the way. When not linked you can put it somewhere static, having less situational influence on sound quality meaning a more even recording. |
haven't used a micro nor recorder mounted on my still cam, but when I was using a video cam with an external mic I had learned very soon how very important it was to 'sound isolate' the mic as well as possible from the cam. If not handling the cam inevitably would result in unwanted recorded noises. I had bought and used a 'shock mount': http://www.bhphotovideo.com/c/product/68138-REG/Audio_Technica_AT8410A_AT8410A_Shock_Mount.html
"Sound isolation" certainly is a big reason why not to link cam and sound recording device, and one of the big advantages of using an external mic or recorder in the first place. If moving with the cam while filming of course having it mounted can be very convenient. Maybe other shockmounts offerd, though actually for mics, can give you a hint or idea? Actually I would think that some are big enough to hold the Tascam:
http://www.bhphotovideo.com/c/buy/Shock-Mounts-Shoe-Clips/ci/8650/N/4223841581
Before I had bought that the nice shock mount linked above I had 'selfmade' a shockmount for another, cheaper mic that worked rather well, but both later got sold together. It simply was a PVC pipe mounted on a flashshoe that had rubber bands inserted as seen in shock mounts, one could do the same for holding the recorder, just would need to choose a pipe that has big enough diameter _________________ my photos on flickr: https://www.flickr.com/photos/kuuan/collections |
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