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despman
Joined: 27 Nov 2013 Posts: 7
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Posted: Wed Nov 27, 2013 8:11 pm Post subject: please help!! is this gree bokeh fringe normal Zeiss 50f2 MP |
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despman wrote:
Hi Guys,
Just got the zeiss 50f2 ZE for canon 5D3, found this green bokeh fringe when doing some test( SHOT AT ISO100 1/320 F2 the ruler is placed at about 10-15cm from lens) , is this normal or if thats too much I have to send to Zeiss Germany to get it repaird?
much appreciated for any advice!!!
Last edited by despman on Wed Nov 27, 2013 8:26 pm; edited 2 times in total |
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philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
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Posted: Wed Nov 27, 2013 8:24 pm Post subject: |
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philslizzy wrote:
it is chromatic aberration or 'CA'. Normal with most lenses. The extreme contrast and focus in this image accentuates it. I'm sure there are others here who can explain it better then I. Your lens will produce this normally when there is a high contrast.
Photoshop can remove it. _________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
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despman
Joined: 27 Nov 2013 Posts: 7
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Posted: Wed Nov 27, 2013 8:25 pm Post subject: |
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despman wrote:
philslizzy wrote: |
it is chromatic aberration or 'CA'. Normal with most lenses. The extreme contrast and focus in this image accentuates it. I'm sure there are others here who can explain it better then I. Your lens will produce this normally when there is a high contrast.
Photoshop can remove it. |
Many thanks for showing up my pictures - I was wondering why it cannot show up. |
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despman
Joined: 27 Nov 2013 Posts: 7
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Posted: Wed Nov 27, 2013 8:29 pm Post subject: |
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despman wrote:
I know Lens may show this green fringe, but the green fringe looks too much to me in the picture, and Im not sure if this is normal particularly with the zeiss 50F2 MP? this is my first zeiss lens. |
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philslizzy
Joined: 07 Aug 2012 Posts: 4745 Location: Cheshire, England
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Posted: Wed Nov 27, 2013 8:45 pm Post subject: |
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philslizzy wrote:
you have a red fringe too in the lower part of the image.
here is a post I made about a lens I got CA with in the second page there are a couple of suggestions on how it can be reduced.
http://forum.mflenses.com/rokkor-200mm-f3-5-t58903,highlight,+rokkor++200mm.html _________________ Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Wed Nov 27, 2013 8:54 pm Post subject: |
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Attila wrote:
Shoot something real what you like and look , less chance a lot to get any CA. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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despman
Joined: 27 Nov 2013 Posts: 7
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Posted: Wed Nov 27, 2013 8:55 pm Post subject: |
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despman wrote:
Many thanks, as this is a new lens, is the problem normal or should I send it back to zeiss for repair? |
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woodrim
Joined: 14 Jan 2010 Posts: 4060 Location: Charleston
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Posted: Wed Nov 27, 2013 9:37 pm Post subject: |
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woodrim wrote:
Characteristic of the lens, I'm sure. The image is fascinating in that it illustrates the color change between out of focus front and out of focus rear. I've gotten this with my 180/2.8. Seems the Zeiss is more subject to this than blue fringing. _________________ Regards,
Woodrim |
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despman
Joined: 27 Nov 2013 Posts: 7
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Posted: Wed Nov 27, 2013 10:10 pm Post subject: |
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despman wrote:
woodrim wrote: |
Characteristic of the lens, I'm sure. The image is fascinating in that it illustrates the color change between out of focus front and out of focus rear. I've gotten this with my 180/2.8. Seems the Zeiss is more subject to this than blue fringing. |
"fascinating?" errrr, I rather have it non-fascinating. |
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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Wed Nov 27, 2013 10:21 pm Post subject: |
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ForenSeil wrote:
OOF fringing is perfectly normal with every fast lens wide open, even extremly expensive high-end lenses like Zeiss Otus have this.
But I have only very rarely seen that it's disturbing in field or visible in practice at all.
The "problem" should much less disturbing when stopped down a little and virtually gone from F4 onwards _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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shapencolour
Joined: 03 Oct 2013 Posts: 270
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Posted: Thu Nov 28, 2013 5:35 am Post subject: |
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shapencolour wrote:
This is normal behaviour of this lens at f2.Don't worry.Mine presents the same. _________________ shapencolour |
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Analog lex
Joined: 10 Nov 2013 Posts: 95 Location: East Europe
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Posted: Thu Nov 28, 2013 10:18 am Post subject: |
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Analog lex wrote:
I have same green/red CA on my F4 Sonnar wide open. Looks like Zeiss lens feature. )
_________________ =-=Canon eos 1100D=-=Zenit-E=-=
[RMC Tokina 35-105 macro FD][CZJ Sonnar 135mm f4 Exa][Jupiter-11 135mm f4 (silver)M39][Helios 44m-6][Helios-44-2 2/58][Vega-11u m39][Industar-50u][Tair-3fs][Mir-1B 2,8/37 (ВОЗМ)] |
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enliten
Joined: 20 Sep 2011 Posts: 201 Location: Perth, WA
Expire: 2014-07-03
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Posted: Thu Nov 28, 2013 1:48 pm Post subject: |
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enliten wrote:
Just because it's a zeiss don't expect an achromatic lens. Very few lenses are corrected to have minimal fringing at all distances / focal lengths.
I imagine that you'll not get any better result if you send it back to Zeiss for servicing / adjustment. _________________ www.craftedbyben.com
Digital: Canon EOS 7D
Film SLRs: Zenit 122, Nikon F55, Nikon FM2, Pentax Spotmatic, Pentax ME Super, Pentax K1000, Minolta SR1
Rangefinders: Konica Auto S2, Zeiss Ikon Contessa LKE, Zeiss Ikon Continette, Zeiss Ikon Ikonta 521/16, Fed 5B
50's: Super Takumar 50 f1.4, Helios 44-m6,, Minolta MD 50 f1.4, Meyer Optik Oreston 50 f1.8, Olympus 50 f1.4, Industar 55 f2.8 (RF), Jupiter-3 50 f1.5 (RF), Yashinon DS 50 f1.4, Zeiss Jena 50 f2.8, Zeiss Pancolar 50 f1.8
Med Tele: Jupiter-11 135 f4 (RF), Mamiya 120 f4 Macro (645), Meyer Optik Trioplan 100 f2.8, Jupiter-9 85 f2
Tele: Jupiter-21a 200mm f4
Wide: Rikenon 35 2.8, Rikenon 28 f2.8, Minolta MD 28 f2.8, Minolta MD 24 f2.8, Pentacon 30 f3.5, Enna Werk Munchen Lithagon 35 f4.5
Autofocus: Canon 50 1.8, Sigma 50 1.4, Tokina 11-16 2.8
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kds315*
Joined: 12 Mar 2008 Posts: 16657 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Thu Nov 28, 2013 2:14 pm Post subject: |
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kds315* wrote:
Yep, I had the Cosina Voigtlander Apo Macro 2.5/125mm and the Zeiss ZF 2/100mm at the same time and the Zeiss showed the very same CA, sold it immediately. A great and very sharp lens, but not APO corrected, so totally normal behavior.
ZF100 full format:
Detail:
_________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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buerokratiehasser
Joined: 12 Jun 2011 Posts: 470
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Posted: Sat Nov 30, 2013 11:25 am Post subject: |
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buerokratiehasser wrote:
I can't comment on whether it is normal for that lens or Zeiss lenses in general.
Green <--> magenta/red/orange spherochromatism occurs with a lot of lenses, mostly older designs. Older lenses like Sun etc. can almost be expected to have lots of it.
Unfortunately the very nice 60-300 pipe has it too, wide open.
And yes it can be pretty limiting.
Light reflexes out of focus (there is almost always something out of focus) become magenta/green. You can write it off as "that's how it is", like lens flare, doesn't disturb the image much.
But it can indeed get very annoying - as you can see with the white flower photo being unacceptable, or when I shot birds with a broken aperture wide open even if the birds rendered fine, the twiggery around didn't. It gave a funny look that was almost artistic but that was rather unintended. |
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Ray Parkhurst
Joined: 04 Jul 2011 Posts: 504 Location: Santa Clara, CA, USA
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Posted: Sat Nov 30, 2013 2:35 pm Post subject: |
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Ray Parkhurst wrote:
What you're seeing is Axial Chromatic Aberration (CA). Unlike Transverse CA, ACA is tough to compensate for in post. In ACA, the out of focus areas take on a different hue depending on whether they are OOF closer or farther than the critical focus plane. Editing programs in general can only determine if a pixel is OOF, not if it's OOF to the front or rear, so don't have reliable facilities to correct ACA.
I'm surprised at the level of ACA in this example. I was not aware that modern fast lenses have this level of ACA. Is this a design feature for some brands? Do the legendary "3D" lenses have the same level of ACA, or are they better and that's why they look more 3D?? |
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