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Kodak Imagelink HQ microfilm in Speedibrews Celer-Stellar
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PostPosted: Sun Nov 24, 2013 4:48 pm    Post subject: Kodak Imagelink HQ microfilm in Speedibrews Celer-Stellar Reply with quote

I've finally found a developer that gives a perfectly clear base with this film. Grain and sharpness are exceptional, the film is so sharp that the lens is revealed to be slightly less than razor sharp.

Sigma 3.5-4.5/21-35 on EOS 10qd. Celer-Stellar diluted 1:10, 60mins at 20C.

#1

#2

#3

#4

#5

#6

#7


Last edited by iangreenhalgh1 on Sun Nov 24, 2013 5:56 pm; edited 1 time in total


PostPosted: Sun Nov 24, 2013 5:51 pm    Post subject: Reply with quote

very nice tonality!

Is Celler-Stellar a bear of some sorts?


Last edited by kds315* on Tue Nov 26, 2013 4:24 am; edited 1 time in total


PostPosted: Sun Nov 24, 2013 5:58 pm    Post subject: Reply with quote

Cheers Klaus.

Celer-Stellar is a low contrast speed increasing developer made by a tiny company called Speedibrews. It was originally intended for astronomy applications, particularly with Tech Pan, which I guess is where the Stellar part of the name comes from. Smile


PostPosted: Sun Nov 24, 2013 6:12 pm    Post subject: Reply with quote

They've certainly spared no expense with their website layout:

http://www.speedibrews.free-online.co.uk/

No expense at all! But I like it. They -- or more likely 'he', a fellow named Michael Maunder -- unfortunately do not do any mail order, not even within the UK. You have to visit their recommended sales outlet in London to buy their products.


PostPosted: Sun Nov 24, 2013 6:41 pm    Post subject: Reply with quote

Yes, Mr Maunder is an old gentleman, well past retiring age, but his products are top-notch.

Trying to find them now has become difficult, Silverprint seem not to stock them anymore and Process Supplies only have a few of them left. I tried to but the Speedibrews Microdol-X copy but Process Supplies don't list it anymore and haven't replied to my email.

I will have to buy up some Celer-Stellar while I still can as I have a feeling the Speedibrews products won't be available much longer.

http://www.processuk.net/SPEEDIBREWS/cat740598_659593.aspx


PostPosted: Sun Nov 24, 2013 7:54 pm    Post subject: Reply with quote

Laughing beer cool, interesting result still hesitate I like or not.


PostPosted: Sun Nov 24, 2013 8:01 pm    Post subject: Reply with quote

embarassing, should have googled that first. Guess Stella-Artois was in my mind,
although I prefer (good) wines Embarassed


PostPosted: Sun Nov 24, 2013 10:19 pm    Post subject: Reply with quote

It's all good, to err is human. Smile

I'm not much of a drinker, but I am partial to some white beers like Hoegaarden and Leffe Blone.


PostPosted: Sun Nov 24, 2013 10:36 pm    Post subject: Reply with quote

yes, err is human: Leffe Blonde Wink although I prefer brunette(s) :LOL:


PostPosted: Sun Nov 24, 2013 11:51 pm    Post subject: Reply with quote

Leffe Brun is not bad, gets a little heavy Wink

BTW Klaus, given the inability of this Sigma lens to produce really sharp results with microfilm, I'm wondering if you can suggest some lenses with higher resolution that aren't too expensive?

My Plustek scanner can do about 70 lp/mm so I think that is a reasonable target for the lens.

Of the lenses I have, I think the Micro-Nikkor 3.5/55 and Zenitar-M2S 2/50 are the sharpest. I have the added restriction of the lens having to be mountable on my EOS 10qd as it's the only camera I have that is able to use the unperforated microfilm. I have used the Micro-Nikkor extensively with Agfa Copex HDP13 and it produces results as sharp as my scanner can resolve, but I would like to find something wider if possible.


PostPosted: Mon Nov 25, 2013 10:34 pm    Post subject: Reply with quote

Very promising indeed, due crap light now, may good idea to try it out with flash and we able to see best performance.


PostPosted: Mon Nov 25, 2013 11:11 pm    Post subject: Reply with quote

Actually, it performs better in flat, dull light. Due to the inherent very high contrast, strong direct light produces a very contrasty result even with the extreme compensating development methods I use.

I suppose the ideal situation for it would be a day with an overcast sky where there is sufficient light but it is very diffuse.

Here is how it looks in direct sunlight, high contrast with a fairly narrow tonal range:



Agfa Copex HDP13 in direct sunlight:



I do like high contrast for certain subjects such as architecture, machinery; but for natural subjects, countryside etc I think a wider tonal range is preferable.

I need to buy an EZ series speedlite to enable TTL flash metering on my EOS 10qd, when I do, I can try it with a flash.


PostPosted: Mon Nov 25, 2013 11:17 pm    Post subject: Reply with quote

I like first example on sun pretty much, second to dark right.


PostPosted: Mon Nov 25, 2013 11:57 pm    Post subject: Reply with quote

I like the first one too.

This film likes to produce black and white, you have to force it to make grays, so if the light is strong, it will make deep blacks and there's little you can do about it. This can work with the right subject, but sometimes it just doesn't work so well.

It is cheap though, about 30p for a 24 shot roll. Smile


PostPosted: Tue Nov 26, 2013 12:19 am    Post subject: Reply with quote

#6 in the first batch is a great capture, the whole scene is very appealing.


PostPosted: Tue Nov 26, 2013 3:01 am    Post subject: Reply with quote

Cheers. I have a thing for trees without leaves in BW. It's a nice bit of countryside with rolling green hills, just a small patch between the mountains and the sea.


PostPosted: Tue Nov 26, 2013 4:24 am    Post subject: Reply with quote

iangreenhalgh1 wrote:
Leffe Brun is not bad, gets a little heavy Wink

BTW Klaus, given the inability of this Sigma lens to produce really sharp results with microfilm, I'm wondering if you can suggest some lenses with higher resolution that aren't too expensive?

My Plustek scanner can do about 70 lp/mm so I think that is a reasonable target for the lens.

Of the lenses I have, I think the Micro-Nikkor 3.5/55 and Zenitar-M2S 2/50 are the sharpest. I have the added restriction of the lens having to be mountable on my EOS 10qd as it's the only camera I have that is able to use the unperforated microfilm. I have used the Micro-Nikkor extensively with Agfa Copex HDP13 and it produces results as sharp as my scanner can resolve, but I would like to find something wider if possible.


Well the EL-Nikkor 3.5/63mm would be a nice one, quite a razor sharp lens, but has gotten a bit pricey. Then there would be the Focotar-2 50mm, also not really cheap. Both need focusing mounts of course, but no biggy. All the others that come to mind are even more or cannot be mounted on that camera.


PostPosted: Tue Nov 26, 2013 1:09 pm    Post subject: Reply with quote

Cheers Klaus.