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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Tue Jul 09, 2013 10:12 am Post subject: Pentax PK bayonet 1.4/50mm alternatives: CHINON COSINA RICOH |
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Pancolart wrote:
Overview of alternatives to Pentax made lenses. Updated rework of this topic: http://forum.mflenses.com/viewtopic.php?t=43590
Please add links to your own reviews or tests. Missing is Rikenon P version i don't have.
There are three families based on manufacturer:
COSINA:
Typical rebranded representative: PORST COLOR REFLEX, Vivitar VMC
- convex rear element
- 8 aperture blades turned upward
- mount has 4 screws
- focusing grease tends to get dry (late COSINA lenses problem)
- Φ49
CHINON:
Typical re-branded representative: REVUENON, AGFA COLOR
- rear element 100% flat
- 6 aperture blades turned downward or 8 (Revuenon variant)
- mount has 5 screws
- winning CHINON smooth focusing
- similar serial numbering (AGFA missing C letter, see photo)
- Revuenon look seems to be Leica Summilux-R I inspired http://www.l-camera-forum.com/leica-wiki.en/index.php/50mm_f/1.4_Summilux-R_I
- Φ49
RICOH Rikenon (XR):
Typical re-branded representative: Sears MC
- convex rear element
- 8 blades turned downward
- largest rear element diameter
- Ricoh PK teflon smearing blades problem
- mount has 4 screws
- Φ52
Group photo:
COSINA:
CHINON:
RICOH Rikenon XR:
_________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Jul 09, 2013 10:39 am Post subject: |
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iangreenhalgh1 wrote:
Okay, so there's three lenses represented here. How do they compare as photographic tools? Are they very similar or are there noticeable differences in their rendering and capabilities? If they all perform very similarly, that kind of means there's no point in worrying about the maker, right? If there are meaningful differences between the three, it would be nice to hear about them. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Tue Jul 09, 2013 10:46 am Post subject: |
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Pancolart wrote:
iangreenhalgh1 wrote: |
Okay, so there's three lenses represented here. How do they compare as photographic tools? Are they very similar or are there noticeable differences in their rendering and capabilities? If they all perform very similarly, that kind of means there's no point in worrying about the maker, right? If there are meaningful differences between the three, it would be nice to hear about them. |
Ian, again, please please do not troll my posts. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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Rick1779
Joined: 17 May 2013 Posts: 1207 Location: Italy
Expire: 2014-06-06
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Posted: Tue Jul 09, 2013 10:57 am Post subject: |
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Rick1779 wrote:
Caoting seems slightly different |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Jul 09, 2013 11:00 am Post subject: |
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iangreenhalgh1 wrote:
Pancolart wrote: |
iangreenhalgh1 wrote: |
Okay, so there's three lenses represented here. How do they compare as photographic tools? Are they very similar or are there noticeable differences in their rendering and capabilities? If they all perform very similarly, that kind of means there's no point in worrying about the maker, right? If there are meaningful differences between the three, it would be nice to hear about them. |
Ian, again, please please do not troll my posts. |
Excuse me, but I am not trolling, I merely asked for some useful information. Are these three lenses the same in performance or not?
Why don't you want to give that information? Maybe you haven't used them?
I am genuinely interested in the relative performance, characteristics and merits.
Not even a single sample pic from any of them? _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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berw
Joined: 20 Oct 2012 Posts: 38
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Posted: Tue Jul 09, 2013 1:23 pm Post subject: |
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berw wrote:
Well, i have two of these, the XR Rikenon and the Agfa Color. Didn't use them much (blame my Canon 60mm macro for that), but here's some comparison shots, at f/2.8
XR Rikenon
Agfa Color
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Tue Jul 09, 2013 11:47 pm Post subject: |
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iangreenhalgh1 wrote:
Cheers! Both look good to me, I think the Rikenon looks a tiny bit crisper but that looks to be higher microcontrast than resolution I think, which suggests the Rikenon has better coatings. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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hifisapi
Joined: 25 Sep 2012 Posts: 941 Location: USA
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Posted: Wed Jul 10, 2013 1:17 am Post subject: |
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hifisapi wrote:
why bother with any of these dubious quality lenses whent he smck smcm smca pentax 50mm F1.4 are outstanding
and still cheap??? _________________ ===========
ACQUIRED OVER 30 YEARS:
Cameras: DSLR=Pentax istDS FILM=Pentax SP, SP-F, ESII, SP1000, KX, K2
Lenses : Pentax M42 = Super Multi Coated Takumars 50/1.4 55/1.8 100/4-BELLOWS 500/4.5 1000/8 135-600/6.7 Pentax PK= SMC Pentax-Ks K17/4-FF Fisheye K18/3.5 K20/4 K24/3.5 K28/3.5 K28/2 K35/3.5 K35/2 K50/1.2 K50/1.4K 50/4-MACROK 55/1.8 K85/1.8 K100/4-MACRO K100/4-BELLOWS K105/2.8 K120/2.8 K135/3.5 K135/2.5 K150/4 K200/4 K400/5.6 K45-125/4K 85-210/4.5 Pentax PKM = SMC Pentax-M M40/2.8-Pancake M50/1.4 M75-150/4 M80-200/4.5 Pentax PKA= SMC Pentax-A A15/3.5 A50/2.8-MACRO A28/2 A35/2 A50/1.4 A135/2.8 A200/4 A*300/4 A35-105/3.5 A24-50/4 A70-210/4 TAMRON AD2= SP80-200/2.8 SP180/2.5 TOKINA AT-X PK= ATX28-85/3.5-4.5 ATX35-70/2.8 ATX60-120/2.8 ATX80-200/2.8 ATX100-300/4 ATX90/2.5 MACRO KIRON-LESTER DINE PK = 105/2.8-MACRO VIVITAR PK = 135/2.8-MACRO 28-85/4 NOFLEXAR AUTOBELLOWS PK = 60/4 105/4 |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jul 10, 2013 2:00 am Post subject: |
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iangreenhalgh1 wrote:
In England, at least, these third party lenses are cheaper and much more common. It's the XR Rikenon that interests me, as I doubt Ricoh issued lesser quality lenses than Pentax did, but I might be wrong on that and Rikenons vary in quality? Rikenons are cheaper than Pentax M and A series, and not hard to find, so I am interested to know how they compare to Pentax.
I have an older 1.4 Chinon in M42 here at the moment, need to play with it a bit more, but so far, it's not impressing me at all, which is again why I was interested in how these more modern variants perform. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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hifisapi
Joined: 25 Sep 2012 Posts: 941 Location: USA
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Posted: Wed Jul 10, 2013 3:08 am Post subject: |
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hifisapi wrote:
back in the sixties and seventies, the 50mm F1.4 lens was one of Pentax's very best lenses, designed to show off top of the line quality as the first lens on the body. I wouldn't be surprised if the rikenon lenses were lesser quality. _________________ ===========
ACQUIRED OVER 30 YEARS:
Cameras: DSLR=Pentax istDS FILM=Pentax SP, SP-F, ESII, SP1000, KX, K2
Lenses : Pentax M42 = Super Multi Coated Takumars 50/1.4 55/1.8 100/4-BELLOWS 500/4.5 1000/8 135-600/6.7 Pentax PK= SMC Pentax-Ks K17/4-FF Fisheye K18/3.5 K20/4 K24/3.5 K28/3.5 K28/2 K35/3.5 K35/2 K50/1.2 K50/1.4K 50/4-MACROK 55/1.8 K85/1.8 K100/4-MACRO K100/4-BELLOWS K105/2.8 K120/2.8 K135/3.5 K135/2.5 K150/4 K200/4 K400/5.6 K45-125/4K 85-210/4.5 Pentax PKM = SMC Pentax-M M40/2.8-Pancake M50/1.4 M75-150/4 M80-200/4.5 Pentax PKA= SMC Pentax-A A15/3.5 A50/2.8-MACRO A28/2 A35/2 A50/1.4 A135/2.8 A200/4 A*300/4 A35-105/3.5 A24-50/4 A70-210/4 TAMRON AD2= SP80-200/2.8 SP180/2.5 TOKINA AT-X PK= ATX28-85/3.5-4.5 ATX35-70/2.8 ATX60-120/2.8 ATX80-200/2.8 ATX100-300/4 ATX90/2.5 MACRO KIRON-LESTER DINE PK = 105/2.8-MACRO VIVITAR PK = 135/2.8-MACRO 28-85/4 NOFLEXAR AUTOBELLOWS PK = 60/4 105/4 |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jul 10, 2013 4:01 am Post subject: |
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iangreenhalgh1 wrote:
Perhaps, but there were other superb 1.4s that I doubt leave anything to be desired vs the Pentax, I have the old Miranda 1.4/50 with 8 elements and it's great, not as good as the awesome Hexanon 1.4/57, but little is imho. Not had the Pentax 1.4 to compare, would be nice to see a comparison of the Rikenon to the Pentax. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Excalibur
Joined: 19 Jul 2009 Posts: 5017 Location: UK
Expire: 2014-04-21
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Posted: Wed Jul 10, 2013 5:25 am Post subject: |
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Excalibur wrote:
iangreenhalgh1 wrote: |
In England, at least, these third party lenses are cheaper and much more common. It's the XR Rikenon that interests me, as I doubt Ricoh issued lesser quality lenses than Pentax did, but I might be wrong on that and Rikenons vary in quality? Rikenons are cheaper than Pentax M and A series, and not hard to find, so I am interested to know how they compare to Pentax.
I have an older 1.4 Chinon in M42 here at the moment, need to play with it a bit more, but so far, it's not impressing me at all, which is again why I was interested in how these more modern variants perform. |
http://www.pentaxforums.com/userreviews/ricoh-50mm-xr-rikenon-f-1-4.html _________________ Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jul 10, 2013 5:46 am Post subject: |
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iangreenhalgh1 wrote:
Hmm, that is interesting, I have been having veiling fare problems with the Chinon 1.4 I have here, I thought it was just me, but both of those users report the same thing.
Although the Chinon I have here is M42, it is probably related to the PK mount ones shown here. It's labelled Auto Chinon 1.4/55 but looks like a Cosina made item as the aperture markings are identical to the supposed Cosinas shown here. Six aperture blades folded upwards.
So many variations it seems.... _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Thu Jul 11, 2013 9:02 am Post subject: |
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Pancolart wrote:
berw wrote: |
Well, i have two of these, the XR Rikenon and the Agfa Color. Didn't use them much (blame my Canon 60mm macro for that), but here's some comparison shots, at f/2.8
XR Rikenon
Agfa Color
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They seem darn indistinguishable (AGFA slightly warmer). Please post more if you have, especially wide-opens. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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berw
Joined: 20 Oct 2012 Posts: 38
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Posted: Thu Jul 11, 2013 9:11 am Post subject: |
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berw wrote:
Will do, when i get home from work |
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berw
Joined: 20 Oct 2012 Posts: 38
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Posted: Thu Jul 11, 2013 2:37 pm Post subject: |
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berw wrote:
OK, here's some older shots with the Agfa Color and the XR Rikenon. Not artistic shots, just playing with lenses.
Agfa
Rikenon
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Thu Jul 11, 2013 7:20 pm Post subject: |
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Pancolart wrote:
Rich colors, fine bokeh, thanks for sharing! _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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kopi234
Joined: 25 Jul 2012 Posts: 103 Location: Indonesia
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Posted: Thu Jul 11, 2013 7:48 pm Post subject: |
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kopi234 wrote:
last sample of afga, very amazing! _________________ secangkir kopi, sebatang rokok |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Fri Jul 12, 2013 3:36 am Post subject: |
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iangreenhalgh1 wrote:
So how do you know who made these, is it just guesswork?
How do you explain this lens I have, labelled Chinon but with a barrel marked the same as the supposed Cosinas?
Or is it just a coincidence this lens is marked up in exactly the same way as the 'Cosina'?
Whoever made it, it's a crappy lens, worst 50-ish lens I've used apart from the dreaded Domiplan. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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TrueLoveOne
Joined: 30 Sep 2012 Posts: 1839 Location: Netherlands
Expire: 2013-12-24
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Posted: Fri Jul 12, 2013 6:52 am Post subject: |
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TrueLoveOne wrote:
Chinon did not produce their lenses themselves, it's a rebrander. So it's not uncommon that they can be found in different designs.
I've had several 55mm Chinon versions, but never a bad one, my guess is there must be something wrong with yours.
Besides that: this thread is about the 50mm versions.
@pancolart:
Which reminds me.... i do have the Revuenon 50mm version you have in the first pics. Somehow it's just been sitting on a camera on my shelf and has never been used. It's a PK mount, i will take some shots with it soon! _________________ My Flickr photostream: http://www.flickr.com/photos/chantalrene/
Sony A7, Canon 5D mkII, Minolta 7D + RD3000 and some more.....
Minolta and Konica collector.... slowly selling all the other stuff! |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Fri Jul 12, 2013 9:53 am Post subject: |
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Pancolart wrote:
Ian your CHINON M42 is typical 1.4/55mm Tomioka, quite older then my posted COSINA PK 1.4/50mm. My guess is that at start Tomioka supplied complete 1.4/55mm lenses. Later both Cosina and CHINON produce bodies themselves, possibly with inserted Tomioka optical block. With PK 1.4/50mm COSINA presumably broke ties with Tomioka history. RED dot DOF scale markings are found on many different lenses even Fuji and Olympus.
Better question is PK CHINON 1.4/50mm since it retained Tomioka's flat rear element!
Though i had them both disassembled i sadly didn't compare at the time. That is still to be done. Maybe member Nukemall has some opinion.
TrueLoveOne wrote: |
@pancolart:
Which reminds me.... i do have the Revuenon 50mm version you have in the first pics. Somehow it's just been sitting on a camera on my shelf and has never been used. It's a PK mount, i will take some shots with it soon! |
Splendid. Please do. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Fri Jul 12, 2013 2:38 pm Post subject: |
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iangreenhalgh1 wrote:
Thanks for the explanation, it's clearly a very different lens to these 1.4/50 PKs, which look very nice to my eyes from the samples. I'll keep my eye out for a 1.4/50 to replace it. I need a 'normal' lens in PK for my Ricoh XR-X I've modified to use unperforated film, hence my interest in PK mount normals. It came with a Riconar 2.2/55 which is not bad. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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TrueLoveOne
Joined: 30 Sep 2012 Posts: 1839 Location: Netherlands
Expire: 2013-12-24
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Posted: Sun Jul 14, 2013 10:14 am Post subject: |
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TrueLoveOne wrote:
Revuenon 1.4/50, never used it before, it has sticky blades, but on the NEX no problem for these quick testshots. All straight JPG from the NEX3, no PP besides resize.
The lens:
And now some very UN-scientific testshots with some crops.
DOF at f/1.4:
at f/1.4:
Crop of the f/1.4 shot:
at f/2.8:
Crop of the f/2.8 shot:
at f/4:
Crop of the f/4 shot:
Another f/4 shot:
At f/8:
And finally a crop of an f/2.8 shot i took inside:
I should clean it and use it.... it's quite okay from what i've seen so far from these few shots! _________________ My Flickr photostream: http://www.flickr.com/photos/chantalrene/
Sony A7, Canon 5D mkII, Minolta 7D + RD3000 and some more.....
Minolta and Konica collector.... slowly selling all the other stuff! |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Jul 14, 2013 12:32 pm Post subject: |
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iangreenhalgh1 wrote:
Nice samples, I'd say it's better than okay, it's as good as many more expensive lenses imho.
With third party lenses, you really have to try the lens out before you know how it's going to perform, experience has taught me that duds are petty common.
You definitely don't have a dud. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Wed Jul 17, 2013 7:39 pm Post subject: |
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Pancolart wrote:
iangreenhalgh1 wrote: |
Nice samples, I'd say it's better than okay, it's as good as many more expensive lenses imho. |
+1 _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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