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miran
Joined: 01 Aug 2012 Posts: 1364 Location: Slovenia
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Posted: Sun Sep 09, 2012 11:11 am Post subject: Very old Svema film |
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miran wrote:
My first ever roll of medium format (120) film. I figured I'd first practice on some film I wouldn't cry over if I messed it up. I have a couple of rolls of this old Russian/Ukranian black&white film which I got for free (unboxed) and know nothing about. It says "black&white foto-64" on it (in Russian and cyrilic alphabet). If I understand wikipedia correctly, this was produced between 1981 and 1987 so it must be at least 25 years old! It probably expired some time in the early 90's.
Anyone know anything about this film? Here's how it looks:
Results are expected. Negatives are extremely thin, about three to four stops underexposed/underdeveloped/whatever and covered in fog and spots, easily visible even on the unexposed part of the film. I actually metered to ISO 50 (my Kiev doesn't have "intermediate" settings) and developed in Adonal 1+50 for 11 minutes which I think should be about right, but still the negatives came out the way they did. I think they actually look kind of artsy.
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ForenSeil
Joined: 15 Apr 2011 Posts: 2726 Location: Kiel, Germany.
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Posted: Sun Sep 09, 2012 1:40 pm Post subject: |
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ForenSeil wrote:
I actually like #2 and #4
I like the effect of the old film.
In my experience many emulsions are loosing a lot speed after expiration so thin negs are quite normal. _________________ I'm not a collector, I'm a tester
My camera: Sony A7+Zeiss Sonnar 55/1.8
Current favourite lenses (I have many more):
A few macro-Tominons, Samyang 12/2.8, Noritsu 50.7/9.5, Rodagon 105/5.6 on bellows, Samyang 135/2, Nikon ED 180/2.8, Leitz Elmar-R 250/4, Celestron C8 2000mm F10
Most wanted: Samyang 24/1.4, Samyang 35/1.4, Nikon 200/2 ED
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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miran
Joined: 01 Aug 2012 Posts: 1364 Location: Slovenia
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Posted: Sun Sep 09, 2012 1:45 pm Post subject: |
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miran wrote:
I'm guessing it'll be actually quite ok if I overexpose the other roll by about 3-4 stops. I'll try some time next week if I find the time. |
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miran
Joined: 01 Aug 2012 Posts: 1364 Location: Slovenia
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Posted: Sun Sep 16, 2012 5:49 pm Post subject: |
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miran wrote:
And here are a few frames from the second roll. I rated it at ISO 6 and then rounded up on the metered values. Some frames were close to overexposed but mostly they were just right. I can't believe how nice that first frame came out.
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erkie
Joined: 08 Oct 2011 Posts: 308 Location: Missouri
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Posted: Sun Sep 16, 2012 8:09 pm Post subject: |
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erkie wrote:
WOW that first shot in the second group is wonderful ! _________________
I shoot film and meter with digital
Asahi H3v, Praktica FX3, Retina IIa, Spotmatic sp1000, Fujica V2, Yashica lynx5000, Pentax Sf1, Minolta SRT102, Minolta7000i, Pentax MX, Pentax ME, Pentax Kx
lensesM42- Isco Gottingen Westanar 50/2.8, Isco Gottingen Westron 35/2.8, Rikenon 35/2.8, Spiratone Tc 105/2.5, Spiratone Tc 200/4.5, Sankyo Kohki Komura 300/5, Sankyo Kohki Komura 135/3.5, Auto Tak 35/3.5, Super Tak 150/4, S-M-C Tak 50/1.4, S-M-C Tak 28/3.5, SMC Tak 55/2, Mamya Sekor 55/1.8
K- mount- Helios 44-K-4, Jc penny 28/2.8, Da 18-55, Da 55-300, Pentax F 35-70, SMCP M 50/1.4, SMCP M 50/1.7
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Nisseliten
Joined: 26 May 2012 Posts: 332 Location: Sweden
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Posted: Sun Sep 16, 2012 8:55 pm Post subject: |
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Nisseliten wrote:
Lovely!
The reason why we started to shoot digital instead eludes me, when I see results like this. _________________
DSLR: Canon 550D, Panasonic DMC-GF3
SLR: Leica R3mot electronic, Leica R4s, Leica R4mot electronic. and more.
Medium Format: Many.
Lenses
Leica: 19/2.8, 35/2, 35/2.8x2, 50/2, 60/2.8 macro, 90/2, 90/2.8, 180/3.4, 250/4, 500/8 T-Noflexar 400/5.6
Other: When will it end?!
Canon: 50/1.8, 70-200 f4 IS
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Sep 16, 2012 9:15 pm Post subject: |
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iangreenhalgh1 wrote:
Very nice, unique look indeed, with the right subject this film could be pretty useful, congrats. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sun Sep 16, 2012 9:18 pm Post subject: |
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Attila wrote:
Old Russian film , I think same type of Fortepan or Efke. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Sep 16, 2012 9:25 pm Post subject: |
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iangreenhalgh1 wrote:
Efke was orthochromatic, the only ortho film made in the west since the 50s I think, I liked it a lot. Have all the Russian film makers gone out of business now? I'd love to find a source of bulk ortho film. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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marzipan
Joined: 21 Jan 2013 Posts: 22
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Posted: Sun Jan 27, 2013 12:04 am Post subject: |
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marzipan wrote:
I had some old Svema 64 in 35mm. Used it up while it was reasonably fresh. It had a special dreamy feeling or glow that I think was because of no antihalation layer. I developed it in D76 and got great negs but with a tendency to curl. |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Sun Jan 27, 2013 11:41 am Post subject: |
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martinsmith99 wrote:
The 2nd one is quite artsy. Perhaps if you shoot another roll, rate the film a few stops slower and see if you can get better results. _________________ Casual attendance these days |
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std
Joined: 09 Feb 2010 Posts: 1826 Location: Bulgaria
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Posted: Sun Jan 27, 2013 11:52 am Post subject: |
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std wrote:
Interesting - does someone knows what causes the spots visible in the sky.
I have similar spotty NP22 film.
Can i prevent them with if i add some chemical during development, or do you think the emulsion is damaged and nothing can be done? _________________ Stefan
My lens list:
SLR MD: Rokkor 1,7/50 Exakta: Kilfitt-Makro-Kilar E 3.5/4cm; CZJ 2/50 Pancolar;M42: CZJ 2.8/50 Tessar; Mir-1B 2.8/37; Jupiter-9 2/85 T-mount: Tamron 5.9/200; Tamron 6.9/300; Tamron 7.5/400 C-mount: Cosmicar 1.8/50 Y/S: Sun 3.5/38-90, Sun 4/70-210 RF Contax RF: Jupiter-8 2/50; Contax G:CZ 2,8/21 Biogon T; CZ 2,8/28 Biogon T; CZ 2/35 Planar T; CZ 2/45 Planar T; CZ 2,8/90 Sonnar T |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sun Jan 27, 2013 3:34 pm Post subject: |
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Attila wrote:
std wrote: |
Interesting - does someone knows what causes the spots visible in the sky.
I have similar spotty NP22 film.
Can i prevent them with if i add some chemical during development, or do you think the emulsion is damaged and nothing can be done? |
I got similar spots with fresh Efke film once , no idea what is reason. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Sun Jan 27, 2013 7:54 pm Post subject: |
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martinsmith99 wrote:
I thought it was because of old film and losing its quality, but Attila has suggested this can happen with fresh film. _________________ Casual attendance these days |
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