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JohnBar
Joined: 21 Jun 2012 Posts: 581 Location: Liverpool
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Posted: Wed Jun 11, 2014 10:39 pm Post subject: Los Tres Amigos = ISCO Vario Lenses Part 1 |
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JohnBar wrote:
I have been collecting ISCO Vario lenses and I thought I would introduce you to them.
The lenses are
1 ISCO Ultra AV F3.5 200-300mm purchased in England for £20
2 ISCO Cinelux AV F3.5 110-200mm purchased in Germany for €14
3 ISCO AV F3.5 60-110mm purchased in US for $11
So why should I throw my hard earned cash at three obsolete Projection lenses that no one wants anymore?
In this series of three parts you are about to find out why.
Part 1 ISCO Ultra AV F3.5 200-300mm
The lens is shown below followed by more than a few 300mm (possibly one or two 200mm) shots
_________________ Rectilux 3FF Series single focus anamorphic attachments
http://www.transferconvert.co.uk/cinemania/rectilux-3ff.html
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Wed Jun 11, 2014 10:59 pm Post subject: |
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iangreenhalgh1 wrote:
No aperture, so no depth of field, so not very useful.
IQ looks good enough but not enough dof so not appealing to my eyes. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Wed Jun 11, 2014 11:32 pm Post subject: |
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luisalegria wrote:
Hey, isolating the subject, its what the homeboys do !
Those subject dudes gotta be lonely, vato !
Well, thats the way I think about tele technique and tele requirements, so there we are.
Interesting light plus subject isolation, plus accurate focus, and catch whatever the subject is at just the right moment and you've got a picture. To go the rest of the way, you add the element of fascinating bokeh, which is one dimension too much for me, I have a simple mind - moment, light, isolation, focus, thats four dimensions, bokeh makes five and I cant get there. With some digital help in taking a few dozen shots where one would have done in the old days.
But still, four elements of a tele picture is almost foolproof, if you can shoot enough frames and get the technical stuff down, and John seems to be there. This looks like a fine lens for that too. The bokeh is not in your face, quite unobtrusive.
I would have cropped #9 the picture of the girl on the riverbank, or looked for an unobstructed angle to get a clean run of the fencing. Also probably tried for a lower angle. And though its a nice enough shot, she's bound to have done something more photogenic at some point. More shots mean more moments that could have been the right one.
Thats a NEX right ? _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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RSalles
Joined: 12 Aug 2012 Posts: 1372 Location: Brazil - RS / South
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Posted: Wed Jun 11, 2014 11:52 pm Post subject: |
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RSalles wrote:
Impressive quality glasses, it remains unknown if this quality can be used/converted in final images. I would love if it could, but more than wide open apertures,
Cheers,
Renato |
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JohnBar
Joined: 21 Jun 2012 Posts: 581 Location: Liverpool
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Posted: Thu Jun 12, 2014 12:16 am Post subject: |
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JohnBar wrote:
Thanks Luis,
Yeah, its a NEX 5N, I wanted a low profile to counteract that 4 inch diameter front optic.
I got lucky with that shot, I saw the cyclists coming up so I hit the squirt button and managed to find an opening between them and also the shot after they had passed. The NEX is quite noisy in burst mode so I figured the 'Liver Birds' would be distracted by the cyclists and wouldnt notice me. I find women have an extra sense and they know when they are being photographed.
Thanks Renato, I have no plans to fit these with iris _________________ Rectilux 3FF Series single focus anamorphic attachments
http://www.transferconvert.co.uk/cinemania/rectilux-3ff.html
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Thu Jun 12, 2014 12:25 am Post subject: |
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luisalegria wrote:
There I was thinking that I wanted one of these EVIL cameras because they are quiet. I guess not so much.
I coulda woulda shoulda had a pile of great shots recently if it werent for the noise thing. _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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JohnBar
Joined: 21 Jun 2012 Posts: 581 Location: Liverpool
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Posted: Thu Jun 12, 2014 12:46 am Post subject: |
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JohnBar wrote:
Ah Ha
You be needin the Canon EOS M, which is very very quiet and has the extra reach 1.6x. Its in close out and you should pick one up with lens for well under $200.
I am waiting for my EOSM-M42 adapter from China, thats why I didn't use it today. _________________ Rectilux 3FF Series single focus anamorphic attachments
http://www.transferconvert.co.uk/cinemania/rectilux-3ff.html
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mo
Joined: 27 Aug 2009 Posts: 8979 Location: Australia
Expire: 2016-07-30
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Posted: Thu Jun 12, 2014 1:06 am Post subject: |
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mo wrote:
I like the results,may not understand the technical skills to acheive them, but I think the results are more than acceptable.
My favorite is the bench shot (wish you could have managed to fit the whole seat in but I know there may be reasons you couldn't)...I really like the OOf area where there life ring is.
I am looking forward to your other images and lenses. _________________ Moira, Moderator
Fuji XE-1,Pentax K-01,Panasonic G1,Panasonic G5,Pentax MX
Ricoh Singlex TLS,KR-5,KR-5Super,XR-10
Lenses
Auto Rikenon's 55/1.4, 1.8, 2.8... 50/1.7 Takumar 2/58 Preset Takumar 2.8/105 Auto Takumar 2.2/55, 3.5/35 Super Takumar 1.8/55...Macro Takumar F4/50... CZJ Biotar ALU M42 2/58 CZJ Tessar ALU M42 2.8/50
CZJ DDR Flektogon Zebra M42 2.8/35 CZJ Pancolar M42 2/50 CZJ Pancolar Exakta 2/50
Auto Mamiya/Sekor 1.8/55 ...Auto Mamiya/Sekor 2/50 Auto Mamiya/Sekor 2.8/50 Auto Mamiya/Sekor 200/3.5 Tamron SP500/8 Tamron SP350/5.6 Tamron SP90/2.5
Primoplan 1.9/58 Primagon 4.5/35 Telemegor 5.5/150 Angenieux 3.5/28 Angenieux 3,5/135 Y 2
Canon FL 58/1.2,Canon FL85/1.8,Canon FL 100/3.5,Canon SSC 2.8/100 ,Konica AR 100/2.8, Nikkor P 105/2.5
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calvin83
Joined: 12 Apr 2009 Posts: 7575 Location: Hong Kong
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Posted: Thu Jun 12, 2014 1:45 am Post subject: |
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calvin83 wrote:
The lens looks impressive. Will you consider adding an aperture to this giant lens? _________________ The best lens is the one you have with you.
https://lensfever.com/
https://www.instagram.com/_lens_fever/ |
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JohnBar
Joined: 21 Jun 2012 Posts: 581 Location: Liverpool
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Posted: Thu Jun 12, 2014 10:23 am Post subject: |
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JohnBar wrote:
@Mo thanks,
Yeah, I was using the obelisk to mask out street lamp and sign posts, waste bins etc
@Calvin83 thanks,
I have the TX 5.5/360mm if I need more DOF with classic look, I also have AF lenses in this range.
The ISCOs will be used in places where I would not risk an expensive lens dust, sand, rain etc.
I have no intention of modding them for iris, they will be used exclusively for practicing the Oriental
Talking about bargains someone stateside picked up a crazy deal and bought three - yes 3 of these for less than $10.
http://www.ebay.com/itm/Lot-of-3-Isco-Optic-Ultra-AV-Projector-Lens-200-300mm-7-75-11-75-034-f-3-5-MC-/291158435773?pt=Camera_Lenses&hash=item43ca6527bd&nma=true&si=Q9JYV3%252B3jzKeBQM8Kx%252F0t9Pa53o%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557 _________________ Rectilux 3FF Series single focus anamorphic attachments
http://www.transferconvert.co.uk/cinemania/rectilux-3ff.html
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Thu Jun 12, 2014 4:30 pm Post subject: |
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Pancolart wrote:
I know this one: ISCO Ultra AV F3.5 200-300mm and it is a mad lens design for sure. You proved that big front glass is able to deliver. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Thu Jun 12, 2014 5:45 pm Post subject: |
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iangreenhalgh1 wrote:
Has anyone ever tried putting an aperture in one of these? _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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JohnBar
Joined: 21 Jun 2012 Posts: 581 Location: Liverpool
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Posted: Thu Jun 12, 2014 7:20 pm Post subject: |
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JohnBar wrote:
OK, a few more from yesterday's session.
Please bear in mind that the quality of distance shots are largely dependent on atmos conditions
_________________ Rectilux 3FF Series single focus anamorphic attachments
http://www.transferconvert.co.uk/cinemania/rectilux-3ff.html
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Thu Jun 12, 2014 8:16 pm Post subject: |
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luisalegria wrote:
Would be interesting to see 1:1 crops to judge resolution/CA, etc. _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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JohnBar
Joined: 21 Jun 2012 Posts: 581 Location: Liverpool
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Posted: Thu Jun 12, 2014 10:33 pm Post subject: |
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JohnBar wrote:
luisalegria wrote: |
Would be interesting to see 1:1 crops to judge resolution/CA, etc. |
For sure, the main enemy is PF which can be removed
_________________ Rectilux 3FF Series single focus anamorphic attachments
http://www.transferconvert.co.uk/cinemania/rectilux-3ff.html
Regular News on https://www.facebook.com/pages/Rectilux/704770636267200 |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Thu Jun 12, 2014 11:00 pm Post subject: |
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iangreenhalgh1 wrote:
IQ looks nothing special before processing, shame we can't see stopped down performance. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Thu Jun 12, 2014 11:40 pm Post subject: |
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luisalegria wrote:
Well, we have to consider that this thing is a 300mm f/3.5, which isn't a usual sort of lens.
Not a lot of 300mm's at f/4 give perfect results. _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Fri Jun 13, 2014 12:03 am Post subject: |
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iangreenhalgh1 wrote:
luisalegria wrote: |
Well, we have to consider that this thing is a 300mm f/3.5, which isn't a usual sort of lens.
Not a lot of 300mm's at f/4 give perfect results. |
Sure, I was thinking the same, hence I said it's a shame we can't see the performance stopped down. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Fri Jun 13, 2014 12:54 am Post subject: |
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luisalegria wrote:
Yeah, but if you have a 300mm f/3.5, its because you want to use it at f/3.5
Or I think that way anyway.
If I wanted to shoot at f/8-f/11 any old 300mm would do. Well, it would do for me. _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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JohnBar
Joined: 21 Jun 2012 Posts: 581 Location: Liverpool
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Posted: Fri Jun 13, 2014 10:22 am Post subject: |
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JohnBar wrote:
Personally, I am not a pixel peeper, I am more concerned with its transfer function and ability to represent the dynamic range of a scene and of course a little PP is easy these days. Considering the price paid its a no brainer for me.
Having just printed off a 18x12 inch of the Pirate shot at close to 300 dpi, it looks very acceptable to me. _________________ Rectilux 3FF Series single focus anamorphic attachments
http://www.transferconvert.co.uk/cinemania/rectilux-3ff.html
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Fri Jun 13, 2014 2:02 pm Post subject: |
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iangreenhalgh1 wrote:
luisalegria wrote: |
Yeah, but if you have a 300mm f/3.5, its because you want to use it at f/3.5
Or I think that way anyway.
If I wanted to shoot at f/8-f/11 any old 300mm would do. Well, it would do for me. |
As you've proved, with good light and good technique, almost any 300mm can deliver the goods.
Living where I do, good light is a somewhat scarce commodity so only the good 300s are really worthwhile, I have the Konica Hexanon 4.5/300 and Tair-3 4.5/300 and they are both very good but I use them at f5.6 or f8 whenever possible as dof is not that great with these long lenses and I just don't like most pictures with out of focus areas unless they are in the background and don't contain anything you want to be rendered with any clarity. 3.5 only would be too restrictive for me, but a tele zoom like the ISCOs does appeal to me, the longer ones as I have some superb 70-210 and 80-200 zooms and 200mm primes. I also have some large aperture removed from old lenses, including a 20 bladed one with a 50mm or so opening that is solid brass and would maybe work as the aperture in one of these long zooms, hence I wondered if anyone had ever tried fitting one. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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