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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Sep 09, 2012 6:29 pm Post subject: Konica A4, Kodak Vision2 100T, Fomadon LQR |
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iangreenhalgh1 wrote:
I'm finding that Fomadon LQR with the Kodak Vision2 films works well for bad light shooting, these were shot on a horrible dark day. I also experimented with using the flash for some close-ups, seems to work okay if the surface of the subject is not reflective.
Check out the 3D on #10, amazing for a little compact of modest price. That's fellow forum member Lloydy pictured.
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_________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sun Sep 09, 2012 6:34 pm Post subject: |
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Attila wrote:
LIke everything made from graphite , each picture has unique fingerprint. I like them! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sun Sep 09, 2012 6:38 pm Post subject: |
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iangreenhalgh1 wrote:
LOL, I guess it really was annoying to have to scrub all the graphite off your Jobo
Sorry....
But yes, this film does give a unique look, Fomadon LQR gives grainless results with hard blacks and intense whites and quite strange grayscale inbetween, it works well for some subjects, nuildings especially. Fomadon LQN gives a bit more grain but a much more normal range of grayscales. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Sun Sep 09, 2012 6:56 pm Post subject: |
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Attila wrote:
iangreenhalgh1 wrote: |
LOL, I guess it really was annoying to have to scrub all the graphite off your Jobo
Sorry....
But yes, this film does give a unique look, Fomadon LQR gives grainless results with hard blacks and intense whites and quite strange grayscale inbetween, it works well for some subjects, nuildings especially. Fomadon LQN gives a bit more grain but a much more normal range of grayscales. |
I have to try it in b&w too. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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skida
Joined: 02 Mar 2012 Posts: 1826 Location: North East England
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Posted: Sun Sep 09, 2012 11:08 pm Post subject: |
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skida wrote:
iangreenhalgh1 wrote: |
Fomadon LQR gives grainless results with hard blacks and intense whites and quite strange grayscale inbetween, |
I think that is an accurate description. I like it and in pics 6 and 11 I feel like I am getting sucked into the picture. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Mon Sep 10, 2012 12:49 am Post subject: |
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iangreenhalgh1 wrote:
Cheers Skida. There is a lot of scope for post processing this film digitally, but often I just like to leave it with the hard blacks, gives a nice dark and moody feel, with old ruined buildings and similar subjects it can make for some really spooky visuals. Not sure it will work too well on people, not tried it yet. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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