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Ilford FP4+ in Rodinal, Konica FT-1 with Hexanon 4/21
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PostPosted: Sun Apr 08, 2012 6:23 am    Post subject: Ilford FP4+ in Rodinal, Konica FT-1 with Hexanon 4/21 Reply with quote

This is my favourite film camera/lens combo by far:



I liked it so much I bought an original Konica strap for it and it comes on every shoot with me:



I've shot a few rolls of C-41 in it but this was my first roll of BW, expired Ilford FP4+ developed in the kitchen sink, Rodinal at 1:50 dilution, 18mins at 20C, washed under running tap for 5 mins instead of stop bath then fixed for 35mins in homebrew sodium thiosulphate fixer. Scanned with Epson Perfection 3200, some have had a slight tweak of the contrast as I like my BW contrasty.


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PostPosted: Sun Apr 08, 2012 8:16 am    Post subject: Reply with quote

I love this series. I am already a big fan of your landscape photography, but it hadn't crossed my mind you'd do such fabulous townscapes. Art aside, they're a great set of documentary images of your town. I think you should give a set of prints to the town archives. Can you imaging discovering this set in a hundred years time? Pure gold Cool


PostPosted: Sun Apr 08, 2012 8:20 am    Post subject: Reply with quote

Cheers for the kind words. Knowing how little care has been taken to preserve the documents they have I'd be wasting my time, they have lost or thrown away almost everything, sadly.

I got bored of landscapes and HDR but of course I will return to it, I am also going to try shooting some landscapes on 120 film too.


PostPosted: Sun Apr 08, 2012 8:51 am    Post subject: Reply with quote

2,7,13,19, and 24(great choice of subject for the 21 wide) are my faves. Excellent work, yer
off and running!


PostPosted: Sun Apr 08, 2012 8:56 am    Post subject: Reply with quote

Cheers, I'm just beginning to learn how to exploit the 21mm, I love the perspectives it can give.

Now I've got started with this film lark there will be no stopping me, I get such pleasure out of the whole process, much more satisfying than digital shooting.


PostPosted: Sun Apr 08, 2012 9:13 am    Post subject: Reply with quote

That's what I've found, compared to digital. There's no moment like when you pull the negs from the
spool after developing.


PostPosted: Sun Apr 08, 2012 10:35 am    Post subject: Reply with quote

Katastrofo wrote:
That's what I've found, compared to digital. There's no moment like when you pull the negs from the
spool after developing.


Exactly, you nailed it.