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cheekygeek
Joined: 05 Aug 2008 Posts: 183
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Posted: Mon Jul 18, 2011 4:03 pm Post subject: Busch Pressman Model D (4x5) |
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cheekygeek wrote:
Funny, but it seems that the Model D has never been mentioned on this forum before. I have all of the capabilities to develop and print 4x5 negatives (including film and paper up to 20x24) but no camera that can use 4x5 inch film. The easiest route would be to make a 4x5 pinhole camera (which is also on my "to do" list) but I've got a line on a Busch Pressman 4x5 with 135mm Wollensak lens for a pretty bargain price. (The owner/seller needs to dig it out, so I have yet to see photos even though I already have a price.)
The Busch Pressman Model D is widely regarded as a significantly better camera than the more common Speed/Crown Graphics, thanks to it's all metal construction. Many seem to compare it very favorably to a Linhof model. The lack of a focal plane shutter is actually a plus for me (I prefer the shallower body that it affords). I also love the convenience of its rotating back (no need to turn the camera to switch from horizontal to vertical).
The only "con" seems to be the smallish lens board that limits you on the wide angle lenses that can be put on it. It appears that 90mm is about as wide as one can go.
I think it is just a gorgeous looking camera, and believe that it deserves consideration if you are looking for a first 4x5 view camera: http://www.vintagephoto.tv/busch4by5.shtml
Found this on another forum and will quote it here, for those who want to make their own Pressman lens boards:
Quote: |
Hi all, Lens boards for the Pressman are a snap to make. Go to a hobby
shop and get some .015 aluminum stock (like 4 inches wide). Cut out a
piece the shape of the board holder opening and a second piece about 2
and a half inches across with the same rounded corners and a
projection on the top edge about a half inch long and a quarter inch
high. Fold the projection 90 degrees in a vise, epoxy the two pieces
together, slip the board in the camera and mark the projection with
the hold-down screw, and drill a small hole on the mark. Spray with
flat black enamel. Presto, one blank board that looks like an
original. |
_________________ DSLR: Pentax K-3 II, D-BG5 grip, SLR: Pentax SP500, Pentax SP, Pentax SP II, Pentax Spotmatic F, MX, ME-Super, Super Program, pZ-1
Lenses:
Tele-Takumar: 300mm f6.3; 200mm f5.6; Takumar 200mm f3.5; Takumar 135mm f3.5; Macro-Takumar 50mm f4 (1:1)Super Takumars: 24mm f3.5, 55mm f2.0, 135mm f3.5; S-M-C Takumar 35mm f3.5, 50mm Macro f4.0 (1:2), 50mm f1.4, 135mm f2.5 (v2); Pentax SMC K 17mm f4 fisheye; Pentax-A: 50mm f1.4, 35-70mm f4; Pentacon: 50mm f1.8; Spiratone 85mm f1.8 (y/s); Vivitar: 85mm f1.8 preset; Carl Zeiss Jena Flektogon Electric 35mm f2,4 |
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luisalegria
Joined: 07 Mar 2008 Posts: 6602 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Mon Jul 18, 2011 8:47 pm Post subject: |
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luisalegria wrote:
There are several variants of the Model D (and of the Model C also)
Most have lensboards as you describe.
It seems to me it may be even easier to make that Model D lensboard, I'm thinking particle board plus a piece of brass stock. _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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mmelvis
Joined: 24 May 2010 Posts: 1326 Location: Florida,USA
Expire: 2015-05-09
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Posted: Wed Jul 20, 2011 12:35 am Post subject: |
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mmelvis wrote:
Nice looking camera, seems to have some very nice movement for a press camera. |
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cheekygeek
Joined: 05 Aug 2008 Posts: 183
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Posted: Mon Jan 09, 2012 3:43 pm Post subject: |
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cheekygeek wrote:
Finally getting my Pressman Model D with 135mm Wollensak lens (should be here in the next 30 days or so).
Coming in the same shipment:
Pentax K 17mm fisheye (partially functional, needs repair)
Zone VI leather holster for Pentax Spotmeter
Pentax K 200mm f2.5
Tokina AT-X Pro 80-200mm f2.8 (sorry to mention an AF lens in this forum)
_________________ DSLR: Pentax K-3 II, D-BG5 grip, SLR: Pentax SP500, Pentax SP, Pentax SP II, Pentax Spotmatic F, MX, ME-Super, Super Program, pZ-1
Lenses:
Tele-Takumar: 300mm f6.3; 200mm f5.6; Takumar 200mm f3.5; Takumar 135mm f3.5; Macro-Takumar 50mm f4 (1:1)Super Takumars: 24mm f3.5, 55mm f2.0, 135mm f3.5; S-M-C Takumar 35mm f3.5, 50mm Macro f4.0 (1:2), 50mm f1.4, 135mm f2.5 (v2); Pentax SMC K 17mm f4 fisheye; Pentax-A: 50mm f1.4, 35-70mm f4; Pentacon: 50mm f1.8; Spiratone 85mm f1.8 (y/s); Vivitar: 85mm f1.8 preset; Carl Zeiss Jena Flektogon Electric 35mm f2,4 |
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cooltouch
Joined: 15 Jan 2009 Posts: 9096 Location: Houston, Texas
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Posted: Mon Jan 09, 2012 7:49 pm Post subject: |
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cooltouch wrote:
I agree with your impressions on the Bush Pressman. Back when I was a camera dealer, I used to see a lot of them, and I always felt that they were better made cameras than the Graflexes. My favorite Graflex is the Crown (no focal plane shutter) with the top-mounted rangefinder. I owned one once and let a guy talk me out of it. He offered me so much money for the outfit, I just could't say "no." I've always kind of wished I'd have kept it, though. Yes, I too would place the Pressman somewhere between the Graflexes and the Linhoffs, although probably not as high up there as, say, a Horseman, which is getting close to Linhoff quality. _________________ Michael
My Gear List: http://michaelmcbroom.com/photo/gear.html
My Gallery: http://michaelmcbroom.com/gallery3/index.php/
My Flickr Page: https://www.flickr.com/photos/11308754@N08/albums
My Music: https://soundcloud.com/michaelmcbroom/albums
My Blog: http://michaelmcbroom.com/blogistan/ |
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