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Konica AR 50mm F1.7 @ The animal sanctuary
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PostPosted: Sun Oct 09, 2011 3:41 pm    Post subject: Konica AR 50mm F1.7 @ The animal sanctuary Reply with quote

Took these a few weeks ago when the wife and i visited the Animal sanctuary neer Brougham Castle (Carlisle).
I took the Konica Ar 50mm F1.7 that came from the US was described as being hazy, a quick dismantle and clean seemed to get rid of most of it and these are the results.
A very nice lens imho
Must say though we fell in love with the alpacas so gentle and nice.










PostPosted: Sun Oct 09, 2011 5:05 pm    Post subject: Reply with quote

very nice! great clarity and color. what more can one want from a lens? can one really get noticeably better results with a zeiss or leica? really?!


PostPosted: Sun Oct 09, 2011 5:38 pm    Post subject: Reply with quote

hehe, LOVE the first one!


PostPosted: Sun Oct 09, 2011 10:48 pm    Post subject: Reply with quote

rbelyell wrote:
very nice! great clarity and color. what more can one want from a lens? can one really get noticeably better results with a zeiss or leica? really?!


No, no better, really. But the hexanons are one of the best lenses you can find. Are Leica/zeiss IQ. I found my 1,7/50 old style hexanon With a rendering very similar to the summicron M 7 elements. Using slide to slide comparison.


PostPosted: Mon Oct 10, 2011 5:16 am    Post subject: Reply with quote

What do you mean by "old style"? How do I differentiate them?

I ask as I just bought me in into Konica.
I have the Hexanon 1,4/50 AR (16, not 22, does this mean old style?) and the pancake 40 mm. (And also the 24 mm 2.8-22.)

What do you think, is it worth to buy the 1,7/50 too? (Don't know if old or new style.) It was offered to me, but I don't know if it is worth having it besides the 1,4.


PostPosted: Mon Oct 10, 2011 4:33 pm    Post subject: Reply with quote

Eugen Mezei wrote:
What do you mean by "old style"? How do I differentiate them?

I ask as I just bought me in into Konica.
I have the Hexanon 1,4/50 AR (16, not 22, does this mean old style?) and the pancake 40 mm. (And also the 24 mm 2.8-22.)

What do you think, is it worth to buy the 1,7/50 too? (Don't know if old or new style.) It was offered to me, but I don't know if it is worth having it besides the 1,4.


I had both 50 mm. The F/1,4 is a very good lens but no so good as the F/1,7.I call old style to the version which have pale blue/pale magenta reflections, and green "EE".
And I saw an old style with green numbers at the distance scale too.

I think that the 1,7/50 is a great lens and is woth to buy it.

The 40 is an animal of another specie. Very good too. But more warmish color rendering. It has a six elements too. But has a lot of plastic elements inside, not all metal one.

The 24 is marvelous too. Prone to flare needs a shade, doesn't it?

Buy all the hexanons that you can.

Rino.


PostPosted: Mon Oct 10, 2011 6:47 pm    Post subject: Reply with quote

So cute pictures, I think everybody will be a Konica fan soon once he is tried any of them. Honestly my top of the line lenses are T* Carl Zeiss there is no good lens just stunning ones. Konica behind them in my opinion like Leica which is also behind them in my opinion Laughing Laughing Leica can make many stunning lens perhaps , but they make many less good ones too like Nikon, Konica, Minolta etc. Carl Zeiss Contax line has no variable quality they are all stunning, exceptional.


PostPosted: Tue Oct 11, 2011 12:17 am    Post subject: Reply with quote

Perhaps almost all the CZ T* for contax are excelent lenses. But all of them?

Distagon 2,8/35 and 2,8/25 are stunning? Wink

In Leica M, the 3,4/21, 2,8/28 aspheric, 1,4/35 (aspheric first version), 2/35 (8 elements), 2/40 summicron. 2/50 (seven elements or the first with 6 elements), 1,4/75, 2/90 aspheric, 4/90 elmar for CL, 4/135 (almost apo). All of them are stunning.

Both are greats brands. Perhaps the Leica M a bit better. Laughing

Rino.


PostPosted: Tue Oct 11, 2011 1:48 am    Post subject: Reply with quote

i love contax T lenses also. but i would bet same scene, same time, cropped exactly the same, one could not tell the difference between contax t 50/1.7 and konica ar 50/1.7. same with zeiss planar 50/1.4, maybe even very very close between zeiss and konica 85’s. just my opinion, worth trying? the ar lenses seem to hsve the same 'pop' as the zeiss to my eye and similar clarity and color.

i do think nothing can touch the distagon 35/1.4, but that lens costs oner $1000 and the konica 40/1.8 costs $50!


PostPosted: Mon Dec 05, 2011 11:21 am    Post subject: Reply with quote

Pretty insightful post. Never thought that it was this simple after all. I had spent a good deal of my time looking for someone to explain this subject clearly and you’re the only one that ever did that. Kudos to you! Keep it up!!!


sudanwildlife