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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Mon Mar 03, 2008 6:58 am Post subject: Adjustable bokeh with Triotar |
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vilva wrote:
While examining the 4/135 Triotar, I noticed that the front cell can be screwed off, e.g. to facilitate access to the aperture blades. The threads are very fine, and the threading is rather long so that the cell can be gradually moved several millimeters forward like in a front cell focusing lens. I began to wonder what optical effect this had and started experimenting. Infinity focus was lost, of course, as the helicoid doesn't offer enough travel to counteract the front cell focusing effect. What about the bokeh? Well, here things get interesting. The bokeh of the Triotar isn't bad to begin with, there is just a slight bright edge. Here is a test shot:
With the cell about 2-3 mm out, the bokeh turned out to be Gaussian:
The change in the OFF verticals is quite interesting. At first it seems they are better in focus despite being further back, but this is just the effect of the Gaussian distribution. The center (i.e. the top of the distribution) is more distinct, especially evident in the light vertical, and the edge is wider. With a normal subject, e.g. flowers or twigs, this would mean that there wouldn't be any distinct edge "bands" anymore, all the linear edges in the OOF region would soften out.
This may explain the good bokeh of my front cell focusing 4.5/105 Radionar. In fact, this means that the Radionar bokeh can perhaps be improved even further if I set the front cell focus at the near limit and use the macro bellows or the variable close-up ring for focusing. As for the Triotar, I have to make a choice between having infinity focus and having an optimal near field bokeh -- no need for bokeh at infinity as there is nothing OOF past infinity.
Veijo
PS. Attila, the problem with your Triotar may be just due to someone cleaning the aperture blades and not properly re-inserting the front cell. This would explain the lack of far field focus. _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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Abbazz
Joined: 23 Jun 2007 Posts: 1098 Location: Jakarta
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Posted: Mon Mar 03, 2008 8:02 am Post subject: |
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Abbazz wrote:
Mmm, very interesting pictures, Veijo. Thanks for sharing. Could you please post some resized full frame pictures?
I have some old 6x6 or 6x9 cameras with front focusing triplet lenses ("Zeiss" Novar, Agfa Apotar, Angénieux U1) and I will try them on a bellows.
Cheers!
Abbazz _________________ Il n'y a rien dans le monde qui n'ait son moment decisif, et le chef-d'oeuvre de la bonne conduite est de connaitre et de prendre ce moment. - Cardinal de Retz
The 6x9 Photography Online Resource:
http://artbig.com/ |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Mon Mar 03, 2008 8:54 am Post subject: |
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Richard_D wrote:
Fascinating experiment - thanks for sharing. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Mon Mar 03, 2008 10:03 am Post subject: |
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vilva wrote:
Abbazz wrote: |
Mmm, very interesting pictures, Veijo. Thanks for sharing. Could you please post some resized full frame pictures? |
I'll do FF tests later on, also with the Radionar. I have the 350D with me and I took a couple of real life photos during my lunch break. The following are uncropped, down-sampled frames, first with the front cell at the nominal position, then a few mm out. The framing changes a bit as I don't have a tripod with me and also because the effective FL changes a little bit due to the required focusing change. I tried to focus at the same spot for both front cell settings, in the first pair of photos the focus spot is outside the frame.
The changes caused by the front cell adjustment are just what I expected after the highlight test, and the result is very much like a slightly exaggerated Radionar bokeh. This modified setup may also be a good portrait lens.
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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Nelson
Joined: 06 Jan 2008 Posts: 618 Location: close to Paris, France
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Posted: Mon Mar 03, 2008 1:18 pm Post subject: |
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Nelson wrote:
i made the same test with pentacon 135.
When i dissambled my pentacon 200 i also noticed a sort of "soft focus" by unsecrewing the front lens.
I tried to do the same on 135mm but failed. _________________ DSLR : EOS 350D, 300D, 7D, 5D
Pentacon 50 f1.8, 135 f2.8, 200 f4;
TAIR 3S
Helios 44/2
Meyer Optik Orestegor 200mm f4 Orestegor 300mm f4
Tamron 24mm f2.5 01B, 300mm f5.6 670Au, 75 250, 300mm f5.6 SP 54B, 500mm f8 SP 55B, SP 70 210 3.5, SP 60 300
my MF lenses
EF 50 1.8 I, EF 100macro f2.8, EF 70-200 F4 L is, EFS 17-55 f2.8 is, Sigma 10-20 EX, 18-50 2.8 EX, 300 f4 hsm, 400 5.6 hsm |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Mon Mar 03, 2008 2:41 pm Post subject: |
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ChrisLilley wrote:
The gaussian distribution is clearly superior. I suspect that a position that is maybe 3/4 the way to your gaussian position would be even better, reducing the central highlight.
Also, from your experiments and thinking back on photos that I have disliked, the type of busy, squirmy bokeh that I most hate is probably caused by overlapping and reinforcing edges.
I have sometimes wondered about taking two shots, one with and one without an (in-focus) subject; using the two to generate a mask for knocking out the background; convolving in various ways the background image, and then inserting the masked-out foreground subject. _________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list) |
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hacksawbob
Joined: 28 Feb 2007 Posts: 1293 Location: LANCS UK
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Posted: Mon Mar 03, 2008 4:06 pm Post subject: |
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hacksawbob wrote:
Sounds a little like the Orton effect?
http://pcin.net/update/2006/11/01/the-orton-effect-digital-photography-tip-of-the-week/ _________________ LENS LIST |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Mon Mar 03, 2008 4:12 pm Post subject: |
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ChrisLilley wrote:
Yes. The crucial point here though is the convolution. Unlike a simple gaussian blur, it means that the distribution from a point to an out of focus area can be precisely controlled and experimented with. _________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list) |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Mon Mar 03, 2008 4:42 pm Post subject: |
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vilva wrote:
ChrisLilley wrote: |
The gaussian distribution is clearly superior. I suspect that a position that is maybe 3/4 the way to your gaussian position would be even better, reducing the central highlight. |
I've done some more highlight tests, and it seems there is no general optimum, everything depends on the distance relationships -- as usual when we are dealing with bokeh. Like most things in photography, mastering the bokeh will take a lot of practice. I'll have to do some more testing to verify my present gut feeling, but anyway it seems a rather small adjustment will get you a long way, say, something like only about a half of my initial adjustment. Moving the front cell two full turns out will leave a focusing range extending to about 20-25 m, which ought to suffice for most circumstances where the bokeh might be problematic.
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Mon Mar 03, 2008 4:45 pm Post subject: |
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vilva wrote:
ChrisLilley wrote: |
Yes. The crucial point here though is the convolution. Unlike a simple gaussian blur, it means that the distribution from a point to an out of focus area can be precisely controlled and experimented with. |
However, simulating distance dependent aspects of bokeh may turn out to be rather nasty -- to say the least.
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Mon Mar 03, 2008 5:18 pm Post subject: |
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patrickh wrote:
I wish I understood even some of what you are talking about.
patrickh
PS I agree with Chris about the spiky/busy OOF. Dont like it either. _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Mon Mar 03, 2008 6:10 pm Post subject: |
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ChrisLilley wrote:
vilva wrote: |
However, simulating distance dependent aspects of bokeh may turn out to be rather nasty -- to say the least.
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Sure, in the general case that can only be done by 3D modelling. A degenerate case has a single, planar background; a single, mid-range foreground subject; no close-range oof areas. Subtracting two images deals with any haloing effects and ensures consistent lighting on the foreground subject. While artificial, it makes it tractable 9and is also a fairly common use case in practice).
The point of the experiment is to analyse different spread functions to see which is most pleasing. _________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list) |
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Ballu
Joined: 28 Feb 2007 Posts: 912 Location: Columbus, OH. USofA
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Posted: Mon Mar 03, 2008 7:45 pm Post subject: |
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Ballu wrote:
patrickh wrote: |
I wish I understood even some of what you are talking about. |
Once I will be done with this article, will go through this thread,
http://www.vanwalree.com/optics/bokeh.html
_________________ -Ballu
http://balyanpage.blogspot.com/ |
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valli
Joined: 06 Jan 2011 Posts: 4
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Posted: Thu Jan 06, 2011 5:16 pm Post subject: Triotar on a Nikon DSLR |
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valli wrote:
I've bought a Triotar very recently and I'm using it on the new D7000 with its APS-C 16MP sensor. Thus, the lens becomes a 202mm lens.
Anyway, the M42 adapter I have had an _awful_ infinity glass inside which I got rid of earlier as it affected a Takumar when wide open (f/1.4).
For those unfamiliar with M42 adapters on Nikons, you lose infinity focus (this Tritoar can focus maybe up to 15-20m - haven't really measured it) but I think it's also affected the depth of field as it's much more shallow.
Check out this example, there is a red glass about 0,5m behind the tap then a green bottle of olive oil 20cm further away (the white/green highlights you see just below the tap)
My point is that the bokeh is already in full effect at such a close distance (0,5m) giving the lens a macro like quality - not that I mind. Wonderful lens that deserves a clean up at the local camera repairman, as it has a bit of a rough focusing ring. |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Thu Jan 06, 2011 7:51 pm Post subject: Re: Triotar on a Nikon DSLR |
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Attila wrote:
Welcome Valli! _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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valli
Joined: 06 Jan 2011 Posts: 4
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Posted: Sun Jan 16, 2011 3:46 pm Post subject: |
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valli wrote:
Cheers Attila! Awfully quiet here, isn't it
Did a few more tests with the Triotar and I'm very happy with it. Haven't bothered mounting the glass back on the adapter to do a side by side test of the bokeh but I suspect I'm right.
The way it's set up now it's a wonderful macro lens, especially for its price! |
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gillbod
Joined: 24 Aug 2010 Posts: 28
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Posted: Sun Jan 16, 2011 6:03 pm Post subject: |
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gillbod wrote:
thanks for posting this. looks interesting.
particularly, moving the front element of the triotar looks like it messes around with spherical abberration particularly. as a side effect, it does give a glow to the in-focus subject too.
nikon's dc lenses do similar things (although i'm sure a heck of a lot more sophisticated than unscrewing front elements) but the lenses are also stopped down according to the amount of spherical abberation introduced.
long post cut short: it would be interested at messing around with different amount of unscrewing and stopping the lens down.
i might have to get myself a triotar... |
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PaulC
Joined: 23 Dec 2008 Posts: 2318
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Posted: Sun Jan 16, 2011 6:43 pm Post subject: |
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PaulC wrote:
That's a very nice shot, Valli. _________________ View or buy my photos at:
http://shutterstock.com/g/paulcowan |
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buggz
Joined: 22 Jun 2011 Posts: 44
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Posted: Tue Aug 16, 2011 11:23 am Post subject: Re: Adjustable bokeh with Triotar |
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buggz wrote:
This is the Carl Zeiss Jena Triotar?
vilva wrote: |
While examining the 4/135 Triotar, |
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vilva
Joined: 04 Mar 2007 Posts: 785 Location: Porvoo/Borgå, Finland
Expire: 2015-05-27
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Posted: Tue Aug 16, 2011 7:46 pm Post subject: Re: Adjustable bokeh with Triotar |
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vilva wrote:
buggz wrote: |
This is the Carl Zeiss Jena Triotar?
vilva wrote: |
While examining the 4/135 Triotar, |
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Yes.
Veijo _________________ Mainly Schneider-Kreuznach Radionar (1938), VPK Meniscus Achromat (1915), TTH Cooke Anastigmat (1917), TTH Cooke Aviar (1937), Goerz Dopp-Anastigmat III Dagor (1912), Voigländer Heliar (1928) or Aldis Uno Series III (1903 design) mounted on EOS 5D or EOS 350D |
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