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NikonD
Joined: 29 Jul 2008 Posts: 1922 Location: Slovenija
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Posted: Mon Feb 16, 2009 5:44 pm Post subject: Why I prefer MF lenses... |
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NikonD wrote:
here's a nice example why I prefer MF over AF
Nikkor 50/1.8 AF @ f1.8 did a couple of shots and this is the best photo I came up with... tried MF same result
this one was shot only once... dead on focus
Nikkor 50/1.8 AI-S @ f1.8
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Sven
Joined: 02 Aug 2008 Posts: 818 Location: Linköping Sweden
Expire: 2011-12-29
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Posted: Mon Feb 16, 2009 6:30 pm Post subject: |
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Sven wrote:
I agree. AF is simply not that reliable.
I have an AF 1.8/50 Nikkor, and it can be very sharp when focused right, but sometimes the camera catches on to the wrong object in the picture. If I do the focusing manually I can at least only blame myself if I get it wrong.
I never thought it would come to this, but I very seldom shoot AF nowadays. The possibility to have control of all setting make photography more interesting. _________________ DSLR: Nikon D200, Pentax *istDL, Nikon D100 IR converted
SLR: Pentax Spotmatic, Pentax ME,
Nikkor:N 2.8/24 H 3.5/28, 2/35, 2/50, 1.4/50 1.8/85, 3.5/50-135, E 2.8/100, P C 2.5/105, 2.8/135, 2.8/180 ED, 4/200,
M42: Pentacon 4/200, S Takumar 1.8/55, Meyer Orestor 2.8/135, CZJ Flektogon 2.4/35, CZJ Pancolar 1.8/50, CZJ Sonnar 3.5/135
AF Lenses: Nikkor 1.8/50, Pentax 18-55
Flickr http://www.flickr.com/photos/29261959@N08/
Website http://www.hundbilder.nu/ |
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Attila
Joined: 24 Feb 2007 Posts: 57865 Location: Hungary
Expire: 2025-11-18
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Posted: Mon Feb 16, 2009 6:34 pm Post subject: |
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Attila wrote:
I think they have optical difference too, I like more result from old lenses than new ones. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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orly_andico
Joined: 02 Jul 2008 Posts: 253 Location: Philippines
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Posted: Tue Feb 17, 2009 3:31 am Post subject: |
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orly_andico wrote:
I think it also depends on the lens.. the Nikkor 50/1.8 AF is a low-grade lens.
A friend of mine has a (rather expensive) Canon 17-55/2.8 zoom, and it's sharp at all apertures and focuses silently and very fast. Can't speak for the character or bokeh (and maybe Canon cameras sharpen aggressively) but results from this lens look much sharper than from my MF 50mm primes. |
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glockman99
Joined: 23 Jul 2008 Posts: 233 Location: Aberdeen, WA USA
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Posted: Tue Feb 17, 2009 4:41 am Post subject: |
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glockman99 wrote:
I've found that as long as I trust my eyes, I can usually focus quicker manually than I can with autofocus (Nikon N90s). _________________ Dann Fassnacht
Aberdeen, WA USA
glockman99@hotmail.com
The film cameras I use are:
Nikon F4s, Nikon F3HP with MD4 (X2), Nikon N8008, Nikon N8008s. |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Tue Feb 17, 2009 5:35 am Post subject: |
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patrickh wrote:
Erhum!!.
Quote: |
the Nikkor 50/1.8 AF is a low-grade lens |
You have been sorely misinformed here - it is a cheap lens (roughly $100 new). Made of plastic - BUT it is one of the sharpest lenses you can find. There are several places you can go to verify that.
I think the point with AF lenses (and it depends a lot on the camera system too) is that differential focusing and focusing off-center are much more easily controlled with MF. In the sample the objective, I assume, was to focus on the sign to the left of center and keep the building OOF. The camera did not want to do that. Much more easily accomplished with MF. If you had switched to MF and used the AF lens in MF it would have come out right. Attila may well be correct about the changes in optical design - I would not know, but the nikkor 50/1.8AF is easily as sharp as the MF(AIS) version, allowing for some variability in QC.
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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SkedAddled
Joined: 19 Oct 2008 Posts: 1443 Location: Michigan, USA
Expire: 2021-08-12
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Posted: Tue Feb 17, 2009 5:47 am Post subject: |
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SkedAddled wrote:
I don't see differences in focus as much as I see differences in color saturation, chromatic aberration, general clarity, and contrast/lighting. _________________ Craig
Of course I'm all right! Why? What have you heard!?
Canon Digital EOS 5D Mk IV, EOS 50D, Powershot S3 iS
Vivitar 28 f/2.8 OM - Zuiko 50 f/1.8 OM - Tamron SP 28-80 f/3.5 AD2[Favorite!] - Hanimar 135 f/3.5 M42 - Soligor 135 f/2.8 T4 - Tamron SP 60-300 f/3.8 AD2 - Soligor 75-260 f/4.5 M42 - Soligor 400 f/6.3 T4 - Soligor 500 f/8 T2 Cat + Matched 2X TC - Addiction Growing!
This is us -- We drive these -- We're named these |
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voytek
Joined: 24 Nov 2009 Posts: 891
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Posted: Tue Feb 17, 2009 7:23 am Post subject: |
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voytek wrote:
There are several facts about manual lenses:
1. They are developed to be used in any situation. AF funcion is useless in situation with lack of light. So what the reason to spend additional money for advantage which is not true advantage.
2. Where you focusing - you choose the point , not lens
3. You can always set aperture, many AF lenses don't even have aperture ring. To set it you have to do additional steps. To choose from menu, to lock it etc
4. They are usually not expensive so you can try number of lenses which are excellent performers
5. Manual lenses have soul, AF electronic
6. MF lenses are collectible and AF are expensive
7. When your AF lens is going out of order help yourself and try to fix anything except cleaning body or glass.
8. Write only five examples of lenses with AF which are developed for medium and large format
9. Old, beautiful MF lenses are made by true craftsman, AF by robots
10. ... is empty, you are free to write why you prefer MF lenses.
My proposition is: show me photographer who is using only AF and have more then 7-8 lenses. I have more then 100.... including 9 AF _________________ Cheers, Voytek |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Tue Feb 17, 2009 7:37 am Post subject: |
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martinsmith99 wrote:
I have the Canon 50/1.8 and it's similar in spec to the Nikkor. It produces sharp images when stopped down a bit and focus is accurate. It isn't sharp until 2.8 but really better at F4. I would expect that image from mine when wide open and probably a fair amount of CA.
I only use it when I need AF as it's a million miles away from the Tak 55/1.8, which if it was a Canon, it would have an L after it.
_________________ Casual attendance these days |
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Tue Feb 17, 2009 7:42 am Post subject: |
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martinsmith99 wrote:
Yup, try doing that with AF and auto exposure. You end up with an underexposed OOF image. _________________ Casual attendance these days |
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cilinderman
Joined: 13 Dec 2008 Posts: 317 Location: Canillo, Andorra
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Posted: Tue Feb 17, 2009 9:22 am Post subject: MFLENSES RULE |
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cilinderman wrote:
MFlenses rules . It is that simple. A photograph who takes the photo in Manual he deserves 75 % of respect (the rest goes to the camera) the one that does it with AF he deserves only 50% or less.
How many times, with an AF Camera, a noob has done good shots without even knowing what a shutter is? It is amazing the amount of people that have a DSLR nowadays and don't even now what aperture, diaphragm, compensation of exposure is.... They just "press the button". That's not photography, tha'ts point n'shoot.
Moreover, manual focus delivers a high reliability in precision of focus. It's like you had an infinity of those blinking AF point, against 9 of the 5D and the 51 of the Nikon high end cameras.
MFLENSES RULES! _________________ 5D & Fujica ST801|| Carl Zeiss Planar MM 50/1.7 (departed for resurrection) || Carl Zeiss Distagon 28/2.8 AEJ || Meyer Orestor "Pentacon" (relabeled) 135/2.8 || Carl Zeiss Jena 135/3.5 || Carl Zeiss Sonnar MM 85/2.8 || Carl Zeiss Flektogon MC "White" 35/2.4 || Olympus Zuiko OM MC 21/3.5 || Super Takumar 55/1.8 || Rollei Planar HFT 50/1.8 || "The three tenors" from Orio (Nikkor pre-AI 85/1.8, 135/3.5 & 105/2.5) |
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spiralcity
Joined: 02 Oct 2008 Posts: 1207 Location: Chicago, U.S.A
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Posted: Tue Feb 17, 2009 9:44 am Post subject: |
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spiralcity wrote:
Hmmmm, interesting.
Im not sure I agree with all that has been said. i can shoot both ways with minimal problems. I also can shoot in the dark in bulb mode and focus rathers easily with my Nikon N70 and an auto focus lens.
That pictue of the antena can be done in auto focus also. Set your lens to it's hyper focal setting focus off a mid point and there should be no problem, I dont see why matrix metering couldnt handle that.
Just my two cents.
Who in the world told anyone they couldnt focus in the dark with auto focus lenses?
It was dark as night when I shot this with auto focus.
Pitch black when i did this with auto focus. I put my camera in bulb mode, used auot focus and shot.
And barley any light when I shot this sunrise. Again, bulb mode and auto focus.
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martinsmith99
Joined: 31 Aug 2008 Posts: 6950 Location: S Glos, UK
Expire: 2013-11-18
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Posted: Tue Feb 17, 2009 11:02 am Post subject: |
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martinsmith99 wrote:
The sunrise pic is why I wouldn't use auto exposure.
I know that's the look you wanted in that photo, but shooting against the sky will result in everthing else being underexposed. Fine in this instance, but what if that was a portrait?
AF in dark places may work depending on how dar and how good the lens is. My L lens needs very little. My Siggy & nifty fifty start hunting a lot sooner. |
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yalcinaydin
Joined: 20 May 2008 Posts: 825 Location: Izmir, Turkey
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Posted: Tue Feb 17, 2009 12:40 pm Post subject: |
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yalcinaydin wrote:
MF has advantages but a good USM driven AF can give pretty decent results if you don't have the time to focus like concerts including musicians move too much and fast. EF 85/1.8 is one good example with sharp results, fast and accurate AF, not much pricey (used can be found for 200EURO, not much example than a clean copy of Nikkor 1.8/85). Some can focus pretty quick and I really envy them as I'm on the really slow side
I use MF cause:
1) They are cheap
2) Optically they are pretty good
3) Built like a tank
4) The ability of using Zeiss and Leica on the cheap side
5) Macro and Landscape, with patience and AFC assist Portrait.
6) Fast ones still cheaper but also focusing is harder for me than the slower ones.
7) And they are small even not lighter _________________ My name is "Yalcin", and exactly "Yalçın" and here you can find my MF samples:
http://www.flickr.com/photos/yalcinaydin/sets/
Right now switching back to AF because of work needs but I still love the MF lenses |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Tue Feb 17, 2009 1:17 pm Post subject: |
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sichko wrote:
patrickh wrote: |
Erhum!!.
Quote: |
the Nikkor 50/1.8 AF is a low-grade lens |
You have been sorely misinformed here - it is a cheap lens (roughly $100 new). Made of plastic - BUT it is one of the sharpest lenses you can find. There are several places you can go to verify that.
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This lens was my first MF lens - it's MF on a D40x because the camera body doesn't have a motor. I support Patrick's view. I found it to to be incredibly sharp. _________________ John |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Tue Feb 17, 2009 2:05 pm Post subject: |
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sichko wrote:
Keith G wrote: |
sichko wrote: |
This lens was my first MF lens - it's MF on a D40x because the camera body doesn't have a motor. |
Interesting - we have the same Nikon bodies!! I like them because they allow any/all Nikkors to be used. Any idea if there's a Nikon body with a fill-size sensor (FX?) that will allow the older, pre AI (non-AI) lenses available yet? |
I bought the D60 recently as an extra/spare body. I don't plan an upgrade until I can afford an FX of some sort. I did see a rumour of a cheap low resolution FX but I suspect that it's only someone's dream (mine !). _________________ John |
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orly_andico
Joined: 02 Jul 2008 Posts: 253 Location: Philippines
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Posted: Tue Feb 17, 2009 3:22 pm Post subject: |
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orly_andico wrote:
I used to have the Canon 50/1.8 and it, too is a low-grade lens.
By low-grade I mean mechanically, not optically.
For Canon at least, the high-grade lenses focus faster and more accurately than the low-grade ones like the 50/1.8 --- because they have those dandy ring ultrasonic motors.
What I've found is that all things being equal, my colleague can take sharper photos with his 70-200/4L IS than me with my S-M-C Tak 200/4. And the reason for this? the AF is accurate and fast!
For portraits for example, at close ranges, MF is really really hard (very shallow DOF, subject moves just an inch and this throws your focus off...)
But then I use MF lenses because they're cheap and optically great
Just not useful in all cases. |
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spiralcity
Joined: 02 Oct 2008 Posts: 1207 Location: Chicago, U.S.A
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Posted: Tue Feb 17, 2009 6:16 pm Post subject: |
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spiralcity wrote:
martinsmith99 wrote: |
The sunrise pic is why I wouldn't use auto exposure.
I know that's the look you wanted in that photo, but shooting against the sky will result in everthing else being underexposed. Fine in this instance, but what if that was a portrait?
AF in dark places may work depending on how dar and how good the lens is. My L lens needs very little. My Siggy & nifty fifty start hunting a lot sooner. |
Its not meant to be a portrait and many portraits are shot with AF.
I understand we all love MF lenses. me included. But that is no reason to start knocking good AF lenses. They work well if you know how to use them.
Your stament about AF not working in the dark is COMPLETLEY wrong. Sorry, I know this from many years of shooting. That picture of Chicago was shot with a cheap Sigma AF at 4:00 AM in complete darkness. No problems with AF.
Also your statement about shooting against the sky is incorrect. If I would have walked up to that building and metered off it then stepped back framed my shot and stopped down 1 stop for the color film, that building would have been perfectly exposed along with everything else. The latitude of my film would have allowed for the 1 stop shadow exposure.
You havet to understand film latitude and exposure to shoot scenes like this.
I like shooting silhouettes and thats exactly what I was doing in the sunrise photo. Thats the only time you take a reading from the brightest part of the sky.
THIS IS ONE OF MY FAVORITE TECHNIQUES !
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yalcinaydin
Joined: 20 May 2008 Posts: 825 Location: Izmir, Turkey
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Posted: Tue Feb 17, 2009 8:27 pm Post subject: |
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yalcinaydin wrote:
because:
http://forum.mflenses.com/viewtopic,p,124329.html _________________ My name is "Yalcin", and exactly "Yalçın" and here you can find my MF samples:
http://www.flickr.com/photos/yalcinaydin/sets/
Right now switching back to AF because of work needs but I still love the MF lenses |
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Mike Deep
Joined: 25 Oct 2008 Posts: 323 Location: Upstate New York
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Posted: Tue Feb 17, 2009 8:45 pm Post subject: |
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Mike Deep wrote:
I definitely prefer manual lenses for macro and close up work. There's just very little need for autofocus, the savings are considerable, there's a huge selection, and there are many impressive lenses. They're also bulletproof.
Almost everything manual I own was obtained for close ups. The only manual lenses I tend to use normally are 50mm's (Zuiko 50/1.4 and Tomioka 55/1.2) because Canon's AF 50's are a little underwhelming (1.8 AF is useless, 1.4 is too expensive for fake USM, 1.2 is absurdly expensive and reportedly has focus issues anyway!). |
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