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Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.

Explore the world of vintage lenses through repair notes, real test shots, and detailed archive threads packed with images.
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Has someone done contact color prints?
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I have a RA-4 kit and 10x15 Fuji color papers + 2 by 2 filters, which I was originally planning to develop in open pools. But the construction of infrastructure to do it has delayed and frankly I got bored to the project.

But if I cut the paper in half and use 120 negatives I should get like small vintage color prints and develop them in 120 film tank?

Do you think that would work?


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I've had very little experience or success with color papers. I really didn't want to get into the temperature control stuff that badly.
Hopefully some-one more experienced will come along and comment. Most of my printing has been open pan- it seems to minimize the paper handling to just tongs along the edges. I don't see why a 120 film tank wouldn't work, as a lot of color paper development occurs in drums commercially.

-D.S.


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I have been developing a fair amount of color negatives in the late 1980s, using the Tetenal chemicals. That was never a problem since they were made for developent at room temperatures (best a 24°C as far as I remember).

Enlarging these negatives was much more difficult - especially finding the correct filter values to start with, and adapting them to each negative.

The Tetenal chemistry for the corresponding paper was made for room temperature (or 24°C) as well; therefore temperature control was pretty easy, especially in summertime.

Nevertheless I gave up pretty soon; making reasonably good prints from slides (diapositives) was much easier and more fun ...

S