| View previous topic :: View next topic |
| Author |
Message |
alaios
Joined: 24 Jan 2014
Posts: 724
|
 Posted: Fri Sep 05, 2014 4:03 pm Post subject: What is tonality? |
|
Posted: Fri Sep 05, 2014 4:03 pm Post subject: What is tonality? |
|
|
alaios wrote:
Hi can someone help me to understand the notion of color tonality?
Is not tonality somehow connected to the graduation a color can have (so at the end the total number of colors the medium analog or digital)?
I would like to thank you in advance for your reply
Regards
A |
|
| Back to top |
|
 |
visualopsins
Joined: 05 Mar 2009
Posts: 11638
Location: California
Expire: 2027-07-11
|
Posted: Fri Sep 05, 2014 5:11 pm Post subject: |
|
Posted: Fri Sep 05, 2014 5:11 pm Post subject: |
|
|
visualopsins wrote:
It is.
But it is way more complicated than that: http://www.cambridgeincolour.com/tutorials/gamma-correction.htm
Wealth of information at http://www.cambridgeincolour.com/tutorials.htm
_________________
☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Solinon 1:5.6/18 ASPH.
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
|
|
| Back to top |
|
|
philslizzy
Joined: 07 Aug 2012
Posts: 4753
Location: Cheshire, England
|
Posted: Fri Sep 05, 2014 8:04 pm Post subject: |
|
Posted: Fri Sep 05, 2014 8:04 pm Post subject: |
|
|
philslizzy wrote:
you dont have number of colours in 'analog' i.e film it is infinitely gradual (grain will play a part) not broken down into chunks like digital.
If you want to learn this type of thing you must get books on the subject or search the internet better. There are no short answers to many of your questions.
_________________
Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
|
| Back to top |
|
|
visualopsins
Joined: 05 Mar 2009
Posts: 11638
Location: California
Expire: 2027-07-11
|
Posted: Fri Sep 05, 2014 11:13 pm Post subject: |
|
Posted: Fri Sep 05, 2014 11:13 pm Post subject: |
|
|
visualopsins wrote:
| philslizzy wrote: |
| you dont have number of colours in 'analog' i.e film it is infinitely gradual (grain will play a part) not broken down into chunks like digital. |
There is the number of colors, infinite, with film, yes -- although that too is arguable...
| philslizzy wrote: |
| If you want to learn this type of thing you must get books on the subject or search the internet better. There are no short answers to many of your questions. |
Or ask for pointers in a friendly forum. 
The information and tutorials at CIC is a really good place to start these sort of inquiries; for good foundation knowledge-building...
_________________
☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Solinon 1:5.6/18 ASPH.
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
|
|
| Back to top |
|
|
Excalibur
Joined: 19 Jul 2009
Posts: 5017
Location: UK
Expire: 2014-04-21
|
Posted: Sat Sep 06, 2014 8:03 am Post subject: |
|
Posted: Sat Sep 06, 2014 8:03 am Post subject: |
|
|
Excalibur wrote:
H'mm interesting answer about infinite colours for film in that how would you see them  Surely a print or computer monitor is limited to so many colours, maybe slide film projected on a screen would be better, but not sure if slide film is better than neg. 
_________________
Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
|
| Back to top |
|
|
philslizzy
Joined: 07 Aug 2012
Posts: 4753
Location: Cheshire, England
|
Posted: Sat Sep 06, 2014 3:16 pm Post subject: |
|
Posted: Sat Sep 06, 2014 3:16 pm Post subject: |
|
|
philslizzy wrote:
Technically you should get infinite colours with film, digital images are broken down into little chunks each a different colour like a paint swatch. All things being perfect film has infinite colours except that grain and other variables can mess with it.
Of course Alex, look to this site for info, there are a lot of very knowledgeable guys, as I said many of your questions have no short answers, and often there is a difference of opinion which can be confusing.
Have you developed your first film yet?
Visualopsins, what is CIC? Citizenship and Immigration Canada, Community Interest Company etc...
_________________
Hero in the 'messin-with-cameras-for-the-hell-of-it department'. Official. |
|
| Back to top |
|
|
alaios
Joined: 24 Jan 2014
Posts: 724
|
Posted: Fri Sep 12, 2014 11:12 am Post subject: |
|
Posted: Fri Sep 12, 2014 11:12 am Post subject: |
|
|
alaios wrote:
Hi,
thanks for the answers. I really like what I have learned here.
No I have not developed my first film yet. When developer arrived I was for family vacations and later on I went for business trip.
NOw I have all the materials sorted the way I need them and I will post back to the original post once I would made it.
I try to keep a (very) positive attitude on this and do not feel discouraged that I am going too slow, as life really does not give more
than 30 minutes free time per week.
So far I have been able to
-organize my digital photos through lightroom
-buy scanner with negative holder (did not try it yet though)
-transparencies to hold the negatives so I can start organizing those that I have
-I have learned lightroom to some extent
-I have a great fun shooting film and I have shot 20+ rolls the last months that now wait to be developed.
-In the mean time, during my train rides, I read my reflected litght meter and try to see how I can use it and finally
- I read books about compositions and I keep dreaming
life could not be better I guess
Regards
Alex |
|
| Back to top |
|
|
visualopsins
Joined: 05 Mar 2009
Posts: 11638
Location: California
Expire: 2027-07-11
|
Posted: Fri Sep 12, 2014 8:24 pm Post subject: |
|
Posted: Fri Sep 12, 2014 8:24 pm Post subject: |
|
|
visualopsins wrote:
| philslizzy wrote: |
| Visualopsins, what is CIC? Citizenship and Immigration Canada, Community Interest Company etc... |
http://www.cambridgeincolour.com/tutorials.htm
_________________
☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX-A ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Solinon 1:5.6/18 ASPH.
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
|
|
| Back to top |
|
|
|
|
|
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum
|
