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iangreenhalgh1
 Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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 Posted: Thu Nov 21, 2013 8:13 pm Post subject: What can cause a film to look like it has heavy base fog? |
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 Posted: Thu Nov 21, 2013 8:13 pm Post subject: What can cause a film to look like it has heavy base fog? |
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iangreenhalgh1 wrote:
I've just developed a roll of Kodak Imagelink HQ in Kodak DK-50 and it has come out looking like it have very heavy base fog. The film isn't fogged, and the same film developed in other developers comes out with a clear base, so anyone got any idea what could cause this?
It's the second roll I've developed in DK-50, the first one was a roll of Polypan F50 and that had a similar base fog look but in that case it was much less severe and the film was still perfectly scannable.
In both cases, the development looks close to correct, it's just this darkening of the base that is the issue. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Nesster
 Joined: 24 Apr 2008 Posts: 5883 Location: NJ, USA
Expire: 2014-02-20
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 Posted: Thu Nov 21, 2013 10:08 pm Post subject: |
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 Posted: Thu Nov 21, 2013 10:08 pm Post subject: |
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Nesster wrote:
What are you using as fixer, is it fresh? _________________ -Jussi
Camera photos
Print Photographica
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iangreenhalgh1
 Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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 Posted: Thu Nov 21, 2013 10:19 pm Post subject: |
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 Posted: Thu Nov 21, 2013 10:19 pm Post subject: |
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iangreenhalgh1 wrote:
Sodium Thiosulphate. I made a fresh batch and stuck it in the fresh for half an hour as I suspected a fixing issue. No change, sadly, still looks like it has heavy base fog.
Then I developed the second roll I shot today, but in ro9 diluted 1:100 and that has come out the same, like it has heavy base fog.
So I'm mystified. First 3 rolls of this film I developed in Fomadon LQN came out with a perfectly clear base, but now these two have come out with a really dark base.
I've loaded up another short test roll which I'll shoot tomorrow and develop in Fomadon LQN, which gave a clear base before, if that comes out with a dark base then it's obviously the film, but what the hell could have happened to it in the last week to be like this?
In Fomadon LQN, came out perfect:
 _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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iangreenhalgh1
 Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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 Posted: Fri Nov 22, 2013 8:23 pm Post subject: |
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 Posted: Fri Nov 22, 2013 8:23 pm Post subject: |
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iangreenhalgh1 wrote:
Well,I've got to the bottom of te problem - this film doesn't like some developers. The roll developed in DK-50 had a very dark base, the roll developed in RP9 had a fairly dark base. I developed another roll today in Fomadon LQN and the base was almost completely clear.
So it appears this film is very tricky to develop and the search for the ideal developer for it will take a while and a good deal of trial and error. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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NikonAIS
 Joined: 23 Mar 2014 Posts: 227 Location: Pawleys Island, SC, US
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 Posted: Mon Mar 24, 2014 2:44 am Post subject: |
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 Posted: Mon Mar 24, 2014 2:44 am Post subject: |
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NikonAIS wrote:
Barring a light leak, incomplete fixing or fixing in nearly exhausted fixer can do it. Do not exceed the capacity of the fixer. _________________ Nikon FTn, F2A, F3HP, F4E, F5, Nikkormat FT2, Nikon FE-2, Nikonos V, D850, D500 and D750. 8mm f/2.8 AIS, 16mm f/2.8 Fisheye AIS, 15mm f/3.5 AIS, 18mm f/3.5 AIS, 24mm f/2 AIS, 28mm f/2 AIS, 28mm f/3.5 Nikkor H non-AI, 25-50mm f/4 AIS, 28mm f/3.5 and 35mm f/2.8 UW-Nikkors, 35mm f/1.4 AIS, 50mm f/1.4 AIS, 50mm f/1.4 Nikkor-S, 50-135mm f/3.5 AIS, 55mm f/2.8 AIS Micro w/ PK-13, 80-200mm f/4 AIS, 85mm f/1.4 AIS, 105mm f/1.8 AIS, 10.5 cm f/2.5 non-AI, 105mm f/2.8 AIS Micro, 135mm f/2 AIS, 180mm f/2.8 ED AIS, 200mm f/4 Micro AIS and PN-11, 200mm f/2 ED-IF AIS, 300mm f/2.8 ED-IF AIS, 400mm f/2.8 ED-IF AIS, 500mm f/8 Reflex, 600mm f/4 ED-IF AIS, TC14B and TC300.
Hasselblad 500CM with PM-90 eye level finder and assorted A12 and A16 backs, Carl Zeiss C and CF T* 40mm f/4. 60mm f/3.5. 80mm f/2.8, 150mm f/4 and 250mm f/5.6
AF lenses are for sissies! |
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