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e6filmuser
Joined: 12 Nov 2010 Posts: 860 Location: Reading UK
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Posted: Sat Sep 19, 2020 5:33 am Post subject: Sigma Super-Wide II 1:2.8 24mm on A7r3 |
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e6filmuser wrote:
This windmill is one I have been intending to visit for several years, having seen it many years ago. I took several legacy 35mm and medium format lenses with me. Images from each will be uploaded as a separate topic. Because of the number of lenses involved, and the subject, I used f11 as standard. I decided to set ISO 100, not available on my m4/3 camera. This, as with some other lenses used on the day, was purchased in response to an account of it in this forum, no lemons so far!
I had used the lens on a previous, recent, occasion without its hood (images not processed yet). This time the hood was in place. The sun was to my left side.
The sensor had some dust so I have cleaned up the uncropped images.
Crop
_________________ Dedicated to using manual focus lenses with digital. Equiped for photography from macro to panoramic & from ultra-wide to extreme telephoto. Mostly shooting outdoor macro. Experienced entomological taxonomist. Some knowledge of mushrooms. |
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kymarto
Joined: 30 Nov 2016 Posts: 409 Location: Portland, OR and Milan, Italy
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Posted: Sat Sep 19, 2020 6:13 am Post subject: |
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kymarto wrote:
It seems to me a bit useless to have shot everything f11, because at that small aperture all the lenses are performing pretty decently and any unique characteristics that they might have are pretty well gone. _________________ Vintage lens aficionado |
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e6filmuser
Joined: 12 Nov 2010 Posts: 860 Location: Reading UK
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Posted: Sat Sep 19, 2020 6:41 am Post subject: |
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e6filmuser wrote:
kymarto wrote: |
It seems to me a bit useless to have shot everything f11, because at that small aperture all the lenses are performing pretty decently and any unique characteristics that they might have are pretty well gone. |
I am not looking for characteristics. I am looking for how they work for me. I have another series, from an earlier session at f8.
I am not a fan of wide open apertures. _________________ Dedicated to using manual focus lenses with digital. Equiped for photography from macro to panoramic & from ultra-wide to extreme telephoto. Mostly shooting outdoor macro. Experienced entomological taxonomist. Some knowledge of mushrooms. |
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Pancolart
Joined: 04 Feb 2008 Posts: 3705 Location: Slovenia, EU
Expire: 2013-11-18
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Posted: Sat Sep 19, 2020 6:48 am Post subject: |
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Pancolart wrote:
At F11 you can replace any lens with compact camera (telephone lately) without noticeable difference. Sorry had to say it. _________________ ---------------------------------
The Peculiar Apparatus Of Victorian Steampunk Photography: 100+ Genuine Steampunk Camera Designs https://www.amazon.com/dp/B0B92829NS |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Sep 19, 2020 7:10 am Post subject: |
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iangreenhalgh1 wrote:
Pancolart wrote: |
At F11 you can replace any lens with compact camera (telephone lately) without noticeable difference. Sorry had to say it. |
Not true. There are many factors to consider, but clear differences are discernable. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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e6filmuser
Joined: 12 Nov 2010 Posts: 860 Location: Reading UK
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Posted: Sat Sep 19, 2020 7:19 am Post subject: |
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e6filmuser wrote:
iangreenhalgh1 wrote: |
Pancolart wrote: |
At F11 you can replace any lens with compact camera (telephone lately) without noticeable difference. Sorry had to say it. |
Not true. There are many factors to consider, but clear differences are discernable. |
I tried 7 lenses (I had more with me, which I had to omit).
One, not yet uploaded, showed CA towards the edges.
There is public access to the windmill and I had to pause on several occasions. Stereo shots with people moving between frames are a disaster.
By the time I got to using the last two lenses (40mm & 75mm) the sun had moved round and was causing flare. There was no point in having some lenses shooting into the sun and some not. A further series at other apertures was out of the question. A compromise but one that suited me. _________________ Dedicated to using manual focus lenses with digital. Equiped for photography from macro to panoramic & from ultra-wide to extreme telephoto. Mostly shooting outdoor macro. Experienced entomological taxonomist. Some knowledge of mushrooms. |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15679
Expire: 2014-01-07
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Posted: Sat Sep 19, 2020 7:59 am Post subject: |
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iangreenhalgh1 wrote:
Just get the shot and don't worry about what people on the internet say
Up here in the Lake District, the light can change drastically in a minute or two, so I just shoot and worry about it later. _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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e6filmuser
Joined: 12 Nov 2010 Posts: 860 Location: Reading UK
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Posted: Sat Sep 19, 2020 8:21 am Post subject: |
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e6filmuser wrote:
iangreenhalgh1 wrote: |
Just get the shot and don't worry about what people on the internet say
Up here in the Lake District, the light can change drastically in a minute or two, so I just shoot and worry about it later. |
I shoot to please myself too!
That day was significant in that it was to be, and was, cloudless. So no changes in exposure or WB, especially relevant for stereo pairs.
I have been posting images for so many years that I can now donate skin grafts to Rhinos! _________________ Dedicated to using manual focus lenses with digital. Equiped for photography from macro to panoramic & from ultra-wide to extreme telephoto. Mostly shooting outdoor macro. Experienced entomological taxonomist. Some knowledge of mushrooms. |
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D1N0
Joined: 07 Aug 2012 Posts: 2537
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Posted: Sat Sep 19, 2020 11:09 am Post subject: |
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D1N0 wrote:
The Sigma is a good value option when looking for a manual 24mm, but there are many bad ones out there because of Sigma's build quality. I had one that was quite decentered before I found a better one. For landscape and architecture using F11 is fine. You can still see geometric distortion and flaring characteristics. What also makes this one interesting is the close focussing ability to 18cm. 1:4 magnification.
Here @f10 you can see plenty of character (Ok the bokehgons were caused by fine raindrops on the front element :p). This is the decentered one btw.
Hete Kolen by instant g r a t i f i c a t i o n, on Flickr _________________ pentaxian
Last edited by D1N0 on Sat Sep 19, 2020 11:19 am; edited 1 time in total |
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e6filmuser
Joined: 12 Nov 2010 Posts: 860 Location: Reading UK
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Posted: Sat Sep 19, 2020 11:18 am Post subject: |
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e6filmuser wrote:
D1N0 wrote: |
What also makes this one interesting is the close focussing ability to 18cm. 1:4 magnification. |
That makes it interesting to me too. And it's small and light, handy to put in the bag with regular lenses! _________________ Dedicated to using manual focus lenses with digital. Equiped for photography from macro to panoramic & from ultra-wide to extreme telephoto. Mostly shooting outdoor macro. Experienced entomological taxonomist. Some knowledge of mushrooms. |
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marcusBMG
Joined: 07 Dec 2012 Posts: 1318 Location: Conwy N Wales
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Posted: Sat Sep 19, 2020 11:44 am Post subject: |
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marcusBMG wrote:
Of the mf 24's I have tried, it's a toss up between the superwide II and the tamron adaptall 01B/BB 24mm for sharpness, IMO both are sharp. I think the tamron isn't so good on fullframe - softer edges/corners.
I took these test pics a year ago. Pentax K3-ii. sigma SWII top. f2.8, f5.6, f11. Tamron 01B below f2.5, f5.6, f11
Tamron:
_________________ pentax ME super (retired)
Pentax K3-ii; pentax K-S2; Samsung NX 20; Lumix G1 + adapters;
Adaptall collection (proliferating!) inc 200-500mm 31A, 300mm f2.8, 400mm f4.
Primes: takumar 55mm; smc 28mm, 50mm; kino/komine 28mm f2's, helios 58mm, Tamron Nestar 400mm, novoflex 400mm, Vivitar 135mm close focus, 105mm macro; Jupiter 11A; CZJ 135mm.
A classic zoom or two: VS1 (komine), Kiron Zoomlock... |
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