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kds315*
Joined: 12 Mar 2008 Posts: 16541 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Sat Jan 19, 2019 7:41 am Post subject: What's the nicer rendering and bokeh? |
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kds315* wrote:
Here a little funny comparison...
Which one do you like better and why?
They do have different focal lengths, but it is only about the "drawing"...
Oh well and guess the lenses please, too!
_________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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kypfer
Joined: 27 Sep 2017 Posts: 514 Location: Jersey C.I.
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Posted: Sat Jan 19, 2019 8:42 am Post subject: |
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kypfer wrote:
I prefer the first (modern zoom lens?) - I'd guess the second was taken with a mirror lens |
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kds315*
Joined: 12 Mar 2008 Posts: 16541 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Sat Jan 19, 2019 12:19 pm Post subject: |
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kds315* wrote:
kypfer wrote: |
I prefer the first (modern zoom lens?) - I'd guess the second was taken with a mirror lens |
I don't use "zoom" lenses ONLY manual ones. And no AF of course, too _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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Sjak
Joined: 29 Sep 2017 Posts: 696
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Posted: Sat Jan 19, 2019 2:53 pm Post subject: |
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Sjak wrote:
On these specific shots, and with their current processing, I give the edge to the 1st one.
Different toning etc could tilt the balance in the other direction.
Interesting question though, life is not all about MTF-charts |
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Gott23
Joined: 10 Dec 2018 Posts: 250
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Posted: Sat Jan 19, 2019 5:49 pm Post subject: |
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Gott23 wrote:
I'd say the first one on the basis of greater separation of subject/background. The bubble-esque bokeh of the second shot smothers the "subject" as such..
I'd hazard a guess the top one is about a 135 or 200, whereas the bottom is a prime? f/1.8-ish? |
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DigiChromeEd
Joined: 29 Dec 2009 Posts: 3462 Location: Northern Ireland
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Posted: Sat Jan 19, 2019 6:36 pm Post subject: |
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DigiChromeEd wrote:
Gott23 wrote: |
I'd say the first one on the basis of greater separation of subject/background. The bubble-esque bokeh of the second shot smothers the "subject" as such..
I'd hazard a guess the top one is about a 135 or 200, whereas the bottom is a prime? f/1.8-ish? |
The bottom shot is, I suspect, taken with a mirror lens. Possibly a Tamron SP 500mm f8 or similar?
Update: After careful consideration I think the first photo may be using a Rubinar 500mm f8 and the second a Tamron SP 500 f8 plus extender.
_________________ "I've got a Nikon camera, I like to take a photograph" - Paul Simon
Last edited by DigiChromeEd on Sat Jan 19, 2019 8:31 pm; edited 1 time in total |
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visualopsins
Joined: 05 Mar 2009 Posts: 10531 Location: California
Expire: 2025-04-11
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Posted: Sat Jan 19, 2019 8:09 pm Post subject: |
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visualopsins wrote:
Guess both are mirror lenses, top one without any glass elements. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (51BB), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Nordentro
Joined: 24 Jun 2010 Posts: 4713 Location: Lillehammer, Norway
Expire: 2015-01-29
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Posted: Sat Jan 19, 2019 9:01 pm Post subject: |
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Nordentro wrote:
Number two has a more interesting output in my eyes compared to #1 which has a more modern rendering
In danger of stepping for out in the salat, I guess a triplet on number two vs double gauss #1, both shot with m43 camera _________________ Lars | Manuellfokus.no |
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Gerald
Joined: 25 Mar 2014 Posts: 1196 Location: Brazil
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Posted: Sat Jan 19, 2019 10:17 pm Post subject: |
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Gerald wrote:
CZJ Sonnar (or GOI MC Telegoir K) 200mm F2.8 X Rubinar (or Tamron SP) 500mm F8? _________________ If raindrops were perfect lenses, the rainbow did not exist. |
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fiftyonepointsix
Joined: 30 Apr 2017 Posts: 292
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Posted: Sat Jan 19, 2019 10:52 pm Post subject: |
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fiftyonepointsix wrote:
The rendering in the first is smoother.
I would not put it past Klaus to use the same lens for both shots... used at different ranges. My 500mm F8 Reflex-Nikkor produces images similar to these. Depending on distance to the subject, the secondary mirror will intrude more into the out of focus areas. |
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kds315*
Joined: 12 Mar 2008 Posts: 16541 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Sun Jan 20, 2019 6:34 am Post subject: |
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kds315* wrote:
Well, thank you guys for all your input. So it is:
1) Zeiss Jena VISIONAR 1.9/200mm (indeed a double gauss variant lens)
2) Spiratone Minitel-M 5.6/300mm (indeed a Catadioptric lens)
It was a bit unfair (and I could have toned it a little bit to match both better)
as the 2nd shot was shot later in the day with warmer light tones.
For me it was about the the very different drawing of those lenses, having in
mind using them for best BG separation and possibly portrait shooting, as
Attila has done and shown that here also with mirror lenses...
Here again better adjusted:
_________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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pdccameras
Joined: 23 Aug 2009 Posts: 826 Location: Putnam, CT
Expire: 2014-08-11
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Posted: Sun Jan 20, 2019 3:58 pm Post subject: |
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pdccameras wrote:
What interesting shots!
For general photograhy, I agrre with Gott23, that the top would be my choice.
Gott23 wrote: |
I'd say the first one on the basis of greater separation of subject/background. The bubble-esque bokeh of the second shot smothers the "subject" as such..
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HOWEVER, I also like the second image because it reminds me of darkroom days when we used to enlarge prints through texture screens, like canvas or linen, which were placed in contact with the printing paper.
Best,
Paul _________________ Canon 5D Mii, Canon 40D, Canon 350D IR, Sony A7 Mii, Sony Alpha-6000, a ton of lenses: AF & MF and too many cameras to count, all formats: 110 - 4x5. |
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Sjak
Joined: 29 Sep 2017 Posts: 696
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Posted: Sun Jan 20, 2019 4:18 pm Post subject: |
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Sjak wrote:
kds315* wrote: |
For me it was about the the very different drawing of those lenses, having in
mind using them for best BG separation and possibly portrait shooting, as
Attila has done and shown that here also with mirror lenses...
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I think the rendering is a matter of personal choice, the effect you're after, and the specific background.
Although I also like the 2nd, I can imagine it can get distracting under certain circumstances. |
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spleenone
Joined: 26 Dec 2009 Posts: 1130 Location: Slovakia
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Posted: Mon Feb 04, 2019 12:46 pm Post subject: |
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spleenone wrote:
First image as I read made with projection glass Visionar made own part. Smooth trannsition and bluriness in background. Not so typical for many projection glass. As I saw many has special swirly or special bokeh rendering. Maybe in this capture it would be due distance of object to background.
But second bokeh rendering I like in some manner more. Sometimes or in same textures could be not so pleasant, indeed. Because character is what I prefer. If it is possible though. If it is what I need. _________________ Shoot on analog mainly with
Nikkor glass
then Pentacon6TL for squares
and Fujica GL690 in case of 6x9
Carpe diem! |
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