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miran
Joined: 01 Aug 2012
Posts: 1367
Location: Slovenia
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 Posted: Sun Sep 06, 2015 5:42 pm Post subject: Waterfall |
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miran wrote:
I'd like some honest C&C. What do you see when you look at this picture:
 NEX6_0002_6821-6833 by Miran Amon, on Flickr
(Tech: 4x3 pano stitch made with Samyang 12mm/2.0 @ f/11 + CPL + ND8 on NEX-6.)
Thank you. 
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Attila
Joined: 24 Feb 2007
Posts: 57939
Location: Hungary
Expire: 2021-11-18
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| Posted: Sun Sep 06, 2015 6:37 pm Post subject: |
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Attila wrote:
Great place what is not come back well on picture, all excellent pictures has something what is clearly draw your attention. Here all parts are same, no dedicated area.
Especially waterfall is marginal part of image  with light, with shadows, with composition always need to select some part of image what is main attraction in frame.
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Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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miran
Joined: 01 Aug 2012
Posts: 1367
Location: Slovenia
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| Posted: Sun Sep 06, 2015 7:10 pm Post subject: |
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miran wrote:
Thank you very much. That's the kind of input I need and really appreciate.
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Attila
Joined: 24 Feb 2007
Posts: 57939
Location: Hungary
Expire: 2021-11-18
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| Posted: Sun Sep 06, 2015 7:48 pm Post subject: |
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Attila wrote:
| miran wrote: |
| Thank you very much. That's the kind of input I need and really appreciate. |
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Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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visualopsins
Joined: 05 Mar 2009
Posts: 10197
Location: California
Expire: 2021-06-22
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| Posted: Mon Sep 07, 2015 10:18 pm Post subject: |
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visualopsins wrote:
Focus and depth-of-field from foreground to infinity is very good, however it is at the limits of lens capability -- usual a little less strain on lens capability will result in more relaxed, better photo.
The photo suffers from "big nose syndrome", i.e., lens is too close to subject, resulting in distortion of features, as when 50mm lens is used too close to face -- nose is too big.
Moving back only a little will rapid reduce the "big nose" distortion, and, get dof more within lens capability.
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Cameras: Sony A7Rii, Spotmatics II, F, and ESII, Nikon P4
M42 Asahi Optical Co., Lenses:
Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200
Tele-Takumar 1:5.6/200, 1:6.3/300
Macro-Takumar 1:4/50
Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm
Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element),
Super-Multi-Coated Fisheye-TAKUMAR 1:4/17
Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500
Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100
Super-Multi-Coated Bellows-TAKUMAR 1:4/100
SMC TAKUMAR 1:1.4/50, 1:1.8/55
Other lenses:
Carl Zeiss Jena Flektogon 2.4/35
SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (51BB), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH) |
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miran
Joined: 01 Aug 2012
Posts: 1367
Location: Slovenia
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| Posted: Tue Sep 08, 2015 5:18 am Post subject: |
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miran wrote:
The only problem is, there was a 5m drop right behind where I setup the tripod. I actually had to balance it right on the edge of the rock and I couldn't stand behind it. I had stand at the side and hang over the drop to actually see anything on the camera LCD. So to move back I'd need a hovering board. 
I did a different crop and processing. Maybe a tiny little bit better but not much probably. 
 NEX6_0002_6821-6833-1 by Miran Amon, on Flickr
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