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iangreenhalgh1


Joined: 18 Mar 2011 Posts: 9096
Expire: 2014-01-07
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Posted: Wed May 16, 2012 4:25 am Post subject: Voigtlander Bessa with Voigtar 3.5/105, Fomapan 100 |
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This is the second Bessa I bought, identical to the first but with a 3.5/105 Voigtar rather than a 3.5/105 Skopar.
The lens is excellent, perhaps as sharp as the Skopar in the other Bessa, if not then the difference is hard to see.
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 _________________ 'The question I would really consider (especially if an amateur and on a budget) is whether or not anyone (including yourself, of course) can tell the difference in any situation for which you will use the lens...and if they can, why are they burying their noses in your prints hard enough to tell the difference instead of responding to the prints emotionally and thinking about what they might mean?' - 2F/2F on apug.org
Digital: Sony NEX-3, Samsung NX100, Canon EOS 450d
35mm SLR: Konica FT-1, Konica FC-1, Konica Autoreflex T, Carena SRH760, Exakta RTL1000, Canon EOS 10qd
35mm VF: Olympus Stylus, Konica C35, Konica A4, Konica MG, Konica MT-9, Ricoh FF-9, Ricoh AF-80
35mm RF: Zorki 6, Kiev II, Kiev IV, Contax IIIa, CZJ Werra III,
Medium format: Franka Rolfix, Mess Ikonta 524/16, Voigtlander Bessa with Skopar 3.5/105, Voigtlander Bessa with Voigtar 3.5/105, Kiev 6C, Century Graphic 23, Ensign Selfix 820, Kershaw 450
MF lenses: Schneider Angulon 6.5/68, Componon-S 5.6/100, C-Claron 4.5/135, Xenar 3.5/105, Mamiya C 2.8/45, Mamiya 2.8/80, CZJ Flektogon 4/50, Biometar 2.8/80, Zodiac 3.5/30, Tominon 4.5/135, Pullin Pulnar 2.8/100
Large Format: Ernemann HEAG Series VII version II 9x12 with Kodak Anastigmat 6.3/170
Konica Hexanons 4/21, 2.8/24, 3.5/28, 2.8/35, 1.8/40, 1.4/50, 1.7/50, 1.8/50, 3.2/135, 3.5/135, 3.5/200, 4.5/300, 3.5-4.5/35-70, 4-4.6/28-135, 3.5/35-70, UC 3.5/45-100, 4/70-150, 4/65-135, UC 4/80-200. Hexars 3.5/28, 3.5/135, Konishiroku 2.8/35
Carl Zeiss Jena Flektogon 2.8/35, Skoparex 3.4/35, Tessar 2.8/50, Sonnar 1.5/50, Biotar 2/58, Pancolar 1.8/50, Cardinar 4/100, Zeiss-Opton Biogon 2.8/35
Meyer/Pentacons 2.8/28, Primagon 4.5/35, Trioplan 2.9/50, 1.8/50, 2.4/50, Primotar 3.5/50, Primotar 3.5/135
Topcon RE Auto Topcors 1.8/58, 3.5/135, 5.6/200
Russians: OKC1-18-1 2.8/18, OKC1-28-1 2.8/28, Jupiter-12 2.8/35, Jupiter-8 2/50, Industar-50 3.5/50, Industar-26M 2.8/50, Industar-22 3.5/50, Zenitar M2S 2/50, Helios-44-2, Jupiter-9 2/85, Jupiter-11 4/135, Tair-3C 4.5/300
Tokina 3.5/17, Nikon Auto Nikkor-N 2.8/24, Nikon Micro-Nikkor-P 3.5/55, Ross Xpress 3.5/4in, Ross Xpress 4/5in, Ross Xpress 4.5/8.5in, Wollensak APO-Raptar 10/541
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Minolfan


Joined: 30 Dec 2008 Posts: 2229 Location: Netherlands
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Posted: Wed May 16, 2012 8:33 am Post subject: |
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Maybe the edges are better with the Skopar? There can the difference between a tessar-type and a triplet come visible, certainly WO. The centre can be equal very well indeed.
You are presenting a real temptation to get my younger stuck Bessa with coated Skopar working again! |
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iangreenhalgh1


Joined: 18 Mar 2011 Posts: 9096
Expire: 2014-01-07
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Posted: Wed May 16, 2012 9:11 am Post subject: |
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Yes, the corners should be weaker with a triplet at larger apertures, but I can't imagine many times where I would need or want to shoot an old folder at a large aperture. I think the statue one was at f8 and it gave sufficiently small dof to throw the background nicely out of focus, I doubt I will ever shoot this camera at wider than f8 so I won't see the weak corners.
This 3.5 version of the Voigtar seems quite rare, the 4.5 version is very common.
You should definitely try your Bessa, they are fun cameras to shoot, you just have to be methodical and slow in how you work, makes you think about every shot, a most different experience to shooting a 35mm camera. _________________ 'The question I would really consider (especially if an amateur and on a budget) is whether or not anyone (including yourself, of course) can tell the difference in any situation for which you will use the lens...and if they can, why are they burying their noses in your prints hard enough to tell the difference instead of responding to the prints emotionally and thinking about what they might mean?' - 2F/2F on apug.org
Digital: Sony NEX-3, Samsung NX100, Canon EOS 450d
35mm SLR: Konica FT-1, Konica FC-1, Konica Autoreflex T, Carena SRH760, Exakta RTL1000, Canon EOS 10qd
35mm VF: Olympus Stylus, Konica C35, Konica A4, Konica MG, Konica MT-9, Ricoh FF-9, Ricoh AF-80
35mm RF: Zorki 6, Kiev II, Kiev IV, Contax IIIa, CZJ Werra III,
Medium format: Franka Rolfix, Mess Ikonta 524/16, Voigtlander Bessa with Skopar 3.5/105, Voigtlander Bessa with Voigtar 3.5/105, Kiev 6C, Century Graphic 23, Ensign Selfix 820, Kershaw 450
MF lenses: Schneider Angulon 6.5/68, Componon-S 5.6/100, C-Claron 4.5/135, Xenar 3.5/105, Mamiya C 2.8/45, Mamiya 2.8/80, CZJ Flektogon 4/50, Biometar 2.8/80, Zodiac 3.5/30, Tominon 4.5/135, Pullin Pulnar 2.8/100
Large Format: Ernemann HEAG Series VII version II 9x12 with Kodak Anastigmat 6.3/170
Konica Hexanons 4/21, 2.8/24, 3.5/28, 2.8/35, 1.8/40, 1.4/50, 1.7/50, 1.8/50, 3.2/135, 3.5/135, 3.5/200, 4.5/300, 3.5-4.5/35-70, 4-4.6/28-135, 3.5/35-70, UC 3.5/45-100, 4/70-150, 4/65-135, UC 4/80-200. Hexars 3.5/28, 3.5/135, Konishiroku 2.8/35
Carl Zeiss Jena Flektogon 2.8/35, Skoparex 3.4/35, Tessar 2.8/50, Sonnar 1.5/50, Biotar 2/58, Pancolar 1.8/50, Cardinar 4/100, Zeiss-Opton Biogon 2.8/35
Meyer/Pentacons 2.8/28, Primagon 4.5/35, Trioplan 2.9/50, 1.8/50, 2.4/50, Primotar 3.5/50, Primotar 3.5/135
Topcon RE Auto Topcors 1.8/58, 3.5/135, 5.6/200
Russians: OKC1-18-1 2.8/18, OKC1-28-1 2.8/28, Jupiter-12 2.8/35, Jupiter-8 2/50, Industar-50 3.5/50, Industar-26M 2.8/50, Industar-22 3.5/50, Zenitar M2S 2/50, Helios-44-2, Jupiter-9 2/85, Jupiter-11 4/135, Tair-3C 4.5/300
Tokina 3.5/17, Nikon Auto Nikkor-N 2.8/24, Nikon Micro-Nikkor-P 3.5/55, Ross Xpress 3.5/4in, Ross Xpress 4/5in, Ross Xpress 4.5/8.5in, Wollensak APO-Raptar 10/541
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Nesster


Joined: 24 Apr 2008 Posts: 5430 Location: NJ, USA
Expire: 2014-02-20
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Posted: Wed May 16, 2012 10:55 am Post subject: |
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We attempt to see theoretical difference that may not be there, peering into triplet corners. We'll see that in 135 size much much faster than 6x9 120.
However, even with the early coatings on 50's folders, not to mention the uncoated lenses, triplets often overcome their theoretical disadvantages because there are fewer glass/air surfaces involved. Given a good 60-90 years of age, even the most pristine lens surfaces will have accumulated something...
I envy you that first angel, I've seen other pics of her you've taken, she has a great expression _________________ -Jussi
Camera photos
Print Photographica
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iangreenhalgh1


Joined: 18 Mar 2011 Posts: 9096
Expire: 2014-01-07
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Posted: Wed May 16, 2012 11:03 am Post subject: |
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Cheers Nesster. I have two 6x9s with Triplets - this Bessa with Voigtar and a Franka Rolfix with Rodenstock Trinar, both are good lenses and don't lack sharpness. I also have an Ikonta-M 524/16 6x6 with a Novar Anastigmat and that is very sharp, that one is coated, the Bessa and Rolfix are prewar uncoated ones.
I've only shot one roll in each of my Bessas, from the results I couldn't pick which had the better lens, maybe after more rolls some differences will become apparent but I doubt it.
Sometimes people get too hung up on technical aspects such as lens type, number of elements etc when what we should really be worrying about is making the picture, that's something using these old folders has taught me.  _________________ 'The question I would really consider (especially if an amateur and on a budget) is whether or not anyone (including yourself, of course) can tell the difference in any situation for which you will use the lens...and if they can, why are they burying their noses in your prints hard enough to tell the difference instead of responding to the prints emotionally and thinking about what they might mean?' - 2F/2F on apug.org
Digital: Sony NEX-3, Samsung NX100, Canon EOS 450d
35mm SLR: Konica FT-1, Konica FC-1, Konica Autoreflex T, Carena SRH760, Exakta RTL1000, Canon EOS 10qd
35mm VF: Olympus Stylus, Konica C35, Konica A4, Konica MG, Konica MT-9, Ricoh FF-9, Ricoh AF-80
35mm RF: Zorki 6, Kiev II, Kiev IV, Contax IIIa, CZJ Werra III,
Medium format: Franka Rolfix, Mess Ikonta 524/16, Voigtlander Bessa with Skopar 3.5/105, Voigtlander Bessa with Voigtar 3.5/105, Kiev 6C, Century Graphic 23, Ensign Selfix 820, Kershaw 450
MF lenses: Schneider Angulon 6.5/68, Componon-S 5.6/100, C-Claron 4.5/135, Xenar 3.5/105, Mamiya C 2.8/45, Mamiya 2.8/80, CZJ Flektogon 4/50, Biometar 2.8/80, Zodiac 3.5/30, Tominon 4.5/135, Pullin Pulnar 2.8/100
Large Format: Ernemann HEAG Series VII version II 9x12 with Kodak Anastigmat 6.3/170
Konica Hexanons 4/21, 2.8/24, 3.5/28, 2.8/35, 1.8/40, 1.4/50, 1.7/50, 1.8/50, 3.2/135, 3.5/135, 3.5/200, 4.5/300, 3.5-4.5/35-70, 4-4.6/28-135, 3.5/35-70, UC 3.5/45-100, 4/70-150, 4/65-135, UC 4/80-200. Hexars 3.5/28, 3.5/135, Konishiroku 2.8/35
Carl Zeiss Jena Flektogon 2.8/35, Skoparex 3.4/35, Tessar 2.8/50, Sonnar 1.5/50, Biotar 2/58, Pancolar 1.8/50, Cardinar 4/100, Zeiss-Opton Biogon 2.8/35
Meyer/Pentacons 2.8/28, Primagon 4.5/35, Trioplan 2.9/50, 1.8/50, 2.4/50, Primotar 3.5/50, Primotar 3.5/135
Topcon RE Auto Topcors 1.8/58, 3.5/135, 5.6/200
Russians: OKC1-18-1 2.8/18, OKC1-28-1 2.8/28, Jupiter-12 2.8/35, Jupiter-8 2/50, Industar-50 3.5/50, Industar-26M 2.8/50, Industar-22 3.5/50, Zenitar M2S 2/50, Helios-44-2, Jupiter-9 2/85, Jupiter-11 4/135, Tair-3C 4.5/300
Tokina 3.5/17, Nikon Auto Nikkor-N 2.8/24, Nikon Micro-Nikkor-P 3.5/55, Ross Xpress 3.5/4in, Ross Xpress 4/5in, Ross Xpress 4.5/8.5in, Wollensak APO-Raptar 10/541
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ForenSeil


Joined: 15 Apr 2011 Posts: 1920 Location: Kiel, Germany.
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Posted: Thu May 17, 2012 10:24 am Post subject: |
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Your first example shot is really nice!  _________________ Cameras in active use: IR/UV modified NEX-5N+EVF, NEX-C3, Pentax Q, Minolta XG9, Moskva 5 6x6 Rangefinder
Lenses in active use:
MF
Samyang 8/2.8 E-Mount, Docter-Optics Olympus 100x 1.25 finite macro lens, Tevidon 16/1.8, Tominon 17/4 (10x Macro), CZJ Tevidon 25/1.4, Novoflex Macro-Noflexar 35/3.5, Minolta MD 50/1.4, Noritsu 50.7/9.5, Samyang 85/1.4, Rodagon 105/5.6, Nikon ED 180/2.8, Novoflex 400/5.6, Celestron 500mm F3.6, Novoflex 600/8
AF:
Sigma 19mm F2.8 E-Mount, Sony SEL50F18
My Blog: http://picturechemistry.own-blog.com/
(German language) |
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iangreenhalgh1


Joined: 18 Mar 2011 Posts: 9096
Expire: 2014-01-07
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Posted: Thu May 17, 2012 2:42 pm Post subject: |
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Cheers, that was at min focus - 5 feet, aperture f8, wanted to see how it would perform for portraits. _________________ 'The question I would really consider (especially if an amateur and on a budget) is whether or not anyone (including yourself, of course) can tell the difference in any situation for which you will use the lens...and if they can, why are they burying their noses in your prints hard enough to tell the difference instead of responding to the prints emotionally and thinking about what they might mean?' - 2F/2F on apug.org
Digital: Sony NEX-3, Samsung NX100, Canon EOS 450d
35mm SLR: Konica FT-1, Konica FC-1, Konica Autoreflex T, Carena SRH760, Exakta RTL1000, Canon EOS 10qd
35mm VF: Olympus Stylus, Konica C35, Konica A4, Konica MG, Konica MT-9, Ricoh FF-9, Ricoh AF-80
35mm RF: Zorki 6, Kiev II, Kiev IV, Contax IIIa, CZJ Werra III,
Medium format: Franka Rolfix, Mess Ikonta 524/16, Voigtlander Bessa with Skopar 3.5/105, Voigtlander Bessa with Voigtar 3.5/105, Kiev 6C, Century Graphic 23, Ensign Selfix 820, Kershaw 450
MF lenses: Schneider Angulon 6.5/68, Componon-S 5.6/100, C-Claron 4.5/135, Xenar 3.5/105, Mamiya C 2.8/45, Mamiya 2.8/80, CZJ Flektogon 4/50, Biometar 2.8/80, Zodiac 3.5/30, Tominon 4.5/135, Pullin Pulnar 2.8/100
Large Format: Ernemann HEAG Series VII version II 9x12 with Kodak Anastigmat 6.3/170
Konica Hexanons 4/21, 2.8/24, 3.5/28, 2.8/35, 1.8/40, 1.4/50, 1.7/50, 1.8/50, 3.2/135, 3.5/135, 3.5/200, 4.5/300, 3.5-4.5/35-70, 4-4.6/28-135, 3.5/35-70, UC 3.5/45-100, 4/70-150, 4/65-135, UC 4/80-200. Hexars 3.5/28, 3.5/135, Konishiroku 2.8/35
Carl Zeiss Jena Flektogon 2.8/35, Skoparex 3.4/35, Tessar 2.8/50, Sonnar 1.5/50, Biotar 2/58, Pancolar 1.8/50, Cardinar 4/100, Zeiss-Opton Biogon 2.8/35
Meyer/Pentacons 2.8/28, Primagon 4.5/35, Trioplan 2.9/50, 1.8/50, 2.4/50, Primotar 3.5/50, Primotar 3.5/135
Topcon RE Auto Topcors 1.8/58, 3.5/135, 5.6/200
Russians: OKC1-18-1 2.8/18, OKC1-28-1 2.8/28, Jupiter-12 2.8/35, Jupiter-8 2/50, Industar-50 3.5/50, Industar-26M 2.8/50, Industar-22 3.5/50, Zenitar M2S 2/50, Helios-44-2, Jupiter-9 2/85, Jupiter-11 4/135, Tair-3C 4.5/300
Tokina 3.5/17, Nikon Auto Nikkor-N 2.8/24, Nikon Micro-Nikkor-P 3.5/55, Ross Xpress 3.5/4in, Ross Xpress 4/5in, Ross Xpress 4.5/8.5in, Wollensak APO-Raptar 10/541
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skida

Joined: 02 Mar 2012 Posts: 1304 Location: North East England
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Posted: Thu May 17, 2012 3:00 pm Post subject: |
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| Getting a good result out of an old camera is very satisfying and those shots look very pleasing. The first and last in the series are the stand out shots for me. |
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iangreenhalgh1


Joined: 18 Mar 2011 Posts: 9096
Expire: 2014-01-07
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Posted: Thu May 17, 2012 6:36 pm Post subject: |
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Cheers Skida, I agree very much, it is so satisfying to shoot with these old ladies.
I would have posted whole roll but I buggered up the exposure, a bit of underexposure and the Fomadon LQR is a high contrast developer and unforgiving of underexposure, so it was operator error not the camera at fault, it's a very good camera.
If you ever see a Bessa cheap at a boot sale, grab it, try to find one with a Skopar lens. _________________ 'The question I would really consider (especially if an amateur and on a budget) is whether or not anyone (including yourself, of course) can tell the difference in any situation for which you will use the lens...and if they can, why are they burying their noses in your prints hard enough to tell the difference instead of responding to the prints emotionally and thinking about what they might mean?' - 2F/2F on apug.org
Digital: Sony NEX-3, Samsung NX100, Canon EOS 450d
35mm SLR: Konica FT-1, Konica FC-1, Konica Autoreflex T, Carena SRH760, Exakta RTL1000, Canon EOS 10qd
35mm VF: Olympus Stylus, Konica C35, Konica A4, Konica MG, Konica MT-9, Ricoh FF-9, Ricoh AF-80
35mm RF: Zorki 6, Kiev II, Kiev IV, Contax IIIa, CZJ Werra III,
Medium format: Franka Rolfix, Mess Ikonta 524/16, Voigtlander Bessa with Skopar 3.5/105, Voigtlander Bessa with Voigtar 3.5/105, Kiev 6C, Century Graphic 23, Ensign Selfix 820, Kershaw 450
MF lenses: Schneider Angulon 6.5/68, Componon-S 5.6/100, C-Claron 4.5/135, Xenar 3.5/105, Mamiya C 2.8/45, Mamiya 2.8/80, CZJ Flektogon 4/50, Biometar 2.8/80, Zodiac 3.5/30, Tominon 4.5/135, Pullin Pulnar 2.8/100
Large Format: Ernemann HEAG Series VII version II 9x12 with Kodak Anastigmat 6.3/170
Konica Hexanons 4/21, 2.8/24, 3.5/28, 2.8/35, 1.8/40, 1.4/50, 1.7/50, 1.8/50, 3.2/135, 3.5/135, 3.5/200, 4.5/300, 3.5-4.5/35-70, 4-4.6/28-135, 3.5/35-70, UC 3.5/45-100, 4/70-150, 4/65-135, UC 4/80-200. Hexars 3.5/28, 3.5/135, Konishiroku 2.8/35
Carl Zeiss Jena Flektogon 2.8/35, Skoparex 3.4/35, Tessar 2.8/50, Sonnar 1.5/50, Biotar 2/58, Pancolar 1.8/50, Cardinar 4/100, Zeiss-Opton Biogon 2.8/35
Meyer/Pentacons 2.8/28, Primagon 4.5/35, Trioplan 2.9/50, 1.8/50, 2.4/50, Primotar 3.5/50, Primotar 3.5/135
Topcon RE Auto Topcors 1.8/58, 3.5/135, 5.6/200
Russians: OKC1-18-1 2.8/18, OKC1-28-1 2.8/28, Jupiter-12 2.8/35, Jupiter-8 2/50, Industar-50 3.5/50, Industar-26M 2.8/50, Industar-22 3.5/50, Zenitar M2S 2/50, Helios-44-2, Jupiter-9 2/85, Jupiter-11 4/135, Tair-3C 4.5/300
Tokina 3.5/17, Nikon Auto Nikkor-N 2.8/24, Nikon Micro-Nikkor-P 3.5/55, Ross Xpress 3.5/4in, Ross Xpress 4/5in, Ross Xpress 4.5/8.5in, Wollensak APO-Raptar 10/541
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