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What are the Ultrons and Alpas at 35MM FL?
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PostPosted: Sun Apr 11, 2021 12:54 am    Post subject: What are the Ultrons and Alpas at 35MM FL? Reply with quote

Been playing with vintage glass for a while, and at 50mm I have multiple lenses that are just special, an Alpa and Ultron, and a Minolta 58 1.2, ..... I feel that each of these lenses are very special, and I have shot a bunch that are I would describe as excellent.

I have been through ALOT of 35s and while I have found a number that are pretty good. I cant say that I have found anything that just doesnt want to leave the camera..... Looking for suggestions. For some reason I sold my canon 35 thorium concave and I would say so far that is the closest thing I have found. No need to mention that summi-thingy cant afford one. I havent shot a Biogon, and that is on the list to try

I shoot an A7R2 and I know thats kind of a difficult sensor to make happy, so that may be the issue.


PostPosted: Sun Apr 11, 2021 1:34 am    Post subject: Reply with quote

Biogon? Get a Loxia 35 then!


PostPosted: Sun Apr 11, 2021 7:26 am    Post subject: Reply with quote

Well, 35mm is not one of my favorite focus lengths but I own and have tested already a dozen of old MF 35mm lenses on the A7R II.
So far my favorites are the Minolta MD F1.8 and F2.8 versions and in comparison the CV Ultron F1.7 lens.

A quick comparison between the Minolta MD F1.8 and the CV Ultron on the A7R II can be seen here:
http://forum.mflenses.com/minolta-md-35mm-f1-8-vs-cv-35mm-f1-7-on-a7r-ii-t80420.html
This test may also be of help for you: https://lens.ws//minolta-md-35mm-f1-8/

Amongst the "normal" F2.8 versions IMHO the Minolta MD lens is one of the sharpest one. At least I haven't seen a sharper lens in this class yet.
Here is also a thread about this lens on different cameras, the newer postings on the A7 as well: http://forum.mflenses.com/testing-minolta-md-w-rokkor-35mm-2-8-t72692.html


PostPosted: Sun Apr 11, 2021 7:37 am    Post subject: pignons made bodies, not lenses Reply with quote

Sir,

You will not find lenses made by Pignons- They just bought in the optics they found best. The wides for Alpa were mainly made by Schneider and Angenieux , some by Oude Delft and Kilfitt the longer ones by Schneider, Kinoptik, angenieux. kilfitt and Enna

The 50es in the later Alpa models were made by Kern Aarau in the early ones by Angenieux, Berthiot and Schneider When the economic conditions became difficult for "rolls Royce" type optics, they ordered some samples of rollei-singapore made . zeiss licenced ones which they rejected. They switched to using Asahi Takumars with adapters on both ends ( snap-on alpa filters + M42 autoaperture to Alpa bayonet) and just before they went broke they moved all production to Chinon.

If your camera can manage alpamount lenses the wide Angenieux ones may be worth a try, but for the sums that they will cost you could easily get several much more recent constructions.

p.


PostPosted: Sun Apr 11, 2021 4:57 pm    Post subject: Reply with quote

Thanks for the inputs. I did briefly own the retrofocus Angineux 35, it came with a lot of gear.... I couldnt justify it for the price....

i was hoping that someone had a WOW lens at the focal length, but so far no. THe minolta maybe an option havent tried that but frankly the images i have seen while competent, arent show stoppers. Currently I have the beast 35 1.4 Sony which is a Meh lens, would like to replace it with a wow lens....

Be interested in seeing if the chinese have a winner in the upcoming 35 F4 CV APO lens or not.... not seeing any pre-release sample photos as of yet.

So at 24 or 28 or even 32 what are the wow lenses? I have a zeiss distagon 32, which I really like but at 2.8 its a bit slow. Also have the Minolta 28, which I really like....


PostPosted: Mon Apr 12, 2021 11:46 am    Post subject: Reply with quote

The Minolta MC 35/1.8 would be my pick too... Sharp, contrasty, nice rendering, mechanical build quality top notch and when shot wide open at minimum focus distance it can also be "expressive" (glowy). Only downside is that it flares from the slightest bit of side light.

There are many nice 35's in the 2.8 range but they are mostly just solid performers, no WOW-factor. I had the Yashica 35/2.8 which was pleasant and is said to be close in performance to the Contax Zeiss one.
Same with 28mm... an exceptional one (and one of my most used lenses) is the Zeiss 28/2.8, if you like a bit of a funky approach i can recommend the vivitar series 1 28/1.9

I've never tried the beasts in this category such as 35/1.4 from Zeiss or Nikon or even the 24/1.4 from Canon. But for that money you can easily get a modern computation.


PostPosted: Mon Apr 12, 2021 2:08 pm    Post subject: Reply with quote

Contax Zeiss Distagon 35mm 1.4. Lovely rendering.

Like you have had no `wow` and more than a few `is that it?`from a few I`ve tried including Samyang 35mm 1.4, Zeiss distagon zf.2 35mm f2, Sony 35mm 1.4 G (AF), various oldies from yashinons, fujinons, topcor, komura, minolta etc (except the lovely Minolta 35mm f2 AF, regret selling that now we have monster and laea5 adapters)

I was thinking me and 35mm don`t get on `til i found it.It`s hard to find one at a decent price but I got mine around 500gbp with patience. Worth the wait.


PostPosted: Mon Apr 12, 2021 2:54 pm    Post subject: Reply with quote

tb_a wrote:
Well, 35mm is not one of my favorite focus lengths but I own and have tested already a dozen of old MF 35mm lenses on the A7R II.
So far my favorites are the Minolta MD F1.8 and F2.8 versions and in comparison the CV Ultron F1.7 lens.

A quick comparison between the Minolta MD F1.8 and the CV Ultron on the A7R II can be seen here:
http://forum.mflenses.com/minolta-md-35mm-f1-8-vs-cv-35mm-f1-7-on-a7r-ii-t80420.html
This test may also be of help for you: https://lens.ws//minolta-md-35mm-f1-8/

Amongst the "normal" F2.8 versions IMHO the Minolta MD lens is one of the sharpest one. At least I haven't seen a sharper lens in this class yet.
Here is also a thread about this lens on different cameras, the newer postings on the A7 as well: http://forum.mflenses.com/testing-minolta-md-w-rokkor-35mm-2-8-t72692.html


The Minolta MD W Rokkor 35mm f2.8 lens was also released in a Minolta Celtic version.
I have it.
Minolta MD Celtic 35mm f2.8 with the 49mm filter thread.


PostPosted: Mon Apr 12, 2021 4:11 pm    Post subject: Reply with quote

I also favor the zeiss distagon 35mm 1.4. It's a fantastic optic. It is a bit on the large and heavy end but, as stated above, fantastic rendering. I like the photos better even than those from the minolta md 35mm 1.8


PostPosted: Mon Apr 12, 2021 5:29 pm    Post subject: Reply with quote

My Sony zeiss 35/1,4 ZA is, by far better rendering (specially in CA and borders sharpness) than my copy of distagon 35 c/y.

I hope that the GM version is better than both.


PostPosted: Mon Apr 12, 2021 7:40 pm    Post subject: Reply with quote

Gatorengineer64 wrote:

I have been through ALOT of 35s and while I have found a number that are pretty good. I cant say that I have found anything that just doesnt want to leave the camera ...
I shoot an A7R2 and I know thats kind of a difficult sensor to make happy, so that may be the issue.


It of course depends on what you want to shoot. For me there are two main fields for using a 35mm wideangle:

1) landscape
2) reportage

The best vintage 35mm lens for landscape I know is the Minolta MD 2.8/35mm (its [5/5] construction was also available as a late MC-X version). I have compared it side-by-side with the Sony Zeiss Sonnar FE 2.8/35mm, and it is as sharp and contratsy as the Zeiss (43 MP FF, Sony A7RII):
http://artaphot.ch/minolta-sr/objektiv-vergleiche/434-sony-a7rii-and-summilux-1-4-35mm-asph-sony-zeiss-fe-2-8-35mm-and-minolta-md-2-8-35mm

When talking about fast 35mm vintage lenses, it's often more about "character" than about resolution. Since "character" is very subjective, it's best to have a side-by-side comparison. I have published this one earlier on here on mflenses, but I include it again (CLICK TWICE FOR FULL RESOLUTION):



Apart from theses lenses i have tested also the Carl Zeiss Distagon CY 1.4/35mm, which is quite a bit better than the Nikkor shown here - but not really better than the two Minolta 1.8/35mm (MC, MD) shown here as well. Which means I didn't spend the CHF 650.-- or so just for putting then lens in a shelve ...

marius.zaech wrote:
The Minolta MC 35/1.8 would be my pick too... Sharp, contrasty, nice rendering, mechanical build quality top notch and when shot wide open at minimum focus distance it can also be "expressive" (glowy). Only downside is that it flares from the slightest bit of side light.

My pick as well - see above comparison.

marius.zaech wrote:

There are many nice 35's in the 2.8 range but they are mostly just solid performers, no WOW-factor. I had the Yashica 35/2.8 which was pleasant and is said to be close in performance to the Contax Zeiss one.
Same with 28mm... an exceptional one (and one of my most used lenses) is the Zeiss 28/2.8, if you like a bit of a funky approach i can recommend the vivitar series 1 28/1.9

My Yashica ML 2.8/35mm is the 6L version (there's also a 7L version which may be better). While it is good, it is not as good as the Minolta MC/MD 28/35mm [5L]. The earlier Minolta MC 2.8/35mm [7L] versions as well as the Konica AR 2.8/35mm [7L] are "character lenses" as well; they are not as "clinically sharp" as the MD 2.8/35mm, have lower contrast and - to a certain degree - some "glow". The Pentax-M 2.8/35mm is a nice lens as well, similar to the Yashica mentioned. I don't know the Canon nFD 2.8/35mm (supposedly very sharp as well) and the different incarnations of the 2.8/35mm Nikkors (several computations).

marius.zaech wrote:
I've never tried the beasts in this category such as 35/1.4 from Zeiss or Nikon or even the 24/1.4 from Canon. But for that money you can easily get a modern computation.

I own the Nikkor AiS 1.4/35mm (which is a slightly improved computation compared to the original pre-Ai), and I've been testing both the Zeiss CY 1.4/35mm and the Canon FD 1.4/24mm L. The Zeiss is the best of these three lenses; both the Nikkor as well as the Canon L are pretty "characterful" (I would prefer to say "lousy", but that's not something you say here ...). Same for the Nikkor AiS 2/24mm btw, but that's off topic for sure.

S


PostPosted: Mon Apr 12, 2021 11:23 pm    Post subject: Reply with quote

SteveMark,

Thanks for a thorough and thoughtful reply. I really like the Minolta 35 F2.8 and probably will pick one up. I do note that from your web like the Summicron 35, is likely the special lens, as to be expected by its reputation. Its not in the cards, but the colors and something about the rendering are probably what I am looking for. But this lens is definitely out of my range, so the Minolta 2.8 looks like a good choice. Not impressed by the 1.8 wide open....

Thanks again.

Mark


PostPosted: Tue Apr 13, 2021 12:11 am    Post subject: Reply with quote

I had c/y 35mm 2.8 very good , but the Flektogon 2.4 it's pretty close also , still prefer the 28mm range .


PostPosted: Tue Apr 13, 2021 8:02 am    Post subject: Mamiya Sekor CS 35mm 2.8 Reply with quote

Good to read this thread to find competition for the 35mm that I think is perfect, the Mamiya Sekor CS 35mm 2.8. I have to check that lens against another recommended 35mm to be sure that I am not mistaken about its quality.


PostPosted: Tue Apr 13, 2021 5:58 pm    Post subject: Reply with quote

maybe slightly out of bounds, but my favorite 35mm currently is my tamron SP 01 35mm-80mm f/2.8 at the 35mm end, even compared to the minolta MD 35mm f/2.8 prime of the same era, i find the color, sharpness, rendering, and especially delicate microcontrasts to be extremely pleasing - zoom and close focus are added bonuses.


PostPosted: Tue Apr 13, 2021 6:45 pm    Post subject: Reply with quote

Have you tried "fat boy" Super-Takumar 1:2/35? Much better than later versions of Takumars imho. https://takumarguide.weebly.com/1--2--35-model-i-368.html

#1


PostPosted: Tue Apr 13, 2021 6:56 pm    Post subject: Reply with quote

Gorgeous photo of a gorgeous (and somewhat mysterious!) Cat.


PostPosted: Tue Apr 13, 2021 8:30 pm    Post subject: Super tak 67 F2 Reply with quote

I never tried the Fat F2, I did have the SMC 2.0, and the 2.3 and 3.5 The 2.3 version I had had a ding in the filter ring indicating a whack, and perhaps thats why it wasnt stellar it was solid but not spectacular. The 2.0 skinny was just OK, the reviews are all over the map on the 2.3 fat, dont really recall the 3.5 other than I had it, must have made an impression.....

Your pic says its pretty sharp, and i like the bubbles but the reviews are quite mixed. WIll do some homework this might be what I was looking for.

Another interesting but expensive lens is the Fuji 35 F2 screwmount. Expensive.... and little reviewed..... But my first 35 was an AX-3 so fujis have a place in my heart.....


PostPosted: Tue Apr 13, 2021 9:18 pm    Post subject: Reply with quote

Gatorengineer64 wrote:
SteveMark,

Thanks for a thorough and thoughtful reply. I really like the Minolta 35 F2.8 and probably will pick one up. I do note that from your web like the Summicron 35, is likely the special lens, as to be expected by its reputation. Its not in the cards, but the colors and something about the rendering are probably what I am looking for. But this lens is definitely out of my range, so the Minolta 2.8 looks like a good choice. Not impressed by the 1.8 wide open....

Thanks again.

Mark


Simply Leica


PostPosted: Tue Apr 13, 2021 9:32 pm    Post subject: Reply with quote

Meyer-Optik 35mm Primagon f/4.5


PostPosted: Wed Apr 14, 2021 12:58 am    Post subject: Reply with quote

Gatorengineer64 wrote:
I never tried the Fat F2, I did have the SMC 2.0, and the 2.3 and 3.5 The 2.3 version I had had a ding in the filter ring indicating a whack, and perhaps thats why it wasnt stellar it was solid but not spectacular. The 2.0 skinny was just OK, the reviews are all over the map on the 2.3 fat, dont really recall the 3.5 other than I had it, must have made an impression.....

WIll do some homework this might be what I was looking for.


I own this fat Super Takumar 35mm/F2. It offers a lot of "character" when used wide open. However, to achieve sharp landscapes from corner to corner on the Sony A7R II it has to be used at F8.
The Minolta AF 35mm/F2 offers better landscape performance at F4.


PostPosted: Wed Apr 14, 2021 10:02 am    Post subject: Reply with quote

no text

Last edited by tomasg on Wed Apr 14, 2021 12:24 pm; edited 5 times in total


PostPosted: Wed Apr 14, 2021 10:13 am    Post subject: Reply with quote

The Takumars mentioned are mainly known for their bokeh effects. Stopped down they are just good 35mm's. But you then can also use the (Super) M-C) Takumar 35mm 1:3.5 which is excellent.

Carl Zeiss Jena DDR Flektogon 2.4/35 MC is of course one of the most famous 35mm in m42 land.