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alex ph
Joined: 16 Mar 2013 Posts: 1571
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Posted: Thu Nov 19, 2020 11:00 pm Post subject: Minolta MD 3.5/28 |
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alex ph wrote:
Amplifying an exchange with Lumens Pixel who proposed a nice comparison of versions 2.8 and 3.5, here are just several shots taken with Minolta MD 3.5/28 on Sony NEX, at f4-5.6. Some of them with a linear polarising filter on, which gives a difference that does not seem crucial.
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visualopsins
Joined: 05 Mar 2009 Posts: 10531 Location: California
Expire: 2025-04-11
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Posted: Thu Dec 17, 2020 8:31 pm Post subject: |
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visualopsins wrote:
Nice walkabout _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (51BB), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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alex ph
Joined: 16 Mar 2013 Posts: 1571
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Posted: Fri Dec 18, 2020 5:44 am Post subject: |
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alex ph wrote:
Thank you, Visualopsins! It's a lens that surely adds some extra tinge to leisure wandering. |
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lumens pixel
Joined: 27 Feb 2019 Posts: 834
Expire: 2021-06-25
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Posted: Fri Dec 18, 2020 5:51 pm Post subject: |
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lumens pixel wrote:
Certainly a nice lens.
Minolta's 28s have been disparaged a bit but I could not see why considering the results I obtain on A7 with 28 3,5, 28 2,8, and 28 2,5. _________________ Lumens Pixel
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Minolta SR mount: 16 2,8; Sigma SuperWide 24 2,8; 28 2,5; 28 2,8; 28 3,5; 35 2,8; 45 2,0; 50 1,4; 50 1,7; 50 2,0; 58 1,4; 85 2,0; 100 2,5; 100 4 Macro; 135 3,5; 135 2,8; 200 4; RF 250 5,6; 24-35 3,5; 35-70 3,5; 75-150 4; 70-210 4
Canon FD mount: Tokina RMC 17 3,5; 28 2,8; 35 2,8; 50 1,8; 50 3,5 Macro; 55 1,2; 135 3,5; 135 2,5; 200 4,0; 300 5,6; 28-55 3,5 4,5; Tokina SZ-X SD 270; 70-150 4,5; 70-210 f4; 80-200 4L; Tokina SZ-X 845
Tamron Adaptall: 28-80 3,5-4,2 (27A); 70-210 3,8-4 (46A); 60-300 (23A); 90 2,5 (52B); 35-135 3,5-4,5 (40A)
Tamron SP: 20-40 2,7-3,5 (266D) |
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stevemark
Joined: 29 Apr 2011 Posts: 3754 Location: Switzerland
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Posted: Fri Dec 18, 2020 9:34 pm Post subject: |
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stevemark wrote:
lumens pixel wrote: |
Certainly a nice lens.
Minolta's 28s have been disparaged a bit but I could not see why considering the results I obtain on A7 with 28 3,5, 28 2,8, and 28 2,5. |
Maybe because nearly all vintage 28mm lenses were bit "budget" lenses? Not only the Minolta ones, but also those from most other manufacturers including Zeiss CY? I have quite a few 28mm from the 1960-1985 time frame, including the f2.8 and f3.5 variants from Canon FD/nFD, Konica AR, Mamiya CS and E, Minolta AR/MC/MD, Nikon, Olympus, Asahi/Pentax, Topcon RE, Yashica, and Zeiss CY. Some of these lenses are slightly better than the majority, but none of them really shines.
Caveat: I've never tried/used the Pentax K series 3.5/28mm, the Leica R 2.8/28mm versions, or the Zeiss CY 2/28mm.
S _________________ www.artaphot.ch |
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Doc Sharptail
Joined: 23 Nov 2020 Posts: 987 Location: Winnipeg Canada
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Posted: Sat Dec 19, 2020 1:08 am Post subject: |
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Doc Sharptail wrote:
Nice !
I can see bait fish rising in the mid-ground right of #4
-D.S. _________________
D-810, F2, FTN.
35mm f2 O.C. nikkor
50 f2 H nikkor, 50 f 1.4 AI-s, 135 f3.5 Q,
50 f2 K nikkor 2x, 28-85mm f3.5-4.5 A/I-s, 35-105 3.5-4.5 A/I-s, 200mm f4 Micro A/I, partial list.
"Ain't no half-way" -S.R.V.
"Oh Yeah... Alright" -Paul Simon |
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alex ph
Joined: 16 Mar 2013 Posts: 1571
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Posted: Mon Dec 21, 2020 4:36 am Post subject: |
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alex ph wrote:
Thank you, Doc Sharptail. I guess, #4 reveals less a bait fish than kind of fish bones left after numerous feasts.
Stephan, that is an interesting observation I didn't think about before. So, in the film era, in the space in between the "pro" 24mm focal lenght and the "normal" 50mm there was a place for "cheap" 28mm.
When I first tried Hexanon 3.5/28 and Minolta W.Rokkor 3.5/28 several years ago, I was rather disappointed with the rendering. I think I expected some brilliance proper to their 50mm equivalents. Later I tasted them better. But I confess I still largely prefer 50mm lenses over the 28mm. |
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