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LyleBright
Joined: 05 Jun 2018 Posts: 22
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Posted: Tue Jun 05, 2018 2:54 pm Post subject: Question about c-mount lenses (and a hello) |
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LyleBright wrote:
Hello to all. I just found this site and am grateful that it exists.
I have some questions and admit that I am rather ignorant in these matters.
I have various cameras, all film cameras, and just one digital 4/3 format Olympus PEN. I got it to be able to attach the old c-mount lenses. I have a Meopta 20mm and a Cooke Kinic 25mm (which is really a lovely little lens for all the interesting bokeh).
I am soon to receive a Cooke 50mm Ivotal and a Dallmeyer 1.5 Anastigmat ...
But my question has to do with the 100mm Cooke lenses, and especially the very fast 2.0, which I understand is very desirable and very expensive.
When I search I come up with lenses adapted to '35mm cine' but I reckon this is not the same as c-mount? Or is it?
Is that what the 'c' in c-mount means?
Does anyone have a photograph of a Cooke 100mm 2.0 lens suited for use with an adapter for the micro 4/3rds format? If I could see one I think I could better understand.
Why is this lens to expensive in comparison to the 25mm and the 50mm? Just because it is rare and fast?
I understand that people are using the 25mm and 50mm Cooke and Dallmeyer lenses on the Black Magic video cameras, but for what are people using the 100mm?
It seems a long and specialized lens. Or, is it used by film makers? (Some of the results of a search pull up VERY expensive film camera lenses).
Please help me to gain some understanding here!
Sincere regards,
Lyle |
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luisalegria
Joined: 07 Mar 2008 Posts: 6627 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Tue Jun 05, 2018 5:00 pm Post subject: |
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luisalegria wrote:
I know little of cine uses, but two minor answers -
"c" is probably "cine", but that is hardly conclusive. "c-mount" means a specific, very common 25mm thread mount which was typical of 16mm cine cameras at one time, but it certainly wasn't universal, there were lots of 16mm camera systems that used entirely different mount systems. And "c" was not usual on 35mm (I would think this would vignette on many lenses).
There are a couple of dozen 16mm and 35mm cine lens mounts, and lenses were very often professionally converted from one to another to suit the clients needs.
Many vintage lenses, certainly any Cooke or Taylor, Hobson branded ones, have a collectors value beyond their utility value. Its not always or usually the case that these lenses are valued for their unique qualities. Rarity or celebrity count as much or more. _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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calvin83
Joined: 12 Apr 2009 Posts: 7554 Location: Hong Kong
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Posted: Tue Jun 05, 2018 5:42 pm Post subject: |
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calvin83 wrote:
Which 'Cooke 100mm 2.0' are you referring to? _________________ https://lensfever.com/
https://www.instagram.com/_lens_fever/
The best lens is the one you have with you. |
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LyleBright
Joined: 05 Jun 2018 Posts: 22
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Posted: Tue Jun 05, 2018 5:50 pm Post subject: |
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LyleBright wrote:
That’s what I am unclear about. It was mentioned to me by a friend. I assume it to be a 100mm Cooke 2.0 lens with the 25mm mount that requires the cmount adaptor.
More information I do not have.
Again, this is unfamiliar territory for me.
I have seen numerous 4” c-mount f 4.0 lenses on eBay but no 2.0 4” lenses.
I assume 4” to equate to 100mm. That is, if a 1” lens is 25”. But I am in the dark about all of this.
As Claudius said ‘Give me light!’ |
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DConvert
Joined: 12 Jun 2010 Posts: 905 Location: Essex UK
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Posted: Tue Jun 05, 2018 5:53 pm Post subject: |
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DConvert wrote:
There are at least three variants of the c-mount, all using the same thread 1"-32tpi thread at different registrations.
Std C-mount is used for both Cine & TV systems with a number of different sensor sizes. registration about 17.5mm
CS-mount has 5mm less registration & is only used in small format TV systems
then there's Bolex H8RX with registration of 15.3mm (between the other two) only AFAIK used for cine film.
Sellers of CS-lenses have often described them as c-mount, but these are nearly always short focal length lenses. |
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paulhofseth
Joined: 05 Mar 2011 Posts: 566 Location: Norway
Expire: 2018-06-28
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Posted: Tue Jun 05, 2018 6:51 pm Post subject: cmount adapter |
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paulhofseth wrote:
As the standard Cmount has a shorter flange to film plane distance, "back focus", the adapter needs to fit inside the M4\3 mount. This limits the use of very big aperture lenses if the rearmost part of their mounts does not fit inside the recessed bits of the adapter.
As with all photography, long lenses were occasionally needed for filming, so lenses even longer than 100mm do exist. !6mm film lenses were designed for a smaller image circle than required for m4\3, but the longer focal lengths will usually avoid serious vignetting.
p. |
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LyleBright
Joined: 05 Jun 2018 Posts: 22
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Posted: Wed Jun 06, 2018 12:13 am Post subject: |
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LyleBright wrote:
Thanks much for the help. |
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visualopsins
Joined: 05 Mar 2009 Posts: 10570 Location: California
Expire: 2025-04-11
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Posted: Wed Jun 06, 2018 12:43 am Post subject: |
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visualopsins wrote:
Welcome LyleBright
Quote: |
C mount was created by Bell & Howell for their Filmo 70 cine cameras.[2] The earliest Filmos had a slightly different mounts, known as A mount, and B mount. C mount was found on Filmo 70 cameras with serial numbers 54090 and higher,[3] probably from about 1926. Soon after, other camera manufacturers adopted the same mount, and it became a de facto standard for 16 mm cine cameras. |
https://en.m.wikipedia.org/wiki/C_mount _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (151B), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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kds315*
Joined: 12 Mar 2008 Posts: 16553 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Wed Jun 06, 2018 8:06 am Post subject: |
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kds315* wrote:
There are larger format Cooke f2 100mm (4") lenses, it doesn't have to be c-mount.
I had one here: http://www.macrolenses.de/ml_detail_sl.php?ObjektiveNr=368
which was as Cooke Optics confirmed an early Speed Panchro
And I used it on a mft camera....until I got an offer from Asia I could not resist _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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spleenone
Joined: 26 Dec 2009 Posts: 1130 Location: Slovakia
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Posted: Wed Jun 06, 2018 8:57 am Post subject: |
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spleenone wrote:
kds315* wrote: |
There are larger format Cooke f2 100mm (4") lenses, it doesn't have to be c-mount.
I had one here: http://www.macrolenses.de/ml_detail_sl.php?ObjektiveNr=368
which was as Cooke Optics confirmed an early Speed Panchro
And I used it on a mft camera....until I got an offer from Asia I could not resist |
Do you have some samples? Pictures made with this glass? _________________ Shoot on analog mainly with
Nikkor glass
then Pentacon6TL for squares
and Fujica GL690 in case of 6x9
Carpe diem! |
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DConvert
Joined: 12 Jun 2010 Posts: 905 Location: Essex UK
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Posted: Wed Jun 06, 2018 3:04 pm Post subject: |
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DConvert wrote:
kds315* wrote: |
There are larger format Cooke f2 100mm (4") lenses, it doesn't have to be c-mount.
I had one here: http://www.macrolenses.de/ml_detail_sl.php?ObjektiveNr=368
which was as Cooke Optics confirmed an early Speed Panchro
And I used it on a mft camera....until I got an offer from Asia I could not resist |
The mount on that lens looks intriguing, a sort of interrupted screw mount?
Can you tell us more on that too???? |
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