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Hood
Joined: 26 Jan 2012 Posts: 469 Location: Perth, Australia
Expire: 2013-09-16
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Posted: Sat Feb 03, 2018 1:08 pm Post subject: Reach no more |
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Hood wrote:
Reach no more
This was taken with my Minolta Dynax 7 using my Minolta 28mm f2.8 on Ilford PanF 50, stand developed in Rodinal and scanned on my Epson 4990
_________________
-Josh
Currently shooting:
Digital:Sony Nex-5, Nex-5n, Pentax KX, Pentax K30 and Fuji JZ100
Film: Minolta x700, Contax 137MD, Chinon Memotron, Minolta 500si, Minolta 700si, Canon Ex-auto, Minolta 35DL weathermatic, Pentax espio 738, Minolta Himatic-G, Olympus Trip 35, Elixa Reflex-B, Pentax MZ-60
Lens Collection:Slr Magic 28/2.8, Slr Magic 35/1.7, Minolta Rokkor 45/2, Minolta Rokkor 50/1.4, Minolta W-Rokkor-sg 28/3.5, Minolta 35-70/3.5, Minolta Rokkor-PF 55/1.9, Minolta W.Rokkor 28/3.5, Monolta MD 50/2*2, Minolta 50/1.7, Minolta zealox bellows, Minolta e.Rokkor 75/4.5, Sony 18-55 3.5/5.6, Sony 16/2.8, Asahi Smc Takumar 55/1.8, Asahi Smc Takumar 50/1.5, Meyer Gerlitz Dimoplan 50/2.8,Meyer Gerlitz Orestegon 50/1.8, Tamron 35/2.8, Tamron 70-220/4, Tamron aspherical 28-200 3.8-5.6, Seimar 28/2.8, Aus Jena Tessar 50/2.8, Industar 50/3.5, Industar 26m 50/2.8, Industar 61 55/2.8, Industar 69 28/2.8, Carenar 45/2.8, Pentacon electric 50/1.8, Pentacon 30/3.5, Pentacon 29/2.8, Helios 44m 58/2, Miida 35/2.8, Miida 75-205/3.8, Cosina 28/2.8, Kenlock 135/2.8, Kenlock 35/2.8, Kenlock Mc-tor 28/2.8, Jupiter 8 50/2, Vivitar 28-85 3.5-4.5 macro, Vivitar 28-80 3.5-5.6 macro, Exacta 35-70 3.5-4.8 macro, Sigma 35-70 2.8-4, Sigma 100-200 4.5, SamYong 18-28 4-4.5, Photax-Pharagon 35/2.8, Travenar 35/2.8, Travenar 50/1.8, Tokina 70-210 4-5.6, Tokina 28/2.8, Promura 200/3.5, Sirius 20-200 3.9, Soligor 200/3.5, Canon FL 50/1.8, Canon FD 35-70 3.5-4.5, Auto Focal 75-200/4.5, Zenit Zenitar 50/2,Tokina353 35-300mm(KX), Pentax 18-55(KX), Pentax 35-80(KX), Sigma 14mm F2.8(KX), Sigma 70-200mm(KX), Sigma 24-70mm(KX), Pentax 35-135 macro(KX), plus I have a few in for service right now and I'm always collecting more...
It's been a few years now, I need to sit down and update this list...it has grown considerably! haha
My Blog:
http://www.joshpereraphoto.com/
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Sciolist
Joined: 29 Mar 2017 Posts: 1445 Location: Scotland
Expire: 2021-04-16
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Posted: Sat Feb 03, 2018 1:19 pm Post subject: |
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Sciolist wrote:
Yep, their days of twistingly following the sun appear done.
The trunks are really nicely picked out Hood . |
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visualopsins
Joined: 05 Mar 2009 Posts: 10463 Location: California
Expire: 2021-06-22
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Posted: Sat Feb 03, 2018 3:53 pm Post subject: |
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visualopsins wrote:
Rich detail! I like grain too. Not possible in digital? _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony A7Rii, Spotmatics II, F, and ESII, Nikon P4
M42 Asahi Optical Co., Lenses:
Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200
Tele-Takumar 1:5.6/200, 1:6.3/300
Macro-Takumar 1:4/50
Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm
Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element),
Super-Multi-Coated Fisheye-TAKUMAR 1:4/17
Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500
Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100
Super-Multi-Coated Bellows-TAKUMAR 1:4/100
SMC TAKUMAR 1:1.4/50, 1:1.8/55
Other lenses:
Carl Zeiss Jena Flektogon 2.4/35
SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (51BB), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto
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tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
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Posted: Sat Feb 03, 2018 4:16 pm Post subject: |
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tb_a wrote:
visualopsins wrote: |
Rich detail! I like grain too. Not possible in digital? |
Quite easily. In Silver Efex Pro (available free of charge) you can even select the preset film type like Ilford HP400 or Kodak T-Max 3200, etc. and convert every digital color picture into an ancient looking film one.
This one converted with the Kodak preset:
That's the original for comparison:
BTW, also shot autofocus with Sony A850 and Tamron SP macro AF 90mm/F2.8 fully open, to stay almost on topic. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
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visualopsins
Joined: 05 Mar 2009 Posts: 10463 Location: California
Expire: 2021-06-22
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Posted: Sat Feb 03, 2018 4:19 pm Post subject: |
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visualopsins wrote:
Not even close imho. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony A7Rii, Spotmatics II, F, and ESII, Nikon P4
M42 Asahi Optical Co., Lenses:
Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200
Tele-Takumar 1:5.6/200, 1:6.3/300
Macro-Takumar 1:4/50
Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm
Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element),
Super-Multi-Coated Fisheye-TAKUMAR 1:4/17
Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500
Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100
Super-Multi-Coated Bellows-TAKUMAR 1:4/100
SMC TAKUMAR 1:1.4/50, 1:1.8/55
Other lenses:
Carl Zeiss Jena Flektogon 2.4/35
SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (51BB), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto
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tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
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Posted: Sat Feb 03, 2018 5:41 pm Post subject: |
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tb_a wrote:
visualopsins wrote: |
Not even close imho. |
No wonder, the original picture from the OP was on Ilford PANF 50 which is a high resolution film and does hardly show any visible grain if developed according Ilford specs and I took the most grainy preset of the Kodak 3200 film which I wouldn't use anyway when shooting film.
However, you can download the program and play around yourself: http://www.google.com/nikcollection/
I find it very useful and particularly for B&W conversions it's certainly still one of the best available for the time being. _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
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visualopsins
Joined: 05 Mar 2009 Posts: 10463 Location: California
Expire: 2021-06-22
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Posted: Sat Feb 03, 2018 6:00 pm Post subject: |
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visualopsins wrote:
tb_a wrote: |
visualopsins wrote: |
Not even close imho. |
No wonder, the original picture from the OP was on Ilford PANF 50 which is a high resolution film and does hardly show any visible grain if developed according Ilford specs and I took the most grainy preset of the Kodak 3200 film which I wouldn't use anyway when shooting film.
However, you can download the program and play around yourself: http://www.google.com/nikcollection/
I find it very useful and particularly for B&W conversions it's certainly still one of the best available for the time being. |
Thanks Thomas! I'll definitely try some of those softwares.
Yes, incredible details from the film.
Maybe nobody can discern the difference between film results and pp of digital, between analog and digital. Digital simulation works imho because the presentation remains quite crude. Some eyes would distinguish individual rgb colors rather than the combination which occurs in the brain. _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony A7Rii, Spotmatics II, F, and ESII, Nikon P4
M42 Asahi Optical Co., Lenses:
Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200
Tele-Takumar 1:5.6/200, 1:6.3/300
Macro-Takumar 1:4/50
Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm
Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element),
Super-Multi-Coated Fisheye-TAKUMAR 1:4/17
Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500
Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100
Super-Multi-Coated Bellows-TAKUMAR 1:4/100
SMC TAKUMAR 1:1.4/50, 1:1.8/55
Other lenses:
Carl Zeiss Jena Flektogon 2.4/35
SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (51BB), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto
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Sjak
Joined: 29 Sep 2017 Posts: 696
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Posted: Sat Feb 03, 2018 6:27 pm Post subject: Re: Reach no more |
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Sjak wrote:
Hood wrote: |
Reach no more
This was taken with my Minolta Dynax 7 using my Minolta 28mm f2.8 on Ilford PanF 50, stand developed in Rodinal and scanned on my Epson 4990
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Nice one, well done! |
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Sjak
Joined: 29 Sep 2017 Posts: 696
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Posted: Sat Feb 03, 2018 6:30 pm Post subject: |
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Sjak wrote:
tb_a wrote: |
However, you can download the program and play around yourself: http://www.google.com/nikcollection/
I find it very useful and particularly for B&W conversions it's certainly still one of the best available for the time being. |
Somehow often I end up doing the B&W in Lightzone, and then use Analog Efex (from the same software package) to add some vintage smells to the pic.
Not implying your approach is wrong BTW |
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Hood
Joined: 26 Jan 2012 Posts: 469 Location: Perth, Australia
Expire: 2013-09-16
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Posted: Mon Feb 05, 2018 1:21 pm Post subject: |
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Hood wrote:
Cheers guys.
I agree you can do B&W conversions of digital, but in my personal opinion nothing really comes close to the look of true silver jelly. Or even c41 for that matter. I love digital, I shoot it too, but I also love the look and unique character only film can give... Plus I love the whole process. Shooting without any reviewing, finishing a roll and cracking the cannister open in your dark bag, loading it into your dev tank, working out your dev times, inversions etc. Then pulling out your roll after final rinse and just seeing all those lovely frames.
Thanks for taking the time to look and comment guys. _________________
-Josh
Currently shooting:
Digital:Sony Nex-5, Nex-5n, Pentax KX, Pentax K30 and Fuji JZ100
Film: Minolta x700, Contax 137MD, Chinon Memotron, Minolta 500si, Minolta 700si, Canon Ex-auto, Minolta 35DL weathermatic, Pentax espio 738, Minolta Himatic-G, Olympus Trip 35, Elixa Reflex-B, Pentax MZ-60
Lens Collection:Slr Magic 28/2.8, Slr Magic 35/1.7, Minolta Rokkor 45/2, Minolta Rokkor 50/1.4, Minolta W-Rokkor-sg 28/3.5, Minolta 35-70/3.5, Minolta Rokkor-PF 55/1.9, Minolta W.Rokkor 28/3.5, Monolta MD 50/2*2, Minolta 50/1.7, Minolta zealox bellows, Minolta e.Rokkor 75/4.5, Sony 18-55 3.5/5.6, Sony 16/2.8, Asahi Smc Takumar 55/1.8, Asahi Smc Takumar 50/1.5, Meyer Gerlitz Dimoplan 50/2.8,Meyer Gerlitz Orestegon 50/1.8, Tamron 35/2.8, Tamron 70-220/4, Tamron aspherical 28-200 3.8-5.6, Seimar 28/2.8, Aus Jena Tessar 50/2.8, Industar 50/3.5, Industar 26m 50/2.8, Industar 61 55/2.8, Industar 69 28/2.8, Carenar 45/2.8, Pentacon electric 50/1.8, Pentacon 30/3.5, Pentacon 29/2.8, Helios 44m 58/2, Miida 35/2.8, Miida 75-205/3.8, Cosina 28/2.8, Kenlock 135/2.8, Kenlock 35/2.8, Kenlock Mc-tor 28/2.8, Jupiter 8 50/2, Vivitar 28-85 3.5-4.5 macro, Vivitar 28-80 3.5-5.6 macro, Exacta 35-70 3.5-4.8 macro, Sigma 35-70 2.8-4, Sigma 100-200 4.5, SamYong 18-28 4-4.5, Photax-Pharagon 35/2.8, Travenar 35/2.8, Travenar 50/1.8, Tokina 70-210 4-5.6, Tokina 28/2.8, Promura 200/3.5, Sirius 20-200 3.9, Soligor 200/3.5, Canon FL 50/1.8, Canon FD 35-70 3.5-4.5, Auto Focal 75-200/4.5, Zenit Zenitar 50/2,Tokina353 35-300mm(KX), Pentax 18-55(KX), Pentax 35-80(KX), Sigma 14mm F2.8(KX), Sigma 70-200mm(KX), Sigma 24-70mm(KX), Pentax 35-135 macro(KX), plus I have a few in for service right now and I'm always collecting more...
It's been a few years now, I need to sit down and update this list...it has grown considerably! haha
My Blog:
http://www.joshpereraphoto.com/
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Sciolist
Joined: 29 Mar 2017 Posts: 1445 Location: Scotland
Expire: 2021-04-16
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Posted: Mon Feb 05, 2018 1:33 pm Post subject: |
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Sciolist wrote:
Hood wrote: |
Cheers guys.
I agree you can do B&W conversions of digital, but in my personal opinion nothing really comes close to the look of true silver jelly. Or even c41 for that matter. I love digital, I shoot it too, but I also love the look and unique character only film can give... Plus I love the whole process. Shooting without any reviewing, finishing a roll and cracking the cannister open in your dark bag, loading it into your dev tank, working out your dev times, inversions etc. Then pulling out your roll after final rinse and just seeing all those lovely frames.
Thanks for taking the time to look and comment guys. |
Did you do any particular work to produce that sky, Hood? It's wonderful. |
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tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
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Posted: Mon Feb 05, 2018 5:22 pm Post subject: |
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tb_a wrote:
Hood wrote: |
I agree you can do B&W conversions of digital, but in my personal opinion nothing really comes close to the look of true silver jelly. Or even c41 for that matter. I love digital, I shoot it too, but I also love the look and unique character only film can give... Plus I love the whole process. Shooting without any reviewing, finishing a roll and cracking the cannister open in your dark bag, loading it into your dev tank, working out your dev times, inversions etc. Then pulling out your roll after final rinse and just seeing all those lovely frames. |
I really appreciate your analog work and I know exactly what you are talking about. Having done really a lot of these in the pre-digital era myself and also the analog enlarging exercises.
I still have all the necessary equipment and even a lot of B&W film rolls in 120 and 135 (most probably already slightly outdated ).
Though I'm planning to reactivate my analog activities, particularly with medium format cameras, my laziness still wins..... _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
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Hood
Joined: 26 Jan 2012 Posts: 469 Location: Perth, Australia
Expire: 2013-09-16
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Posted: Tue Feb 06, 2018 12:51 am Post subject: |
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Hood wrote:
Sciolist wrote: |
Did you do any particular work to produce that sky, Hood? It's wonderful. |
Not in particular, I applied some curves from memory to get the scan to look right, but that is about it. To be honest I still would like a bit more contrast in the sky (ie. darker sky colour compared to clouds) so I have now been starting to experiement with some filters on some rolls(as well as some other emulsions) I am currently shooting. I am keen to see how this experimentation progresses.
tb_a wrote: |
I really appreciate your analog work and I know exactly what you are talking about. Having done really a lot of these in the pre-digital era myself and also the analog enlarging exercises.
I still have all the necessary equipment and even a lot of B&W film rolls in 120 and 135 (most probably already slightly outdated Wink ).
Though I'm planning to reactivate my analog activities, particularly with medium format cameras, my laziness still wins..... |
It's nice to get out and shoot and dev. some film again. I feel the practice improves your digital photography as well.
I have a few friends with darkrooms and I am keen to try printing some of these negatives when I have time to catch up with them. I did have plans to build my own darkroom and had acquired all the gear, enlargers masking board etc. etc. but when we had our son, the Mrs made me sell a lot of my gear. haha _________________
-Josh
Currently shooting:
Digital:Sony Nex-5, Nex-5n, Pentax KX, Pentax K30 and Fuji JZ100
Film: Minolta x700, Contax 137MD, Chinon Memotron, Minolta 500si, Minolta 700si, Canon Ex-auto, Minolta 35DL weathermatic, Pentax espio 738, Minolta Himatic-G, Olympus Trip 35, Elixa Reflex-B, Pentax MZ-60
Lens Collection:Slr Magic 28/2.8, Slr Magic 35/1.7, Minolta Rokkor 45/2, Minolta Rokkor 50/1.4, Minolta W-Rokkor-sg 28/3.5, Minolta 35-70/3.5, Minolta Rokkor-PF 55/1.9, Minolta W.Rokkor 28/3.5, Monolta MD 50/2*2, Minolta 50/1.7, Minolta zealox bellows, Minolta e.Rokkor 75/4.5, Sony 18-55 3.5/5.6, Sony 16/2.8, Asahi Smc Takumar 55/1.8, Asahi Smc Takumar 50/1.5, Meyer Gerlitz Dimoplan 50/2.8,Meyer Gerlitz Orestegon 50/1.8, Tamron 35/2.8, Tamron 70-220/4, Tamron aspherical 28-200 3.8-5.6, Seimar 28/2.8, Aus Jena Tessar 50/2.8, Industar 50/3.5, Industar 26m 50/2.8, Industar 61 55/2.8, Industar 69 28/2.8, Carenar 45/2.8, Pentacon electric 50/1.8, Pentacon 30/3.5, Pentacon 29/2.8, Helios 44m 58/2, Miida 35/2.8, Miida 75-205/3.8, Cosina 28/2.8, Kenlock 135/2.8, Kenlock 35/2.8, Kenlock Mc-tor 28/2.8, Jupiter 8 50/2, Vivitar 28-85 3.5-4.5 macro, Vivitar 28-80 3.5-5.6 macro, Exacta 35-70 3.5-4.8 macro, Sigma 35-70 2.8-4, Sigma 100-200 4.5, SamYong 18-28 4-4.5, Photax-Pharagon 35/2.8, Travenar 35/2.8, Travenar 50/1.8, Tokina 70-210 4-5.6, Tokina 28/2.8, Promura 200/3.5, Sirius 20-200 3.9, Soligor 200/3.5, Canon FL 50/1.8, Canon FD 35-70 3.5-4.5, Auto Focal 75-200/4.5, Zenit Zenitar 50/2,Tokina353 35-300mm(KX), Pentax 18-55(KX), Pentax 35-80(KX), Sigma 14mm F2.8(KX), Sigma 70-200mm(KX), Sigma 24-70mm(KX), Pentax 35-135 macro(KX), plus I have a few in for service right now and I'm always collecting more...
It's been a few years now, I need to sit down and update this list...it has grown considerably! haha
My Blog:
http://www.joshpereraphoto.com/
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Sciolist
Joined: 29 Mar 2017 Posts: 1445 Location: Scotland
Expire: 2021-04-16
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Posted: Tue Feb 06, 2018 9:09 am Post subject: |
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Sciolist wrote:
Thanks. |
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