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willy35
Joined: 17 Jul 2017 Posts: 97 Location: BREIZH
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Posted: Wed Jul 19, 2017 2:22 pm Post subject: Canon 35mm F2 SSC - question |
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willy35 wrote:
Hi,
I shot last week some pics with the 35mm in bright sunlight condition.
Honestly I am really really disappointed, I have an ugly yellow cast and a mute sky
Do you know how to solve this ?
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DigiChromeEd
Joined: 29 Dec 2009 Posts: 3462 Location: Northern Ireland
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Posted: Wed Jul 19, 2017 2:28 pm Post subject: |
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DigiChromeEd wrote:
A polarizing filter would improve the saturation of the sky and to be honest, on my monitor, the sand looks natural. _________________ "I've got a Nikon camera, I like to take a photograph" - Paul Simon |
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willy35
Joined: 17 Jul 2017 Posts: 97 Location: BREIZH
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Posted: Wed Jul 19, 2017 3:50 pm Post subject: |
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willy35 wrote:
This is an other lens, I prefer this kind of color. This is more what my eyes saw that sunny day.
Well canon ssc is not for me I don't like the rendering. Lens for sell - lol
Olympus 35-70mm
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visualopsins
Joined: 05 Mar 2009 Posts: 10543 Location: California
Expire: 2025-04-11
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Posted: Wed Jul 19, 2017 6:59 pm Post subject: |
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visualopsins wrote:
?
White balance.
Which camera? _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (51BB), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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Lightshow
Joined: 04 Nov 2011 Posts: 3669 Location: Calgary
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Posted: Wed Jul 19, 2017 7:04 pm Post subject: |
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Lightshow wrote:
Usually Auto WB adjusts(for the most part) any colour cast the lens may have, an easy way to see it, is to hold the lens up to something white and compare what you see through the glass to what you see directly, your monitor works great for this. _________________ A Manual Focus Junky...
One photographers junk lens is an artists favorite tool.
My lens list
http://www.flickr.com/photos/lightshow-photography/ |
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y
Joined: 11 Aug 2013 Posts: 304 Location: EU
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Posted: Wed Jul 19, 2017 7:05 pm Post subject: |
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y wrote:
The concave FD silver nose version of 32/2 is known to be radioactive. Thus it tends to have yellow tint. Dunno which version of the lens you own. |
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willy35
Joined: 17 Jul 2017 Posts: 97 Location: BREIZH
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Posted: Wed Jul 19, 2017 10:19 pm Post subject: |
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willy35 wrote:
Is there a way to know it is a concave version ?
For radioactive I read some expose their lens to UV, does it improve something ?
I have an uv exposure table with strong UV output, I may try and see.
I will make some white balance test this week end, it was set to AWB, but other lens with same setting gives different result.
I never experience such yellow cast before with a lens, expect when I was doing x-process.
Thank you !
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dnas
Joined: 14 Nov 2008 Posts: 488 Location: Japan
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Posted: Wed Jul 19, 2017 10:58 pm Post subject: |
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dnas wrote:
In the first shot, the sand is dry and bright. The second shot, the sand is damp, so it's dull.
The two shots are different, so you need to compare like with like.
You can improve saturation by under exposing a little. This is very obvious with sunset photos for example. |
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visualopsins
Joined: 05 Mar 2009 Posts: 10543 Location: California
Expire: 2025-04-11
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Posted: Thu Jul 20, 2017 12:04 am Post subject: |
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visualopsins wrote:
Place wide open lens on white sheet of paper; compare white through the lens with white without lens to see any color casting.
Auto white balance should correct for cast -- are you saying all photos made with the lens have the cast? _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (51BB), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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willy35
Joined: 17 Jul 2017 Posts: 97 Location: BREIZH
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Posted: Thu Jul 20, 2017 12:23 am Post subject: |
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willy35 wrote:
Nice tips, yes through the lens the white sheet turn with a yellow cast.
Yes all the photos made during that day had a yellow cast.
Is that only my copy that make this yellow cast or all 35mm f2 s.s.c. ???
NewFD have the same coating no ?
I will make more test this week end and try to find a suitable correction.
Thanks ! |
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jamaeolus
Joined: 19 Mar 2014 Posts: 2932 Location: Eugene
Expire: 2015-08-20
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Posted: Thu Jul 20, 2017 12:43 am Post subject: |
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jamaeolus wrote:
I would say the first shot looks more natural. The second looks bluish. Both look overexposed to me. Could be my monitor. Though it is hard to get good colors in bright sunlight. You might also consider a neutral density filter. _________________ photos are moments frozen in time |
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calvin83
Joined: 12 Apr 2009 Posts: 7554 Location: Hong Kong
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Posted: Thu Jul 20, 2017 1:28 am Post subject: |
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calvin83 wrote:
willy35 wrote: |
Is there a way to know it is a concave version ?
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Left: Concave
Right: Convex
http://hkcamera.net/images/DSC04139.JPG _________________ https://lensfever.com/
https://www.instagram.com/_lens_fever/
The best lens is the one you have with you. |
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Lightshow
Joined: 04 Nov 2011 Posts: 3669 Location: Calgary
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Posted: Thu Jul 20, 2017 1:49 am Post subject: |
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Lightshow wrote:
I believe the radioactive particles ionize the glass causing it to acquire a yellow tint, Exposure to UV reverses it.
f16 = concave
f22 = convex _________________ A Manual Focus Junky...
One photographers junk lens is an artists favorite tool.
My lens list
http://www.flickr.com/photos/lightshow-photography/ |
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willy35
Joined: 17 Jul 2017 Posts: 97 Location: BREIZH
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Posted: Thu Jul 20, 2017 8:31 am Post subject: |
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willy35 wrote:
Great, you make me discover I have a radioactive lens, hence the yellow cast.
It is confirm by the f16 arperture, the serial number (lower than 100000), and the concave element
I am starting a UV treatment, 2x 10 minutes exposure to strong uv each day, front & rear, I hope it will be clear from yellow cast in 4 - 5 days.
Many many thanks !
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