| View previous topic :: View next topic |
| Author |
Message |
Oldhand
Joined: 01 Apr 2013
Posts: 6008
Location: Mid North Coast NSW - Australia
|
 Posted: Sat Nov 26, 2016 11:51 pm Post subject: Ilford FP4 on Canon |
 |
|
Oldhand wrote:
A friend of mine has moved over completely to digital and has gifted to me his stock of 35mm film. Most of this is quite old and even though it has been refrigerated, I am finding that the emulsion is fragile and creates spotting problems in development. Not dust spots, but deterioration of the emulsion is what I am guessing.
Anyway, as I work my way through these, I am finding that there is a lot of post digitising work on spot removal.
Still, I am enjoying the film experience once more.
Here are some images shot recently.
Canon F-1 and a variety of FD glass - 20mm, 80-200, and 85mm
OH
#1
#2
#3
#4
 |
|
| Back to top |
|
 |
chhayanat
Joined: 11 Apr 2016
Posts: 242
Location: The Cow Belt
|
| Posted: Sun Nov 27, 2016 6:33 am Post subject: Re: Ilford FP4 on Canon |
|
|
chhayanat wrote:
[quote="Oldhand"]A friend of mine has moved over completely to digital and has gifted to me his stock of 35mm film. Most of this is quite old and even though it has been refrigerated, I am finding that the emulsion is fragile and creates spotting problems in development. Not dust spots, but deterioration of the emulsion is what I am guessing.
Anyway, as I work my way through these, I am finding that there is a lot of post digitising work on spot removal.
Still, I am enjoying the film experience once more.
Here are some images shot recently.
Canon F-1 and a variety of FD glass - 20mm, 80-200, and 85mm
Thanks for the memory!!
Just found a cardboard box of Fuji (assorted 200/400 ASA), some Ilford HP5, and a few Kodak TMAX 100ASA B&W films. They had been mislaid owing to house repairs and have been in out of the fridge over the past decade or so. I put them back in the fridge after finding them. Very few studios do B&W processing in India and none in my town. Anyway, the find encourages me to take out the two Pentax MX bodies for the last time.
_________________
Chhayanat
Pentax-M 28/2.8; 35/2; 50/1.4; 100/2.8; 80-200/4.5; 400/5.6.
Carl Zeiss Jena Flektogon 35/2.4; Pancolar 50/1.8 (black).
Film cameras:
Zeiss Ikon Volta 135/6.3 Sonnar 9cm x 12 cm plate/sheet film;
Zeiss Ikon Ikonta 521 75/3.5 Novar (post-War) 6cm x 4.5cm
Pentax MX x 2 (black);
Digital bodies:
Pentax K200D;
Samsung GX-20; |
|
| Back to top |
|
|
Oldhand
Joined: 01 Apr 2013
Posts: 6008
Location: Mid North Coast NSW - Australia
|
| Posted: Sun Nov 27, 2016 6:41 am Post subject: |
|
|
Oldhand wrote:
Thank you Chhayanat
It is a good film as is HP5.
You will enjoy shooting It I think.
Here are a few more from the same roll.
OH
#1
#2
#3
 |
|
| Back to top |
|
|
kds315*
Joined: 12 Mar 2008
Posts: 16541
Location: Weinheim, Germany
Expire: 2021-03-09
|
| Posted: Sun Nov 27, 2016 7:42 am Post subject: |
|
|
kds315* wrote:
_________________
Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
|
|
| Back to top |
|
|
Oldhand
Joined: 01 Apr 2013
Posts: 6008
Location: Mid North Coast NSW - Australia
|
| Posted: Sun Nov 27, 2016 9:06 am Post subject: |
|
|
Oldhand wrote:
Thank you Klaus.
OH |
|
| Back to top |
|
|
Oldhand
Joined: 01 Apr 2013
Posts: 6008
Location: Mid North Coast NSW - Australia
|
| Posted: Sun Nov 27, 2016 9:51 pm Post subject: |
|
|
Oldhand wrote:
Two more from this roll.
OH
#1
#2
 |
|
| Back to top |
|
|
DigiChromeEd
Joined: 29 Dec 2009
Posts: 3462
Location: Northern Ireland
|
| Posted: Sun Nov 27, 2016 10:35 pm Post subject: |
|
|
DigiChromeEd wrote:
 
_________________
"I've got a Nikon camera, I like to take a photograph" - Paul Simon |
|
| Back to top |
|
|
chhayanat
Joined: 11 Apr 2016
Posts: 242
Location: The Cow Belt
|
| Posted: Mon Nov 28, 2016 6:36 am Post subject: |
|
|
chhayanat wrote:
| Oldhand wrote: |
Two more from this roll.
OH
#1
#2
|
Was a post-processing software used on these scans from the FP4 roll? If so, which one was it? Thanks.
_________________
Chhayanat
Pentax-M 28/2.8; 35/2; 50/1.4; 100/2.8; 80-200/4.5; 400/5.6.
Carl Zeiss Jena Flektogon 35/2.4; Pancolar 50/1.8 (black).
Film cameras:
Zeiss Ikon Volta 135/6.3 Sonnar 9cm x 12 cm plate/sheet film;
Zeiss Ikon Ikonta 521 75/3.5 Novar (post-War) 6cm x 4.5cm
Pentax MX x 2 (black);
Digital bodies:
Pentax K200D;
Samsung GX-20; |
|
| Back to top |
|
|
Oldhand
Joined: 01 Apr 2013
Posts: 6008
Location: Mid North Coast NSW - Australia
|
| Posted: Mon Nov 28, 2016 9:52 am Post subject: |
|
|
Oldhand wrote:
Thank you Edgar and Chhayanat .
Yes Chhayanat , I import into Lightroom and after some exposure adjustment I usually finalise in NIK Siver Effex before I bring it back to LR for finishing touches.
It is a bit like choosing the correct grade of paper in the darkroom and then using dodging and burning in to gain selective local exposure control.
Cheers
Tom |
|
| Back to top |
|
|
chhayanat
Joined: 11 Apr 2016
Posts: 242
Location: The Cow Belt
|
| Posted: Mon Nov 28, 2016 7:11 pm Post subject: |
|
|
chhayanat wrote:
| Oldhand wrote: |
Thank you Edgar and Chhayanat .
Yes Chhayanat , I import into Lightroom and after some exposure adjustment I usually finalise in NIK Siver Effex before I bring it back to LR for finishing touches.
It is a bit like choosing the correct grade of paper in the darkroom and then using dodging and burning in to gain selective local exposure control.
Cheers
Tom |
Thanks. I have been been fooling around with NIK Silver Efex and thought I saw it in #2.
_________________
Chhayanat
Pentax-M 28/2.8; 35/2; 50/1.4; 100/2.8; 80-200/4.5; 400/5.6.
Carl Zeiss Jena Flektogon 35/2.4; Pancolar 50/1.8 (black).
Film cameras:
Zeiss Ikon Volta 135/6.3 Sonnar 9cm x 12 cm plate/sheet film;
Zeiss Ikon Ikonta 521 75/3.5 Novar (post-War) 6cm x 4.5cm
Pentax MX x 2 (black);
Digital bodies:
Pentax K200D;
Samsung GX-20; |
|
| Back to top |
|
|
Oldhand
Joined: 01 Apr 2013
Posts: 6008
Location: Mid North Coast NSW - Australia
|
| Posted: Tue Nov 29, 2016 9:43 am Post subject: |
|
|
Oldhand wrote:
Occasionally, I take the odd portrait.
This picture of my friend Charlie was taken on the same roll.
OH
#1
 |
|
| Back to top |
|
|
chris_zeel
Joined: 21 Jan 2013
Posts: 136
Location: Amsterdam, Netherlands
|
| Posted: Tue Nov 29, 2016 10:12 am Post subject: |
|
|
chris_zeel wrote:
very nice images!
intriguing compositions in the nature shots, well done!
also, interesting tonality in the shots. did you use any filters (yellow/orange perhaps?)?
how do the raw scans look like?
_________________
DSLR: Canon 6D, Canon 400D
SLR: Praktica MTL5, Topcon RE-2, Topcon RE Super, Nikon EM, Chinon CE-3 Memotron, Pentacon F, Zenit 12-XP
Rangefinder: Zorki 4K, Ricoh 500G, Olympus 35 SP, Neoca 2S
Folder: Afga Isolette-I
Compact: Olympus mju-I
AF: Tamron 28-75 f/2.8 XR Di LD
Exakta: Meyer-Optik Trioplan 50/2.9, Primagon 35/4.5
M42: Sigma Mini Wide 28/2.8, Auto Chinon 28/2.8, Meyer-Optik Lydith 30/3.5, Pentacon Electric 29/2.8, Mir 1b 37/2.8, Super-Takumar 50/1.4, Meyer-Optik Oreston 50 f/1.8, Auto Yashinon 50/2, CZJ Tessar T 50/2.8, E. Ludwig Meritar 50/2.9, Meyer-Optik Primotar E 50/3.5, Industar 50-2 50/3.5, SMC Takumar 55/2, CZJ Biotar 58/2, Helios 44 58 f/2, Jupiter-9 85 f/2, Meyer-Optik 85/3.5, Super-Takumar 105/2.8, Accura Super Tc 135/2.8, Pentacon Zebra 135/2.8, Jupiter-11 135 f/4, Chinon MC Auto 200/3.5, Accura Supertel Tc 200/4.5, Soligor C/D Macro+Zoom 80-200/4.5
F-mount: Nikon Series E 28/2.8, 50/1.8, 100/2.8, Nikkor-S 35/2.8, Nikkor-H.C 50/2, Nikkor-H 85/1.8
Topcon: RE Auto Topcor 35/2.8, RE. Auto Topcor 58/1.8, RE. Auto Topcor 135/3.5
OM: Zuiko Auto-S 50/1. |
|
| Back to top |
|
|
Oldhand
Joined: 01 Apr 2013
Posts: 6008
Location: Mid North Coast NSW - Australia
|
| Posted: Tue Nov 29, 2016 10:17 am Post subject: |
|
|
Oldhand wrote:
| chris_zeel wrote: |
very nice images!
intriguing compositions in the nature shots, well done!
also, interesting tonality in the shots. did you use any filters (yellow/orange perhaps?)?
how do the raw scans look like? |
Thank you for those kind words.
The landscapes were taken on a morning with very heavy dew and were mostly made pre-dawn and a little later.
No filters on this occasion other than UV which sits on the lenses permanently.
Tom |
|
| Back to top |
|
|
chris_zeel
Joined: 21 Jan 2013
Posts: 136
Location: Amsterdam, Netherlands
|
| Posted: Tue Nov 29, 2016 11:35 am Post subject: |
|
|
chris_zeel wrote:
quite a lot of contrast and broad range of tones.
how did you develop the film?
and what effect/character contributes the NIK Silver Efex?
_________________
DSLR: Canon 6D, Canon 400D
SLR: Praktica MTL5, Topcon RE-2, Topcon RE Super, Nikon EM, Chinon CE-3 Memotron, Pentacon F, Zenit 12-XP
Rangefinder: Zorki 4K, Ricoh 500G, Olympus 35 SP, Neoca 2S
Folder: Afga Isolette-I
Compact: Olympus mju-I
AF: Tamron 28-75 f/2.8 XR Di LD
Exakta: Meyer-Optik Trioplan 50/2.9, Primagon 35/4.5
M42: Sigma Mini Wide 28/2.8, Auto Chinon 28/2.8, Meyer-Optik Lydith 30/3.5, Pentacon Electric 29/2.8, Mir 1b 37/2.8, Super-Takumar 50/1.4, Meyer-Optik Oreston 50 f/1.8, Auto Yashinon 50/2, CZJ Tessar T 50/2.8, E. Ludwig Meritar 50/2.9, Meyer-Optik Primotar E 50/3.5, Industar 50-2 50/3.5, SMC Takumar 55/2, CZJ Biotar 58/2, Helios 44 58 f/2, Jupiter-9 85 f/2, Meyer-Optik 85/3.5, Super-Takumar 105/2.8, Accura Super Tc 135/2.8, Pentacon Zebra 135/2.8, Jupiter-11 135 f/4, Chinon MC Auto 200/3.5, Accura Supertel Tc 200/4.5, Soligor C/D Macro+Zoom 80-200/4.5
F-mount: Nikon Series E 28/2.8, 50/1.8, 100/2.8, Nikkor-S 35/2.8, Nikkor-H.C 50/2, Nikkor-H 85/1.8
Topcon: RE Auto Topcor 35/2.8, RE. Auto Topcor 58/1.8, RE. Auto Topcor 135/3.5
OM: Zuiko Auto-S 50/1. |
|
| Back to top |
|
|
Oldhand
Joined: 01 Apr 2013
Posts: 6008
Location: Mid North Coast NSW - Australia
|
| Posted: Tue Nov 29, 2016 11:43 am Post subject: |
|
|
Oldhand wrote:
| chris_zeel wrote: |
quite a lot of contrast and broad range of tones.
how did you develop the film?
and what effect/character contributes the NIK Silver Efex? |
This film was developed normally in RO9 50:1 for 12minutes at 20 degrees C
Changed to positive in LR then each frame was tweaked in NIK until it showed what I saw that morning.
Final adjustments in LR before export.
Cheers
Tom |
|
| Back to top |
|
|
|
|
|
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum
|
Search
Memberlist
Register
Profile
Log in to check your private messages
Log in
