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Mike Deep
Joined: 25 Oct 2008 Posts: 316 Location: Upstate New York
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Posted: Sun May 13, 2018 3:15 am Post subject: Three Rocket Launches |
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Mike Deep wrote:
I think I'm pretty well settled on a lineup for remote cameras until/if I start getting some of these lenses killed. In order of focal length:
Tamron SP Adaptall-2 17/3.5
H.Zuiko 24/2.8 (with a MC front element)
G.Zuiko 28/3.5
Super-Takumar 35/3.5
Yashica ML 50/1.4
Super-Multi-Coated Takumar 55/1.8
Sigma 90/2.8
Pre-AI Nikkor-Q 200/4
Tamron Adaptall-2 80-210 103A
Not all of them are featured here today, but they'll make their appearances often enough.
The following were shot for Spaceflight Insider.
April 14 - Atlas V 551 - AFSPC-11
H.Zuiko 24/2.8
Yashica ML 50/1.4
Nikkor-Q 200/4
April 18 - Falcon 9 - TESS
Yashica ML 50/1.4
H.Zuiko 24/2.8
May 11 - Falcon 9 Block 5 - Bangabandhu-1
Sigma 90/2.8 Macro
Super-Takumar 35/3.5
Yashica ML 50/1.4
_________________ Rocket Launch Photography
Olympus: 24/2.8 MC, 28/3.5, 28/2.8 MC, 35/2.8, 50/3.5, 50/1.8, 50/1.4 MC, 35-70/3.6, 75-150/4
Nikon: C 24/2.8, AI-S 28/2.8, K 35/2.8, F 55/3.5, F 105/2.5, F 135/2.8, F 200/4, No. 5T
Pentax: 28/3.5, 35/3.5, 50/1.4 (v1), 50/1.4 (v2), M 50/1.4, SMC 55/1.8, 105/2.8, SMC 135/3.5, 150/4
Tamron: SP 17/3.5 151B, 135/2.8 T-135, SP 300/2.8 60B, SP 35-80/2.8-3.8 01A, 80-210/3.8-4 103A, SP 1.4x TC 140F, SP 2x TC 01F
Vivitar: 24/2 (Kino), 28/2 (Kino), 50/1.4 (Cosina), S1 90/2.5 (Tokina), S1 28-80/2.8-3.5 (Kino), 70-150/3.8 (Kino), S1 70-210/3.5 (Kino), 2x Macro TC
Etc: Yashica 3.5cm/2.8, Fujinon 50/1.4, Yashica ML 50/1.4, Tomioka Yashinon 55/1.2, Mamiya/Sekor 55/1.7, Sigma 90/2.8
That's a lot of 50s. |
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kansalliskalaCafe
Joined: 23 Jul 2015 Posts: 602 Location: South Finland, countryside
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Posted: Sun May 13, 2018 6:52 am Post subject: |
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kansalliskalaCafe wrote:
These are great photos!
Can you tell us some more about you remote rigging.
Do you use film bodies or digital? _________________ (my normal account password still on another computer) |
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kds315*
Joined: 12 Mar 2008 Posts: 16498 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Sun May 13, 2018 7:31 am Post subject: |
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kds315* wrote:
Always amazing what you do!! _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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Mike Deep
Joined: 25 Oct 2008 Posts: 316 Location: Upstate New York
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Posted: Mon May 14, 2018 3:17 am Post subject: |
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Mike Deep wrote:
kansalliskalaCafe wrote: |
These are great photos!
Can you tell us some more about you remote rigging.
Do you use film bodies or digital? |
Thanks.
They're digital bodies. Each camera is set up in boxes like this:
Each box has velcro mounting points for triggers, dew heater controllers and external battery packs. When something isn't in use, reflective insulation panels are attached to the velcro to keep the box from becoming a greenhouse. Arca-style hardware is used to mount the cameras and tripods. Each box is also fitted with a carry handle and some reinforcing braces. For triggering, I put together my own timed sound-activated triggers. _________________ Rocket Launch Photography
Olympus: 24/2.8 MC, 28/3.5, 28/2.8 MC, 35/2.8, 50/3.5, 50/1.8, 50/1.4 MC, 35-70/3.6, 75-150/4
Nikon: C 24/2.8, AI-S 28/2.8, K 35/2.8, F 55/3.5, F 105/2.5, F 135/2.8, F 200/4, No. 5T
Pentax: 28/3.5, 35/3.5, 50/1.4 (v1), 50/1.4 (v2), M 50/1.4, SMC 55/1.8, 105/2.8, SMC 135/3.5, 150/4
Tamron: SP 17/3.5 151B, 135/2.8 T-135, SP 300/2.8 60B, SP 35-80/2.8-3.8 01A, 80-210/3.8-4 103A, SP 1.4x TC 140F, SP 2x TC 01F
Vivitar: 24/2 (Kino), 28/2 (Kino), 50/1.4 (Cosina), S1 90/2.5 (Tokina), S1 28-80/2.8-3.5 (Kino), 70-150/3.8 (Kino), S1 70-210/3.5 (Kino), 2x Macro TC
Etc: Yashica 3.5cm/2.8, Fujinon 50/1.4, Yashica ML 50/1.4, Tomioka Yashinon 55/1.2, Mamiya/Sekor 55/1.7, Sigma 90/2.8
That's a lot of 50s. |
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kansalliskalaCafe
Joined: 23 Jul 2015 Posts: 602 Location: South Finland, countryside
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Posted: Mon May 14, 2018 6:30 am Post subject: |
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kansalliskalaCafe wrote:
is the orange color for visibility of the cameras? _________________ (my normal account password still on another computer) |
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ZoneV
Joined: 09 Nov 2009 Posts: 1633 Location: Germany
Expire: 2011-12-02
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Posted: Mon May 14, 2018 8:20 am Post subject: |
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ZoneV wrote:
Whow, impressive images!
Great to see your setup too! _________________ Camera modification, repair and DIY - some links to look through: http://www.4photos.de/camera-diy/index-en.html
I AM A LENS NERD!
Epis, Elmaron, Emerald, Ernostar, Helioplan and Heidosmat.
Epiotar, Kameraobjektiv, Anastigmat, Epis, Meganast, Magnagon, Quinar, Culmigon, Novotrinast, Novflexar, Colorplan, Sekor, Kinon, Talon, Telemegor, Xenon, Xenar, Ultra, Ultra Star. Tessar, Janar, Visionar, Kiptar, Kipronar and Rotelar.
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Teemō
Joined: 07 Apr 2016 Posts: 586 Location: Australia
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Posted: Mon May 14, 2018 1:51 pm Post subject: |
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Teemō wrote:
Incredible images |
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Mike Deep
Joined: 25 Oct 2008 Posts: 316 Location: Upstate New York
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Posted: Mon May 14, 2018 7:22 pm Post subject: |
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Mike Deep wrote:
kansalliskalaCafe wrote: |
is the orange color for visibility of the cameras? |
I have gray and blue boxes also, but those two orange ones were ordered directly from the manufacturer so I'd have a few hi-vis options on hand. _________________ Rocket Launch Photography
Olympus: 24/2.8 MC, 28/3.5, 28/2.8 MC, 35/2.8, 50/3.5, 50/1.8, 50/1.4 MC, 35-70/3.6, 75-150/4
Nikon: C 24/2.8, AI-S 28/2.8, K 35/2.8, F 55/3.5, F 105/2.5, F 135/2.8, F 200/4, No. 5T
Pentax: 28/3.5, 35/3.5, 50/1.4 (v1), 50/1.4 (v2), M 50/1.4, SMC 55/1.8, 105/2.8, SMC 135/3.5, 150/4
Tamron: SP 17/3.5 151B, 135/2.8 T-135, SP 300/2.8 60B, SP 35-80/2.8-3.8 01A, 80-210/3.8-4 103A, SP 1.4x TC 140F, SP 2x TC 01F
Vivitar: 24/2 (Kino), 28/2 (Kino), 50/1.4 (Cosina), S1 90/2.5 (Tokina), S1 28-80/2.8-3.5 (Kino), 70-150/3.8 (Kino), S1 70-210/3.5 (Kino), 2x Macro TC
Etc: Yashica 3.5cm/2.8, Fujinon 50/1.4, Yashica ML 50/1.4, Tomioka Yashinon 55/1.2, Mamiya/Sekor 55/1.7, Sigma 90/2.8
That's a lot of 50s. |
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