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Gerald
Joined: 25 Mar 2014 Posts: 1196 Location: Brazil
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Posted: Sun Apr 27, 2014 5:24 pm Post subject: Sun ghosts |
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Gerald wrote:
A few pictorial effects caused by internal reflections of sunlight in a Tamron 28mm F2.8 and Pentacon 29mm F2.8.
The Tamron uses a 5-blade diaphragm while the Pentacon uses a 6-blade. As a consequence, the ghosts produced by the Tamron have pentagonal shape, and the Pentacon, hexagonal.
_________________ If raindrops were perfect lenses, the rainbow did not exist.
Last edited by Gerald on Thu Sep 25, 2014 3:00 pm; edited 1 time in total |
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Gerald
Joined: 25 Mar 2014 Posts: 1196 Location: Brazil
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Posted: Tue May 13, 2014 6:43 pm Post subject: |
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Gerald wrote:
I would like to add some interesting technical information I found about the ghosts which are produced when a lens is illuminated directly by the sun.
Today, many people get a little paranoid when sun ghosts appear in an image. On the other hand, those same people love to see pictures with points of light out of focus in what is called "bokeh". Go figure.
A common belief is that the best lens coatings have the ability to eliminate sun ghosts. That is completely wrong! Who says that is a Zeiss scientist, Dr. Hubert Nasse:
"So with the presently available coating technologies the attenuation of the ghost paths is not good enough to cover the possible dynamic range of subjects including the light source and deep shadow. Additional attenuation is required by distributing the light of the ghost path over a larger area of the sensor."
http://diglloyd.com/articles/ZeissZ/ZeissZ-15Distagon-NasseInterview-FlareControl.html
The explanation is very simple. According to Dr. Nasse, a high-quality coating on an optical surface reflects approximately 0.1% to 0.4% of the incident light. This corresponds to an "attenuation" of 8 to 10 stops. Remember we are speaking here about the state-of-the-art of lens coating. Not all optical surfaces are multicoated even in famous and expensive lenses.
Two reflections are required for the sunlight to reach the sensor, so that the total attenuation is 16 to 20 stops. Unfortunately, the ratio between the brightness of the sun and the deep shadows of a picture can get to 27 stops. The conclusion is that the attenuation of the best coatings is insufficient to prevent sun ghosts.
What to do then?
As Dr. Nasse says, the designer of the lens tries to make the reflections of the sun the most out-of-focus as possible. The diaphragm images (see the pictures in the original post) are nothing but the out-of-focus sun's images.
The optical surfaces of a lens are designed to minimize aberrations, but as it turns out they are also important in the formation of sun ghosts. Sometimes, by sheer luck a lens is much better than another in relation to the rejection of sun ghosts. This performance difference may have no relation to the quality of the multicoating, or correction of aberrations. _________________ If raindrops were perfect lenses, the rainbow did not exist. |
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luisalegria
Joined: 07 Mar 2008 Posts: 6627 Location: San Francisco, USA
Expire: 2018-01-18
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Posted: Tue May 13, 2014 7:10 pm Post subject: |
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luisalegria wrote:
Very nice - and some of these are very nice images !
In the old days these were often used creatively.
For such use I'd say number of blades is less important than whether they appear symmetrical.
A wonky pentagon or hexagon aperture is no problem with a normal image usually, because you dont see it. But in this sort of thing you want a nice looking aperture. Hmm, what about a Komura WA with star shaped aperture ? _________________ I like Pentax DSLR's, Exaktas, M42 bodies of all kinds, strange and cheap Japanese lenses, and am dabbling in medium format/Speed Graphic work. |
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memetph
Joined: 01 Dec 2013 Posts: 942 Location: Poland
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Posted: Tue May 13, 2014 8:25 pm Post subject: |
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memetph wrote:
The Tamron has a pentagon.
The Pentacon has a hexagon.
What will have a Hexanon? |
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PhantomLord
Joined: 08 Apr 2013 Posts: 476 Location: Szczecin, Poland
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Posted: Tue May 13, 2014 8:47 pm Post subject: |
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PhantomLord wrote:
memetph wrote: |
The Tamron has a pentagon.
The Pentacon has a hexagon.
What will have a Hexanon? |
_________________ Mateusz
No good story ever starts with drinking tea.
Flickr: http://www.flickr.com/photos/mateuszmolik/sets/ |
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pdccameras
Joined: 23 Aug 2009 Posts: 826 Location: Putnam, CT
Expire: 2014-08-11
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Posted: Tue May 13, 2014 9:21 pm Post subject: |
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pdccameras wrote:
luisalegria wrote: |
Very nice - and some of these are very nice images !
In the old days these were often used creatively.
For such use I'd say number of blades is less important than whether they appear symmetrical.
A wonky pentagon or hexagon aperture is no problem with a normal image usually, because you dont see it. But in this sort of thing you want a nice looking aperture. Hmm, what about a Komura WA with star shaped aperture ? |
Interesting effects! This kind of flare is still used creatively today. Any of you who are SciFi fans, and are familiar with the Firefly tv series, might be interested to know that the director, Joss Whedon, achieved a look similar to the cinematography of 1970's spaghetti westerns by using vintage lenses prone to flare.
P. _________________ Canon 5D Mii, Canon 40D, Canon 350D IR, Sony A7 Mii, Sony Alpha-6000, a ton of lenses: AF & MF and too many cameras to count, all formats: 110 - 4x5. |
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Rick1779
Joined: 17 May 2013 Posts: 1207 Location: Italy
Expire: 2014-06-06
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Posted: Tue May 13, 2014 9:42 pm Post subject: |
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Rick1779 wrote:
memetph wrote: |
The Tamron has a pentagon.
The Pentacon has a hexagon.
What will have a Hexanon? |
_________________ TELLTALE
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David
Joined: 13 Apr 2011 Posts: 1869 Location: Denver, Colorado
Expire: 2013-01-25
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Posted: Wed May 14, 2014 2:07 am Post subject: |
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David wrote:
Time to try this with my newly repaired Amica Eyelux and it's square (with tear-drop corners) aperture. _________________ http://www.youtube.com/user/hancockDavidM |
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Lightshow
Joined: 04 Nov 2011 Posts: 3669 Location: Calgary
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Posted: Wed May 14, 2014 11:40 pm Post subject: |
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Lightshow wrote:
Thanks for the discussion, I had always wondered how big a roll coatings had, I had assumed correctly that the shape of the element surfaces were the main factor. _________________ A Manual Focus Junky...
One photographers junk lens is an artists favorite tool.
My lens list
http://www.flickr.com/photos/lightshow-photography/ |
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Gerald
Joined: 25 Mar 2014 Posts: 1196 Location: Brazil
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Posted: Thu May 15, 2014 12:51 am Post subject: |
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Gerald wrote:
Lightshow wrote: |
Thanks for the discussion, I had always wondered how big a roll coatings had, I had assumed correctly that the shape of the element surfaces were the main factor. |
Yes, certain lens surfaces are diabolical and can play a trick even to the best designers of lenses. It was just what happened with the Leica 50/2 APO Summicron-M ASPH:
http://diglloyd.com/blog/2013/20130422_1-LeicaM240-50f2AA-flare.html
http://leicarumors.com/2013/09/15/leicas-ceo-confirms-flare-issues-with-the-apo-summicron-50mm-f2-0-asph-lens.aspx/ _________________ If raindrops were perfect lenses, the rainbow did not exist. |
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