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Medium Format Lomo's
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PostPosted: Fri Jan 04, 2013 5:28 pm    Post subject: Medium Format Lomo's Reply with quote

Has anyone looked in here...http://uk.shop.lomography.com/cameras/belair-cameras?utm_source=www&utm_medium=teaserwall&utm_campaign=nl_Belair_Update_Jan_2

I thought Lomo cameras were little plastic devices that cost very little but could take a photograph if one tried hard enough? Some of these look quite good!



PostPosted: Fri Jan 04, 2013 5:54 pm    Post subject: Reply with quote

Intriguing specs aren't they?

flickr pool - http://www.flickr.com/groups/lomobelair/pool/with/8210917611/

There's a thread here with a few hands-on impressions and a couple of sample pics: - http://www.flickr.com/photos/37385617@N00/8210917611/

I looked at a few of the samples and didn't see anything razor sharp, but there were some interesting shots that made good use of that crazy 6x12 format.


PostPosted: Fri Jan 04, 2013 6:12 pm    Post subject: Reply with quote

I am grateful to lomo only to bring back to life film, plenty of old folder available from little cost to high , take one what is fit into your budget.


PostPosted: Fri Jan 04, 2013 6:24 pm    Post subject: Reply with quote

Here's an actual review with test shots - http://filmadvance.com/2012/12/review-lomography-belair-x-6-12-camera-part-3/#more-2262


PostPosted: Fri Jan 04, 2013 8:09 pm    Post subject: Reply with quote

Laughing Laughing
Quote:
Lomography has announced the pending release of two new “Russian” glass lenses for the Belair that are promissed to deliver “awe-inspiring sharpness.” Considering the current ones are touted as yielding “never-before-seen sharpness, “


The term never-before-seen sharpness actually means you've never seen such a drop-off in sharpness Very Happy

Awe-inspiring sharpness, now, that has some promise. Unless of course it means you'll say "Awww, too bad it's so mushy"


PostPosted: Fri Jan 04, 2013 8:10 pm    Post subject: Reply with quote

Attila wrote:
I am grateful to lomo only to bring back to life film, plenty of old folder available from little cost to high , take one what is fit into your budget.
+1 I took this advice and am happy with my Agfa Isolette ii.


PostPosted: Fri Jan 04, 2013 8:20 pm    Post subject: Reply with quote

The Beliar camera that you have shown is probably the most attractive lomo camera that has been made so far ( in my opinion ). From the looks of it, it seem rather promising and I`d actually like to try one, but for that price...forget it. Instead I`ll load a film to my Moskva-5 or buy another chap`o alternative and enjoy better image quality and experience. But I do thing this will be a huge success in the lomo community Smile


PostPosted: Fri Jan 04, 2013 11:04 pm    Post subject: Reply with quote

I've read the replies to my post with interest and I've followed the links to the revue's, I now think that it's not much camera for a lot of money! My apologies to the Lomo community, but it seems the cameras REAL price should be in the £50 or £60's price range. I'm quite disappointed because it did look so good in the adverts on site. The ordinary lomos, I've seen advertised at £75, this is a camera that a decade or so ago wouldn't have gone over £2.50. I admire those who try to get the most from the least, but to indulge that effort at that price tag, is sheer lunacy, or, `more money than good sense!!'.
I would only accept a Bellair as a gift, not one penny more, those reviews did it for me, to think that the poor humble Zenit has been reduced to this. The Zenit was a fine example of rugged reliable engineering, basic but good quality photography, some of the lenses were really beautiful pieces of optical delight (Jupiter 9 comes to mind!). Sic gloria transit! Zenit and Praktica, the eastern bloc's legend fades from view and only the trash remains.

Anyone remember the `Cosmic Symbol' 35mm with Industar 50/3.5 plastic Russian camera? Beat a Lomo or Diana easy for quality, mechanical and photographic. £12.50 Dixons in 1975. REALLY basic, but quite well made and very functional, everyone knows what the little Industar was like for sharpness and contrast, IQ was very good.



Or the earlier version was just as good.



PostPosted: Sat Jan 19, 2013 12:09 pm    Post subject: Reply with quote

Cosmic Symbol is a nice collectors camera and way more expensive than simple Smena symbol Smile . You can actually buy Smena 8M . You can buy them by wight since they do not cost anything, and you`ll get exactly the same results as Diana or Holga


PostPosted: Sat Jan 19, 2013 12:47 pm    Post subject: Reply with quote

Drack wrote:
Cosmic Symbol is a nice collectors camera and way more expensive than simple Smena symbol Smile . You can actually buy Smena 8M . You can buy them by wight since they do not cost anything, and you`ll get exactly the same results as Diana or Holga


AND they sport an f4 lens not f8 like that expensive Belair. As I recall, sharpness wasn't an issue with these budget cameras, indeed, used properly they were capable performers, but in their day, looked down upon for being plastic** and cheap. Incidentally, the Cosmic 35, the lower/bigger of those two Cosmic's , followed a fifties to early sixties fashion of black and grey plastic used by a range of Kodak cameras, from the cheap and basic snapshot up to amateur standard, produced until the dreaded Instamatic cassette cameras were introduced in the early to middle sixties.

** I wonder how ethnographers from the sixties would view today's top of the range cameras? These are mostly plastic moldings and even some of the optics are plastic. The better brands do claim a metal frame or chassis, but that is usually a cheap alloy stamping. Compared to a top of the range sixties Lieca, `blad or Rolie? NO Contest!


PostPosted: Sat Jan 19, 2013 9:22 pm    Post subject: Reply with quote

MTHall wrote:
Anyone remember the `Cosmic Symbol' 35mm with Industar 50/3.5 plastic Russian camera? Beat a Lomo or Diana easy for quality, mechanical and photographic. £12.50 Dixons in 1975. REALLY basic, but quite well made and very functional, everyone knows what the little Industar was like for sharpness and contrast, IQ was very good.

I've got 2 of these. The lenses are sharp, but they have issues with overlap of frames.


PostPosted: Sat Jan 19, 2013 9:24 pm    Post subject: Reply with quote

Drack wrote:
Cosmic Symbol is a nice collectors camera and way more expensive than simple Smena symbol Smile . You can actually buy Smena 8M . You can buy them by wight since they do not cost anything, and you`ll get exactly the same results as Diana or Holga
Sadly, both mine are Smena badged. Laughing


PostPosted: Sat Jan 19, 2013 10:42 pm    Post subject: Reply with quote

martinsmith99 wrote:
MTHall wrote:
Anyone remember the `Cosmic Symbol' 35mm with Industar 50/3.5 plastic Russian camera? Beat a Lomo or Diana easy for quality, mechanical and photographic. £12.50 Dixons in 1975. REALLY basic, but quite well made and very functional, everyone knows what the little Industar was like for sharpness and contrast, IQ was very good.

I've got 2 of these. The lenses are sharp, but they have issues with overlap of frames.


That sounds like a worn film transport, if I remember correctly, the film sprocket was driven by the take on spool during wind on, very basic and simple, no slip clutch needed! Is the overlap of a consistent amount, or is it variable? it is obviously a weakness if you have two that do the same. It might be fixable tho'?


PostPosted: Sun Jan 20, 2013 12:42 am    Post subject: Reply with quote

I also forgot one other great Russian viewfinder camera - Vilia . This was , I believe the 4th film camera that I have used since I`ve started film photography. Really liked the little thing. It made some amazing shot considering all the metering and focusing was done by guessing. It`s truly a great alternative to the smena since its better built and cheaper because of lower popularity.

Some pictures ( Fujifilm superia 200iso expired and kept in warm places )





Its very nice to remember this little camera. I should put some film in one and see just how good I`ve gotten over the last 2 years Very Happy.

I`ve also used the smena symbol. In terms of looks i like it more over the Vilia. You can add an additional rangefinder called Blick which ( if i`m not mistaken ) was originally made for it and therefore looks great. But I like the feel of the vilia more. In terms of image quality - as good as the film you put in them Smile


PostPosted: Sun Jan 20, 2013 10:03 am    Post subject: Reply with quote

Hi Drack, that's a beautiful picture of the seaside, almost like a painting. Frame and hang? I've not heard of the camera you describe, so I looked it up and I'd say it's a re-hashed Cosmic Cymbal? I think it looks more attractive than the Cymbal, a matter of taste I suppose?


PostPosted: Sun Jan 20, 2013 11:01 am    Post subject: Reply with quote

The overlap wasn't consistent. I think it's just the design. I may add somthing to the take-up spool to thicken it, thereby making the frame gaps bigger.

I really like using them and have the Blik RF too.


PostPosted: Sun Jan 20, 2013 11:11 am    Post subject: Reply with quote

martinsmith99 wrote:
The overlap wasn't consistent. I think it's just the design. I may add somthing to the take-up spool to thicken it, thereby making the frame gaps bigger.

I really like using them and have the Blik RF too.


I think you'll have more joy if you investigate the sprocket's mechanism, frame registration is the sprockets job!


PostPosted: Sun Jan 20, 2013 12:00 pm    Post subject: Reply with quote

Actually the Vilia is nothing similar to Cosmic symbol. It is bigger, the focus mechanism is completely different, viewfinder is way better and even shows you the DOF when changing the aperture. The only similarities are the shutter release knob and the fat that it has the same shutter speeds. Vilia feels way more solid than the Smena ( for me at least ).
In terms of taste I can say that if you put a Cosmic symbol + rangefinder blick and vilia next to each other the Symbol is the winner. However without the rangefinder Vilia is nicer Wink


PostPosted: Sun Jan 20, 2013 2:25 pm    Post subject: Reply with quote

martinsmith99 wrote:
Attila wrote:
I am grateful to lomo only to bring back to life film, plenty of old folder available from little cost to high , take one what is fit into your budget.
+1 I took this advice and am happy with my Agfa Isolette ii.


Me too, lovely little camera and cost 12.50GBP from a charity shop. I even bought a couple of push on filters for it too. I need to get an external rangefinder though as 120 roll film is a bit expensive for the WAG focusing method.

K.


PostPosted: Sun Jan 20, 2013 3:38 pm    Post subject: Reply with quote

The Cosmic Symbol doesn't have an Industar-50, it has a T-43 triplet, important difference.

I agree with Kris, old folders are much better than these modern Lomo things. The one interesting feature of this Bel-Air is the 6x12 format, but the lenses are excreable and the price is ludicrous for such cheap and nasty plastic.

Even the most basic of old 6x9 folder will have a far, far better lens and be much better built, no plastic on these 1930s cameras. I shot this with a Franka Rolfix from 1929 with an uncoated Schneider Radionar triplet, this camera cost me 99p in fully working condition, all shutter speeds work and are pretty accurate, lens has spotless glass, bellows are free of holes, I just put a film in it and shot.



This one was with a 1930s Voigtlander Bessa with Skopar 3.5/105, another camera that worked perfectly, the lens had some dust and haze but cleaned up perfectly in 5mins with a soft cloth and some isopropanol. This camera was less than 7ukp.



This one was with an identical Bessa but this one has the uncommon 3.5/105 Voigtar triplet (most Bessa Voigtars are 4.5) and is no less sharp than the 4-element Skopar, this camera was less than 10ukp and was working perfectly.



This one was with another Bessa with Skopar 3.5/105, this camera belonged to a friend and was the reason I bought two for myself.



The quality of a 6x9 from one of these old folders absolutely annihilates anything you can do with 35mm, even with the most expensive lenses. How will the plastic Bel-Air work in 70 years? These old cameras still work perfectly, most work, some require some maintenance but these are very simple cameras to work on and cleaning the lenses is really easy as the front and rear cells just unscrew from the shutter.


PostPosted: Sun Jan 20, 2013 3:41 pm    Post subject: Reply with quote

No comparation to 35mm indeed, this is valid to any medium format.


PostPosted: Sun Jan 20, 2013 5:45 pm    Post subject: Reply with quote

If this fashion for Lomography is the only thing that has saved the film industry it worries me because if it suddenly goes out of fashion the industry will die quickly.


PostPosted: Sun Jan 20, 2013 5:58 pm    Post subject: Reply with quote

skida wrote:
If this fashion for Lomography is the only thing that has saved the film industry it worries me because if it suddenly goes out of fashion the industry will die quickly.


+1 this is our responsibility to shoot on film and publish much as we can to spread information to people, shoot on film is fun and it has place.