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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Sat Oct 23, 2010 3:49 pm Post subject: I was wondering which of my 50mm something lens was - - |
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revers wrote:
- sharpest wide open. I took eight lenses & shot a test panel with the camera on a tripod & using a cable release. To my great surprise there was very little difference at all in the images in spite of the largest apertures varying between f1.4 & f3.5
Here are three examples:
1.
2.
3.
Would you pick one over the other? _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Sat Oct 23, 2010 3:54 pm Post subject: Re: I was wondering which of my 50mm something lens was - - |
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LucisPictor wrote:
revers wrote: |
Would you pick one over the other? |
Not at that image size. _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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hasan
Joined: 12 Mar 2007 Posts: 313
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Posted: Sat Oct 23, 2010 4:01 pm Post subject: Re: I was wondering which of my 50mm something lens was - - |
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hasan wrote:
LucisPictor wrote: |
revers wrote: |
Would you pick one over the other? |
Not at that image size. |
At that size,
sharpnesswise it's 1. 3. 2. for me.
2nd has poor resolution at the edges. |
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walter g
Joined: 20 Feb 2010 Posts: 2463 Location: NC, USA
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Posted: Sat Oct 23, 2010 9:00 pm Post subject: Re: I was wondering which of my 50mm something lens was - - |
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walter g wrote:
hasan wrote: |
LucisPictor wrote: |
revers wrote: |
Would you pick one over the other? |
Not at that image size. |
At that size,
sharpnesswise it's 1. 3. 2. for me.
2nd has poor resolution at the edges. |
+1
Hard to tell at that size. But....
1) Minolta 50 1.4 would be my guess. _________________
Main cameras
Panasonic G5,Nikon J1,Pentax Q10,Sony Nex 6
Minolta MC W SI 2.5/28, MD 2.8/28, MC W SG 3.5/28, MC Celtic 3.5/28, MC W HG 2.8/35, MD Celtic 2.8/35, QE 4/35, Rokkor X 2/45, MC Rokkor X PG 1.4/50, MC Rokkor X PG 1.7/50, MD Rokkor X 1.7/50, MD 2/50, MC Rokkor PF 1.7/55, MC Rokkor PF 1.9/55, Auto Tele Rokkor PG 2.8/135, MC Tele Rokkor QD 3.5/135, TC 4/135, MC Celtic 4/200, MC Tele Rokkor PE 4.5/200
MD 28-70 f3.5-4.8, MD Macro 35-70 f3.5, Md 70-210 f4, MD Rokkor X 75-200 f4.5, MD 100-200 f5.6
Nikon Nikkor 4/20, O Auto 2/35, S Auto 1.4/50..... Miranda Auto 2.8/28, Auto 2.8/35, Auto 1.4/50, Auto EC 1.4/50, Auto 1.8/50, Auto EC 1.8/50,Auto 1.9/50, Auto 3.5/135
Various Soligor,Sun,Fujita,Komura,Spitatone, etc. Lenses
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exaklaus
Joined: 11 Aug 2009 Posts: 1633 Location: Niederrhein, Germany
Expire: 2011-12-02
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Posted: Sat Oct 23, 2010 9:04 pm Post subject: |
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exaklaus wrote:
Maybe focus shift. Refocus at all f-settings for comparing!
Klaus _________________ my Ebay auctions
Canon 5D II,
Fuji GW690III, Fuji G617, Fujifilm X-E1
Bessaflex TM
Tachihara 4"x5"
Summilux-R 1:1,4/50
Canon FD 85mm 1:1,2
Color-Heliar 75mm F2.5 SL
www.autoselbstfotografie.de
www.classic-cameras-and-lenses.de |
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justtorchit
Joined: 12 Oct 2009 Posts: 269 Location: St. Louis, MO
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Posted: Sat Oct 23, 2010 9:25 pm Post subject: |
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justtorchit wrote:
Quote: |
2nd has poor resolution at the edges. |
Agreed at that size not much difference, though #2 is definitely poor near the edges in these shots. _________________ David
www.davidkovaluk.com - personal website
www.instagram.com/davidkovaluk
http://makingnottaking.blogspot.com/ - photoblog |
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Anu
Joined: 14 Apr 2009 Posts: 879
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Posted: Sat Oct 23, 2010 9:31 pm Post subject: |
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Anu wrote:
One problem with this test is that you only test one subject distance. Different lenses tend to be optimized for different optimal operational focus range. |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Sat Oct 23, 2010 10:59 pm Post subject: Re: I was wondering which of my 50mm something lens was - - |
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revers wrote:
walter g wrote: |
Hard to tell at that size. But....
1) Minolta 50 1.4 would be my guess. |
The Minolta 50/1.4 was one in the test but is not one shown here.
1. Super Takumar 55/1.8
2. Helios 44-2, 58/2.0
3. Sears 50/2.0
I selected three to show with close maximum apertures.
I am not sure what Klaus is saying but each lens was carefully focused on the centre circle @ the maximum aperture for each lens. _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Sat Oct 23, 2010 11:20 pm Post subject: Re: I was wondering which of my 50mm something lens was - - |
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estudleon wrote:
hasan wrote: |
LucisPictor wrote: |
revers wrote: |
Would you pick one over the other? |
Not at that image size. |
At that size,
sharpnesswise it's 1. 3. 2. for me.
2nd has poor resolution at the edges. |
+1
N° 1 very good corner resolution. _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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estudleon
Joined: 15 May 2008 Posts: 3754 Location: Argentina
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Posted: Sat Oct 23, 2010 11:23 pm Post subject: |
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estudleon wrote:
Hi Ron.
Thanks for the test.
Please, tell me, which version (or number) of the 1,8/50 S.T.
Rino _________________ Konica 2,8/100
CZJ: 4/20, 2,4/35, 1,8/50 aus jena, 3,5/135MC, Pentacon 1,8/50
Pentax S-M-C-1,4/50
Helios 44-3
Mamiya 2,8/135
Misc. : jupiter 9
Stuff used:
A) SRL
Alpa 10 D - kern macro Switar 1,9/50 -black, Kilffit apochromat 2/100.
Asahi pentax spotmatic super takumar 1,4/50
Contaflex super B tessar 2,8/50 Pro-tessar 115
Leica R3 electronic summicron 2/50 elmarit 2,8/35
Konica Autoreflex 3 (2 black and chrome one), TC, T4. 2,8/24, 3,5/28 not MC and MC, 1,8/40, 1,4/50, 1,7/50 MC and not MC, 1,8/85, 3,2/135, 3,5/135, 4/200
Minolta XG9 2,8/35, 2/45, 3,5/135
Nikkormat FTn 1,4/50, 2,8/135
Fujica ST 801, 605, 705n. 3,5/19, 1,4/50, 1,8/55, 4/85, 3,5/135.
Praktica MTL 5 and a lot of M42 lenses.
Voigtlander. Bessamatic m, bessamatix de luxe, bessamatic cs, ultramatic and ultramatic cs.
Skoparex 3,5/35, skopagon 2/40, skopar 2,8/50, skopar X 2,8/50, super lanthar (out of catalogue) 2,8/50, dinarex 3,4/90, dinarex 4,8/100, super dinarex 4/135, super dinarex 4/200, zoomar 2,8/36-83, portrait lens 0, 1 and 2. Curtagon 4/28 and 2,8/35
Canon AV1, 1,8/50
Rolleiflex SL35 and SL35 E. 2,8/35 angulon, 2,8/35 distagon, 1,4/55 rolleinar, 1,8/50 planar, 4/135 tessar, 2,8/135 rolleinar, x2 rollei, M42 to rollei adap.
Etc.
RF
Yashica Minister III
Voightlander Vito, vitomatic I, Vito C, etc.
Leica M. M2, M3 (d.s.) and M4. Schenider 3,4/21, 2/35 summaron 2,8/35 (with eyes). Summicron 2/35 (8 elements with eyes), 2/35 chrome, 2/35 black, 1,4/35 pre asph and aspheric - old -, 2/40 summicron, 2,8/50 elmar, 2/50 7 elements, 2/50 DR, 2/50 - minolta version, 1,4/50 summilux 1966 version, 1,4/75 summilux, 2/90 large version, 2/90 reduced version of 1987, 2,8/90 elmarit large version, 4/135 elmar. |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Sat Oct 23, 2010 11:35 pm Post subject: |
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revers wrote:
Anu wrote: |
One problem with this test is that you only test one subject distance. Different lenses tend to be optimized for different optimal operational focus range. |
I demonstrated what you say today with two 35-70mm lenses, a Kalimar & a Soiigor. I shot the same test panel with both wide open @ 35 & 70mm.
The Kalimar was sharp @ 35mm & soft @ 70mm,
the Soligor was soft @ 35mm & sharp @ 70mm.
I bought the Soligor after trying it in a camera shop after testing it against two other lenses wide open @ 70mm. Now I wonder if I made the correct decision. _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Sat Oct 23, 2010 11:40 pm Post subject: |
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revers wrote:
estudleon wrote: |
Hi Ron.
Thanks for the test.
Please, tell me, which version (or number) of the 1,8/50 S.T.
Rino |
It is M42, SN 1691494.
Is this what you want ? _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Oct 24, 2010 12:34 am Post subject: |
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Orio wrote:
Anu is right, photographing these charts has little to do with what the lenses were optimized for, which is usually (except for macro lenses) photography at infinity. It is possible that at infinity the performances may even be reversed.
Also, in order to express any opinion, full size pictures should be provided. The only thing that is maybe possible to say from an 800 pixels image is how the rezise algorhythm of the software did it's job. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Sun Oct 24, 2010 1:09 am Post subject: |
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revers wrote:
Orio wrote: |
Anu is right, photographing these charts has little to do with what the lenses were optimized for, which is usually (except for macro lenses) photography at infinity. It is possible that at infinity the performances may even be reversed.
Also, in order to express any opinion, full size pictures should be provided. The only thing that is maybe possible to say from an 800 pixels image is how the rezise algorhythm of the software did it's job. |
I understand what you are saying but I contend the smaller files still represent the difference in the originals but on a smaller scale. Furthermore, this site still sets a limit on what file size is acceptable to upload directly, certainly not the full size. As my internet connection is very slow, I try to make the best of what I can do with more than one photo per post. _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Oct 24, 2010 1:30 am Post subject: |
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Orio wrote:
revers wrote: |
I understand what you are saying but I contend the smaller files still represent the difference in the originals but on a smaller scale. |
The problem is that sharpness is related to scale. When you mess with the scale, you also mess with the sharpness. That is why sharpness is always evaluated at 100% size. The direct upload limit can be dealt with by posting 100% size crops of the critical areas. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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revers
Joined: 13 May 2010 Posts: 574 Location: In the country just north of Toronto Canada
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Posted: Sun Oct 24, 2010 1:41 am Post subject: |
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revers wrote:
Orio wrote: |
revers wrote: |
I understand what you are saying but I contend the smaller files still represent the difference in the originals but on a smaller scale. |
The problem is that sharpness is related to scale. When you mess with the scale, you also mess with the sharpness. That is why sharpness is always evaluated at 100% size. The direct upload limit can be dealt with by posting 100% size crops of the critical areas. |
In this case do you really think that would change the rating of 1-3-2 which seems unanimous. I don't. _________________ Ron
Olympus OM-D E-M5, 14-42 & 45/1.8.
Panasonic G1, GF1, 14-45, 45-200 & various legacy lenses.
Canon S5, Sony 1.7 Tele-converter & Raynox DCR 150 Macro converter. |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Oct 24, 2010 1:58 am Post subject: |
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Orio wrote:
revers wrote: |
In this case do you really think that would change the rating of 1-3-2 which seems unanimous. I don't. |
The only sure thing that I can tell from your images is that your second image (most likely the f/1.4 lens) has obvious blur on the right side edge, which may be caused either by the sensor plane not being perfectly parallel to the chart, or (I hope not) by a slight misaligned element in your lens, or imperfect glass element.
For the rest, I notice in all three images a moire pattern on the 5 lpm square, which may have been caused either by the camera sensor, or by the resize algorhythm (resize-induced moire). Impossible to tell the reason why without looking at the 100% size image. Resize may, or may not, have completely altered the result. Not having the certainty, judgement must be suspended.
The second thing I notice is that all three images create a blurry mess (that turns into an almost solid gray) at the 8, 9 and 10 lpm squares. And again, impossible to tell if this is caused by the lens or sensor not able to resolve, or, if it's caused by the resize having merged lines that in the full image were separatedly discernible. Which, again, brings us back to the resize problem. And to the suspension of judgement.
If I was not aware of the inutility of judging sharpness on resized images, and wanted to give an opinion based only on these 800 pixels images, I would say -based on the observation of those 5 and 8/9/10 lpm squares- that the three lenses perform exactly the same.
But reasonable chances are that if I could look at the 100% images, differences may have surfaced. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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walter g
Joined: 20 Feb 2010 Posts: 2463 Location: NC, USA
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Posted: Sun Oct 24, 2010 2:52 am Post subject: |
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walter g wrote:
revers wrote: |
Orio wrote: |
revers wrote: |
I understand what you are saying but I contend the smaller files still represent the difference in the originals but on a smaller scale. |
The problem is that sharpness is related to scale. When you mess with the scale, you also mess with the sharpness. That is why sharpness is always evaluated at 100% size. The direct upload limit can be dealt with by posting 100% size crops of the critical areas. |
In this case do you really think that would change the rating of 1-3-2 which seems unanimous. I don't. |
I think this is being judged mainly by corner sharpness. That's how I judged.
But if you did crops of the center, and only judged off that.
I think the order would be 2-1-3. The center really need to be larger for accurate judging. There are differences. _________________
Main cameras
Panasonic G5,Nikon J1,Pentax Q10,Sony Nex 6
Minolta MC W SI 2.5/28, MD 2.8/28, MC W SG 3.5/28, MC Celtic 3.5/28, MC W HG 2.8/35, MD Celtic 2.8/35, QE 4/35, Rokkor X 2/45, MC Rokkor X PG 1.4/50, MC Rokkor X PG 1.7/50, MD Rokkor X 1.7/50, MD 2/50, MC Rokkor PF 1.7/55, MC Rokkor PF 1.9/55, Auto Tele Rokkor PG 2.8/135, MC Tele Rokkor QD 3.5/135, TC 4/135, MC Celtic 4/200, MC Tele Rokkor PE 4.5/200
MD 28-70 f3.5-4.8, MD Macro 35-70 f3.5, Md 70-210 f4, MD Rokkor X 75-200 f4.5, MD 100-200 f5.6
Nikon Nikkor 4/20, O Auto 2/35, S Auto 1.4/50..... Miranda Auto 2.8/28, Auto 2.8/35, Auto 1.4/50, Auto EC 1.4/50, Auto 1.8/50, Auto EC 1.8/50,Auto 1.9/50, Auto 3.5/135
Various Soligor,Sun,Fujita,Komura,Spitatone, etc. Lenses
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