Bessa I

[Theron]

Hello:

My first medium format, my first vintage and my first range-finder all in one. I am waiting for my "new" Bessa I w/ the 4.5 skopar lens.

Can someone recommend good B&W film that works well with this camera? I am asare that lower ASA speeds work better. Does this lens work well with color as well..and at lower ASA as well?

I usually shoot digital (Nikon D70S) so this is a learning curve for me. I hope to scan my negatives w/an Epson V500 and do the post processing with Photoshop elements. I can use any suggestions that can come my way.

[Attila]

Welcome!

Nothing compare with slide especially large one. You can convert into B&W anytime.

[Orio]

Firstly, welcome to the group.

There is no such thing as a "B&W film that works well with this camera".
As for what film, there is not much choice today in medium format. But one thing that we can safely say is that all commercial film today is much better than any film that existed when the Bessa I was created.
So you pretty much are on safe ground, of course much of your results will depend on how you will develop and print your B&W film.

About colour film, if the lens is a Skopar and not a Color Skopar, it means that it was designed for B&W. This does not mean necessarily that the colour results will be bad. It just means that the Skopar was not as corrected for the chromatic aberrations as the Color Skopar was. But these often are subtelties and in the real world, the difference will be imperceptible most of the times.

[A G Photography]

This is the week of disagreement with Attila

While color slides are great and I also had good results convrting them to B&W after scanning I sitll think that nothing compares for B&W to use good B&W film.

I'm fond of Kodak trix and Fomapan, both at 400 ISO (useful if you're shooting in the street under different light conditions).

[Attila]

[PaulC]

Fomapan is an old-fashioned film - can't remember which formula it uses but it does give nice results. The one drawback with it is that I've found it tends to curl a bit, making scanning more difficult. Neopan Acros 100, on the other hand, I've found to be nice and flat.

[GrahamNR17]

Try Adox CHS100/Efke KB21. Gets nice and curly, like wrestling a spring process it above about 21 or 22 deg C and even the bloody emulsion falls of (it does, really!)

But the results are lovely. Probably one of the last of the high-silver content films

Fomapan sounds interesting, I think I should get some for a try

[Theron]

Thank you to all who have responded. I especially appreciate the suggestion of film type/speed for street photography using the Bessa I.

This will be a learning curve...I am mostly a street photographer using digital, but I want the craft and the look that comes with the BESSA.

I have used a PENTAX ME Super in the past, but never medium format and never primarily B&W. I look to this forum as a way to learn.

[PaulC]

Remember that with a huge negative and a 105 or 110mm lens you probably want to use your top shutter speed for street photography, otherwise blurred negs will be a big problem.

Contrary to Zeiss's 1950 adverts, nobody can learn to hand-hold a 6x9 at 1/25th and get perfect results

[Attila]

for 6x9 Tripod, tripod, tripod + F8 at least hard to get right focus if you use top speed due no internal RF.

[PaulC]

Fair enough, Attila, a tripod is always best, but in my mind street photography means something else. If you think sunny f16, then a 200ASA film is going to give you a chance of a decent shutter speed and a decent aperture, maybe f8 at 1/500 (which is probably 1/400) if you have it, or f16 at 1/200.

Go to one of the slow films and hand-holding becomes impossible. To my mind, 1/200 is the SLOWEST shutter speed that produces (and not always) good handheld shots from a 6x9. On the 6x6 with an 80mm lens, 1/160 or even 1/125 are possible.

[Nesster]

Ive shot with ASA400 - XP2 and BW400CN and had good results. Usually though I use 160 speed color, Fuji or Kodak. Remember the lens is 105mm and light weight - you do want to keep the shutter speed high-ish. OTH you can always put the camera down on something to steady it.

I assume this is the '50s Bessa, so it is coated. I actually like the uncoated lenses with color too, but then I like strange things.

[Laurence]

I've had good luck with Ilford HP5 at ASA 400 or 800 (pushed) for moving animals and people.

For tripod work, I've always loved Plus-X 125.

[vilva]

[vilva]

[jjphoto]

Ilford HP5 Plus is a very nice film for meduium format, developed in Ilford LC29 1:19 it looks great.

JJ

[Theron]

Agian, thank you for the comments and suggestions for me; I appreciate it very much.

After quite a search in my area (SE Wisconsin, USA), I could only locate Kodak TMY 120 ISO 400.

I guess I will buy my film on line from now on.