Posted: Thu Nov 13, 2008 5:07 am Post subject: |
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Laurence wrote:
Holy Cow!
no name (look what poetry!):
http://contaxg.com/document.php?id=32806&full=1
Marvelous. A GREAT usage of high-grain, high accutance film! I LOVE the falloffs - both light falloff and focus falloff. The photographer USED those falloffs almost as a compositional element! The mood, the global tones, and the simplistic comp combine with the light to create, as you have alluded to Orio, a poetic tome of an image.
Also:
http://contaxg.com/document.php?id=25344
http://contaxg.com/document.php?id=24120
http://contaxg.com/document.php?id=25544
http://contaxg.com/document.php?id=25119 _________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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